Magnificat (Orlando di Lasso): Difference between revisions
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Editor: Wolfgang Boetticher | Editor: Wolfgang Boetticher | ||
* Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ canticum Magnificat, ad imitationem cantilenarum quarundam, 4–6vv (Munich, 1587c) | * Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ canticum Magnificat, ad imitationem cantilenarum quarundam, 4–6vv (Munich, 1587c) | ||
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* Patrocinium musices… Magnificat aliquot, quinta pars, 4–6, 8vv (Munich, 1576c) | * Patrocinium musices… Magnificat aliquot, quinta pars, 4–6, 8vv (Munich, 1576c) | ||
:33. Primi toni, 4vv, H xiv, 75 | :33. Primi toni, 4vv, H xiv, 75 | ||
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* Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ canticum Magnificat, ad imitationem cantilenarum quarundam, 4–6vv (Munich, 1587c) | * Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ canticum Magnificat, ad imitationem cantilenarum quarundam, 4–6vv (Munich, 1587c) | ||
:37. Si par souhait je vous [primi toni] (own chanson, 1570b), 4vv, H xiv, 126 | :37. Si par souhait je vous [primi toni] (own chanson, 1570b), 4vv, H xiv, 126 | ||
:38. Il est jour [secundi toni] (Claudin de Sermisy’s chanson), 4vv, H xiv, 133 | :38. Il est jour [secundi toni] ([[Il est jour (Claudin de Sermisy)|Claudin de Sermisy’s chanson]]), 4vv, H xiv, 133 | ||
:39. Quanti in mille anni il ciel [secundi toni] ([?Pierre] Nollet’s madrigal), 6vv, H xiv, 141 | :39. Quanti in mille anni il ciel [secundi toni] ([?Pierre] Nollet’s madrigal), 6vv, H xiv, 141 | ||
:40. Dessus le marché d’Arras [primi toni] (own chanson, 1584a), 6vv, H xiv, 158 | :40. Dessus le marché d’Arras [primi toni] ({{NoCo|Dessus le marché d’Arras|own chanson}}, 1584a), 6vv, H xiv, 158 | ||
:41. Susanne un jour [primi toni] (Didier Lupi’s chanson), 6vv, H xiv 174 | :41. Susanne un jour [primi toni] ([[Susanne un jour (Didier Lui)|Didier Lupi’s chanson]]), 6vv, H xiv 174 | ||
:42. Deus in adjutorium meum intende [septimi (?peregrini) toni] (own motet, 1582e), 6vv, H xiv, 189 | :42. Deus in adjutorium meum intende [septimi (?peregrini) toni] ({{NoCo|Deus in adjutorium|own motet}}, 1582e), 6vv, H xiv, 189 | ||
:43. Ecco ch’io lasso il core [secundi toni] (?Alessandro Striggio’s madrigal), 6vv, H xiv, 201 | :43. Ecco ch’io lasso il core [secundi toni] (?Alessandro Striggio’s madrigal), 6vv, H xiv, 201 | ||
:44. Omnis enim homo [primi toni] (own motet, 1585b), 6vv, H xiv, 216 | :44. Omnis enim homo [primi toni] ({{Omnis enim homo|own motet}}, 1585b), 6vv, H xiv, 216 | ||
:45. Amor ecco colei [septimi toni], 6vv, H xiv, 231 | :45. Amor ecco colei [septimi toni], 6vv, H xiv, 231 | ||
:46. Quando lieta sperai [quarti toni] (anon. madrigal, 1548), 6vv, H xiv, 243 | :46. Quando lieta sperai [quarti toni] (anon. madrigal, 1548), 6vv, H xiv, 243 | ||
:47. Aria di un sonetto [octavi toni] (Diego Ortiz’s Aria di Ruggiero), 5vv, H xiv, 256 | :47. Aria di un sonetto [octavi toni] (Diego Ortiz’s [[Aria di Ruggiero (Diego Ortiz)|Aria di Ruggiero]]), 5vv, H xiv, 256 | ||
:48. Mort et fortune [tertii et octavi toni] (Nicolas Gombert’s chanson), 5vv, H xiv, 263 | :48. Mort et fortune [tertii et octavi toni] ([[Mort et fortune (Nicolas Gombert)|Nicolas Gombert’s chanson]]), 5vv, H xiv, 263 | ||
:49. Mais qui pourroit [secundi toni] (own chanson, 1584a), 6vv, H xiv, 275 | :49. Mais qui pourroit [secundi toni] ({{NoCo|Mais qui pourroit|own chanson}}, 1584a), 6vv, H xiv, 275 | ||
==== Volume 15 (Magnificats, Band 3, nos. 50–70)==== | ==== Volume 15 (Magnificats, Band 3, nos. 50–70)==== |
Revision as of 00:43, 11 November 2017
Lassus' Magnificats number nearly 100; the Sämtlicher Werke (NGA) includes 110 attributed works.
