William Byrd: Difference between revisions

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{{TOC2}}
'''Aliases:''' If his surviving signatures are a representative sample, the composer's preferred spelling of his own name was "Byrde", although on his own publications it also appears as Bird and Byrd. His contemporaries knew him indiscriminately as Byrd(e), Bird(e) and even Burd(e).<br>
'''Aliases:''' If his surviving signatures are a representative sample, the composer's preferred spelling of his own name was "Byrde", although on his own publications it also appears as Bird and Byrd. His contemporaries knew him indiscriminately as Byrd(e), Bird(e) and even Burd(e).<br>
==Life==
==Life==
[[Image:Byrd.jpg|right]]
[[Image:Byrd.jpg|right]]
'''Born:''' c.1540
'''Born:''' 1539 or 1540?


'''Died:''' 4 July 1623
'''Died:''' 4 July 1623


'''Biography:'''<br>
'''Biography:'''<br>
William Byrd was one of the most celebrated English composers in the Renaissance. His entire life was marked by contradictions, and as a true Renaissance man he cannot be easily categorised. He lived until well into the seventeenth century without writing music in the new Baroque fashion, but his superbly constructed keyboard works marked the beginning of the Baroque organ and harpsichord style. Byrd's life is interesting because of his Roman Catholic sympathies combined with his work in the court of the Anglican Queen Elizabeth I. He composed much music, if intermittently, for the Roman Catholic liturgy, particularly in his later years; the two volumes of Gradualia form a prime example. Possibly as a result of this he did not receive widespread recognition in his lifetime, but was very well respected among the Roman Catholic gentry. In the anti-Catholic frenzy following the 1605 Gunpowder Plot, the first volume of the Gradualia, printed by Thomas East in 1605, was banned in England under penalty of imprisonment as indeed was all of his Catholic music; however his Anglican music— such as the Short Service, and the Responses— has been sung in English cathedrals uninterrupted for the past four centuries.  
Byrd's will, dated November 1622, declares that he is ‘in the 80th yeare of myne age’, but since a deposition of October 1598 gives his age as ‘58 yeares or ther abouts’ it seems likely the will had been drafted some time before being dated.
 
William Byrd was one of the most celebrated English composers in the Renaissance. His entire life was marked by contradictions, and as a true Renaissance man he cannot be easily categorised. He lived until well into the seventeenth century without writing music in the new Baroque fashion, but his superbly constructed keyboard works marked the beginning of the Baroque organ and harpsichord style. Byrd's life is interesting because of his Roman Catholic sympathies combined with his work in the court of the Anglican Queen Elizabeth I. He composed much music, if intermittently, for the Roman Catholic liturgy, particularly in his later years; the two volumes of Gradualia form a prime example. Possibly as a result of this he did not receive widespread recognition in his lifetime, but was very well respected among the Roman Catholic gentry. In the anti-Catholic frenzy following the 1605 Gunpowder Plot, the first volume of the Gradualia, printed by Thomas East in 1605, was banned in England under penalty of imprisonment as indeed was all of his Catholic music; however his Anglican music— such as the Short Service, and the Responses— has been sung in English cathedrals uninterrupted for the past four centuries.


The entry in [[Cathedral Music, Volume 2 (William Boyce)]] reads:
The entry in [[Cathedral Music, Volume 2 (William Boyce)]] reads:
Line 13: Line 16:
William Bird, was admitted a Gentleman of the Chapel Royal in 1569. He, in conjunction with Thomas Tallis, published in 1575 a collection of their own compositions in Latin, entitled, Sacred Songs: and in the Years 1589, 1591, and 1605, he printed three other collections of his own Productions in the same Language, all of which had the same Title with the first conjoint Publication.
William Bird, was admitted a Gentleman of the Chapel Royal in 1569. He, in conjunction with Thomas Tallis, published in 1575 a collection of their own compositions in Latin, entitled, Sacred Songs: and in the Years 1589, 1591, and 1605, he printed three other collections of his own Productions in the same Language, all of which had the same Title with the first conjoint Publication.


