From ChoralWiki
Partially excerpted from the Wikipedia article on motets:
In Western music, motet is a word that is applied to a number of highly varied choral musical compositions. ... [T]he Renaissance motet is a short polyphonic musical setting in imitative counterpoint, for chorus, of a religious text not specifically connected to the liturgy of a given day, and therefore suitable for use in any service. The texts of antiphons were frequently used as motet texts. This is the sort of composition that is most familiarly named by the name of "motet," and the Renaissance period marked the flowering of the form.
Renaissance motets were invariably in Latin. If the language of a polyphonic choral work was the vernacular, then the work was a Madrigal.
The name "motet" was preserved into Baroque music, especially in France, where the word was applied to petits motets, sacred choral compositions whose only accompaniment was a basso continuo; and grands motets, which included instruments up to and including a full orchestra. ... In Germany, too, pieces called motets were written in the new musical languages of the Baroque. Both Latin and German languages were used, and the Baroque motets of Germany tended to be longer compositions.
Except for the Mozart Ave verum corpus there were few motets written by 18th-century composers. Motet writing was revived by 19th-century composers, especially German and French composers. And in England, anthems (in English) and motets were written. The practice has continued to the present day by composers imitating the earlier forms and styles.
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Pages in category "Motets"
There are 200 articles in this category.
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- Adon Olam (Salamone Rossi)
- Adoramus Te (Wietse Stuurman)
- Adoramus te (Gregor Aichinger)
- Adoramus te (Ludovico da Viadana)
- Adoramus te (Matteo Asola)
- Adoramus te (Oreste Ravanello)
- Adoramus te (Orlando di Lasso)
- Adoramus te (Quirino Gasparini)
- Adoramus te Christe (Ascanio Trombetti)
- Adoramus te Domine (Anonymous)
- Adoramus te, Christe (Anonymous)
- Adoramus te, Christe (Claudio Monteverdi)
- Adoramus te, Christe (Fabio Fresi)
- Adoramus te, Christe (Francesco Rosselli)
- Adoramus te, Christe (Fritz Brodersen)
- Adoramus te, Christe (Giacomo Antonio Perti)
- Adoramus te, Christe (Giovanni Battista Martini)
- Adoramus te, Christe (Giuseppe Pitoni)
- Adoramus te, Christe (Jacobus Clemens non Papa)
- Adoramus te, Christe (M. Konz)
- Adoramus te, Christe (Mikolaj Zielenski)
- Adoramus te, Christe (Orlando di Lasso)
- Adoramus te, Christe (Paolo Agostini)
- Adoramus te, Christe (Vincenzo Ruffo)
- Adoramus te, Christe (attrib. Giovanni Pierluigi da Palestrina)
- Adoramus te, Christe a 4 (Giovanni Pierluigi da Palestrina)
- Adoramus te, Christe, p.v. (Giovanni Pierluigi da Palestrina)
- Adoramus te, Jesu Christe (8 voice) (Jacob Handl)
- Adoramus te, Jesu Christe (Jacob Handl)
- Adoramus te, Op. 37, No. 2 (Johannes Brahms)
- Adorare Dominum (Francisco Valls)
- Adoremus (J. Siniawski)
- Adorna talamum (Matteo Asola)
- Adorna thalamum tuum (William Byrd)
- Adoro te (Peter Josef Zwyssig)
- Adoro te, o panis caelice (Peter Piel)
- Adoro te, o panis caelice (Traditional)
- Aegra (Orlando di Lasso)
- Aestimatus sum (Carlo Gesualdo)
- Aestimatus sum (Tomás Luis de Victoria)
- Aestimatus sum cum descendentibus (Tomás Luis de Victoria)
- Aetas Carmen Melodiae (Anonymous)
- Aeterna Fac(from 'Te Deum in D') (José Maurício Nunes Garcia)
- Aeterne Rex altissime (No. 1 from 'Sechs kurze Hymnen oder Gradualien') (Vaclav Emanuel Horak)
- Afferentur regi (Anton Bruckner)
- Afferentur regi (Giovanni Pierluigi da Palestrina)
- Afflicti pro peccatis - Ut eruas nos (William Byrd)
- Afflictus sum (Orlando di Lasso)
- Agatha laetissime (Pietro Vinci)
- Agenda Defunctorum - Ad Laudes (Juan Vasquez)
- Agenda Defunctorum - Ad Matutinum - In I Nocturno (Juan Vasquez)
