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[[Orlando di Lasso|Lassus]]' [[Magnificat]]s number nearly 100; the ''Sämtlicher Werke'' (NGA) includes 110 attributed works.
[[Orlando di Lasso|Lassus]]' [[Magnificat]]s number about 100 and indeed were printed posthumously as ''[[Iubilus beatæ virginis hoc est centum Magnificat (Orlando di Lasso)|Iubilus beatæ virginis, hoc est centum Magnificat]]'' (Munich 1619). Almost all (the exceptions are the through-composed No's 35, 64, 65 & 102) are alternatim settings of the even verses.
{{IMSLP2|Orlando_di_Lasso:_Sämtliche_Werke,_neue_Reihe|Sämtliche Werke, neue Reihe}}


The sortable list below is ordered after the SWnR, with Bötticher's 195? catalogue numbers and the numbering of the 1619 print.


==== Volume 13 (Magnificats, Band 1, nos. 1–24)====
==SWnR==
Editor: Wolfgang Boetticher:
The ''Sämtlicher Werke neue Reihe'' (SWnR) includes 110 attributed works according to the following plan:
* Magnificat octo tonorum, 4–6vv (Nuremberg, 1567)
*Volume 13 (Magnificats, Band 1, nos. 1–24), edited by Wolfgang Boetticher: 3 Magnificat cycles in the 8 modes (Nuremberg, 1567)
:1–8. Magnificat cycle [octo tonorum], 6vv, Primi toni, H xiii, 3, Secundi toni, H xiii, 15, Tertii toni, H xiii, 34, Quarti toni, H xiii, 50, Quinti toni, H xiii, 68, Sexti toni, H xiii, 88, Septimi toni, H xiii, 106, Octavi toni, H xiii, 122
*Volume 14 (Magnificats, Band 2, nos. 25–49), edited by James Erb: Works printed in Paris 1587 as well as Munich 1576 & 1587
:9–16. Magnificat cycle [octo tonorum] (i), 5vv, Primi toni, H xiii, 143, Secundi toni, H xiii, 155, Tertii toni, H xiii, 166, Quarti toni, H xiii, 181, Quinti toni, H xiii, 193, Sexti toni, H xiii, 200, Septimi toni, H xiii, 213, Octavi toni, H xiii, 227
*Volume 15 (Magnificats, Band 3, nos. 50–70), edited by James Erb: works from the period 1576-1583 in Munich mss.
:17–24. Magnificat cycle [octo tonorum] (i), 4vv, Primi toni, H xiii, 245, Secundi toni, H xiii, 251, Tertii toni, H xiii, 256, Quarti toni, H xiii, 261, Quinti toni, H xiii, 267, Sexti toni, H xiii, 272, Septimi toni, H xiii, 278, Octavi toni, H xiii, 283
*Volume 16 (Magnificats, Band 4, nos. 71–92), edited by James Erb: works from the period 1583-1585 in Munich mss.
*Volume 17 (Magnificats, Band 5, nos. 93–110), edited by James Erb: Posthoumously transmitted works & dubia; appendix with parody models not by Lassus<!--
|93. {{NoCo|Magnificat Vola vola pensier|Vola vola pensier}} (Aeria a la italiana) [octavi toni], 5vv, H xvii, 3
|94. Quinti toni, 6vv, H xvii, 14
|95. Octavi toni (i), 8vv, H xvii, 31
|96. Octavi toni (ii), 8vv, H xvii, 48
|97. {{NoCo|Magnificat Erano capei d’oro|Erano capei d’oro}} [septimi toni] ([[Erano capei d’oro (Giovanni Maria Nanino)|Nanino’s madrigal]]), 5vv, H xvii, 64
|98. Secundi toni, 6vv, H xvii, 76
|99. {{NoCo|Magnificat Si vous estes m’amie|Si vous estes m’amie}} [sexti toni] ({{NoCo|Si vous estes m’amie|own chanson}}, 1584a), 6vv, H xvii, 94
|100. {{NoCo|Magnificat Memor esto|Memor esto}} [secundi toni] ({{NoCo|Memor esto|own motet}}, 1585a), 6vv, H xvii, 107
|101. {{NoCo|Magnificat Aurora lucis rutilat|Aurora lucis rutilat}} [octavi toni] (NoCo|Aurora lucis rutilat|own motet}}, 1604), 10vv, H xvii, 124
|102. Septimi toni, 10vv, MS, H xvii, 150
|103–110. 8 Magnificat settings, doubtful, H xvii, 182
…-->


==== Volume 14 (Magnificats, Band 2, nos. 25–49)====
==Sources==
Editor: Wolfgang Boetticher
* ''Magnificat octo tonorum'', 4–6vv (Nuremberg, 1567) (1–8. 6vv, <!--Primi toni, H xiii, 3, Secundi toni, H xiii, 15, Tertii toni, H xiii, 34, Quarti toni, H xiii, 50, Quinti toni, H xiii, 68, Sexti toni, H xiii, 88, Septimi toni, H xiii, 106, Octavi toni, H xiii, 122…-->; 9–16. 5vv, <!--Primi toni, H xiii, 143, Secundi toni, H xiii, 155, Tertii toni, H xiii, 166, Quarti toni, H xiii, 181, Quinti toni, H xiii, 193, Sexti toni, H xiii, 200, Septimi toni, H xiii, 213, Octavi toni, H xiii, 227
* Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ canticum Magnificat, ad imitationem cantilenarum quarundam, 4–6vv (Munich, 1587c)
…-->; 17–24. 4vv, <!--Primi toni, H xiii, 245, Secundi toni, H xiii, 251, Tertii toni, H xiii, 256, Quarti toni, H xiii, 261, Quinti toni, H xiii, 267, Sexti toni, H xiii, 272, Septimi toni, H xiii, 278, Octavi toni, H xiii, 283
…-->)
* {{NoCo|Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ|''Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ canticum Magnificat, ad imitationem cantilenarum quarundam'', 4–6vv (Munich, 1587c)}}
*''[[Iubilus beatæ virginis hoc est centum Magnificat (Orlando di Lasso)|Iubilus beatæ virginis, hoc est centum Magnificat]]'', 4–8vv, 10vv (Munich, 1619a) nos. 50-65
*{{NoCo|Liber primus cantiones sacrae Magnificat vocant, 5, 6vv|''Liber primus cantiones sacræ Magnificat vocant'', 5, 6vv (Paris, 1602<sup>1</sup>)}}