Magnificat (Orlando di Lasso) at the Petrucci Music Library (IMSLP)
NGA | Bot | 1619 | model | mode | vv | publ. |
---|---|---|---|---|---|---|
1 | 61 | i | 6 | Nürnberg 1567 | ||
2 | 65 | ii | 6 | Nürnberg 1567 | ||
3 | 74 | iii | 6 | Nürnberg 1567 | ||
4 | iv | 6 | Nürnberg 1567 | |||
5 | v | 6 | Nürnberg 1567 | |||
5 | v | 6 | Nürnberg 1567 | |||
6 | vi | 6 | Nürnberg 1567 | |||
7 | vii | 6 | Nürnberg 1567 | |||
8 | viii | 6 | Nürnberg 1567 | |||
9 | i | 5 | Nürnberg 1567 | |||
10 | ii | 5 | Nürnberg 1567 | |||
11 | iii | 5 | Nürnberg 1567 | |||
12 | iv | 5 | Nürnberg 1567 | |||
13 | v | 5 | Nürnberg 1567 | |||
14 | vi | 5 | Nürnberg 1567 | |||
15 | vii | 5 | Nürnberg 1567 | |||
16 | viii | 5 | Nürnberg 1567 | |||
17 | i | 4 | Nürnberg 1567 | |||
18 | ii | 4 | Nürnberg 1567 | |||
19 | iii | 4 | Nürnberg 1567 | |||
20 | iv | 4 | Nürnberg 1567 | |||
21 | v | 4 | Nürnberg 1567 | |||
22 | vi | 4 | Nürnberg 1567 | |||
23 | vii | 4 | Nürnberg 1567 | |||
24 | viii | 4 | Nürnberg 1567 |
Volume 13 (Magnificats, Band 1, nos. 1–24)
Editor: Wolfgang Boetticher:
- Magnificat octo tonorum, 4–6vv (Nuremberg, 1567)
- 1–8. Magnificat cycle [octo tonorum], 6vv, Primi toni, H xiii, 3, Secundi toni, H xiii, 15, Tertii toni, H xiii, 34, Quarti toni, H xiii, 50, Quinti toni, H xiii, 68, Sexti toni, H xiii, 88, Septimi toni, H xiii, 106, Octavi toni, H xiii, 122
- 9–16. Magnificat cycle [octo tonorum] (i), 5vv, Primi toni, H xiii, 143, Secundi toni, H xiii, 155, Tertii toni, H xiii, 166, Quarti toni, H xiii, 181, Quinti toni, H xiii, 193, Sexti toni, H xiii, 200, Septimi toni, H xiii, 213, Octavi toni, H xiii, 227
- 17–24. Magnificat cycle [octo tonorum] (i), 4vv, Primi toni, H xiii, 245, Secundi toni, H xiii, 251, Tertii toni, H xiii, 256, Quarti toni, H xiii, 261, Quinti toni, H xiii, 267, Sexti toni, H xiii, 272, Septimi toni, H xiii, 278, Octavi toni, H xiii, 283
Volume 14 (Magnificats, Band 2, nos. 25–49)
Editor: Wolfgang Boetticher
- Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ canticum Magnificat, ad imitationem cantilenarum quarundam, 4–6vv (Munich, 1587c)
NGA | Bot | 1619 | model | mode | vv | publ. |
---|---|---|---|---|---|---|
25 | i | 4 | Patrocinium musices 1576 | |||
26 | ii | 4 | Patrocinium musices 1576 | |||
27 | iii | 4 | Patrocinium musices 1576 | |||
28 | iv | 4 | Patrocinium musices 1576 | |||
29 | v | 4 | Patrocinium musices 1576 | |||
30 | vi | 4 | Patrocinium musices 1576 | |||
31 | vii | 4 | Patrocinium musices 1576 | |||
