From ChoralWiki
A piece of music in two or more voice-parts without independent accompaniment. In theory, the term encompasses forms such as the glee, madrigal and unaccompanied anthem. In practice, however, it usually refers to small-scale secular pieces for unaccompanied choral singing. No precise definition is possible: the supposition that partsongs differ from madrigals in moving homophonically with the melody in the top voice overlooks the textural variety of both madrigals and partsongs. Nor is the text definitive, since there are sacred examples such as Sullivan's Five Sacred Partsongs (1871). The genre gained popularity in England in the nineteenth century with the growth of choral societies. Partsongs are usually single entities, but there exist lengthy multi-sectional works, possibly intended as competitive showpieces, that are susceptible to no other definition. Other languages have no exact equivalent of the term: this may be a reflection of its breadth and inexactitude in all countries where partsongs flourish.
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Pages in category "Partsongs"
There are 200 articles in this category.
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- A Cradle Song (Tim Porter)
- A Dream Within A Dream (Huub de Lange)
- A Hunts up (John Bennet)
- A Light Exists In Spring (Huub de Lange)
- A Painted Tale (Thomas Morley)
- A Whimsy on 2 cats (David Solomons)
- A beauteous fair has stole my heart (John Wall Callcott)
- A dorniña (Angel Viro)
- A little flock from Iceland (Peter Bird)
- A red, red rose (Eva Toller)
- A tale told by an idiot (Huub de Lange)
- Aaret (Christian Mondrup)
- Abendlich schon rauscht der Wald (Fanny Hensel)
- Abendlied (Felix Mendelssohn)
- Abendständchen, Op. 42, No. 1 (Johannes Brahms)
- Abschied vom Walde, Op. 59, No. 3 (Felix Mendelssohn)
- Absence, hear thou my protestation (Thomas Morley)
- Adeste (Jef Tinel)
- Adieu! 'Tis Love's Last Greeting (Franz Schubert)
- Agarimo ó neno (Angel Viro)
- Ah! How Sophia can you leave? (John Wall Callcott)
- Ah, for wings to soar (Anonymous)
- Aimer et Plaire (Anonymous)
- Air is Heavy with the Breath of Flowers, The (Henry C. Watson)
- All the world's a stage (Huub de Lange)
- Alles hat seine Zeit (Franz Joseph Haydn)
- Alliterationsvisa (Eva Toller)
- Although soft sleep (Richard John Samuel Stevens)
- Alá media noite (Angel Viro)
- An den Vetter (Franz Joseph Haydn)
- Angelitos del cielo (Angel Viro)
- Aria de la Suite No. 3 (Johann Sebastian Bach)
- As I was going to Derby (John Wall Callcott)
- As Torrents in Summer (Edward Elgar)
- As dornas do xeito (Angel Viro)
- As sunne through glass (Tim Porter)
- Aspiration, Op. 27, No. 4 (Edward Elgar)
- Atoelomble (Traditional)
- Auf dem See, Op. 41, No. 6 (Felix Mendelssohn)
- Auf ihrem Grab, Op. 41, No. 4 (Felix Mendelssohn)
- Autumn Morning at Bunyip (Stefan Karpiniec)
- Autunno (Francesco Iannitti)
- Avoid loud and aggressive persons (from 'Desiderata I') (Luc Goosen)
- Avondliedeken (Dutch and German versions) (Pfeil)
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- Daffodils (Huub de Lange)
- Dame Durden (William Paxton)
- Daphne was not so chaste as she was changing (John Dowland)
- Death of Aase, The (Edvard Hagerup Grieg)
- Dein Herzlein mild, Op. 62, No. 4 (Johannes Brahms)
- Dem dunkeln Schoss der heilgen Erde, WoO 20 (Johannes Brahms)
- Den enda stunden (Eva Toller)
- Den sødeste af alle (Thomas Laub)
- Der Abend, Op. 64, No. 2 (Johannes Brahms)
- Der Augenblick (Franz Joseph Haydn)
- Der Gang zum Liebchen, Op. 31, No. 3 (Johannes Brahms)
- Der Greis (Franz Joseph Haydn)
- Der Tanz (Franz Schubert)
- Der Zecher als Doctrinair (Robert Schumann)
- Der träumende See (Robert Schumann)
- Desenrolei-me de ti (Javier Fajardo)
- Desiderata I (Luc Goosen)
- Desiderata II (Luc Goosen)
- Die Beredsamkeit (Franz Joseph Haydn)
- Die Harmonie in der Ehe (Franz Joseph Haydn)
- Die Jugend (Georg Philipp Telemann)
- Die Lotusblume (Robert Schumann)
- Die Minnesänger (Robert Schumann)
- Die Nachtigall, Op. 59, No. 4 (Felix Mendelssohn)
- Die Primel, Op. 48, No. 2 (Felix Mendelssohn)
- Disdaine me still (John Dowland)
- Dong, The (John Kilpatrick)
- Dream Within a Dream, A (Ty Kroll)
- Dreaming in Darkness (Robinson McClellan)
- Drink to me only (Traditional)
- Drink to me only with thine eyes (John Wall Callcott)
- Du som aldrig gått ut ur ditt trädgårdsland (Eva Toller)
- Due pupille amabili (Wolfgang Amadeus Mozart)
- Dull, repining sons of care (John Wall Callcott)
- Durch der Töne Zaubermacht (Franz Schubert)
- Durme Xesús non chores (Angel Viro)
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