His works were, in his own time, in great Repute, both at Home and Abroad, and are still held in general Estimation: His Canon of Non nobis Domine, will, in particular, remain a perpetual Monument to his Memory.--- He died in 1623.  
His works were, in his own time, in great Repute, both at Home and Abroad, and are still held in general Estimation: His Canon of Non nobis Domine, will, in particular, remain a perpetual Monument to his Memory.--- He died in 1623.
{{WikipediaLink}}<br>
{{WikipediaLink}}
 
:<big>Note.</big> This page is only partially automated. For an automated version, see [[/Automated]].
==List of choral works==
==List of choral works==
{{WorksListBox}}
{{WorksListBox}}


===[[Image:Latin.png]] Sacred music in Latin (A-D)===
==[[Image:Latin.png]] Sacred music==
===in Latin (A-D)===
{{Top}}
{{Top}}
*{{NoCo|Ab ortu solis - Venite comedite}}
*{{NoCo|Ab ortu solis - Venite comedite}}
Line 35: Line 39:
*{{NoCo|Ascendit Deus in jubilatione}}
*{{NoCo|Ascendit Deus in jubilatione}}
*{{NoCo|Aspice Domine quia facta est}}
*{{NoCo|Aspice Domine quia facta est}}
*{{NoCo|Aspice Domine de sede - Respice Domine}}
{{mdl|4}}
{{mdl|4}}
*{{NoCo|Aspice Domine de sede - Respice Domine}}
*{{NoCo|Assumpta est Maria}}
*{{NoCo|Assumpta est Maria}}
*{{NoCo|Attollite portas}}
*{{NoCo|Attollite portas}}
Line 42: Line 46:
*{{NoCo|Ave Maria}}
*{{NoCo|Ave Maria}}
*{{NoCo|Ave maris stella}}
*{{NoCo|Ave maris stella}}
*{{NoCo|Ave Regina coelorum}}
*{{NoCo|Ave Regina coelorum}} 4vv
*{{NoCo|Ave verum corpus}}
*{{NoCo|Ave verum corpus}} 4vv
*{{NoCo|Beata es, Virgo Maria}}
*{{NoCo|Beata es, Virgo Maria}} 5vv
*{{NoCo|Beata viscera}}
*{{NoCo|Beata viscera}} 5vv
*{{NoCo|Beati mundo corde}}
*{{NoCo|Beati mundo corde}} 5vv
*{{NoCo|Benedicta et venerabilis}}
*{{NoCo|Benedicta et venerabilis}} 5vv
*{{NoCo|Cantate Domino}}
*{{NoCo|Benigne fac, Domine}} 5vv
*{{NoCo|Christe qui lux es et dies}}
*{{NoCo|Cantate Domino}} 6vv
*{{NoCo|Christe qui lux es et dies a 5}}
*{{NoCo|Christe qui lux es et dies a 4}}
*{{NoCo|Christus resurgens}} 4vv
{{mdl|4}}
{{mdl|4}}
*{{NoCo|Christe qui lux es et dies a4}}
*{{NoCo|Christus resurgens}}
*{{NoCo|Cibavit eos}}
*{{NoCo|Cibavit eos}}
*{{NoCo|Circumdederunt me}}
*{{NoCo|Circumdederunt me}}
*{{NoCo|Ne irascaris Domine - Civitas sancti tui|Civitas sancti tui}}
*{{NoCo|Ne irascaris Domine - Civitas sancti tui|Civitas sancti tui}}
*{{NoCo|Confirma hoc Deus}}
*{{NoCo|Confirma hoc Deus}}
*{{NoCo|Constitues eos Principes (Gradual)}}
*{{NoCo|Constitues eos principes (Gradual)}}
*{{NoCo|Constitues eos Principes (Offertory)}}
*{{NoCo|Constitues eos Principes (Offertory)}}
*{{NoCo|Cunctis diebus}}
*{{NoCo|Cunctis diebus}}
Line 65: Line 70:
*{{NoCo|Deo gratias}}
*{{NoCo|Deo gratias}}
*{{NoCo|Descendit de coelis - Et exivit per auream portam}}
*{{NoCo|Descendit de coelis - Et exivit per auream portam}}
*{{NoCo|Deus in adjutorium}}
*{{NoCo|Deus venerunt gentes - Posuerunt morticinia - Effuderunt sanguinem - Facti sumus opprobrium}}
{{mdl|4}}
{{mdl|4}}
*{{NoCo|Deus venerunt gentes - Posuerunt morticinia - Effuderunt sanguinem - Facti sumus opprobrium}}
*{{NoCo|Dies sanctificatus}}
*{{NoCo|Dies sanctificatus}}
*{{NoCo|Diffusa est gratia - Propter veritatem - Vultum tuum}}
*{{NoCo|Diffusa est gratia - Propter veritatem - Vultum tuum}}
*{{NoCo|Diliges Dominum}}
*{{NoCo|Diliges Dominum}}
*{{NoCo|Domine ante te}}
*{{NoCo|Domine ante te}}
*{{NoCo|Domine Deus omnipotens}} 5vv
*{{NoCo|Domine exaudi orationem - Et non intres in judicium}}
*{{NoCo|Domine exaudi orationem - Et non intres in judicium}}
*{{NoCo|Domine non sum dignus}}
*{{NoCo|Domine non sum dignus}}
Line 80: Line 87:
{{btm}}
{{btm}}


