The Renaissance Singer: Difference between revisions
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==General information== | ==General information== | ||
{{Title|''The Renaissance Singer''}} | |||
'''Editor / Compiler:''' [[Thomas Dunn]] | '''Editor / Compiler:''' [[Thomas Dunn]] | ||
'''Publisher:''' E. C. Schirmer, Boston, MA USA | '''Publisher:''' E. C. Schirmer, Boston, MA USA | ||
'''Price:''' $15.50 (available for purchase from [http://www.sheetmusicplus.com/a/ | '''Price:''' $15.50 (available for purchase from [http://www.sheetmusicplus.com/a/home.html?id=154015 Sheet Music Plus]) | ||
'''ISBN-10:''' Unknown<br> | '''ISBN-10:''' Unknown<br> | ||
| Line 13: | Line 12: | ||
'''Voicing of works:''' SATB; optional organ accompaniments provided | '''Voicing of works:''' SATB; optional organ accompaniments provided | ||
{{PubDatePlace|1976| by E. C. Schirmer in Boston.| }} | |||
'''Notes:''' | '''Notes:''' | ||
*With an Essay on Renaissance performance practice by Joseph Dyer. | *With an Essay on Renaissance performance practice by Joseph Dyer. | ||
*Special note on copyright for users in the U.S.: Even though all of the contents of the volume appear to be in the public domain, under U.S. copyright law, creating a compilation is defined as editorial content, and as such, even though individual items are in the public domain in the U.S., E. C. Schirmer asserts a copyright in the | *Special note on copyright for users in the U.S.: Even though all of the contents of the volume appear to be in the public domain, under U.S. copyright law, creating a compilation is defined as editorial content, and as such, even though individual items are in the public domain in the U.S., E. C. Schirmer asserts a copyright in the collection of these items, in this order. | ||
*Texts are in their original languages, with English provided for those items with non-English original texts. | *Texts are in their original languages, with English provided for those items with non-English original texts. | ||
*The source, original liturgical usage, and where the original is in a language other than English, a translation, are provided for each item. | *The source, original liturgical usage, and where the original is in a language other than English, a translation, are provided for each item. | ||
| Line 38: | Line 37: | ||
|- | |- | ||
| 3 | | 3 | ||
| [[ | | [[Angelus autem Domini (Felice Anerio)|''Angelus autem Domini'']] | ||
| [[Felice Anerio]] | | [[Felice Anerio]] | ||
|- | |- | ||
| Line 46: | Line 45: | ||
|- | |- | ||
| 17 | | 17 | ||
| [[ | | [[Ecce quomodo moritur justus (Jacob Handl)|''Ecce quomodo moritur'']] | ||
| [[Jacob Handl]] | | [[Jacob Handl]] | ||
|- | |- | ||
| 23 | | 23 | ||
| [[ | | [[Angelus ad pastores ait a 4 (Hans Leo Hassler)|''Angelus ad pastores'']] | ||
| [[Hans Leo Hassler]] | | [[Hans Leo Hassler]] | ||
|- | |- | ||
| 32 | | 32 | ||
| [[ | | [[Cantate Domino a 4 (Hans Leo Hassler)|''Cantate Domino'']] | ||
| [[Hans Leo Hassler]] | | [[Hans Leo Hassler]] | ||
|- | |- | ||
| 39 | | 39 | ||
| [[ | | [[Tenebrae factae sunt (Marco Antonio Ingegneri)|''Tenebræ factæ sunt'']] | ||
| [[Marco Antonio Ingegneri]] | | [[Marco Antonio Ingegneri]] | ||
|- | |- | ||
| 44 | | 44 | ||
| [[ | | [[Inimici autem (Orlando di Lasso)|''Inimici autem'']] | ||
| [[Orlando di Lasso]] | | [[Orlando di Lasso]] | ||
|- | |- | ||
| 48 | | 48 | ||
| [[ | | [[Agnus Dei (Thomas Morley)|''Agnus Dei'']] | ||
| [[Thomas Morley]] | | [[Thomas Morley]] | ||
|- | |- | ||
| 53 | | 53 | ||
| [[ | | [[Hodie nobis coelorum rex (Giovanni Battista Nanino)|''Hodie nobis cœlorum Rex'']] | ||
| [[Giovanni Battista Nanino]] | | [[Giovanni Battista Nanino]] | ||
|- | |- | ||
| 62 | | 62 | ||
| [[ | | [[Diffusa est gratia (Giovanni Maria Nanino)|''Diffusa est gratia'']] | ||
| [[Giovanni Battista Nanino]] | | [[Giovanni Battista Nanino]] | ||