32 | viii | 4 | Patrocinium musices 1576 |
- Patrocinium musices… Magnificat aliquot, quinta pars, 4–6, 8vv (Munich, 1576c)
- 33. Primi toni, 4vv, H xiv, 75
- 34. Ancor che col partire [quarti toni] (Cipriano de Rore’s madrigal), 5vv, H xiv, 82
- 35. Sexti toni, 8vv, H xiv, 94
- 36. Septimi toni, 8vv, H xiv, 112
- Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ canticum Magnificat, ad imitationem cantilenarum quarundam, 4–6vv (Munich, 1587c)
- 37. Si par souhait je vous [primi toni] (own chanson, 1570b), 4vv, H xiv, 126
- 38. Il est jour [secundi toni] (Claudin de Sermisy’s chanson), 4vv, H xiv, 133
- 39. Quanti in mille anni il ciel [secundi toni] ([?Pierre] Nollet’s madrigal), 6vv, H xiv, 141
- 40. Dessus le marché d’Arras [primi toni] (own chanson, 1584a), 6vv, H xiv, 158
- 41. Susanne un jour [primi toni] (Didier Lupi’s chanson), 6vv, H xiv 174
- 42. Deus in adjutorium meum intende [septimi (?peregrini) toni] (own motet, 1582e), 6vv, H xiv, 189
- 43. Ecco ch’io lasso il core [secundi toni] (?Alessandro Striggio’s madrigal), 6vv, H xiv, 201
- 44. Omnis enim homo [primi toni] (Template:Omnis enim homo, 1585b), 6vv, H xiv, 216
- 45. Amor ecco colei [septimi toni], 6vv, H xiv, 231
- 46. Quando lieta sperai [quarti toni] (anon. madrigal, 1548), 6vv, H xiv, 243
- 47. Aria di un sonetto [octavi toni] (Diego Ortiz’s Aria di Ruggiero), 5vv, H xiv, 256
- 48. Mort et fortune [tertii et octavi toni] (Nicolas Gombert’s chanson), 5vv, H xiv, 263
- 49. Mais qui pourroit [secundi toni] (own chanson, 1584a), 6vv, H xiv, 275
Volume 15 (Magnificats, Band 3, nos. 50–70)
- Iubilus beatæ virginis, hoc est centum Magnificat, 4–8vv, 10vv (Munich, 1619a)
- 50. O s’io potessi [secundi toni] (Berchem’s madrigal), 4vv, H xv, 3
- 51. Secundi toni, 5vv, H xv, 10
- 52. Quarti toni (i), 5vv, H xv, 16
- 53. Sexti toni (i), 5vv, H xv, 24
- 54. Sexti toni (ii), 5vv, H xv, 30
- 55. Septimi toni (i), 5vv, H xv, 35
- 56. Octavi toni (i), 5vv, H xv, 40
- 57. Las je n’iray plus [secundi toni] (own chanson, 1576a), 5vv, H xv, 46
- 58. Ultimi miei sospiri [secundi toni] (Philippe Verdelot’s madrigal), 6vv, H xv, 58
- 59. Tant vous allez doux [sexti toni] (Ebran’s chanson), 6vv, H xv, 74
- 60. Hélas j’ai sans merci [septimi toni] (own chanson, 1584a), 5vv, H xv, 95
- 61. S’io esca vivo [septimi toni] (own madrigal, 1579), 6vv, H xv, 108
- 62. Octavi toni, 6vv, H xv, 126
- 63. Quarti toni, 8vv, H xv, 138
- 64. Septimi toni, 8vv, H xv, 152