===[[Image:Latin.png]] Sacred music in Latin (E-O)===
===[[Image:Latin.png]] in Latin (E-O)===
{{Top}}
{{Top}}
*{{NoCo|Ecce advenit dominator Dominus}}
*{{NoCo|Ecce advenit dominator Dominus}}
Line 109: Line 116:
*{{NoCo|Jesu nostra redemptio}}
*{{NoCo|Jesu nostra redemptio}}
*{{NoCo|Justorum animae}}
*{{NoCo|Justorum animae}}
*''Kyrie'': see Masses, ''Great Service, Laetania''
*{{NoCo|Laetania}} (Litany "Kyrie…") 4vv
*{{NoCo|Laetentur coeli - Orietur in diebus}}
*{{NoCo|Laetentur coeli - Orietur in diebus}}
*{{NoCo|Laudate Dominum omnes gentes}}
*{{NoCo|Laudate Dominum omnes gentes}}
Line 128: Line 137:
*{{NoCo|Ne irascaris Domine - Civitas sancti tui}}
*{{NoCo|Ne irascaris Domine - Civitas sancti tui}}
*{{NoCo|Pange lingua gloriosi|Nobis datus}}
*{{NoCo|Pange lingua gloriosi|Nobis datus}}
*{{NoCo|Non nobis Domine}} (Anonymous) - spurious, not by Byrd  
*{{NoCo|Non nobis Domine}} (Anonymous) - spurious, not by Byrd
*{{NoCo|Non vos relinquam orphanos}}
*{{NoCo|Non vos relinquam orphanos}}
{{mdl|4}}
{{mdl|4}}
Line 143: Line 152:
*{{NoCo|O sacrum convivium}}
*{{NoCo|O sacrum convivium}}
*{{NoCo|O salutaris hostia (Gradualia)}}
*{{NoCo|O salutaris hostia (Gradualia)}}
*{{NoCo|O salutaris hostia}} (Unpublished)
*{{NoCo|O salutaris hostia a 6}} (Unpublished)
*{{NoCo|Oculi omnium}}
*{{NoCo|Oculi omnium}}
*{{NoCo|Optimam partem elegit}}
*{{NoCo|Optimam partem elegit}}
{{btm}}
{{btm}}