===Sortable table===
==Sortable table==
{| class="wikitable sortable"
{| class="wikitable sortable"
|-
|-
!NGA
!SWnR
!Bot
!Bot
!1619
!1619
Line 25: Line 42:
!publ.
!publ.
|-
|-
|1
|1||10||61
|
|Primi toni ||i |||6
|61
|[[Magnificat octo tonorum, 4–6vv (Orlando di Lasso)|Nürnberg 1567]]
|
|-
|i
|2||22||65
|6
|{{NoCo|Magnificat 3 Secundi toni|Secundi toni}} ||ii ||6
|Nürnberg 1567
|[[Magnificat octo tonorum, 4–6vv (Orlando di Lasso)|Nürnberg 1567]]
|-
|3||37||74
|Tertii toni ||iii ||6
|[[Magnificat octo tonorum, 4–6vv (Orlando di Lasso)|Nürnberg 1567]]
|-
|4||45||75
|{{NoCo||Quarti toni}} ||iv||6
|[[Magnificat octo tonorum, 4–6vv (Orlando di Lasso)|Nürnberg 1567]]
|-
|5||53||78
|Quinti toni ||v ||6
|[[Magnificat octo tonorum, 4–6vv (Orlando di Lasso)|Nürnberg 1567]]
|-
|5||63||80
|Sexti toni ||vi ||6
|[[Magnificat octo tonorum, 4–6vv (Orlando di Lasso)|Nürnberg 1567]]
|-
|7||78||84
|Septimi toni ||vii ||6
|[[Magnificat octo tonorum, 4–6vv (Orlando di Lasso)|Nürnberg 1567]]
|-
|8||95||90
|Octavi toni ||viii ||6
|[[Magnificat octo tonorum, 4–6vv (Orlando di Lasso)|Nürnberg 1567]]
|-
|9||6||26
|Primi toni ||i ||5
|[[Magnificat octo tonorum, 4–6vv (Orlando di Lasso)|Nürnberg 1567]]
|-
|10||18||30
|Secundi toni ||ii ||5
|[[Magnificat octo tonorum, 4–6vv (Orlando di Lasso)|Nürnberg 1567]]
|-
|-
|2
|11||34||34
|
|Tertii toni ||iii ||5
|65
|[[Magnificat octo tonorum, 4–6vv (Orlando di Lasso)|Nürnberg 1567]]
|
|ii
|6
|Nürnberg 1567
|-
|-
|3
|12||40||37
|
|Quarti toni ||iv ||5
|74
|[[Magnificat octo tonorum, 4–6vv (Orlando di Lasso)|Nürnberg 1567]]
|
|iii
|6
|Nürnberg 1567
|-
|-
|4
|13||50||42
|
|Quinti toni ||v ||5
|
|[[Magnificat octo tonorum, 4–6vv (Orlando di Lasso)|Nürnberg 1567]]
|
|iv
|6
|Nürnberg 1567
|-
|-
|14||58||44
|Sexti toni ||vi
|5
|5
|[[Magnificat octo tonorum, 4–6vv (Orlando di Lasso)|Nürnberg 1567]]
|-
|15||72||49
|Septimi toni ||vii ||5
|[[Magnificat octo tonorum, 4–6vv (Orlando di Lasso)|Nürnberg 1567]]
|-
|16||89||55
|Octavi toni ||viii ||5(6)
|[[Magnificat octo tonorum, 4–6vv (Orlando di Lasso)|Nürnberg 1567]]
|-
|17||2||2
|{{NoCo|Magnificat primi toni|Primi toni}} ||i ||4
|[[Magnificat octo tonorum, 4–6vv (Orlando di Lasso)|Nürnberg 1567]]
|-
|18||15||6
|{{NoCo|Magnificat secundi toni|Secundi toni}} ||ii ||4
|[[Magnificat octo tonorum, 4–6vv (Orlando di Lasso)|Nürnberg 1567]]
|-
|19||32||10
|{{NoCo|Magnificat tertii toni|Tertii toni}} ||iii ||4
|[[Magnificat octo tonorum, 4–6vv (Orlando di Lasso)|Nürnberg 1567]]
|-
|20||39||13
|{{NoCo|Magnificat quarti toni a 4|Quarti toni}} ||iv ||4
|[[Magnificat octo tonorum, 4–6vv (Orlando di Lasso)|Nürnberg 1567]]
|-
|21||49||15
|{{NoCo|Magnificat quinti toni|Quintii toni}} ||v ||4
|[[Magnificat octo tonorum, 4–6vv (Orlando di Lasso)|Nürnberg 1567]]
|-
|22||56||17
|{{NoCo|Magnificat sexti toni|Sexti toni}} ||vi ||4
|[[Magnificat octo tonorum, 4–6vv (Orlando di Lasso)|Nürnberg 1567]]
|-
|23||69||20
|{{NoCo|Magnificat septimi toni|Septimi toni}} ||vii ||4
|[[Magnificat octo tonorum, 4–6vv (Orlando di Lasso)|Nürnberg 1567]]
|-
|24||88||24
|{{NoCo|Magnificat octavi toni|Octavi toni}} ||viii ||4
|[[Magnificat octo tonorum, 4–6vv (Orlando di Lasso)|Nürnberg 1567]]
|-
|25||1||1
|{{NoCo|Magnificat primi toni II|Primi toni}} ||i ||4
|''[[Patrocinium musices magnificat aliquot quinta pars (Orlando di Lasso)|Patrocinium musices]]'' 1576
|-
|26||14||5
|{{NoCo|Magnificat secundi toni II|Secundi toni}} ||ii ||4
|''[[Patrocinium musices magnificat aliquot quinta pars (Orlando di Lasso)|Patrocinium musices]]'' 1576
|-
|27||31||9
|{{NoCo|Magnificat tertii toni II|Tertii toni}} ||iii ||4
|''[[Patrocinium musices magnificat aliquot quinta pars (Orlando di Lasso)|Patrocinium musices]]'' 1576
|-
|28||38||12
|{{NoCo|Magnificat quarti toni II|Quarti toni}} ||iv ||4
|''[[Patrocinium musices magnificat aliquot quinta pars (Orlando di Lasso)|Patrocinium musices]]'' 1576
|-
|29||48||14
|{{NoCo|Magnificat quinti toni II|Quinti toni}} ||v ||4
|''[[Patrocinium musices magnificat aliquot quinta pars (Orlando di Lasso)|Patrocinium musices]]'' 1576
|-
|30||55||16
|{{NoCo|Magnificat sexti toni II|Sexti toni}} ||vi ||4(5)
|''[[Patrocinium musices magnificat aliquot quinta pars (Orlando di Lasso)|Patrocinium musices]]'' 1576
|-
|31||68||19
|{{NoCo|Magnificat septimi toni II|Septimi toni}} ||vii ||4
|''[[Patrocinium musices magnificat aliquot quinta pars (Orlando di Lasso)|Patrocinium musices]]'' 1576
|-
|32||87||23
|{{NoCo|Magnificat octavi toni II|Octavi toni}} ||viii ||4
|''[[Patrocinium musices magnificat aliquot quinta pars (Orlando di Lasso)|Patrocinium musices]]'' 1576
|-
|33||3||3
|{{NoCo|Magnificat primi toni III|Primi toni}} H xiv, 75 ||i ||4
|
|
|-
|34||44||41
|{{NoCo|Magnificat Ancor che col partire|Ancor che col partire}} (after [[Ancor che col partire (Cipriano de Rore)|Rore's madrigal)]] H xiv, 82 ||iv ||5
|
|
|-
|35||67||95
|{{NoCo|Magnificat sexti toni a 8 |Sexti toni}}, H xiv, 94 ||vi ||8 ||one of 4 through-composed settings
|-
|36||85||96
|Septimi toni H xiv, 112 ||vii ||8
|
|
|v
|6
|Nürnberg 1567
|-
|-
|5
|37||4||4
|{{NoCo|Magnificat Si par souhait|Si par souhait}} ({{NoCo|Si par souhait|own chanson, 1570b}}), H xiv, 126 ||i ||4
|''[[Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ (Orlando di Lasso)|Patrocinium musices]]'' 1987
|-
|38||17||8
|{{NoCo|Magnificat Il est jour|Il est jour}} ([[Il est jour (Claudin de Sermisy)|Claudin de Sermisy’s chanson]]),H xiv, 133 ||ii ||4
|''[[Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ (Orlando di Lasso)|Patrocinium musices]]'' 1987
|-
|39||28||71
|{{NoCo|Magnificat Quanti in mille anni il ciel|Quanti in mille anni il ciel}} ([[Quanti in mille anni il ciel (Pierre Nollet)|[?Pierre] Nollet’s madrigal]]) H xiv, 141 ||ii ||6
|''[[Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ (Orlando di Lasso)|Patrocinium musices]]'' 1987
|-
|40||11||62
|{{NoCo|Magnificat Dessus le marché d’Arras|Dessus le marché d’Arras}} ({{NoCo|Dessus le marché d’Arras|own chanson}}, 1584a), H xiv, 158 ||i ||6
|''[[Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ (Orlando di Lasso)|Patrocinium musices]]'' 1987
|-
|41||12||63
|{{NoCo|Magnificat Susanne un jour|Susanne un jour}} ([[Susanne un jour (Orlando di Lasso)|own chanson]]), H xiv 174 ||i ||6