- 65. Octavi toni (i), 8vv, H xv, 166
- Liber primus cantiones sacræ Magnificat vocant, 5, 6vv (Paris, 16021)
- 66. Omnis homo primum bonum vinum ponit [?sexti toni] (Giaches de Wert’s motet), 6vv, H xv, 181
- 67. [Sexti toni], 5vv, MS ca.1582, H xv, 201
- 68. Dies est lætitia [sexti toni], 6vv, H xv, 212
- 69. Benedicta es, cælorum regina [octavi toni] (Josquin Desprez’ motet, 1520), 6vv, H xv, 228
- 70. Præter rerum seriem [secundi toni] (Josquin’s motet), 6vv, H xv, 248
Volume 16 (Magnificats, Band 4, nos. 71–92)
- 71. Primi toni, 5vv, H xvi, 3
- 72. Secundi toni, 5vv
- 73. Tertii toni, 5vv, H xvi, 25
- 74. Quarti toni, 5vv
- 75. Quinti toni, 5vv, H xvi, 46
- 76. Sexti toni, 5vv, H xvi, 57
- 77. Septimi toni, 5vv, H xvi, 68
- 78. Octavi toni, 5vv, H xvi, 80
- 79. Primi toni, 5vv, H xvi, 92
- 80. Vergine bella [primi toni] (Cipriano de Rore’s madrigal), 5vv, H xvi, 108
- 81. Dalle belle contrade [sexti toni] (Cipriano de Rore’s madrigal), 5vv, H xvi, 120
- 82. Recordare Jesu pie [septimi toni] (own motet, 1594), 6vv, H xvi, 134
- 83. Margot labouréz les vignes [septimi toni] (own chanson, 1564a), 4vv, H xvi, 154
- 84. Alma real se come fide stella [octavi toni] (Cipriano de Rore’s madrigal), 5vv, H xvi, 163
- 85. O che vezzosa aurora [secundi toni] (Orazio Vecchi’s madrigal), 6vv, H xvi, 175
- 86. D’ogni gratia e d’amor [septimi toni] (Alessandro Striggio’s madrigal), 6vv, H xvi, 188
- 87. Perpulchrum septimi toni, 7vv, H xvi, 204
- 88. S’io credessi per morte [tertii toni] (A. de Reulx’s madrigal), 4vv, H xvi, 221
- 89. Beau le cristal [sexti toni] (own chanson, 1576d), 4vv, H xvi, 230
- 90. Pange lingua gloriosi [septimi toni], 4vv, H xvi, 241
- 91. Primi toni, 5vv, H xvi, 259
- 92. Vous perdez temps [septimi toni] (Claudin de Sermisy’s chanson), 5vv, H xvi, 267
Volume 17 (Magnificats, Band 5, nos. 93–110)
- 93. Vola vola pensier (Aeria a la italiana) [octavi toni], 5vv, H xvii, 3
- 94. Quinti toni, 6vv, H xvii, 14
- 95. Octavi toni (i), 8vv, H xvii, 31
- 96. Octavi toni (ii), 8vv, H xvii, 48
- 97. Erano capei d’oro [septimi toni] (Giovanni Maria Nanino’s madrigal), 5vv, H xvii, 64
- 98. Secundi toni, 6vv, H xvii, 76
- 99. Si vous estes m’amie [sexti toni] (own chanson, 1584a), 6vv, H xvii, 94
- 100. Memor esto [secundi toni] (own motet, 1585a), 6vv, H xvii, 107
- 101. Aurora lucis rutilat [octavi toni] (own motet, 1604), 10vv, H xvii, 124
- 102. Septimi toni, 10vv, MS, H xvii, 150
- 103–110. 8 Magnificat settings, doubtful, H xvii, 182