===[[Image:Latin.png]] Sacred music in Latin (P-Z)===
===[[Image:Latin.png]] in Latin (P-Z)===
{{Top}}
{{Top}}
*{{NoCo|Pange lingua gloriosi}}
*{{NoCo|Pange lingua gloriosi}}
Line 167: Line 176:
{{mdl|4}}
{{mdl|4}}
*{{NoCo|Quodcunque ligaveris}}
*{{NoCo|Quodcunque ligaveris}}
*{{NoCo|Quotiescunque manducabitis}}
*{{NoCo|Quomodo cantabimus}} 8vv
*{{NoCo|Quotiescumque manducabitis}}
*{{NoCo|Recordare Domine - Quiescat Domine}}
*{{NoCo|Recordare Domine - Quiescat Domine}}
*{{NoCo|Reges Tharsis}}
*{{NoCo|Reges Tharsis a 4}}
*{{NoCo|Reges Tharsis a5}}
*{{NoCo|Reges Tharsis a5}}
*{{NoCo|Regina coeli laetare}}
*{{NoCo|Regina coeli laetare}}
Line 176: Line 186:
*{{NoCo|Rorate caeli desuper}}
*{{NoCo|Rorate caeli desuper}}
*{{NoCo|Sacerdotes Domini}}
*{{NoCo|Sacerdotes Domini}}
*{{NoCo|Sacris solemniis}}
*{{NoCo|Salve Regina - Et Jesum benedictum}} (1591)
*{{NoCo|Salve Regina - Et Jesum benedictum}} (1591)
*{{NoCo|Salve Regina (1605)}}
*{{NoCo|Salve Regina (1605)}}
Line 181: Line 192:
*{{NoCo|Salve sola Dei genitrix}}
*{{NoCo|Salve sola Dei genitrix}}
*{{NoCo|Senex puerum portabat a 4}}
*{{NoCo|Senex puerum portabat a 4}}
{{mdl|4}}
*{{NoCo|Senex puerum portabat (a 5)}}
*{{NoCo|Senex puerum portabat (a 5)}}
{{mdl|4}}
*{{NoCo|Siderum rector}}
*{{NoCo|Siderum rector}}
*{{NoCo|Solve jubente Deo}}
*{{NoCo|Solve jubente Deo}}
Line 197: Line 208:
*{{NoCo|Tribulationes civitatum - Timor et hebetudo - Nos enim pro peccatis}}
*{{NoCo|Tribulationes civitatum - Timor et hebetudo - Nos enim pro peccatis}}
*{{NoCo|Tristitia et anxietas - Sed tu Domine}}
*{{NoCo|Tristitia et anxietas - Sed tu Domine}}
{{mdl|4}}
*{{NoCo|Tu es pastor ovium}}
*{{NoCo|Tu es pastor ovium}}
{{mdl|4}}
*{{NoCo|Tu es Petrus}}
*{{NoCo|Tu es Petrus}}
*{{NoCo|Tui sunt coeli}}
*{{NoCo|Tui sunt coeli}}
Line 212: Line 223:
*{{NoCo|Virgo Dei genitrix}}
*{{NoCo|Virgo Dei genitrix}}
*{{NoCo|Viri Galilaei}}
*{{NoCo|Viri Galilaei}}
*{{NoCo|Visita Quaesumus}}
*{{NoCo|Visita quaesumus}}
*{{NoCo|Vultum tuum}}
*{{NoCo|Vultum tuum}}
{{btm}}
{{btm}}