|''[[Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ (Orlando di Lasso)|Patrocinium musices]]'' 1987
|-
|42||83||89
|{{NoCo|Magnificat Deus in adjutorium meum|Deus in adjutorium}} [septimi (?) toni] ({{NoCo|Deus in adjutorium meum intende|own motet}}, 1582e), H xiv, 189 ||Peregrini toni ||6
|''[[Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ (Orlando di Lasso)|Patrocinium musices]]'' 1987
|-
|43||29||72
|{{NoCo|Magnificat Ecco ch’io lasso il core|Ecco ch’io lasso il core}} (?[[Ecco ch’io lasso il core (Alessandro Striggio)|Striggio’s madrigal]]), H xiv, 201 ||ii ||6
|''[[Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ (Orlando di Lasso)|Patrocinium musices]]'' 1987
|-
|44||13||64
|{{NoCo|Magnificat Omnis enim homo|Omnis enim homo}} ({{NoCo|Omnis enim homo|own motet}}, 1585b), H xiv, 216 ||i ||6
|''[[Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ (Orlando di Lasso)|Patrocinium musices]]'' 1987
|-
|45||81||87
|{{NoCo|Magnificat Amor ecco colei|Amor ecco colei}} H xiv, 231 ||vii ||6
|''[[Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ (Orlando di Lasso)|Patrocinium musices]]'' 1987
|-
|46||46||76
|{{NoCo|Magnificat Quando lieta sperai|Quando lieta sperai}} ([[Quando lieta sperai (Anonymous)|anon. madrigal]], 1548), H xiv, 243 ||iv ||6
|''[[Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ (Orlando di Lasso)|Patrocinium musices]]'' 1987
|-
|47||94||60
|{{NoCo|Magnificat Aria di un sonetto|Aria di un sonetto}} (Ortiz’s [[Aria di Ruggiero (Diego Ortiz)|Aria di Ruggiero]]), H xiv, 256 ||viii ||5
|''[[Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ (Orlando di Lasso)|Patrocinium musices]]'' 1987
|-
|48||36||36
|{{NoCo|Magnificat Mort et fortune|Mort et fortune}} ([[Mort et fortune (Nicolas Gombert)|Nicolas Gombert’s chanson]]), H xiv, 263 ||iii (viii) ||5
|''[[Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ (Orlando di Lasso)|Patrocinium musices]]'' 1987
|-
|49||30||73
|{{NoCo|Magnificat Mais qui pourroit|Mais qui pourroit}} ({{NoCo|Mais qui pourroit|own chanson}}, 1584a), H xiv, 275 ||ii ||6
|''[[Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ (Orlando di Lasso)|Patrocinium musices]]'' 1987
|-
|50||16||7
|{{NoCo|Magnificat O s’io potessi|O s’io potessi}} ([[O s’io potessi (Jacquet de Berchem)|Berchem’s madrigal]]), 4vv, H xv, 3 ||ii ||4
|''[[Iubilus beatæ virginis hoc est centum Magnificat (Orlando di Lasso)|Iubilus beatæ virginis]]'' 1619
|-
|51||19||31
|Secundi toni, 5vv, H xv, 10 ||ii ||5
|
|
|-
|52||42||39
|Quarti toni (i), 5vv, H xv, 16 ||iv ||5
|
|
|-
|53||59||45
|Sexti toni (i), 5vv, H xv, 24 || vi ||5
|
|
|v
|6
|Nürnberg 1567
|-
|-
|6
|54||61||47
|Sexti toni (ii), 5vv, H xv, 30 ||vi ||5
|
|
|-
|55 ||74||51
|Septimi toni (i), 5vv, H xv, 35 ||vii ||5
|
|
|-
|56 ||90||56
|Octavi toni (i), 5vv, H xv, 40 ||viii ||5
|
|
|vi
|6
|Nürnberg 1567
|-
|-
|7
|57||21||33
|{{NoCo|Magnificat Las je n’iray plus|Las je n’iray plus}} ({{NoCo|Las je n’iray plus|own chanson}}, 1576a), H xv, 46 ||ii ||5
|
|
|-
|58||26||69
|{{NoCo|Magnificat Ultimi miei sospiri|Ultimi miei sospiri}} ([[Ultimi miei sospiri (Philippe Verdelot)|Verdelot’s madrigal]]), H xv, 58 ||ii ||6
|''[[Iubilus beatæ virginis hoc est centum Magnificat (Orlando di Lasso)|Iubilus beatæ virginis]]'' 1619
|-
|59||65||82
|{{NoCo|Magnificat Tant vous allez doux|Tant vous allez doux}} [[Tant vous allez doux ()|(Ebran’s chanson)]], H xv, 74 ||vi ||6
|
|
|-
|60||77||54
|{{NoCo|Magnificat Hélas j’ai sans merci|Hélas j’ai sans merci}} ({{NoCo|Hélas j’ai sans merci|own chanson}}, 1584a), H xv, 95 ||vii ||5
|
|
|vii
|6
|Nürnberg 1567
|-
|-
|8
|61||82||88
|
|{{NoCo|Magnificat S’io esca vivo|S’io esca vivo}} ({{NoCo|S'io esca vivo|own madrigal}}, 1579), H xv, 108 ||vii ||6
|
|
|
|viii
|6
|Nürnberg 1567
|-
|-
|9
|62||96||91
|
|Octavi toni, 6vv, H xv, 126 ||vii ||6
|
|
|
|i
|5
|Nürnberg 1567
|-
|-
|10
|63||47||94
|Quarti toni, 8vv, H xv, 138 ||iv ||8
|
|
|
|
|ii
|5
|Nürnberg 1567
|-
|-
|11
|64||86||97
|
|Septimi toni, 8vv, H xv, 152 ||vii ||8 ||one of 4 through-composed settings
|
|
|iii
|5
|Nürnberg 1567
|-
|-
|12
|65||99||99
|
|Octavi toni (i), 8vv, H xv, 166 ||viii ||8 ||one of 4 through-composed settings
|
|
|iv
|5
|Nürnberg 1567
|-
|-
|13
|66||54||79
|
|{{NoCo|Magnificat Omnis homo primum bonum vinum ponit|Omnis homo primum bonum vinum ponit}} ([[Omnis homo primum bonum vinum ponit (Giaches de Wert)|de Wert’s motet]]), H xv, 181 ||vi ||6
|
|
|
|v
|5
|Nürnberg 1567
|-
|-
|14
|67||101||-
|
|[Sexti toni], MS ca.1582, H xv, 201 ||vi ||5
|
|
|
|vi
|5
|Nürnberg 1567
|-
|-
|15
|68||64||81
|
|{{NoCo|Magnificat Dies est lætitia|Dies est lætitia}} H xv, 212 ||vi ||6
|
|
|
|vii
|5
|Nürnberg 1567
|-
|-
|16
|69||97||92
|
|{{NoCo|Magnificat Benedicta es|Benedicta es, cælorum regina}} ([[Benedicta es, caelorum regina (Josquin des Prez)|Josquin’s motet]], 1520), H xv, 228 ||vii ||6
|
|[[Liber primus cantiones sacrae Magnificat vocant, 5, 6vv (Orlando di Lasso)|Munich 1602]]
|
|viii
|5
|Nürnberg 1567
|-
|-
|17
|70||25||68
|
|{{NoCo|Magnificat Praeter rerum seriem|Præter rerum seriem}} ([[Praeter rerum seriem (Josquin des Prez)|Josquin’s motet]]), H xv, 248 ||ii ||6
|
|[[Liber primus cantiones sacrae Magnificat vocant, 5, 6vv (Orlando di Lasso)|Munich 1602]]
|{{NoCo||Primi toni}}
|i
|4
|Nürnberg 1567
|-
|-
|18
|71||7||27
|
|Primi toni, H xvi, 3 ||i ||5
|
|
|{{NoCo||Secundi toni}}
|ii
|4
|Nürnberg 1567
|-
|-
|19
|72||20||32
|
|Secundi toni ||ii ||5
|
|
|{{NoCo||Tertii toni}}
|iii
|4
|Nürnberg 1567
|-
|-
|20
|73||35||35
|
|Tertii toni, H xvi, 25 ||iii ||5
|
|
|{{NoCo||Quarti toni}}
|iv
|4
|Nürnberg 1567
|-
|-
|21
|74||41||38
|
|Quarti toni, ||iv ||5
|
|
|{{NoCo||Quintii toni}}
|v
|4
|Nürnberg 1567
|-
|-
|22
|75||51||43
|Quinti toni, H xvi, 46 ||v ||5
|
|
|
|{{NoCo||Sexti toni}}
|vi
|4
|Nürnberg 1567
|-
|-
|23
|76||60||46
|Sexti toni, 5vv, H xvi, 57 ||vi ||5
|
|
|
|{{NoCo||Septimi toni}}
|vii
|4
|Nürnberg 1567
|-
|-
|24
|77||73||50
|
|Septimi toni, 5vv, H xvi, 68 ||vii ||5
|
|
|{{NoCo||Octavi toni}}
|viii
|4
|Nürnberg 1567
|-
|-
|25
|78||91||57
|1
|Octavi toni, 5vv, H xvi, 80 ||viii ||5
|1
|
|
|i
|4
|''Patrocinium musices'' 1576
|-
|-
|26
|79||5||25
|14
|Primi toni, 5vv, H xvi, 92 ||i ||5
|5
|
|
|ii
|4
|''Patrocinium musices'' 1576
|-
|-
|27
|80||9||29
|31
