Category:Glees
The glee is a type of partsong that flourished in 18th- and early 19th-century Britain. Earlier examples are almost all for men's voices (occasionally with B.C.) but, later, soprano voices (sometimes sung by trebles) were frequently included. Whilst many glees are in simple binary form, more ambitious examples consist of several dramatically contrasted sections, often ending with a fugue. For competitive purposes glees were often classified as 'humorous' or 'serious' (the latter embracing anything from the Ossianic to the amorous). Although largely supplanted by the romantic partsong roughly from the time of Mendelssohn and his imitators onwards, some glees continued to be composed throughout the 19th century.
Pages in this category
The following 200 pages are in this category, out of 638 total.
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- A bumper of good liquor (Thomas Linley the elder)
- A long farewell (Thomas Norris)
- A poor soul sat sighing (Edward Smith Biggs)
- A poor soul sat under a sycamore tree (Anonymous)
- A thought on death (John Danby)
- A youth adorn'd with every art (Theodore Aylward)
- Adam catch'd Eve (Joseph Baildon)
- Adieu, ye rocks (John Alcock Jr.)
- Adieu, ye soft scenes (Samuel Wesley)
- Ah! Hills beloved (John Wall Callcott)
- Ah! How Sophia can you leave? (John Wall Callcott)
- Ah! me! With that false one (Edward Smith Biggs)
- Alas that e'er I knew this hour (Samuel Webbe)
- Alas, cried Damon (John Wall Callcott)
- Albion, thy sea-encircled isle (Benjamin Cooke)
- Aldiborontiphoscophornio (John Wall Callcott)
- All around is hushed (Philip P. Bliss)
- Alloa House (Thomas Billington)
- Although soft sleep (Anonymous)
- Although soft sleep (Richard John Samuel Stevens)
- Amidst the myrtles (Jonathan Battishill)
- Amo, amas (Anonymous)
- The amorous parley (Edward Mulso)
- Apollo, high our souls inspire (John Danby)
- Are the white hours for ever fled (John Wall Callcott)
- Arno's vale (Henry Holcombe)
- Around the festive board (Samuel Webbe)
- As I was going to Derby (John Wall Callcott)
- As it fell upon a day (Lord Mornington)
- As now the shades of eve (Benjamin Cooke)
- As on a summer's day (John Stafford Smith)
- As onward we jog (John Danby)
- As t'other day Susan and Tom (Luffman Atterbury)
- As the moments roll (Samuel Webbe)
- Attend, ye sons of mirth (Samuel Webbe)
- Awake, Aeolian lyre (John Danby)
- Awake, my fair (Francis Hutcheson)
- Away away away (Samuel Webbe)
B
- Balmy May (William Aubrey Williams)
- Baloo, my babe (Joseph Corfe)
- The Banks of the Dee (John Clarke-Whitfeld)
- The banks of the Tweed (Harriett Abrams)
- The Banks of the Yarrow (John Wall Callcott)
- Begin the song (John Danby)
- Behold! blest peace (Samuel Webbe Jr.)
- The bells of St Michael's tower (Robert Prescott Stewart)
- Beneath a weight of hapless love (Benjamin Cooke)
- Beneath the silent rural cell (Henry Harington)
- Beneath these walls (Blenheim) (John Wall Callcott)
- Bess the gawkie (Harriett Abrams)
- Bind my brows (John Stainer)
- Birks of Aberfeldy (Harriett Abrams)
- Blest pair of sirens (John Stafford Smith)
- Blind man's bluff (Thomas Arne)
- Blow, blow thou winter wind (arr. Hayes) (Thomas Arne)
- Blow, blow thou winter wind (Richard John Samuel Stevens)
- Blow, blow thou wintry wind (arr. Bishop) (Thomas Arne)
- Blow, blow, thou winter wind (Henry Rowley Bishop)
- Blow, gentle gales (Henry Rowley Bishop)
- Breathe soft ye winds (Maria Hester Park)
- Breathe soft ye winds (Samuel Webbe)
- Breathe soft ye winds (William Paxton)
- Breezes of Morning (William Aubrey Williams)
- The Bride and Bridegroom (John Stafford Smith)
- Bright Lady, sweet Mistress (Henry Rowley Bishop)
- British sentiments (Samuel Webbe)
- Britons advance (Philip Hayes)
- By mason's art, the aspiring dome (Benjamin Cooke)
- By shady woods and purling streams (Maria Hester Park)
C
- Can love be controlled by advice? (Samuel Webbe Jr.)
- Cara vale (John Wall Callcott)
- The Card (Samuel Arnold)
- The Cats (William Lawes)
- Cease to blame my melancholy (John Stafford Smith)
- Cease your funning (Samuel Webbe Jr.)
- Cecilia, more than all the muses skilled (Samuel Webbe)
- Cheerfulness (Ciro Pinsuti)
- Child of summer (William Hayes)
- Chloe farewell (John Alcock Jr.)
- Chloe yielded (Anonymous)
- Circle the bowl (Samuel Wesley)
- Come and let us live (Samuel Webbe Jr.)
- Come bind my hair (Jonathan Battishill)
- Come bounteous May (Reginald Spofforth)
- Come Clara (Reginald Spofforth)
- Come Damon, leave thy sadness (James Corfe)
- Come Delia, pride of rural swains (John Danby)
- Come gentle zephyr (William Horsley)
- Come kiss me, dear Dolly (James Hook)
- Come live with me (Samuel Webbe)
- Come shepherds, come away (Lord Mornington)
- Come shepherds, swains (James Corfe)
- Come thou monarch of the vine (Benjamin Cooke)
- Come, fairest nymph (Lord Mornington)
- Come, follow me (William Horsley)
- Come, gentle Spring (John Wall Callcott)
- Come, let us a-maying go (Luffman Atterbury)
- Come, my friends (William Horsley)
- Come, pretty bird (John Danby)
- Come, push round with spirit (Samuel Webbe)
- Come, push round with spirit (William Jackson of Exeter)
- Come, ye party jangling swains (John Danby)
- Come, Zephalinda (John Alcock Jr.)