===[[Image:England.png]] Sacred music in English===
===[[Image:England.png]] English Anthems===
{{Top}}
{{Top}}
*{{NoCo|Arise Lord into thy rest}}
*{{NoCo|Arise Lord into thy rest}}
Line 222: Line 233:
*{{NoCo|Be unto me}}
*{{NoCo|Be unto me}}
*{{NoCo|Behold how good a thing - And as the pleasant morning dew}}
*{{NoCo|Behold how good a thing - And as the pleasant morning dew}}
*{{NoCo|Benedictus in D minor}}
*{{NoCo|Blessed is he that fears the Lord}}
*{{NoCo|Blessed is he that fears the Lord}}
*{{NoCo|Bow thine ear, O Lord}}
*{{NoCo|Bow thine ear, O Lord}}
Line 232: Line 242:
*{{NoCo|From depth of sin}}
*{{NoCo|From depth of sin}}
*{{NoCo|From Virgin's womb - Rejoice rejoice}}
*{{NoCo|From Virgin's womb - Rejoice rejoice}}
*''Great Service, The''
**''Venite
**''Te Deum
**''Benedictus
**{{NoCo|Kyrie}}
**''Creed
**[[Great Service Magnificat and Nunc Dimittis (William Byrd)|Magnificat]]
**[[Great Service Magnificat and Nunc Dimittis (William Byrd)|Nunc Dimittis]]
{{mdl|4}}
*{{NoCo|Have mercy upon me}}
*{{NoCo|Have mercy upon me}}
*{{NoCo|Help, Lord, for wasted are those men}}
*{{NoCo|Help, Lord, for wasted are those men}}
*{{NoCo|How long shall mine enemies}} ''All editions withdrawn''
*{{NoCo|How long shall mine enemies}} ''All editions withdrawn''
*{{NoCo|How shall a young man}}
*{{NoCo|How shall a young man}}
{{mdl|4}}
*{{NoCo|How vain the toils}}
*{{NoCo|How vain the toils}}
*{{NoCo|I have been young}}
*{{NoCo|I have been young}}
*{{NoCo|I have longed for thy saving health}}
*{{NoCo|I have longed for thy saving health}}
*{{NoCo|I laid me down}}
*{{NoCo|I laid me down}}
*{{NoCo|Kyrie in D minor}}
*{{NoCo|Look down O Lord}}
*{{NoCo|Look down O Lord}}
*{{NoCo|Lord, have mercy upon us}}
*{{NoCo|Lord hear my prayer instantly}}
*{{NoCo|Lord hear my prayer instantly}}
*{{NoCo|Lord in thy rage}}
*{{NoCo|Lord in thy rage}}
*{{NoCo|Lord in thy wrath correct me not}}
*{{NoCo|Lord in thy wrath correct me not}}
*{{NoCo|Lord in thy wrath reprove me not}}
*{{NoCo|Lord, make me to know thy ways}}
*{{NoCo|Lord, make me to know thy ways}}
*{{NoCo|Lullaby my sweet little baby}}
*{{NoCo|Lulla, lullaby, my sweet little baby}}
*{{NoCo|Magnificat and Nunc Dimittis}} - Tones and Fauxbourdons
*{{NoCo|Make ye joy to God}}
*{{NoCo|Make ye joy to God}}
*{{NoCo|Mine eyes with fervency}}
*{{NoCo|Mine eyes with fervency}}
{{mdl|4}}
*{{NoCo|My soul oppressed with care}}
*{{NoCo|My soul oppressed with care}}
*{{NoCo|Nicene Creed in D minor}}
*{{NoCo|O God give ear}}
*{{NoCo|O God give ear}}
*{{NoCo|O God that guides the cheerful sun}}
*{{NoCo|O God that guides the cheerful sun}}
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* ''O God, whom our offences''
* ''O God, whom our offences''
*{{NoCo|O Lord, make thy servant Elizabeth}}
*{{NoCo|O Lord, make thy servant Elizabeth}}
{{mdl|4}}
*{{NoCo|O Lord my God}}
*{{NoCo|O Lord my God}}
*{{NoCo|O Lord, how long wilt thou forget}}
*{{NoCo|O Lord, how long wilt thou forget}}
Line 279: Line 278:
**''Second Preces II''
**''Second Preces II''
**{{NoCo|Preces and Responses|(Third) Preces and Responses}}
**{{NoCo|Preces and Responses|(Third) Preces and Responses}}
{{mdl|4}}
*{{NoCo|Prevent us, O Lord}}
*{{NoCo|Prevent us, O Lord}}
*{{NoCo|Prostrate O Lord I lie}}
*{{NoCo|Prostrate O Lord I lie}}
*{{NoCo|Right blest are they}}
*{{NoCo|Right blest are they}}
*{{NoCo|Second Service}}
*{{NoCo|Short Evening Service}}
*{{NoCo|Sing joyfully}}
*{{NoCo|Sing joyfully}}
*{{NoCo|Sing we merrily unto God}}
*{{NoCo|Sing we merrily unto God}}
*{{NoCo|Sing ye to our Lord}}
*{{NoCo|Sing ye to our Lord}}
*{{NoCo|Teach me, O Lord}}
*{{NoCo|Teach me, O Lord}}
*{{NoCo|Te Deum in D minor}}
*{{NoCo|Third Service}} ''All editions withdrawn''
*{{NoCo|This day Christ was born}}
*{{NoCo|This day Christ was born}}
*{{NoCo|Turn our captivity}}
*{{NoCo|Turn our captivity}}
*{{NoCo|Unto the hills mine eyes I lift}}
*{{NoCo|Unto the hills mine eyes I lift}}
*{{NoCo|When Israel came out of Egypt}}
*{{NoCo|When Israel came out of Egypt}}
{{mdl|4}}
===Services===
*{{NoCo|Second Service}}
*{{NoCo|Short Evening Service}}
*{{NoCo|Te Deum in D minor}}
*{{NoCo|Benedictus in D minor}}
*{{NoCo|Nicene Creed in D minor}}
*{{NoCo|Kyrie in D minor}}
*{{NoCo|Third Service}} ''All editions withdrawn''
*{{NoCo|Lord, have mercy upon us}}
*{{NoCo|The Great Service}}
**''Venite
**''Te Deum
**''Benedictus
**{{NoCo|Kyrie}}
**''Creed
**[[Great Service Magnificat and Nunc Dimittis (William Byrd)|Magnificat]]
**[[Great Service Magnificat and Nunc Dimittis (William Byrd)|Nunc Dimittis]]
*{{NoCo|Magnificat and Nunc Dimittis}} - Tones and Fauxbourdons
{{btm}}
{{btm}}


