Difference between revisions of "Estans assis aux rives aquatiques (Abel)"

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==Music files==
 
==Music files==
{{Legend}}
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{{#Legend:}}
 
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*{{PostedDate|2012-01-13}} {{CPDLno|25004}} [[Media:Estans assis Abel.pdf|{{pdf}}]] [[Media:Estans_assis_Abel.mid|{{mid}}]] [[Media:Estans assis Abel.mxl|{{XML}}]]
*{{NewWork|2012-01-13}} {{CPDLno|25004}} [{{filepath:Estans assis Abel.pdf}} {{pdf}}] [{{filepath:Estans_assis_Abel.mid}} {{mid}}]
 
 
{{Editor|Dick Wursten|2011-11-26}}{{ScoreInfo|A4|12|205}}{{Copy|CPDL}}
 
{{Editor|Dick Wursten|2011-11-26}}{{ScoreInfo|A4|12|205}}{{Copy|CPDL}}
:'''Edition notes:''' Transcribed from the original partbook in the British Library, also with original texting.
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:{{EdNotes|Transcribed from the original partbook in the British Library, also with original texting.}}
  
 
==General Information==
 
==General Information==
'''Title:''' ''Estans assis aux rives aquatiques''<br>
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{{Title|''Estans assis aux rives aquatiques''}}
 
{{Composer|Abel}}
 
{{Composer|Abel}}
 
{{Lyricist|Clément Marot}}
 
{{Lyricist|Clément Marot}}
  
{{Voicing|4|SATB}}<br>
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{{Voicing|4|SATB}}
 
{{Genre|Sacred|Partsongs}}
 
{{Genre|Sacred|Partsongs}}
 
{{Language|French}}
 
{{Language|French}}
 
{{Instruments|A cappella}}
 
{{Instruments|A cappella}}
'''Published:''' 1540
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{{Pub|1|1540|in {{NoComp|Le Parangon des chansons, livre 6|Jacques Moderne}} (Moderne)|no=1}}
 
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{{Descr|First polyphonic setting of a Psalm versification by Clément Marot. Apparently Abel (of whom nothing is known except this composition) supplied the printer with a hard to read original. This explains some oddities in the text. To name only the two most conspicuous phenomena:
'''Description:''' First polyphonic setting of a Psalm versification by Clément Marot.
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in Moderne's edition the 'harps' are hanging on "sauges vers" iso "saules verts"; and the musical indication ‘Triollet’ is placed below the first notes of the second part. To correct the text, I used a text edition of Marot's Psalms, which is almost identical to this one, the Antwerp-edition of 1541 (De Gois), of which a copy appeared in Lyon in 1542 (Etienne Dolet) and which also circulated in manuscript form. "Mais desormais" (bar75-76) can also be considered an error. All other known editions read: "Or toutes foys", which gives better meaning. In some lines this version differs intrinsically from the official version, published by Marot in 1541 (Paris, Roffet).}}
 
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{{#ExtWeb:
From CPDL #25004:<br>
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*[http://www.clementmarot.com/psalmsmusic.htm The first musical settings of Marot's Psalms]}}
Apparently Abel (of whom nothing is known except this composition) supplied the printer with a hard to read original. This explains some oddities in the text. To name only the two most conspicuous phenomena:
 
*In Moderne's edition the 'harps' are hanging on "sauges vers" iso "saules verts".
 
*The musical indication ‘Triollet’ is placed below the first notes of the second part.
 
To correct the text, I used a textedition of Marot's Psalms, which is almost identical to this one, the Antwerp-edition of 1541 (De Gois), of which a copy appeared in Lyon in 1542 (Etienne Dolet) and which also circulated in manuscriptform. "Mais desormais" (bar75-76) can also be considered an error. All other known editions read: "Or toutesfoys", which gives better meaning.
 
 
 
In some lines this version differs intrinsically from the official version, published by Marot in 1541 (Paris, Roffet).
 
 
 
'''External websites:'''
 
*[http://www.clementmarot.com/psalmsmusic.htm The first musical settings of Marot's Psalms]  
 
 
 
 
==Original text and translations==
 
==Original text and translations==
 
{{LinkText|Psalm 137}}
 
{{LinkText|Psalm 137}}

Latest revision as of 06:19, 5 October 2021

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  • (Posted 2012-01-13)  CPDL #25004:       
Editor: Dick Wursten (submitted 2011-11-26).   Score information: A4, 12 pages, 205 kB   Copyright: CPDL
Edition notes: Transcribed from the original partbook in the British Library, also with original texting.

General Information

Title: Estans assis aux rives aquatiques
Composer: Abel
Lyricist: Clément Marot

Number of voices: 4vv   Voicing: SATB
Genre: SacredPartsong

Language: French
Instruments: A cappella

First published: 1540 in Le Parangon des chansons, livre 6 (Moderne), no. 1
Description: First polyphonic setting of a Psalm versification by Clément Marot. Apparently Abel (of whom nothing is known except this composition) supplied the printer with a hard to read original. This explains some oddities in the text. To name only the two most conspicuous phenomena: in Moderne's edition the 'harps' are hanging on "sauges vers" iso "saules verts"; and the musical indication ‘Triollet’ is placed below the first notes of the second part. To correct the text, I used a text edition of Marot's Psalms, which is almost identical to this one, the Antwerp-edition of 1541 (De Gois), of which a copy appeared in Lyon in 1542 (Etienne Dolet) and which also circulated in manuscript form. "Mais desormais" (bar75-76) can also be considered an error. All other known editions read: "Or toutes foys", which gives better meaning. In some lines this version differs intrinsically from the official version, published by Marot in 1541 (Paris, Roffet).

External websites:

Original text and translations

Original text and translations may be found at Psalm 137.