- Concord is conquered (Robert Cooke)
- Consigned to dust (Jonathan Battishill)
- Could he, whom my dissembled rigour grieves (William Jackson of Exeter)
- Crabbed age and youth (Richard John Samuel Stevens)
- Creator Venus, genial power of love (Samuel Webbe)
- Cried Ned to his neighbour (Richard Langdon)
- Cried Strephon, panting (Joseph Baildon)
- A cruel fate hangs threat'ning (Theodore Aylward)
- Cupid no more shall give me grief (John Dyne)
D
- Dame Durden (Henry Harington)
- Daughter of error! (Henry Rowley Bishop)
- Day break (William Aubrey Williams)
- De'il tak' the wars (Joseph Corfe)
- Death and Victory (The Anacreontic Song) (John Stafford Smith)
- Delightful scene, in which appear (Lord Mornington)
- Delusive, sightless god (Samuel Webbe)
- Desolate is the dwelling of Morna (John Wall Callcott)
- Discord dire sister (Samuel Webbe)
- Divine Cecilia! (Samuel Webbe)
- Done to death by slanderous tongues (canzonet) (Theodore Aylward)
- Done to death by slanderous tongues (glee) (Theodore Aylward)
- Doth the sweet pastoral pipe neglected lie? (William Hayes)
- Doubt thou the stars are fire (Richard John Samuel Stevens)
- Down the smooth stream of life (John Stafford Smith)
- Drink to me only (Traditional)
- Dry be that tear, my gentlest love (Thomas Linley the elder)
- Dull, repining sons of care (John Wall Callcott)
E
- Elegy on the death of Mr Shenstone (John Broderip)
- Elegy on the death of Mr. Shenstone (Thomas Arne)
- Epitaph on a Dormouse (Benjamin Cooke)
- Epitaph on Henry Purcell (Mary Hudson)
- Epitaph on Mrs Wren (Anonymous)
- Epitaph on Sally Salisbury (John Stafford Smith)
- Epitaph on Sir Charles Sanders (Lord Mornington)
- Epitaph on Sir John Calf (John Wall Callcott)
- Epitaph on the gravestone of Dr Willm. Child (Robert Hudson)
- The Erl King (John Wall Callcott)
F
- Fain would I sing (Philip Hayes)
- Fair Flora decks the flowery ground (John Danby)
- Fairest daughter of the year (John Danby)
- The family quarrel (Thomas Arne)
- Far away from every pleasure (Henry Rowley Bishop)
- Fare thee well, thou native vale (John Danby)
- Farewell at Yang Gate (Louis K. Liu)
- Farewell to Lochaber (John Wall Callcott)
- Father of heroes (John Wall Callcott)
- Few are the vales (Samuel Webbe Jr.)
- Fields were overspread with flowers (Philip Hayes)
- Fill the bowl (John Dyne)
- Fill the horn of glossy blue (John Wall Callcott)
- The Fisherman’s “Good Night” (Henry Rowley Bishop)
- Five times by the taper's light (Stephen Storace)
- Flow on, silver stream (John Danby)
- Flow, gentle stream (John Stafford Smith)
- For Agathon, in fighting fields (Thomas Norris)
- For all our men were very, very merry (Robert Lucas Pearsall)
- Foresters, sound the cheerful horn (Henry Rowley Bishop)
- Forgive blessed shade (John Wall Callcott)
- From Oberon, in Fairy land (Richard John Samuel Stevens)
G
- Gales of evening (Robert Cooke)
- Garlands bring (Philip Hayes)
- Garvan (John Wall Callcott)
- Gentle Cupid, lend an ear (John Broderip)
- Gentle ladies, good in nature (Anonymous)
- Gentle manners, virtuous lives (Samuel Webbe)
- Gentle swains, unseal your eyes (John Danby)
- Gently bear me (Lord Mornington)
- Gently touch the warbling lyre (Francesco Geminiani)
- Gently touch the warbling lyre (James Brooks)
- Glorious Apollo (Samuel Webbe)
- Go gentle soul (Henry Harington)
- Go plaintive breeze (John Wall Callcott)
- Go rose, my Chloe's bosom grace (William Benson Earle)
- Go rose, my Chloe's bosom grace (William Jackson of Exeter)
- Go tell Amynta, gentle swain (Maria Hester Park)
- Go to the ant (Henry Harington)
- Go, Damon go (Philip Hayes)
- Go, Damon go (Stephen Paxton)
- Go, feeble tyrant (William Jackson of Exeter)
- Go, idle boy (John Wall Callcott)
- Go, tuneful bird (John Wall Callcott)
- Go, ye soft notes (Philip Hayes)
- Goddess of the tuneful lyre (John Danby)
- Golden sun, thy warmth display (James Hook)
- Good night, good rest (Henry Rowley Bishop)
- Good statesmen need not only wit (Thomas Arne)
- Great Apollo (Samuel Webbe)
- Great Bacchus, O aid us (Samuel Webbe)
- Great god of sleep (Francis Hutcheson)
- Green thorn of the hill of ghosts (John Wall Callcott)
- Green willow (John Clarke-Whitfeld)
- Greeting Glee (Nathan L. Glover)