===Secular music===
==Secular music==
{{#SortWorks:Secular music|cols=3}}
{{Top}}
 
*{{NoCo|Ah silly Soul}} Alto & 5 viols
*{{NoCo|All as a sea}} 5vv
*{{NoCo|Although the heathen poets}} 5vv
*{{NoCo|Ambitious love}} 5vv
*{{NoCo|And think ye Nymphs to scorn at love - Love is a fit of pleasure}} 5/6vv
*{{NoCo|As I beheld I saw a herdman wild}}
*{{NoCo|Awake mine eyes}}
*{{NoCo|Care for thy soul}}
*{{NoCo|Come jolly Swains}}
*{{NoCo|Come to me grief for ever}}
*{{NoCo|Come woeful Orpheus}}
*{{NoCo|Compel the hawk to sit}}
*{{NoCo|Constant Penelope}}
*{{NoCo|Crowned with flowers}}
*{{NoCo|The Eagle's force}}
*{{NoCo|The fair young virgin - But not so soon}}
*{{NoCo|Farewell false Love}}
*{{NoCo|A feigned friend}}
*{{NoCo|From Citheron the warlike boy is fled - There careless thoughts are freed - If Love be just}}
*{{NoCo|The greedy Hawk}}
*{{NoCo|I joy not in no earthly bliss}}
{{mdl|3}}
*{{NoCo|I thought that Love had been a boy}}
*{{NoCo|If in thine heart}}
*{{NoCo|If that a sinner's sighs}}
*{{NoCo|If women could be fair}}
*{{NoCo|In crystal towers}}
*{{NoCo|In fields abroad}}
*{{NoCo|In Winter cold - Whereat an ant}}
*{{NoCo|Is Love a boy? - Boy pity me}}
*{{NoCo|Let not the sluggish sleep}}
*{{NoCo|The match that's made}}
*{{NoCo|My mind to me a kingdom is}}
*{{NoCo|The nightingale}}
*{{NoCo|O dear life}}
*{{NoCo|O mistress mine}}
*{{NoCo|O sweet deceit}}
*{{NoCo|O that most rare breast}}
*{{NoCo|O you that hear this voice}}
*{{NoCo|Of flattering speech}}
*{{NoCo|Of gold all burnished - Her breath is more sweet}}
*{{NoCo|Penelope that longed for the sight}}
*{{NoCo|Retire my soul}}
*{{NoCo|See those sweet eyes - Love would discharge}}
*{{NoCo|Sellenger's Round}}
{{mdl|3}}
*{{NoCo|Susanna fair (1588)}} 5vv
*{{NoCo|Susanna fair (1589)}} 3vv
*{{NoCo|This sweet and merry month of May (a 4)}}
*{{NoCo|This sweet and merry month of May (a 6)}}
*{{NoCo|Though Amarillis dance in green}}
*{{NoCo|Upon a Summer's day - Then for a boat}}
*{{NoCo|La Virginella}}
*{{NoCo|Wedded to will is witless}}
*{{NoCo|Weeping full sore}}
*{{NoCo|What is life, or worldly pleasure?}}
*{{NoCo|What pleasure have great princes}}
*{{NoCo|When first by force}}
*{{NoCo|When I was otherwise}}
*{{NoCo|When younglings first - But when by proof}}
*{{NoCo|Where fancy fond}}
*{{NoCo|While that the Sun}}
*{{NoCo|Who likes to love}}
*{{NoCo|Who looks may leap}}
*{{NoCo|Who made thee, Hob, forsake the Plough}}
*{{NoCo|Why do I use my paper, ink and pen?}}
*{{NoCo|Wounded I am - Yet of us twain}}
*{{NoCo|Ye sacred muses}}
{{btm}}
{{CheckMissing}}
{{Whatlinkshere}}
{{Whatlinkshere}}


