Missa Adieu les amours (Francesco de Layolle): Difference between revisions
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==Music files== | ==Music files== | ||
===Entire work=== | |||
{{#Legend:}} | {{#Legend:}} | ||
* {{PostedDate|2021-02-22}} {{CPDLno|63115}} [[Media:Lay_MisAdieu.pdf|{{pdf}}]] | *{{PostedDate|2021-02-22}} {{CPDLno|63115}} [[Media:Lay_MisAdieu.pdf|{{pdf}}]] [[Media:Lay_MisAdieu.mxl|{{XML}}]] | ||
{{Editor|Mick Swithinbank|2021-02-22}}{{ScoreInfo|A4|30|256}}{{Copy|CPDL}} | {{Editor|Mick Swithinbank|2021-02-22}}{{ScoreInfo|A4|30|256}}{{Copy|CPDL}} | ||
:{{EdNotes|}} | :{{EdNotes|}} | ||
===Individual movements=== | |||
====Agnus Dei II==== | |||
*{{PostedDate|2014-12-29}} {{CPDLno|33951}} [[Media:Layolle-Agnus_Dei.pdf|{{pdf}}]] [[Media:Layolle-Agnus_Dei.MID|{{mid}}]] [[Media:Layolle-Agnus_Dei.mxl|{{XML}}]] [[Media:Layolle-Agnus_Dei.MUS|{{mus}}]] (Finale 2008) | |||
{{Editor|André Vierendeels|2014-12-29}}{{ScoreInfo|A4|2|71}}{{Copy|CPDL}} | |||
:{{EdNotes| }} | |||
==General Information== | ==General Information== | ||
| Line 10: | Line 16: | ||
{{Lyricist|}} | {{Lyricist|}} | ||
{{Voicing|4|SATB}} | {{Voicing|4/5|SATB|SAT(T)B}} | ||
{{Genre|Sacred|Masses}} | {{Genre|Sacred|Masses}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{Pub|1|1532|in | {{Pub|1|1532|in {{NoComp|Liber decem missarum|Jacques Moderne}} (Jacques Moderne)|vol=Edition 1|no=3}} | ||
{{Pub|2|1539|in {{NoComp|Liber quindecim missarum|Johannes Petreius}} (Johannes Petreius)|no=10}} | |||
{{Pub|3|1559|in {{NoComp|Il primo libro di madrigali a 3 voci|Jacques Arcadelt}} (Jacques Arcadelt) - 'Agnus Dei II' only|vol=Edition 3|no=12}} | |||
{{Descr|Source: Liber decem missarum ..., Moderne, 1532. The cantus firmus, appearing throughout the tenor and occasionally in other voices, comprises the first five notes of the song melody in various note values. The third Agnus Dei is set for five voices: as the Altus part is here directed to be sung in canon at the fourth, an additional tenor line emerges.}} | {{Descr|Source: Liber decem missarum ..., Moderne, 1532. The cantus firmus, appearing throughout the tenor and occasionally in other voices, comprises the first five notes of the song melody in various note values. The third Agnus Dei is set for five voices: as the Altus part is here directed to be sung in canon at the fourth, an additional tenor line emerges.}} | ||
{{#ExtWeb:}} | {{#ExtWeb:}} | ||
==Original text and translations== | ==Original text and translations== | ||
{{MassText}} | {{MassText}} | ||
Latest revision as of 06:28, 22 October 2022
Music files
Entire work
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Midi |
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Finale |
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- (Posted 2021-02-22) CPDL #63115:
- Editor: Mick Swithinbank (submitted 2021-02-22). Score information: A4, 30 pages, 256 kB Copyright: CPDL
- Edition notes:
Individual movements
Agnus Dei II
- (Posted 2014-12-29) CPDL #33951: (Finale 2008)
- Editor: André Vierendeels (submitted 2014-12-29). Score information: A4, 2 pages, 71 kB Copyright: CPDL
- Edition notes:
General Information
Title: Missa Adieu les amours
Composer: Francesco de Layolle
Lyricist:
Number of voices: 4/5vv Voicing: SAT(T)B
Genre: Sacred, Mass
Language: Latin
Instruments: A cappella
First published: 1532 in Liber decem missarum (Jacques Moderne), Edition 1, no. 3
2nd published: 1539 in Liber quindecim missarum (Johannes Petreius), no. 10
3rd published: 1559 in Il primo libro di madrigali a 3 voci (Jacques Arcadelt) - 'Agnus Dei II' only, Edition 3, no. 12
Description: Source: Liber decem missarum ..., Moderne, 1532. The cantus firmus, appearing throughout the tenor and occasionally in other voices, comprises the first five notes of the song melody in various note values. The third Agnus Dei is set for five voices: as the Altus part is here directed to be sung in canon at the fourth, an additional tenor line emerges.
External websites:
Original text and translations
For information, refer to the Mass page. For texts and translations, see the individual pages: