Magnificat (Orlando di Lasso)
Lassus' Magnificats number nearly 100; the Sämtlicher Werke (NGA) includes 110 attributed works, edited by Wolfgang Boetticher according to the following plan:
Volume 13 (Magnificats, Band 1, nos. 1–24)
- Magnificat octo tonorum, 4–6vv (Nuremberg, 1567) (1–8. 6vv, ; 9–16. 5vv, ; 17–24. 4vv, )
Volume 14 (Magnificats, Band 2, nos. 25–49)
Works appearing in
- Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ canticum Magnificat, ad imitationem cantilenarum quarundam, 4–6vv (Munich, 1587c)
Volume 15 (Magnificats, Band 3, nos. 50–70)
- Iubilus beatæ virginis, hoc est centum Magnificat, 4–8vv, 10vv (Munich, 1619a) nos. 50-65
- Liber primus cantiones sacræ Magnificat vocant, 5, 6vv (Paris, 16021)
Volume 16 (Magnificats, Band 4, nos. 71–92)
Volume 17 (Magnificats, Band 5, nos. 93–110)
Sortable table
NGA | Bot | 1619 | model | mode | vv | publ. |
---|---|---|---|---|---|---|
1 | 10 | 61 | Primi toni | i | 6 | Nürnberg 1567 |
2 | 22 | 65 | Secundi toni | ii | 6 | Nürnberg 1567 |
3 | 37 | 74 | Tertii toni | iii | 6 | Nürnberg 1567 |
4 | 45 | 75 | Quarti toni | iv | 6 | Nürnberg 1567 |
5 | 53 | 78 | Quinti toni | v | 6 | Nürnberg 1567 |
5 | 63 | 80 | Sexti toni | vi | 6 | Nürnberg 1567 |
7 | 78 | 84 | Septimi toni | vii | 6 | Nürnberg 1567 |
8 | 95 | 90 | Octavi toni | viii | 6 | Nürnberg 1567 |
9 | 6 | 26 | Primi toni | i | 5 | Nürnberg 1567 |
10 | 18 | 30 | Secundi toni | ii | 5 | Nürnberg 1567 |
11 | 34 | 34 | Tertii toni | iii | 5 | Nürnberg 1567 |
12 | 40 | 37 | Quarti toni | iv | 5 | Nürnberg 1567 |
13 | 50 | 42 | Quinti toni | v | 5 | Nürnberg 1567 |
14 | 58 | 44 | Sexti toni | vi | 5 | Nürnberg 1567 |
15 | 72 | 49 | Septimi toni | vii | 5 | Nürnberg 1567 |
16 | 89 | 55 | Octavi toni | viii | 5(6) | Nürnberg 1567 |
17 | 2 | 2 | Primi toni | i | 4 | Nürnberg 1567 |
18 | 32 | 10 | Secundi toni | ii | 4 | Nürnberg 1567 |
19 | 32 | 10 | Tertii toni | iii | 4 | Nürnberg 1567 |
20 | 39 | 13 | Quarti toni | iv | 4 | Nürnberg 1567 |
21 | 49 | 15 | Quintii toni | v | 4 | Nürnberg 1567 |
22 | 56 | 17 | Sexti toni | vi | 4 | Nürnberg 1567 |
23 | 69 | 20 | Septimi toni | vii | 4 | Nürnberg 1567 |
24 | 88 | 24 | Octavi toni | viii | 4 | Nürnberg 1567 |
25 | 1 | 1 | Primi toni | i | 4 | Patrocinium musices 1576 |
26 | 14 | 5 | Secundi toni | ii | 4 | Patrocinium musices 1576 |
27 | 31 | 9 | Tertii toni | iii | 4 | Patrocinium musices 1576 |
28 | 38 | 12 | Quarti toni | iv | 4 | Patrocinium musices 1576 |
29 | 48 | 14 | Quinti toni | v | 4 | Patrocinium musices 1576 |
30 | 55 | 16 | Sexti toni | vi | 4(5) | Patrocinium musices 1576 |
31 | 68 | 19 | Septimi toni | vii | 4 | Patrocinium musices 1576 |
32 | 87 | 23 | Octavi toni | viii | 4 | Patrocinium musices 1576 |