- Agenda Defunctorum - Ad Matutinum - In II Nocturno (Juan Vasquez)
- Agenda Defunctorum - Ad Matutinum - In III Nocturno (Juan Vasquez)
- Agincourt Carol (Anonymous)
- Agnus Dei (No. 2 from 'Andliga sånger') (August Söderman)
- Agnus Dei (Thomas Morley)
- Agnus Dei (from 'Litany for the Sorrows of Our Lady') (José Maurício Nunes Garcia)
- Al Corazon divino (Michael Haller)
- Alabada sea (Joan Bautista Comes)
- Alle Augen warten auf dich Herre (Heinrich Schütz)
- Alle psallite cum luya (Anonymous)
- Allein Gott in der Höh sei Ehr (Hans Leo Hassler)
- Allein Gott in der Höh sei Ehr (Johann Crüger)
- Allein Gott in der Höh, SWV 327 (Heinrich Schütz)
- Allein auf Gottes Wort (Johann Walter)
- Alleluia (Claudio Macchi)
- Alleluia (F. Mancini)
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- Alleluia (Fabio Fresi)
- Alleluia (G. Totaro)
- Alleluia (Giovanni Pierluigi da Palestrina)
- Alleluia (Giuseppe Antonio Bernabei)
- Alleluia (Unknown)
- Alleluia - Ascendit Deus (William Byrd)
- Alleluia - Emitte Spiritum tuum (William Byrd)
- Alleluia al vangelo (Andrea Gabrieli)
- Alleluia surrexit Dominus (Jacquet de Mantua)
- Alleluia, Christus surrexit (Felice Anerio)
- Alleluia, Confitemini Domino (Jean Mouton)
- Alleluia, Confitemini e Laudate (José Maria Xavier)
- Alleluia, Haec Dies (Ignazio Donati)
- Alleluia, Haec Dies (string parts) (Ignazio Donati)
- Alleluia, In resurrectione tua Christe (Jacob Handl)
- Alleluia, laus et gloria (Orlando di Lasso)
- Alleluia. Ave Maria - Virga Jesse floruit (William Byrd)
- Alleluia. Cognoverunt discipuli (William Byrd)
- Alleluia. Vespere autem sabbati, quae lucescit (William Byrd)
- Alleluja! Lobet den Herren, SWV 38 (Heinrich Schütz)
- Alleluja, resurrexit (Moritz Brosig)
- Alleluya (Thomas Tallis)
- Aller Augen warten auf Dich, Herre (Christoph Dalitz)
- Aller Augen warten auf dich (Adam Gumpelzhaimer)
- Alles was ihr tut (Constantin Christian Dedekind)
- Alma Dei creatoris, KV 272a (KV 277) (Wolfgang Amadeus Mozart)
- Alma Redemptoris (Francesco Soriano)
- Alma Redemptoris Mater (Giovanni Legrenzi)
- Alma Redemptoris Mater (Giovanni Pierluigi da Palestrina)
- Alma Redemptoris Mater (Johannes Ockeghem)
- Alma Redemptoris Mater (Natale Monferrato)
- Alma Redemptoris Mater (Peter Philips)
- Alma Redemptoris Mater a 5 (Tomás Luis de Victoria)
- Alma Redemptoris Mater a 8 (Tomás Luis de Victoria)
- Alma Redemptoris Mater, Op. 10, No. 9 (Isabella Leonarda)
- Alma Redemptoris mater (Francisco Guerrero)
- Alma redemptoris Mater (2 parts) (Giovanni Pierluigi da Palestrina)
- Alma redemptoris mater (Juan Garcia de Salazar)
- Alma redemptoris mater (William Byrd)
- Alma redemptoris mater a 5 (Orlando di Lasso)
- Alma redemptoris mater a 8 (Orlando di Lasso)
- Als ick riep met verlanghen (Jacobus Clemens non Papa)
- Also hat Gott die Welt geliebt (Johann Knöfel)
- Also hat Gott die Welt geliebt (Melchior Franck)
- Also hat Gott die Welt geliebt, SWV 380 (Heinrich Schütz)
- Alta Trinita beata (Anonymous)
- Altro non è'l mi'amor (Costanzo Festa)
- Am Charfreitage, Op. 79, No. 6 (Felix Mendelssohn)
- Amen (F. Mancini)
- Amen (Michael Praetorius)
- Amen. Lob und Ehre und Weisheit und Dank (Georg Phillip Telemann)
- Amica mei et proximi mei (Ascanio Trombetti)
- Amicus meus (Tomás Luis de Victoria)
- Amor potest - Ad amorem (Anonymous)
- Amplius lava me (Francisco Valls)
- An die Sterne, Op. 141, No. 1 (Robert Schumann)
- Andliga sånger (7 movements) (August Söderman)
- Angel dal ciel disceso (Giovanni Giovenale Ancina)
- Angeli, Archangeli (Andrea Gabrieli)
- Angelis suis (Johann Joseph Fux)
- Angelis suis Deus mandavit (Johann Michael Haydn)
- Angelis suis mandavit de te (Manuel Cardoso)
- Angelorum Gloriae (Anonymous)
- Angelorum ad convivia (Giovanni Legrenzi)
- Angelus Domini (Giovanni Pierluigi da Palestrina)
- Angelus Domini (Joseph Gruber)
- Angelus Domini descendit (William Byrd)
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