Category:Solo high
Jump to navigation
Jump to search
(previous page) (next page)
This category is for works for a high solo voice (usually Soprano or Tenor).
Pages in this category
The following 200 pages are in this category, out of 265 total.
(previous page) (next page)A
- A ballad of the eighteenth century (Harriett Abrams)
- A bonny soldier's bride I'll be (James Brooks)
- A youth whom the bounty of nature had graced (Joseph Vernon)
- Adieu Edina, friendly seat (James Oswald)
- The adieu to the Spring Gardens (William Boyce)
- Adiuro vos, filiae Hierusalem (Giovanni Paolo Cima)
- Agnus Dei (Jean-Baptiste Faure)
- Ah! stay ah! turn (Elizabeth Turner)
- Ah, welladay (Maurice Greene)
- Ah, welladay (Thomas Arne)
- Amarilli, mia bella (Giulio Caccini)
- Amen & Aleluia (Óscar Manuel Paredes Grau)
- Angélus (Camille Saint-Saëns)
- As o'er Asteria's fields I rove (James Oswald)
- As on a flow'ry bank I lay (Elizabeth Turner)
- At Windsor, where Thames glides (Elizabeth Turner)
- Au bord de l'eau, Op 8 No. 1 (Gabriel Fauré)
- Au cimetière (Gabriel Fauré)
- Auf ein altes Bild (Hugo Wolf)
- Ave Maria (Ignaz Reimann)
- Ave Maria in A major (1865) (Camille Saint-Saëns)
- Ave Maria, Op. 52, No. 6 (Franz Schubert)
B
- B - 24. neděle v mezidobí (Karel Bříza)
- Balance a straw (James Oswald)
- The Banks of the Dee (Anonymous)
- The Banks of the Dee (Langolee) (Joseph Haydn)
- Barcarolle, Op. 7, No. 3 (Gabriel Fauré)
- Benedicta sis (Giovanni Giacomo Arrigoni)
- Benedictus, CG 56b1 (Charles Gounod)
- Biblical songs Op. 99 (Antonín Dvořák)
- Bid your faithful Ariel fly (Thomas Arne)
- Bitte an den Mond (Anonymous)
- Blest as th'immortal gods is he (William Jackson of Exeter)
- Boast not, mistaken swain (James Oswald)
C
D
E
- Each god agreed at Clara's birth (James Oswald)
- L'éclat de rire (Daniel Auber)
- Eliza is the fairest queen (Edward Johnson)
- The emigrant's grave (Harriett Abrams)
- L'émigration du plaisir (Traditional)
- Epiphanias (Hugo Wolf)
- Ere you can say (Thomas Linley the younger)
- Exaudi Domine (Winfried Grünewald)
F
- Fair Sally loved a bonny seaman (Maurice Greene)
- False Philander (James Oswald)
- Fantasia on Three Spirituals (Philip King)
- Farewell aspiring thoughts (Elizabeth Turner)
- Fervid on the glitt'ring flood (Stephen Storace)
- Fill me a bowl (James Corfe)
- Le flaneur (Traditional)
- Fond Philander (Maurice Greene)
- The fragrant lily of the vale (James Oswald)
- Full fathom five (Robert Johnson II)
- Una furtiva làgrima (Gaetano Donizetti)
G
H
- Hail! young spring (Thomas Arne)
- Happy the man. whose wish and care (James Oswald)
- Hard is the fate of him who loves (Elizabeth Turner)
- Heidenröslein (Johannes Brahms)
- Heimreise Fraa Sæteren (Andreas Peter Berggreen)
- Herr, unser Herrscher, wie herrlich ist dein Nam, SWV 343 (Heinrich Schütz)
- Hither we weird sisters come (Thomas Arne)
- Hither, sweet Ulysses, haste (Thomas Arne)
- Honest lover whatsoever (Thomas Arne)
- Hot stuff (Anonymous)
- How cruel and how hard is my case (James Oswald)
- How cruelly fated is woman to woe (John Christopher Smith)
- How have I stray'd, Z 188 (Henry Purcell)
- How long, great God?, Z 189 (Henry Purcell)
- How sweet the calm of this sequester'd shore (Stephen Storace)
- Hymne, Op. 7, No. 2 (Gabriel Fauré)
I
- I cannot sing the old songs (Charlotte Alington Barnard)
- I will not faith or love accuse (James Oswald)
- Ianthe (James Oswald)
- Ianthe (Thomas Arne)
- Ianthe (William Jackson of Exeter)
- Ich werde nicht sterben, SWV 346 (Heinrich Schütz)
- If the sweet name (James Oswald)
- If wine and music have the pow'r (Stephen Storace)
- Im wunderschönen Monat Mai (Robert Schumann)
- In pity Celia, to my pain (Elizabeth Turner)
- In the black dismal dungeon of despair, Z 190 (Henry Purcell)
- In vain I try my ev'ry art (William Boyce)
- In vain you tell your parting lover (William Jackson of Exeter)
- Inventae Crucis (Natale Monferrato)
- Is there a charm, ye powers above (Henry Carey)