|{{NoCo|Magnificat Vergine bella|Vergine bella}} ([[Vergine bella (Cipriano de Rore)|Rore’s madrigal]]), H xvi, 108 ||i ||5
|9
|
|
|iii
|4
|''Patrocinium musices'' 1576
|-
|-
|28
|81||62||48
|38
|{{NoCo|Magnificat Da le belle contrade|Dalle belle contrade}} ([[Da le belle contrade d'oriente (Cipriano de Rore)|Cipriano de Rore’s madrigal]]), H xvi, 120 ||vi ||5
|12
|
|
|iv
|4
|''Patrocinium musices'' 1576
|-
|-
|29
|82||79||85
|48
|{{NoCo|Magnificat Recordare Jesu pie|Recordare Jesu pie}} ({{NoCo|Recordare Jesu pie|own motet}}, 1594), 6vv, H xvi, 134 ||vii ||6
|14
|
|
|v
|4
|''Patrocinium musices'' 1576
|-
|-
|30
|83||71||22
|55
|{{NoCo|Magnificat Margot labourez les vignes|Margot labouréz les vignes}} ({{NoCo|Margot labourez les vignes|own chanson}}, 1564a), H xvi, 154 ||vii ||4
|16
|''[[Iubilus beatæ virginis hoc est centum Magnificat (Orlando di Lasso)|Iubilus beatæ virginis]]'' 1619
|
|vi
|4
|''Patrocinium musices'' 1576
|-
|-
|31
|84||92||58
|68
|{{NoCo|Magnificat Alma real|Alma real se come fide stella}} ([[Alma real se come fide stella (Cipriano de Rore)|Rore’s madrigal]]), H xvi, 163 ||viii ||5
|19
|
|
|vii
|4
|''Patrocinium musices'' 1576
|-
|-
|32
|85||27||70
|87
|{{NoCo|Magnificat O che vezzosa aurora|O che vezzosa aurora}} ([[O che vezzosa aurora (Orazio Vecchi)|Vecchi’s madrigal]]), H xvi, 175 ||ii ||6
|23
|''[[Iubilus beatæ virginis hoc est centum Magnificat (Orlando di Lasso)|Iubilus beatæ virginis]]'' 1619
|
|viii
|4
|''Patrocinium musices'' 1576
|-
|-
|33
|86||80||86
|3
|{{NoCo|Magnificat D’ogni gratia e d’amor|D’ogni gratia e d’amor}} [[D’ogni gratia e d’amor (Alessandro Striggio)|(Striggio’s madrigal)]], H xvi, 188 ||vii ||6
|3
| H xiv, 75
|i
|4
|
|
|-
|-
|34
|87||84||93
|44
|{{NoCo|Magnificat Perpulchrum|Perpulchrum}} H xvi, 204 ||vii ||7
|41
|''[[Iubilus beatæ virginis hoc est centum Magnificat (Orlando di Lasso)|Iubilus beatæ virginis]]'' 1619
|[[Ancor che col partire (Cipriano de Rore)]] H xiv, 82
|iv
|5
|
|-
|-
|35
|88||33||11
|67
|{{NoCo|Magnificat S’io credessi per morte|S’io credessi per morte}} ([[S’io credessi per morte (Anselmo de Reulx)|A. de Reulx’s madrigal]]), H xvi, 221 ||iii ||4
|95
|''[[Iubilus beatæ virginis hoc est centum Magnificat (Orlando di Lasso)|Iubilus beatæ virginis]]'' 1619
| Sexti toni, H xiv, 94
|vi
|8
|-
|-
|36
|89||57||18
|85
|{{NoCo|Magnificat Beau le cristal|Beau le cristal}} ({{NoCo|Beau le cristal|own chanson}}, 1576d), H xvi, 230 ||vi ||4
|96
|''[[Iubilus beatæ virginis hoc est centum Magnificat (Orlando di Lasso)|Iubilus beatæ virginis]]'' 1619
|Septimi toni H xiv, 112
|vii
|8
|-
|-
|37
|90||70||21
|4
|{{NoCo|Magnificat Pange lingua gloriosi|Pange lingua gloriosi}} H xvi, 241 ||vii ||4/6
|4
|''[[Iubilus beatæ virginis hoc est centum Magnificat (Orlando di Lasso)|Iubilus beatæ virginis]]'' 1619
|{{NoCo|Si par souhait je vous}}(own chanson, 1570b), H xiv, 126
|i
|4
|-
|-
|38
|91||8||28
|17
|Primi toni, 5vv, H xvi, 259 ||i ||5
|8
|
| Il est jour ([[Il est jour (Claudin de Sermisy)|Claudin de Sermisy’s chanson]]),H xiv, 133
|ii
|4
|-
|-
|39
|92||75||52
|28
|{{NoCo|Magnificat Vous perdez temps|Vous perdez temps}} ([[Vous perdez temps de me dire mal d'elle (Claudin de Sermisy)|Sermisy’s chanson]]), H xvi, 267 ||vii ||5
|71
|
|Quanti in mille anni il ciel ([?Pierre] Nollet’s madrigal) H xiv, 141
|ii
|6
|-
|-
|40
|93||93||59
|11
|{{NoCo|Magnificat Vola vola pensier|Vola vola pensier}} (Aeria a la italiana), 5vv, H xvii, 3 ||viii ||5
|62
|
|{{NoCo|Magnificat Dessus le marché d’Arras|Dessus le marché d’Arras}} ({{NoCo|Dessus le marché d’Arras|own chanson}}, 1584a), H xiv, 158
|I
|6
|1587
|-
|-
|41
|94||52||77
|12
|Quinti toni, H xvii, 14 ||v ||6/8
|63
|
|{{NoCo|Magnificat Susanne un jour|Susanne un jour}} ([[Susanne un jour (Didier Lui)|Didier Lupi’s chanson]]), H xiv 174
|I
|6
|1587
|-
|-
|42
|95||98||98
|83
|Octavi toni (i), 8vv, H xvii, 31 ||viii ||8
|89
|
|{{NoCo|Magnificat Deus in adjutorium meum|Deus in adjutorium meum intende}} [septimi (?peregrini) toni] ({{NoCo|Deus in adjutorium|own motet}}, 1582e), H xiv, 189
|Peregrini toni
|6
|1587
|-
|-
|43
|96||43||40
|29
|Octavi toni (ii), 8vv, H xvii, 48 ||vii ||8
|72
|
|{{NoCo|Magnificat Ecco ch’io lasso il core|Ecco ch’io lasso il core}} [secundi toni] (?Alessandro Striggio’s madrigal), H xiv, 201
|ii
|6
|1587
|-
|-
|44
|97||76||53
|13
|{{NoCo|Magnificat Erano capei d’oro|Erano capei d’oro}} [septimi toni] ([[Erano capei d’oro (Giovanni Maria Nanino)|Nanino’s madrigal]]), 5vv, H xvii, 64 ||vii ||5
|64
|
|{{NoCo|Magnificat Omnis enim homo|Omnis enim homo}} ({{NoCo|Omnis enim homo|own motet}}, 1585b), H xiv, 216
|I
|6
|-
|-
|45
|98||23||66
|81
|{{NoCo|Magnificat secondi toni, JBV 66|Secundi toni}}, H xvii, 76 ||ii ||6
|87
|''[[Iubilus beatæ virginis hoc est centum Magnificat (Orlando di Lasso)|Iubilus beatæ virginis]]'' 1619
|{{NoCo|Magnificat Amor ecco colei|Amor ecco colei}} H xiv, 231
|vii
|6
|1587
|-
|-
|46
|99||66||83
|85
|{{NoCo|Magnificat Si vous estes m’amie|Si vous estes m’amie}} ({{NoCo|Si vous estes m’amie|own chanson}}, 1584a), 6vv, H xvii, 94 ||vi ||6
|76
|''[[Iubilus beatæ virginis hoc est centum Magnificat (Orlando di Lasso)|Iubilus beatæ virginis]]'' 1619
|{{NoCo|Magnificat Quando lieta sperai|Quando lieta sperai}} (anon. madrigal, 1548), H xiv, 243
|iv
|6
|1587
|-
|-
|47
|100||24||67
|94
|{{NoCo|Magnificat Memor esto|Memor esto}} ({{NoCo|Memor esto verbi tui|own motet}}, 1585a), 6vv, H xvii, 107 ||ii ||6
|60
|
|{{NoCo|Magnificat Aria di un sonetto}} (Diego Ortiz’s [[Aria di Ruggiero (Diego Ortiz)|Aria di Ruggiero]]), H xiv, 256
|viii
|5
|1587
|-
|-
|48
|101||100||100
|36
|{{NoCo|Magnificat Aurora lucis rutilat|Aurora lucis rutilat}} ({{NoCo|Aurora lucis rutilat|own motet}}, 1604), 10vv, H xvii, 124 ||viii ||10
|36
|
|{{NoCo|Magnificat Mort et fortune|Mort et fortune}} [tertii et octavi toni] ([[Mort et fortune (Nicolas Gombert)|Nicolas Gombert’s chanson]]), H xiv, 263
|iii (viii)
|5
|1587
|-
|-
|49
|102||-||-
|30
|{{NoCo|Magnificat septimi toni a 10|Septimi toni}}, MS, H xvii, 150 ||vii ||10 ||one of 4 through-composed settings
|73
|{{NoCo|Magnificat Mais qui pourroit|Mais qui pourroit}} [secundi toni] ({{NoCo|Mais qui pourroit|own chanson}}, 1584a), H xiv, 275
|ii
|6
|1587
|-
|-
|}
|}
|103–110. 8 Magnificat settings, doubtful, H xvii, 182