33 | 3 | 3 | Primi toni H xiv, 75 | i | 4 | |
34 | 44 | 41 | Ancor che col partire (after Rore's madrigal) H xiv, 82 | iv | 5 | |
35 | 67 | 95 | Sexti toni, H xiv, 94 | vi | 8 | |
36 | 85 | 96 | Septimi toni H xiv, 112 | vii | 8 | |
37 | 4 | 4 | Si par souhait (own chanson, 1570b), H xiv, 126 | i | 4 | |
38 | 17 | 8 | Il est jour (Claudin de Sermisy’s chanson),H xiv, 133 | ii | 4 | |
39 | 28 | 71 | Quanti in mille anni il ciel ([?Pierre] Nollet’s madrigal) H xiv, 141 | ii | 6 | |
40 | 11 | 62 | Dessus le marché d’Arras (own chanson, 1584a), H xiv, 158 | i | 6 | 1587 |
41 | 12 | 63 | Susanne un jour (Didier Lupi’s chanson), H xiv 174 | i | 6 | 1587 |
42 | 83 | 89 | Deus in adjutorium [septimi (?) toni] (own motet, 1582e), H xiv, 189 | Peregrini toni | 6 | 1587 |
43 | 29 | 72 | Ecco ch’io lasso il core [secundi toni] (?Alessandro Striggio’s madrigal), H xiv, 201 | ii | 6 | 1587 |
44 | 13 | 64 | Omnis enim homo (own motet, 1585b), H xiv, 216 | i | 6 | |
45 | 81 | 87 | Amor ecco colei H xiv, 231 | vii | 6 | 1587 |
46 | 85 | 76 | Quando lieta sperai (anon. madrigal, 1548), H xiv, 243 | iv | 6 | 1587 |
47 | 94 | 60 | Aria di un sonetto (Ortiz’s Aria di Ruggiero), H xiv, 256 | viii | 5 | 1587 |
48 | 36 | 36 | Mort et fortune [tertii et octavi toni] (Nicolas Gombert’s chanson), H xiv, 263 | iii (viii) | 5 | 1587 |
49 | 30 | 73 | Mais qui pourroit [secundi toni] (own chanson, 1584a), H xiv, 275 | ii | 6 | 1587 |
50 | 16 | 7 | O s’io potessi [secundi toni] (Berchem’s madrigal), 4vv, H xv, 3 | ii | 4 | |
51 | 19 | 31 | Secundi toni, 5vv, H xv, 10 | ii | 5 | |
52 | 42 | 39 | Quarti toni (i), 5vv, H xv, 16 | iv | 5 | |
53 | 59 | 45 | Sexti toni (i), 5vv, H xv, 24 | vi | 5 | |
54 | 61 | 47 | Sexti toni (ii), 5vv, H xv, 30 | vi | 5 | |
55 | 74 | 51 | Septimi toni (i), 5vv, H xv, 35 | vii | 5 | |
56 | 90 | 56 | Octavi toni (i), 5vv, H xv, 40 | viii | 5 | |
57 | 21 | 33 | Las je n’iray plus [secundi toni] (own chanson, 1576a), H xv, 46 | ii | 5 | |
58 | 26 | 69 | Ultimi miei sospiri [secundi toni] Verdelot’s madrigal), H xv, 58 | ii | 6 | |
59 | 65 | 82 | Tant vous allez doux [sexti toni] (Ebran’s chanson), H xv, 74 | vi | 6 | |
60 | 77 | 54 | Hélas j’ai sans merci [septimi toni] (own chanson, 1584a), H xv, 95 | vii | 5 | |
61 | 82 | 88 | S’io esca vivo [septimi toni] (own madrigal, 1579), H xv, 108 | vii | 6 | |
62 | 96 | 91 | Octavi toni, 6vv, H xv, 126 | vii | 6 | |
63 | 47 | 94 | Quarti toni, 8vv, H xv, 138 | iv | 8 | |
64 | 86 | 97 | Septimi toni, 8vv, H xv, 152 | vii | 8 | |
65 | 99 | 99 | Octavi toni (i), 8vv, H xv, 166 | viii | 8 | |
66 | 54 | 79 | Omnis homo primum bonum vinum ponit [?sexti toni] (Giaches de Wert|de Wert’s motet), 6vv, H xv, 181 | vi | 6 | |