|- | |- | ||
| 67 | | 67 | ||
| [[ | | [[Adoramus te, Christe (attrib. Giovanni Pierluigi da Palestrina)|''Adoramus te, Christe'']] | ||
| [[Giovanni Pierluigi da Palestrina]] | | [[Giovanni Pierluigi da Palestrina]] | ||
|- | |- | ||
| 72 | | 72 | ||
| [[ | | [[Miserere nostri, Domine (part 2) (Giovanni Pierluigi da Palestrina)|''Miserere Nostri, Domine'']] | ||
| [[Giovanni Pierluigi da Palestrina]] | | [[Giovanni Pierluigi da Palestrina]] | ||
|- | |- | ||
| Line 90: | Line 89: | ||
|- | |- | ||
| 94 | | 94 | ||
| [[ | | [[Sicut cervus (Giovanni Pierluigi da Palestrina)|''Sicut Cervus'']] | ||
| [[Giovanni Pierluigi da Palestrina]] | | [[Giovanni Pierluigi da Palestrina]] | ||
|- | |- | ||
| 101 | | 101 | ||
| [[ | | [[En natus est Emmanuel (Michael Praetorius)|''En natus est Emmanuel'']] | ||
| [[Michael Praetorius]] | | [[Michael Praetorius]] | ||
|- | |- | ||
| 108 | | 108 | ||
| [[ | | [[In natali Domini (Michael Praetorius)|''In Natali Domini'']] | ||
| [[Michael Praetorius]] | | [[Michael Praetorius]] | ||
|- | |- | ||
| 113 | | 113 | ||
| [[ | | [[If ye love me (Thomas Tallis)|''If ye love me'']] | ||
| [[Thomas Tallis]] | | [[Thomas Tallis]] | ||
|- | |- | ||
| 118 | | 118 | ||
| [[ | | [[Dum complerentur dies Pentecostes (Tomás Luis de Victoria)|''Dum complerentur dies Pentecostes'']] | ||
| [[ | | [[Tomás Luis de Victoria]] | ||
|- | |- | ||
| 129 | | 129 | ||
| [[Eram quasi agnus (Tomás Luis de Victoria)|''Eram quasi agnus'']] | | [[Eram quasi agnus (Tomás Luis de Victoria)|''Eram quasi agnus'']] | ||
| [[ | | [[Tomás Luis de Victoria]] | ||
|- | |- | ||
| 137 | | 137 | ||
| [[Jesu | | [[Jesu, dulcis memoria (Tomás Luis de Victoria)|''Jesus dulcis memoria'']] | ||
| [[ | | [[Tomás Luis de Victoria]] | ||
|- | |- | ||
| 141 | | 141 | ||
| [[ | | [[Nobis datus (Tomás Luis de Victoria)|''Nobis datus'']] | ||
| [[ | | [[Tomás Luis de Victoria]] | ||
|- | |- | ||
| 148 | | 148 | ||
| [[ | | [[O vos omnes (Feria Sexta in Parasceve) (Tomás Luis de Victoria)|''O vos omnes'']] | ||
| [[ | | [[Tomás Luis de Victoria]] | ||
|- | |- | ||
| 155 | | 155 | ||
| [[ | | [[Vere languores (Tomás Luis de Victoria)|''Vere languores nostros'']] | ||
| [[ | | [[Tomás Luis de Victoria]] | ||
|- | |- | ||
| 163 | | 163 | ||
| Line 134: | Line 133: | ||
|} | |} | ||
[[Category:Music publications]] | [[Category:Music publications|Renaissance Singer, The]] | ||
[[Category:Anthem collections]] | [[Category:Anthem collections|Renaissance Singer, The]] | ||
Latest revision as of 15:01, 24 November 2020
General information
Title: The Renaissance Singer
Editor / Compiler: Thomas Dunn
Publisher: E. C. Schirmer, Boston, MA USA
Price: $15.50 (available for purchase from Sheet Music Plus)
ISBN-10: Unknown
ISBN-13: Unknown
Voicing of works: SATB; optional organ accompaniments provided
Publication date and place: 1976 by E. C. Schirmer in Boston.
Notes:
- With an Essay on Renaissance performance practice by Joseph Dyer.
- Special note on copyright for users in the U.S.: Even though all of the contents of the volume appear to be in the public domain, under U.S. copyright law, creating a compilation is defined as editorial content, and as such, even though individual items are in the public domain in the U.S., E. C. Schirmer asserts a copyright in the collection of these items, in this order.
- Texts are in their original languages, with English provided for those items with non-English original texts.
- The source, original liturgical usage, and where the original is in a language other than English, a translation, are provided for each item.
Contents
The original publication includes indexes by:
- Composer
- Liturgical Use
- Collated titles, both Latin and English
and also includes an index of illustrations.
Tip: Titles in the left column which appear in blue are hyperlinks to the score page on CPDL - click on them for free editions.