==== Volume 15 (Magnificats, Band 3, nos. 50–70)====
==External links==
* Iubilus beatæ virginis, hoc est centum Magnificat, 4–8vv, 10vv (Munich, 1619a)
*{{IMSLP2|Orlando_di_Lasso:_Sämtliche_Werke,_neue_Reihe|Sämtliche Werke, neue Reihe}}
:50. O s’io potessi [secundi toni] (Berchem’s madrigal), 4vv, H xv, 3
:51. Secundi toni, 5vv, H xv, 10
:52. Quarti toni (i), 5vv, H xv, 16
:53. Sexti toni (i), 5vv, H xv, 24
:54. Sexti toni (ii), 5vv, H xv, 30
:55. Septimi toni (i), 5vv, H xv, 35
:56. Octavi toni (i), 5vv, H xv, 40
:57. Las je n’iray plus [secundi toni] (own chanson, 1576a), 5vv, H xv, 46
:58. Ultimi miei sospiri [secundi toni] (Philippe Verdelot’s madrigal), 6vv, H xv, 58
:59. Tant vous allez doux [sexti toni] (Ebran’s chanson), 6vv, H xv, 74
:60. Hélas j’ai sans merci [septimi toni] (own chanson, 1584a), 5vv, H xv, 95
:61. S’io esca vivo [septimi toni] (own madrigal, 1579), 6vv, H xv, 108
:62. Octavi toni, 6vv, H xv, 126
:63. Quarti toni, 8vv, H xv, 138
:64. Septimi toni, 8vv, H xv, 152
:65. Octavi toni (i), 8vv, H xv, 166
* Liber primus cantiones sacræ Magnificat vocant, 5, 6vv (Paris, 1602<sup>1</sup>)
:66. Omnis homo primum bonum vinum ponit [?sexti toni] (Giaches de Wert’s motet), 6vv, H xv, 181
:67. [Sexti toni], 5vv, MS ca.1582, H xv, 201
:68. Dies est lætitia [sexti toni], 6vv, H xv, 212
:69. Benedicta es, cælorum regina [octavi toni] (Josquin Desprez’ motet, 1520), 6vv, H xv, 228
:70. Præter rerum seriem [secundi toni] (Josquin’s motet), 6vv, H xv, 248
 