67 | 101 | - | [Sexti toni], MS ca.1582, H xv, 201 | vi | 5 | |
68 | 64 | 81 | Dies est lætitia [sexti toni], H xv, 212 | vi | 6 | |
69 | 97 | 92 | Benedicta es, cælorum regina [octavi toni] Josquin’s motet, 1520), H xv, 228 | vii | 6 | |
70 | 25 | 68 | Præter rerum seriem [secundi toni] (Josquin’s motet), H xv, 248 | ii | 6 |
- Liber primus cantiones sacræ Magnificat vocant, 5, 6vv (Paris, 16021)
Volume 16 (Magnificats, Band 4, nos. 71–92)
|71. Primi toni, H xvi, 3 ||i ||5 |72. Secundi toni ||ii ||5 |73. Tertii toni, H xvi, 25 ||iii ||5 |74. Quarti toni, ||iv ||5 |75. Quinti toni, H xvi, 46 ||v ||5 |76. Sexti toni, 5vv, H xvi, 57 ||vi ||5 |77. Septimi toni, 5vv, H xvi, 68 ||vii ||5 |78. Octavi toni, 5vv, H xvi, 80 ||viii ||5 |79. Primi toni, 5vv, H xvi, 92 ||i ||5 |80 Vergine bella [primi toni] Rore’s madrigal), H xvi, 108 ||i ||5 |81 Dalle belle contrade [sexti toni] (Cipriano de Rore’s madrigal), H xvi, 120 ||vi ||5 |82 Recordare Jesu pie [septimi toni] (own motet, 1594), 6vv, H xvi, 134 ||vii ||6 |83 Margot labouréz les vignes [septimi toni] (own chanson, 1564a), 4vv, H xvi, 154 ||vii ||4 |84 Alma real se come fide stella [octavi toni] Rore’s madrigal), 5vv, H xvi, 163 ||viii ||5 |85 O che vezzosa aurora [secundi toni] O che vezzosa aurora (Orazio Vecchi)Vecchi’s madrigal), 6vv, H xvi, 175 ||ii ||6 |86 D’ogni gratia e d’amor [septimi toni] (Striggio’s madrigal), 6vv, H xvi, 188 ||vii ||6 |87 Perpulchrum septimi toni, 7vv, H xvi, 204 ||vii ||7 |88 S’io credessi per morte [tertii toni] (A. de Reulx’s madrigal), 4vv, H xvi, 221 ||iii ||4 |89 Beau le cristal [sexti toni] (own chanson, 1576d), 4vv, H xvi, 230 ||vi ||4 |90 Pange lingua gloriosi [septimi toni], 4vv, H xvi, 241 ||vii ||4 |91 Primi toni, 5vv, H xvi, 259 ||i ||5 |92 |Vous perdez temps [septimi toni] Sermisy’s chanson), 5vv, H xvi, 267 ||vii ||5
Volume 17 (Magnificats, Band 5, nos. 93–110)
|93. Vola vola pensier (Aeria a la italiana) [octavi toni], 5vv, H xvii, 3 |94. Quinti toni, 6vv, H xvii, 14 ||v ||6 |95. Octavi toni (i), 8vv, H xvii, 31 ||viii ||8 |96. Octavi toni (ii), 8vv, H xvii, 48 ||vii ||8 |97. Erano capei d’oro [septimi toni] (Nanino’s madrigal), 5vv, H xvii, 64 ||vii ||5 |98. Secundi toni, 6vv, H xvii, 76 ||ii ||6 |99. Si vous estes m’amie [sexti toni] (own chanson, 1584a), 6vv, H xvii, 94 ||vi ||6 |100. Memor esto [secundi toni] (own motet, 1585a), 6vv, H xvii, 107 ||ii ||6 |101. Aurora lucis rutilat [octavi toni] (NoCo|Aurora lucis rutilat|own motet}}, 1604), 10vv, H xvii, 124 ||viii ||10 |102. Septimi toni, 10vv, MS, H xvii, 150 ||vii ||10 |103–110. 8 Magnificat settings, doubtful, H xvii, 182
External links
- Sämtliche Werke, neue Reihe at the Petrucci Music Library (IMSLP)