Lieblich und schöne sein ist nichts (Johann Hermann Schein): Difference between revisions
m (Text replacement - "\*\{\{CPDLno\|([0123456789]*)\}\} (.*) \{\{Editor\|(.*)\|(.*)\}\}" to "*{{PostedDate|$4}} {{CPDLno|$1}} $2 {{Editor|$3|$4}}") |
m (Text replacement - " musica ficta " to " ''musica ficta'' ") |
||
(8 intermediate revisions by 3 users not shown) | |||
Line 1: | Line 1: | ||
==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
*{{PostedDate|2012-09-08}} {{CPDLno|27128}} [[Media:Schein_Lieblich.pdf|{{pdf}}]] [[Media:Schein_Lieblich.mid|{{mid}}]] [[Media:Schein_Lieblich.mxl|{{XML}}]] [[Media:Schein_Lieblich.capx|{{Capx}}]] | *{{PostedDate|2012-09-08}} {{CPDLno|27128}} [[Media:Schein_Lieblich.pdf|{{pdf}}]] [[Media:Schein_Lieblich.mid|{{mid}}]] [[Media:Schein_Lieblich.mxl|{{XML}}]] [[Media:Schein_Lieblich.capx|{{Capx}}]] | ||
{{Editor|Gerd Eichler|2012-09-08}}{{ScoreInfo|A4|6|109}}{{Copy|CPDL}} | {{Editor|Gerd Eichler|2012-09-08}}{{ScoreInfo|A4|6|109}}{{Copy|CPDL}} | ||
: | :{{EdNotes|Transcribed from original print. Mensural notation, original key and note values, original text spelling, ''musica ficta'' clearly marked, clefs modernized, basso continuo part included.}} | ||
*{{PostedDate|2008-05-26}} {{CPDLno|17006}} [[Media:11_for_pdf_with_custom_ambitus.pdf|{{pdf}}]] [[Media:11_Lieblich_w_repeat.midi|{{mid}}]] [[Media:11_for_pdf_with_custom_ambitus.ly|{{ly}}]] | *{{PostedDate|2008-05-26}} {{CPDLno|17006}} [[Media:11_for_pdf_with_custom_ambitus.pdf|{{pdf}}]] [[Media:11_Lieblich_w_repeat.midi|{{mid}}]] [[Media:11_for_pdf_with_custom_ambitus.ly|{{ly}}]] | ||
{{Editor|Peter Kaplan|2008-05-26}} {{ScoreInfo|Letter|8|99}} {{Copy|CPDL}} | {{Editor|Peter Kaplan|2008-05-26}} {{ScoreInfo|Letter|8|99}} {{Copy|CPDL}} | ||
: | :{{EdNotes|In original key. Altus part written in tenor clef.}} | ||
==General Information== | ==General Information== | ||
Line 15: | Line 15: | ||
'''Larger work:''' ''[[Israelsbrünnlein (Johann Hermann Schein)|Israelsbrünnlein (Fontana d'Israel)]]'' | '''Larger work:''' ''[[Israelsbrünnlein (Johann Hermann Schein)|Israelsbrünnlein (Fontana d'Israel)]]'' | ||
{{Voicing|5|SSTTB, SSATB}} | {{Voicing|5|SSTTB, SSATB}} | ||
{{Genre|Sacred|Motets}} | {{Genre|Sacred|Motets}} | ||
{{Language|German}} | {{Language|German}} | ||
{{Instruments|Basso continuo}} | {{Instruments|Basso continuo}} | ||
{{Pub|1|1623|in ''{{NoCo|Fontana d'Israel}}''|no=11}} | {{Pub|1|1623|in ''{{NoCo|Fontana d'Israel}}''|no=11}} | ||
{{Descr|}} | |||
{{#ExtWeb:}} | |||
==Original text and translations== | ==Original text and translations== | ||
Line 38: | Line 38: | ||
Give her everything she deserves! Festoon her life with praises!}} | Give her everything she deserves! Festoon her life with praises!}} | ||
{{btm}} | {{btm}} | ||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Baroque music]] | [[Category:Baroque music]] |
Latest revision as of 15:17, 4 November 2022
Music files
ICON | SOURCE |
---|---|
Midi | |
MusicXML | |
Capella | |
LilyPond | |
File details | |
Help |
- Editor: Gerd Eichler (submitted 2012-09-08). Score information: A4, 6 pages, 109 kB Copyright: CPDL
- Edition notes: Transcribed from original print. Mensural notation, original key and note values, original text spelling, musica ficta clearly marked, clefs modernized, basso continuo part included.
- Editor: Peter Kaplan (submitted 2008-05-26). Score information: Letter, 8 pages, 99 kB Copyright: CPDL
- Edition notes: In original key. Altus part written in tenor clef.
General Information
Title: Lieblich und schöne sein ist nichts
Translated Title: Charm can mislead and beauty soon fades
Composer: Johann Hermann Schein
Larger work: Israelsbrünnlein (Fontana d'Israel)
Number of voices: 5vv Voicings: SSTTB or SSATB
Genre: Sacred, Motet
Language: German
Instruments: Basso continuo
First published: 1623 in Fontana d'Israel, no. 11
Description:
External websites:
Original text and translations
German text (original spelling) |
German text (modernized spelling) |
English translation Charm can mislead and beauty soon fades. The woman who lives in the Fear of God, she is to be praised. |