==== Volume 16 (Magnificats, Band 4, nos. 71–92)====
:71. Primi toni, 5vv, H xvi, 3
:72. Secundi toni, 5vv
:73. Tertii toni, 5vv, H xvi, 25
:74. Quarti toni, 5vv
:75. Quinti toni, 5vv, H xvi, 46
:76. Sexti toni, 5vv, H xvi, 57
:77. Septimi toni, 5vv, H xvi, 68
:78. Octavi toni, 5vv, H xvi, 80
:79. Primi toni, 5vv, H xvi, 92
:80. Vergine bella [primi toni] (Cipriano de Rore’s madrigal), 5vv, H xvi, 108
:81. Dalle belle contrade [sexti toni] (Cipriano de Rore’s madrigal), 5vv, H xvi, 120
:82. Recordare Jesu pie [septimi toni] (own motet, 1594), 6vv, H xvi, 134
:83. Margot labouréz les vignes [septimi toni] (own chanson, 1564a), 4vv, H xvi, 154
:84. Alma real se come fide stella [octavi toni] (Cipriano de Rore’s madrigal), 5vv, H xvi, 163
:85. O che vezzosa aurora [secundi toni] (Orazio Vecchi’s madrigal), 6vv, H xvi, 175
:86. D’ogni gratia e d’amor [septimi toni] (Alessandro Striggio’s madrigal), 6vv, H xvi, 188
:87. Perpulchrum septimi toni, 7vv, H xvi, 204
:88. S’io credessi per morte [tertii toni] (A. de Reulx’s madrigal), 4vv, H xvi, 221
:89. Beau le cristal [sexti toni] (own chanson, 1576d), 4vv, H xvi, 230
:90. Pange lingua gloriosi [septimi toni], 4vv, H xvi, 241
:91. Primi toni, 5vv, H xvi, 259
:92. Vous perdez temps [septimi toni] (Claudin de Sermisy’s chanson), 5vv, H xvi, 267
 
