Te lucis ante terminum (Thomas Tallis): Difference between revisions
Jump to navigation
Jump to search
(→Music files: Commented out (restored) withdrawn edition(s)) |
m (Text replacement - "\'\'\'Edition notes\:\'\'\' (.*) \<\!\-\-" to "{{EdNotes|$1}} <!--") |
||
(37 intermediate revisions by 7 users not shown) | |||
Line 1: | Line 1: | ||
==Music files== | ==Music files== | ||
{{Legend}} | {{#Legend:}} | ||
* {{PostedDate| 2020-05-21}} {{CPDLno|58738}} [[Media:Tallis-TeLucis(low).pdf|{{pdf}}]] [[Media:Tallis-TeLucis(low).mid|{{mid}}]] | |||
*{{CPDLno| | {{Editor|Jason Smart|2020-05-21}}{{ScoreInfo|A4|5|190}}{{Copy|Creative Commons Attribution Non-Commercial No Derivatives}} | ||
:{{EdNotes|Both settings. Edited from the Byrd/Tallis Cantiones Sacrae of 1575. Original pitch and note values retained. Plainsong added. The score includes a critical commentary.}} | |||
* {{PostedDate| 2020-05-21}} {{CPDLno|58737}} [[Media:Tallis-TeLucis(high).pdf|{{pdf}}]] [[Media:Tallis-TeLucis(high).mid|{{mid}}]] | |||
{{Editor|Jason Smart|2020-05-21}}{{ScoreInfo|A4|5|191}}{{Copy|Creative Commons Attribution Non-Commercial No Derivatives}} | |||
:{{EdNotes|Both settings. The same edition as #58738, but transposed up a major third for SAATB.}} | |||
*{{PostedDate|2013-01-01}} {{CPDLno|27935}} [[Media:Tal-TeL1.pdf|{{pdf}}]] | |||
{{Editor|Adrian Wall|2013-01-01}}{{ScoreInfo|A4|3|140}}{{Copy|Personal}} | {{Editor|Adrian Wall|2013-01-01}}{{ScoreInfo|A4|3|140}}{{Copy|Personal}} | ||
: | :{{EdNotes|Transposed up a tone from original written pitch, for {{cat|SATTB|SATBarB}}}} | ||
<!-- | <!-- | ||
*{{:Edition:CPDL 21049}} | |||
*{{:Edition:CPDL 21050}} | *{{:Edition:CPDL 21050}} | ||
*{{:Edition:CPDL 21051}} | *{{:Edition:CPDL 21051}} | ||
--> | --> | ||
*{{ | *{{PostedDate|2005-09-18}} {{CPDLno|9708}} [[Media:ws-tall-tel.pdf|{{Pdf}}]] [[Media:ws-tall-tel.mid|{{Mid}}]] [[Media:ws-tall-tel.mus|{{mus}}]] (Finale 2004) | ||
{{Editor|Thomas F. Strode|2005-09-18}}{{ScoreInfo|A4|2|116}}{{Copy|Personal}} | {{Editor|Thomas F. Strode|2005-09-18}}{{ScoreInfo|A4|2|116}}{{Copy|Personal}} | ||
: | :{{EdNotes|Ferial Tone only. See discussion section for notes on minor errors and a question whether the title of this article is correct.}} | ||
*{{PostedDate|2004-01-30}} {{CPDLno|6570}} [[Media:ws-tall-pro.pdf|{{Pdf}}]] [[Media:ws-tall-pro.mid|{{Mid}}]] [[Media:ws-tall-pro.mus|{{mus}}]] (Finale 2002) | |||
*{{ | |||
{{Editor|Paul R. Marchesano|2004-01-30}}{{ScoreInfo|Letter|4|120}}{{Copy|Personal}} | {{Editor|Paul R. Marchesano|2004-01-30}}{{ScoreInfo|Letter|4|120}}{{Copy|Personal}} | ||
: | :{{EdNotes|Setting of vs. 2, "Procul recedant somnia" only. Festal and Ferial tone, but lacking plainsong - Tallis's polyphony only.}} | ||
==General Information== | ==General Information== | ||
{{Title|''Te lucis ante terminum (ferial tone)''}} | |||
{{Composer|Thomas Tallis}} | {{Composer|Thomas Tallis}} | ||
{{Voicing|5|ATTBB|ATTBarB}}<br> | {{Voicing|5|ATTBB|ATTBarB}} or {{Cat|SAATB}}.<br> | ||
{{Genre|Sacred|Office hymns}} | {{Genre|Sacred|Office hymns}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{Pub|1|1575|in ''[[Cantiones quae ab argumento sacrae vocantur]]''|no=20}} | |||
