The bella (John Taverner): Difference between revisions
| (9 intermediate revisions by 4 users not shown) | |||
| Line 1: | Line 1: | ||
==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
*{{PostedDate|2023-01-23}} {{CPDLno|72375}} [[Media:Taverner-TheBella.pdf|{{pdf}}]] [[Media:Taverner-TheBella.mid|{{mid | *{{PostedDate|2023-01-23}} {{CPDLno|72375}} [[Media:Taverner-TheBella.pdf|{{pdf}}]] [[Media:Taverner-TheBella.mid|{{mid}}]] | ||
{{Editor|Jason Smart|2023-01-23}}{{ScoreInfo|A4|12|273}}{{Copy|Creative Commons Attribution Non-Commercial No Derivatives}} | {{Editor|Jason Smart|2023-01-23}}{{ScoreInfo|A4|12|273}}{{Copy|Creative Commons Attribution Non-Commercial No Derivatives}} | ||
:{{EdNotes|Edited from the 'xx songes' of 1530 and the 'Drexel fragments' of c.1515 and completed editorially: for more information see the critical commentary. Original pitch and note values retained. Two missing lines of the poem have been reinvented editorially (NB: I might change my mind about these).}} | :{{EdNotes|Edited from the 'xx songes' of 1530 and the 'Drexel fragments' of c.1515 and completed editorially: for more information see the critical commentary. Original pitch and note values retained. Two missing lines of the poem have been reinvented editorially (NB: I might change my mind about these).}} | ||
| Line 14: | Line 14: | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{Pub|1| Earliest MS c. 1515.}} | {{Pub|1| Earliest MS c. 1515.}} | ||
{{Descr|This is an attempt to complete a song by Taverner that has survived in a seriously incomplete state. Fortunately, some missing | {{Descr|This is an attempt to complete a song by Taverner that has survived in a seriously incomplete state. Fortunately, some missing notes can be restored from those that survive. Additionally it seems that Taverner's verses consisted substantially of duets, so that the losses are not quite as bad as at first appears.}} | ||
{{#ExtWeb:}} | {{#ExtWeb:}} | ||
==Original text and translations== | ==Original text and translations== | ||
{{Text|English| | {{Text|English| | ||
The bell-a, the bell-a, we maidens beareth the bell-a. | |||
We be maidens fair and free: | |||
Come near, young men, behold and see | |||
How pretty and proper now that we be, | |||
So comely under kell-a. | |||
''The bell-a, the bell-a... | |||
We be maidens fair and gent | |||
With eyes grey and brows bent. | |||
We be come for this intent, | |||
Our selves now for to sell-a. | |||
''The bell-a, the bell-a... | |||
:''[Two lines missing] | |||
Assay you then none of their spice, | |||
For it will make your belly to swell-a. | |||
''The bell-a, the bell-a... | |||
Sister, look that ye be not forlorn, | |||
For then every man will laugh you to scorn | |||
And say, 'Kytt hath got a clap under a thorn.' | |||
Alack, where shall we then dwell-a? | |||
''The bell-a, the bell-a...}} | |||
{{DEFAULTSORT:{{WorkSorter}}}} | |||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] | ||
Latest revision as of 20:11, 9 January 2024
Music files
| ICON | SOURCE |
|---|---|
 |
|
 |
Midi |
 |
File details |
 |
Help |
- (Posted 2023-01-23) CPDL #72375:
- Editor: Jason Smart (submitted 2023-01-23). Score information: A4, 12 pages, 273 kB Copyright: CC BY NC ND
- Edition notes: Edited from the 'xx songes' of 1530 and the 'Drexel fragments' of c.1515 and completed editorially: for more information see the critical commentary. Original pitch and note values retained. Two missing lines of the poem have been reinvented editorially (NB: I might change my mind about these).
General Information
Title: The bella
Composer: John Taverner
Lyricist:
Number of voices: 4vv Voicings: SSST or SAAT
Genre: Secular, Partsong
Language: English
Instruments: A cappella
First published: Earliest MS c. 1515.
Description: This is an attempt to complete a song by Taverner that has survived in a seriously incomplete state. Fortunately, some missing notes can be restored from those that survive. Additionally it seems that Taverner's verses consisted substantially of duets, so that the losses are not quite as bad as at first appears.
External websites:
Original text and translations
English text
The bell-a, the bell-a, we maidens beareth the bell-a.
We be maidens fair and free:
Come near, young men, behold and see
How pretty and proper now that we be,
So comely under kell-a.
The bell-a, the bell-a...
We be maidens fair and gent
With eyes grey and brows bent.
We be come for this intent,
Our selves now for to sell-a.
The bell-a, the bell-a...
[Two lines missing]
Assay you then none of their spice,
For it will make your belly to swell-a.
The bell-a, the bell-a...
Sister, look that ye be not forlorn,
For then every man will laugh you to scorn
And say, 'Kytt hath got a clap under a thorn.'
Alack, where shall we then dwell-a?
The bell-a, the bell-a...