==== Volume 17 (Magnificats, Band 5, nos. 93–110)====
:93. Vola vola pensier (Aeria a la italiana) [octavi toni], 5vv, H xvii, 3
:94. Quinti toni, 6vv, H xvii, 14
:95. Octavi toni (i), 8vv, H xvii, 31
:96. Octavi toni (ii), 8vv, H xvii, 48
:97. Erano capei d’oro [septimi toni] (Giovanni Maria Nanino’s madrigal), 5vv, H xvii, 64
:98. Secundi toni, 6vv, H xvii, 76
:99. Si vous estes m’amie [sexti toni] (own chanson, 1584a), 6vv, H xvii, 94
:100. Memor esto [secundi toni] (own motet, 1585a), 6vv, H xvii, 107
:101. Aurora lucis rutilat [octavi toni] (own motet, 1604), 10vv, H xvii, 124
:102. Septimi toni, 10vv, MS, H xvii, 150
:103–110. 8 Magnificat settings, doubtful, H xvii, 182
 
 


[[Category:Disambiguation of works]]
[[Category:Disambiguation of works]]
[[Category:Music catalogues]]
[[Category:Composer works lists]]

Latest revision as of 03:02, 20 November 2022

Lassus' Magnificats number about 100 and indeed were printed posthumously as Iubilus beatæ virginis, hoc est centum Magnificat (Munich 1619). Almost all (the exceptions are the through-composed No's 35, 64, 65 & 102) are alternatim settings of the even verses.

The sortable list below is ordered after the SWnR, with Bötticher's 195? catalogue numbers and the numbering of the 1619 print.

SWnR

The Sämtlicher Werke neue Reihe (SWnR) includes 110 attributed works according to the following plan:

  • Volume 13 (Magnificats, Band 1, nos. 1–24), edited by Wolfgang Boetticher: 3 Magnificat cycles in the 8 modes (Nuremberg, 1567)
  • Volume 14 (Magnificats, Band 2, nos. 25–49), edited by James Erb: Works printed in Paris 1587 as well as Munich 1576 & 1587
  • Volume 15 (Magnificats, Band 3, nos. 50–70), edited by James Erb: works from the period 1576-1583 in Munich mss.
  • Volume 16 (Magnificats, Band 4, nos. 71–92), edited by James Erb: works from the period 1583-1585 in Munich mss.
  • Volume 17 (Magnificats, Band 5, nos. 93–110), edited by James Erb: Posthoumously transmitted works & dubia; appendix with parody models not by Lassus

