Difference between revisions of "Lux aeterna, Op. 37 (Louie Madrid Calleja)"

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==Music files==
 
==Music files==
{{Legend}}
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{{#Legend:}}
 
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*{{PostedDate|2009-02-08}} {{CPDLno|18877}} [[Media:Lux_Aeterna_from_Requiem_OP_37.pdf|{{pdf}}]] [[Media:RequiemOP37LuxAeterna.MID|{{mid}}]]
*'''CPDL #18877:''' [http://www.cpdl.org/wiki/images/1/14/Lux_Aeterna_from_Requiem_OP_37.pdf {{pdf}}] [{{filepath:RequiemOP37LuxAeterna.MID}} {{mid}}]
 
 
{{Editor|Louie Madrid Calleja|2009-02-08}}{{ScoreInfo|Letter (landscape)|4|116}}{{Copy|Personal}}
 
{{Editor|Louie Madrid Calleja|2009-02-08}}{{ScoreInfo|Letter (landscape)|4|116}}{{Copy|Personal}}
:'''Edition notes:''' Full score.
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:{{EdNotes|Full score.}}
 
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*{{PostedDate|2009-02-08}} {{CPDLno|18876}} [[Media:RequiemOP37LuxAeternaPNOScore.pdf|{{pdf}}]]
*'''CPDL #18876:''' [{{filepath:RequiemOP37LuxAeternaPNOScore.pdf}} {{pdf}}]
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:'''Instrumental parts:'''
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:Violin I: [[Media:RequiemOP37LuxAeterna - 001 Violin I.pdf|{{pdf}}]]
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:Violin II: [[Media:RequiemOP37LuxAeterna - 002 Violin II.pdf|{{pdf}}]]
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:Viola: [[Media:RequiemOP37LuxAeterna - 003 Viola.pdf|{{pdf}}]]
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:Cello: [[Media:RequiemOP37LuxAeterna - 005 Violoncello.pdf|{{pdf}}]]
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:Contrabass: [[Media:RequiemOP37LuxAeterna - 006 Contrabass.pdf|{{pdf}}]]
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:Timpani: [[Media:RequiemOP37LuxAeterna - 007 Timpani.pdf|{{pdf}}]]
 
{{Editor|Louie Madrid Calleja|2009-02-08}}{{ScoreInfo|Letter (landscape)|3|127}}{{Copy|Personal}}
 
{{Editor|Louie Madrid Calleja|2009-02-08}}{{ScoreInfo|Letter (landscape)|3|127}}{{Copy|Personal}}
:'''Edition notes:''' Vocal-piano score.
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:{{EdNotes|Vocal-piano score.}}
 
 
'''Instrumental parts:'''
 
*Violin I: [{{filepath:RequiemOP37LuxAeterna - 001 Violin I.pdf}} {{pdf}}]
 
*Violin II: [{{filepath:RequiemOP37LuxAeterna - 002 Violin II.pdf}} {{pdf}}]
 
*Viola: [{{filepath:RequiemOP37LuxAeterna - 003 Viola.pdf}} {{pdf}}]
 
*'Cello: [{{filepath:RequiemOP37LuxAeterna - 005 Violoncello.pdf}} {{pdf}}]
 
*Contrabass: [{{filepath:RequiemOP37LuxAeterna - 006 Contrabass.pdf}} {{pdf}}]
 
*Timpani: [{{filepath:RequiemOP37LuxAeterna - 007 Timpani.pdf}} {{pdf}}]
 
 
 
 
==General Information==
 
==General Information==
'''Title:''' ''Lux Aeterna''<br>
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{{Title|''Lux Aeterna''}}
 
{{Composer|Louie Madrid Calleja}}
 
{{Composer|Louie Madrid Calleja}}
  
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{{Genre|Sacred|Motets}}
 
{{Genre|Sacred|Motets}}
 
{{Language|Latin}}
 
{{Language|Latin}}
'''Instruments:''' {{StrAcc}} and timpani<br>
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{{Instruments|String ensemble and timpani}}
'''Published:'''
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{{Pub|1|}}
 
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{{Descr|Movement VII of a Requiem Mass written as a going-away present for a friend. Originally written for soprano solo in 1994, it was re-scored for tenor around 2004. It was premiered that year by tenor Michael Nasato and the Esprit Alliance Orchestra under the direction of the composer.}}
'''Description:''' Movement VII of a Requiem Mass written as a going-away present for a friend. Originally written for soprano solo in 1994, it was re-scored for tenor around 2004. It was premiered that year by tenor Michael Nasato and the Esprit Alliance Orchestra under the direction of the composer.
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{{#ExtWeb:}}
 
 
'''External websites:'''
 
 
 
 
==Original text and translations==
 
==Original text and translations==
 
{{LinkText|Lux aeterna}}
 
{{LinkText|Lux aeterna}}

Revision as of 17:05, 24 April 2021

Music files

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  • (Posted 2009-02-08)  CPDL #18877:     
Editor: Louie Madrid Calleja (submitted 2009-02-08).   Score information: Letter (landscape), 4 pages, 116 kB   Copyright: Personal
Edition notes: Full score.
  • (Posted 2009-02-08)  CPDL #18876:   
Instrumental parts:
Violin I:  
Violin II:  
Viola:  
Cello:  
Contrabass:  
Timpani:  
Editor: Louie Madrid Calleja (submitted 2009-02-08).   Score information: Letter (landscape), 3 pages, 127 kB   Copyright: Personal
Edition notes: Vocal-piano score.

General Information

Title: Lux Aeterna
Composer: Louie Madrid Calleja

Number of voices: 1v   Voicing: Tenor solo

Genre: SacredMotet

Language: Latin
Instruments: String ensemble and timpani

First published:
Description: Movement VII of a Requiem Mass written as a going-away present for a friend. Originally written for soprano solo in 1994, it was re-scored for tenor around 2004. It was premiered that year by tenor Michael Nasato and the Esprit Alliance Orchestra under the direction of the composer.

External websites:

Original text and translations

Original text and translations may be found at Lux aeterna.