{{Descr|Tallis composed two settings of this hymn. This page contains editions of both and also editions of the setting misleadingly known as the 'ferial tone'. For separate editions of the so-called 'festal tone', see [[Te lucis ante terminum (festal tone) (Thomas Tallis)|Te lucis ante terminum (festal tone)]]}} | |||
{{#ExtWeb:}} | |||
==Original text and translations== | ==Original text and translations== | ||
{{LinkText|Te lucis ante terminum}} | {{LinkText|Te lucis ante terminum}} | ||
Line 38: | Line 40: | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] | ||
[[Category:Compline]] | [[Category:Compline]] | ||
{{Cleanup|The separate pages for Tallis's two 'Te lucis' settings need unscrambling. Since one edition appears on both pages and other editions include both settings, it would be better to combine all editions onto one page. The common description of the settings as 'festal' and 'ferial' is in any case misleading and the various editions would be better placed under the sub-headings 'Both Settings', '1st Setting' (for the so-called 'festal' tune) and '2nd Setting'.}} |
Revision as of 02:07, 30 April 2021
Music files
ICON | SOURCE |
---|---|
Midi | |
Finale | |
File details | |
Help |
- Editor: Jason Smart (submitted 2020-05-21). Score information: A4, 5 pages, 190 kB Copyright: CC BY NC ND
- Edition notes: Both settings. Edited from the Byrd/Tallis Cantiones Sacrae of 1575. Original pitch and note values retained. Plainsong added. The score includes a critical commentary.
- Editor: Jason Smart (submitted 2020-05-21). Score information: A4, 5 pages, 191 kB Copyright: CC BY NC ND
- Edition notes: Both settings. The same edition as #58738, but transposed up a major third for SAATB.
- Editor: Adrian Wall (submitted 2013-01-01). Score information: A4, 3 pages, 140 kB Copyright: Personal
- Edition notes: Transposed up a tone from original written pitch, for SATBarB
- Editor: Thomas F. Strode (submitted 2005-09-18). Score information: A4, 2 pages, 116 kB Copyright: Personal
- Edition notes: Ferial Tone only. See discussion section for notes on minor errors and a question whether the title of this article is correct.
- Editor: Paul R. Marchesano (submitted 2004-01-30). Score information: Letter, 4 pages, 120 kB Copyright: Personal
- Edition notes: Setting of vs. 2, "Procul recedant somnia" only. Festal and Ferial tone, but lacking plainsong - Tallis's polyphony only.
General Information
Title: Te lucis ante terminum (ferial tone)
Composer: Thomas Tallis
Number of voices: 5vv Voicing: ATTBarB
or SAATB.
Genre: Sacred, Office hymn
Language: Latin
Instruments: A cappella
First published: 1575 in Cantiones quae ab argumento sacrae vocantur, no. 20
Description: Tallis composed two settings of this hymn. This page contains editions of both and also editions of the setting misleadingly known as the 'ferial tone'. For separate editions of the so-called 'festal tone', see Te lucis ante terminum (festal tone)
External websites:
Original text and translations
Original text and translations may be found at Te lucis ante terminum.
This page is awaiting cleanup. |