- It is not that I love you less (James Oswald)
- It was a lover and his lass (Thomas Morley)
L
- Lark in the clear air (Traditional)
- The last time I came o'er the moor (James Oswald)
- Lauda Sion Salvatorem (Alessandro Grandi)
- Leave me, shepherd (John Stanley)
- Let the night perish, Z 191 (Henry Purcell)
- Let the nymph still avoid (James Oswald)
- Leçons de ténèbres (François Couperin)
- Lied (César Franck)
- Lied der Braut, Op. 25 No. 11 (Robert Schumann)
- Like sparkling champagne (Jonathan Battishill)
- Lord, what is man (Henry Purcell)
- Lovely Nancy (James Oswald)
- Lovely Selina (John Blow)
- Lydia, Op. 4, No. 2 (Gabriel Fauré)
M
- Mai, Op. 1 No. 2 (Gabriel Fauré)
- Make me no gaudy chaplet (Gaetano Donizetti)
- Mandoline, Op. 58 No. 1 (Gabriel Fauré)
- Der Mann, WoO 31, No. 5 (Johannes Brahms)
- Marienwürmchen (Johannes Brahms)
- La marmotte en vie (Traditional)
- Morire? (Giacomo Puccini)
- Mount your baggage (Joseph Haydn)
- Music has power (Anonymous)
- My love was once a bonny lad (The flowers of Edinburgh) (Joseph Haydn)
N
- Die Nachtigall (Johannes Brahms)
- Nanine, or The emigrant (Harriett Abrams)
- Near Thames' green banks, a love-lorn nymph reclin'd (William Boyce)
- Nell, Op. 18, No. 1 (Gabriel Fauré)
- Nessun maggior piacere, H 114 (Hector Berlioz)
- Night, to lovers' joys a friend (William Jackson of Exeter)
- Ninon (César Franck)
- No ice so hard, so cold as I (Thomas Arne)
- Non sò se quel sorriso (Francesca Caccini)
- Non t'accostare all'urna (Giuseppe Verdi)
- Note-bok för Fröken Ulrica Elisabet Taube (1767) (Various)
- Now cowslips and primroses deck the gay grove (Anonymous)
- Now Philomel renews her tender strain (William Jackson of Exeter)
O
- O mistress mine (Thomas Morley)
- O quam tu pulchra es (Alessandro Grandi)
- O salutaris, CG 83a1 (Charles Gounod)
- O'er the hills and far away (Joseph Haydn)
- Oh Cælia, recall thy lost hours (John Stanley)
- On Chloe Sleeping (Thomas Arne)
- On losing their toast and butter (John Frederick Lampe)
- On Princess Amelia (Maurice Greene)
- Once more I hail Thee, WoO 152, No.3 (Ludwig van Beethoven)
- Orpheus with his lute (Maurice Greene)
P
- Panis angelicus (Francesco Gasparini)
- Pie Iesu (Óscar Manuel Paredes Grau)
- Pinky House (James Oswald)
- Plaisir d'amour (Jean-Paul-Égide Martini)
- Le plaisir des rois et le roi des plaisirs (Traditional)
- Possest of ev'ry blooming grace (Elizabeth Turner)
- The power of music and beauty (John Stanley)
- The Power of Music (James Corfe)
- La Procession (César Franck)
- Push about the brisk bowl (William Boyce)
R
S
- Saag du nokke Kjærringa mi (Andreas Peter Berggreen)
- Salve Regina (Ferdinando Bertoni)
- Salve Regina (Horatio W. Parker)
- Sanctus, CG 56a (Charles Gounod)
- Sapphische Ode (Johannes Brahms)
- Say, curious painter (Elizabeth Turner)
- See Chloe, how the blooming morn (Elizabeth Turner)
- See, Daphne, see (Thomas Arne)
- The self banished (John Blow)
- Seligkeit, D 433 (Franz Schubert)
- Serene is the morning (Samuel Arnold)
- Setze mir nicht, du Grobian (Robert Schumann)
- She never told her love (Joseph Haydn)
- Shepherds, I have lost my love (Joseph Haydn)
- Should love sincere (James Oswald)
- La Sirène (Georges Bizet)
- Sleep'st thou or wak'st thou (The de'il tak' the wars) (Joseph Haydn)
- Slumber my darling (Stephen Collins Foster)
- Stabat Mater (Giovanni Felice Sances)
- Ständchen (Leise flehen meine Lieder) D957 no. 4 (Franz Schubert)
- Sweetest bard that ever sung (William Boyce)
- Sylvia, wilt thou waste thy time (Anonymous)
- Sylvia, wilt thou waste thy time (Thomas Arne)
T
- Take, O take those lips away (John Wilson)
- Tantum ergo (César Franck)
- Tell me, thou soul of her I love (Elizabeth Turner)
- Tell not me of your roses and lilies (François-Hippolyte Barthélémon)
- That Stella quits the wint'ry plain (James Oswald)
- The curfew tolls (Stephen Storace)
- The fair Bath auctioneer (Henry Harington)
- The Flea (Maurice Greene)
- The fond Celadon (Maurice Greene)
- The lilies of France (Anonymous)