Sources

Sortable table

SWnR Bot 1619 model mode vv publ.
1 10 61 Primi toni i 6 Nürnberg 1567
2 22 65 Secundi toni ii 6 Nürnberg 1567
3 37 74 Tertii toni iii 6 Nürnberg 1567
4 45 75 Quarti toni iv 6 Nürnberg 1567
5 53 78 Quinti toni v 6 Nürnberg 1567
5 63 80 Sexti toni vi 6 Nürnberg 1567
7 78 84 Septimi toni vii 6 Nürnberg 1567
8 95 90 Octavi toni viii 6 Nürnberg 1567
9 6 26 Primi toni i 5 Nürnberg 1567
10 18 30 Secundi toni ii 5 Nürnberg 1567
11 34 34 Tertii toni iii 5 Nürnberg 1567
12 40 37 Quarti toni iv 5 Nürnberg 1567
13 50 42 Quinti toni v 5 Nürnberg 1567
14 58 44 Sexti toni vi 5 Nürnberg 1567
15 72 49 Septimi toni vii 5 Nürnberg 1567
16 89 55 Octavi toni viii 5(6) Nürnberg 1567
17 2 2 Primi toni i 4 Nürnberg 1567
18 15 6 Secundi toni ii 4 Nürnberg 1567
19 32 10 Tertii toni iii 4 Nürnberg 1567
20 39 13 Quarti toni iv 4 Nürnberg 1567
21 49 15 Quintii toni v 4 Nürnberg 1567
22 56 17 Sexti toni vi 4 Nürnberg 1567
23 69 20 Septimi toni vii 4 Nürnberg 1567
24 88 24 Octavi toni viii 4 Nürnberg 1567
25 1 1 Primi toni i 4 Patrocinium musices 1576
26 14 5 Secundi toni ii 4 Patrocinium musices 1576
27 31 9 Tertii toni iii 4 Patrocinium musices 1576
28 38 12 Quarti toni iv 4 Patrocinium musices 1576
29 48 14 Quinti toni v 4 Patrocinium musices 1576
30 55 16 Sexti toni vi 4(5) Patrocinium musices 1576
31 68 19 Septimi toni vii 4 Patrocinium musices 1576
32 87 23 Octavi toni viii 4 Patrocinium musices 1576
33 3 3 Primi toni H xiv, 75 i 4
34 44 41 Ancor che col partire (after Rore's madrigal) H xiv, 82 iv 5
35 67 95 Sexti toni, H xiv, 94 vi 8 one of 4 through-composed settings
36 85 96 Septimi toni H xiv, 112 vii 8
37 4 4 Si par souhait (own chanson, 1570b), H xiv, 126 i 4 Patrocinium musices 1987
38 17 8 Il est jour (Claudin de Sermisy’s chanson),H xiv, 133 ii 4 Patrocinium musices 1987
39 28 71 Quanti in mille anni il ciel ([?Pierre] Nollet’s madrigal) H xiv, 141 ii 6 Patrocinium musices 1987
40 11 62 Dessus le marché d’Arras (own chanson, 1584a), H xiv, 158 i 6 Patrocinium musices 1987
41 12 63 Susanne un jour (own chanson), H xiv 174 i 6 Patrocinium musices 1987
42 83 89 Deus in adjutorium [septimi (?) toni] (own motet, 1582e), H xiv, 189 Peregrini toni 6 Patrocinium musices 1987
43 29 72 Ecco ch’io lasso il core (?Striggio’s madrigal), H xiv, 201 ii 6 Patrocinium musices 1987
44 13 64 Omnis enim homo (own motet, 1585b), H xiv, 216 i 6 Patrocinium musices 1987
45 81 87 Amor ecco colei H xiv, 231 vii 6 Patrocinium musices 1987
46 46 76 Quando lieta sperai (anon. madrigal, 1548), H xiv, 243 iv 6 Patrocinium musices 1987
47 94 60 Aria di un sonetto (Ortiz’s Aria di Ruggiero), H xiv, 256 viii 5 Patrocinium musices 1987
48 36 36 Mort et fortune (Nicolas Gombert’s chanson), H xiv, 263 iii (viii) 5 Patrocinium musices 1987
49 30 73 Mais qui pourroit (own chanson, 1584a), H xiv, 275 ii 6 Patrocinium musices 1987
50 16 7 O s’io potessi (Berchem’s madrigal), 4vv, H xv, 3 ii 4 Iubilus beatæ virginis 1619
51 19 31 Secundi toni, 5vv, H xv, 10 ii 5
52 42 39 Quarti toni (i), 5vv, H xv, 16 iv 5
53 59 45 Sexti toni (i), 5vv, H xv, 24 vi 5
54 61 47 Sexti toni (ii), 5vv, H xv, 30 vi 5
55 74 51 Septimi toni (i), 5vv, H xv, 35 vii 5
56 90 56 Octavi toni (i), 5vv, H xv, 40 viii 5
57 21 33 Las je n’iray plus (own chanson, 1576a), H xv, 46 ii 5
58 26 69 Ultimi miei sospiri (Verdelot’s madrigal), H xv, 58 ii 6 Iubilus beatæ virginis 1619
59 65 82 Tant vous allez doux (Ebran’s chanson), H xv, 74 vi 6
60 77 54 Hélas j’ai sans merci (own chanson, 1584a), H xv, 95 vii 5
61 82 88 S’io esca vivo (own madrigal, 1579), H xv, 108 vii 6
62 96 91 Octavi toni, 6vv, H xv, 126 vii 6
63 47 94 Quarti toni, 8vv, H xv, 138 iv 8
64 86 97 Septimi toni, 8vv, H xv, 152 vii 8 one of 4 through-composed settings
65 99 99 Octavi toni (i), 8vv, H xv, 166 viii 8 one of 4 through-composed settings
66 54 79 Omnis homo primum bonum vinum ponit (de Wert’s motet), H xv, 181 vi 6
67 101 - [Sexti toni], MS ca.1582, H xv, 201 vi 5
68 64 81 Dies est lætitia H xv, 212 vi 6
69 97 92 Benedicta es, cælorum regina (Josquin’s motet, 1520), H xv, 228 vii 6 Munich 1602
70 25 68 Præter rerum seriem (Josquin’s motet), H xv, 248 ii 6 Munich 1602
71 7 27 Primi toni, H xvi, 3 i 5
72 20 32 Secundi toni ii 5
73 35 35 Tertii toni, H xvi, 25 iii 5
74 41 38 Quarti toni, iv 5
75 51 43 Quinti toni, H xvi, 46 v 5
76 60 46 Sexti toni, 5vv, H xvi, 57 vi 5
77 73 50 Septimi toni, 5vv, H xvi, 68 vii 5
78 91 57 Octavi toni, 5vv, H xvi, 80 viii 5
79 5 25 Primi toni, 5vv, H xvi, 92 i 5
80 9 29 Vergine bella (Rore’s madrigal), H xvi, 108 i 5
81 62 48 Dalle belle contrade (Cipriano de Rore’s madrigal), H xvi, 120 vi 5
82 79 85 Recordare Jesu pie (own motet, 1594), 6vv, H xvi, 134 vii 6
83 71 22 Margot labouréz les vignes (own chanson, 1564a), H xvi, 154 vii 4 Iubilus beatæ virginis 1619
84 92 58 Alma real se come fide stella (Rore’s madrigal), H xvi, 163 viii 5
85 27 70 O che vezzosa aurora (Vecchi’s madrigal), H xvi, 175 ii 6 Iubilus beatæ virginis 1619
86 80 86 D’ogni gratia e d’amor (Striggio’s madrigal), H xvi, 188 vii 6
87 84 93 Perpulchrum H xvi, 204 vii 7 Iubilus beatæ virginis 1619
88 33 11 S’io credessi per morte (A. de Reulx’s madrigal), H xvi, 221 iii 4 Iubilus beatæ virginis 1619
89 57 18 Beau le cristal (own chanson, 1576d), H xvi, 230 vi 4 Iubilus beatæ virginis 1619
90 70 21 Pange lingua gloriosi H xvi, 241 vii 4/6 Iubilus beatæ virginis 1619
91 8 28 Primi toni, 5vv, H xvi, 259 i 5
92 75 52 Vous perdez temps (Sermisy’s chanson), H xvi, 267 vii 5
93 93 59 Vola vola pensier (Aeria a la italiana), 5vv, H xvii, 3 viii 5
94 52 77 Quinti toni, H xvii, 14 v 6/8
95 98 98 Octavi toni (i), 8vv, H xvii, 31 viii 8
96 43 40 Octavi toni (ii), 8vv, H xvii, 48 vii 8
97 76 53 Erano capei d’oro [septimi toni] (Nanino’s madrigal), 5vv, H xvii, 64 vii 5
98 23 66 Secundi toni, H xvii, 76 ii 6 Iubilus beatæ virginis 1619
99 66 83 Si vous estes m’amie (own chanson, 1584a), 6vv, H xvii, 94 vi 6 Iubilus beatæ virginis 1619
100 24 67 Memor esto (own motet, 1585a), 6vv, H xvii, 107 ii 6
101 100 100 Aurora lucis rutilat (own motet, 1604), 10vv, H xvii, 124 viii 10
102 - - Septimi toni, MS, H xvii, 150 vii 10 one of 4 through-composed settings

|103–110. 8 Magnificat settings, doubtful, H xvii, 182

External links

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