==Publications (vocal music only)==
==Publications (vocal music only)==
*{{NoCo|Cantiones, quae ab argumento sacrae vocantur|comp=William Byrd/Thomas Tallis}} (1575), jointly with [[Thomas Tallis]]
*''[[Cantiones quae ab argumento sacrae vocantur]]'' (1575), jointly with [[Thomas Tallis]]
*{{NoComp|Psalmes, Sonnets and Songs|4={{sp}}''of sadnes and pietie''}} (1588)
*{{NoComp|Psalmes, Sonnets and Songs|4={{sp}}''of sadnes and pietie''}} (1588)
*{{NoCo|Cantiones Sacrae I}} (1589)
*{{NoCo|Cantiones Sacrae I}} (1589)
*{{NoCo|Songs of sundrie natures}} (1589)
*{{NoCo|Songs of sundrie natures}} (1589)
*{{NoCo|Cantiones Sacrae II}} (1591)
*{{NoCo|Cantiones Sacrae II}} (1591)
*{{NoCo|Masses for 3, 4 & 5 voices}} (1592-95)
*{{NoCo|Masses for 3-5 voices}} (1592-95)
*{{NoCo|Gradualia I}} (1605)
*{{NoCo|Gradualia I}} (1605)
*{{NoCo|Gradualia II}} (1607)
*{{NoCo|Gradualia II}} (1607)
*{{NoComp|Psalmes, Songs, and Sonnets|4=...}} (1611)
*{{NoComp|Psalmes, Songs, and Sonnets|4=}} (1611)


Contributions to:
Contributions to:
Line 322: Line 405:
There is no single official Byrd website, but a variety of useful resources can be found scattered widely across the Web. Many of these sites still repeat the (almost certainly) incorrect birthdate of 1543.
There is no single official Byrd website, but a variety of useful resources can be found scattered widely across the Web. Many of these sites still repeat the (almost certainly) incorrect birthdate of 1543.


*{{IMSLP}}
*[http://www.classical.net/music/comp.lst/byrd.html Classical.net article] - Brief biography and long out-of-date discography.
*[http://www.classical.net/music/comp.lst/byrd.html Classical.net article] - Brief biography and long out-of-date discography.
*[http://www.stainer.co.uk/byrd.html Stainer & Bell's Byrd Home Page] - Complete list of works, plus links to the Byrd Edition.
*[http://www.stainer.co.uk/byrd.html Stainer & Bell's Byrd Home Page] - Complete list of works, plus links to the Byrd Edition.

Revision as of 17:04, 25 November 2020

Aliases: If his surviving signatures are a representative sample, the composer's preferred spelling of his own name was "Byrde", although on his own publications it also appears as Bird and Byrd. His contemporaries knew him indiscriminately as Byrd(e), Bird(e) and even Burd(e).

Life

Byrd.jpg

Born: 1539 or 1540?

Died: 4 July 1623

Biography:
Byrd's will, dated November 1622, declares that he is ‘in the 80th yeare of myne age’, but since a deposition of October 1598 gives his age as ‘58 yeares or ther abouts’ it seems likely the will had been drafted some time before being dated.

William Byrd was one of the most celebrated English composers in the Renaissance. His entire life was marked by contradictions, and as a true Renaissance man he cannot be easily categorised. He lived until well into the seventeenth century without writing music in the new Baroque fashion, but his superbly constructed keyboard works marked the beginning of the Baroque organ and harpsichord style. Byrd's life is interesting because of his Roman Catholic sympathies combined with his work in the court of the Anglican Queen Elizabeth I. He composed much music, if intermittently, for the Roman Catholic liturgy, particularly in his later years; the two volumes of Gradualia form a prime example. Possibly as a result of this he did not receive widespread recognition in his lifetime, but was very well respected among the Roman Catholic gentry. In the anti-Catholic frenzy following the 1605 Gunpowder Plot, the first volume of the Gradualia, printed by Thomas East in 1605, was banned in England under penalty of imprisonment as indeed was all of his Catholic music; however his Anglican music— such as the Short Service, and the Responses— has been sung in English cathedrals uninterrupted for the past four centuries.

The entry in Cathedral Music, Volume 2 (William Boyce) reads:

William Bird, was admitted a Gentleman of the Chapel Royal in 1569. He, in conjunction with Thomas Tallis, published in 1575 a collection of their own compositions in Latin, entitled, Sacred Songs: and in the Years 1589, 1591, and 1605, he printed three other collections of his own Productions in the same Language, all of which had the same Title with the first conjoint Publication.

His works were, in his own time, in great Repute, both at Home and Abroad, and are still held in general Estimation: His Canon of Non nobis Domine, will, in particular, remain a perpetual Monument to his Memory.--- He died in 1623.

View the Wikipedia article on William Byrd.

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List of choral works

Latin.png Sacred music

in Latin (A-D)

Latin.png in Latin (E-O)

Latin.png in Latin (P-Z)

England.png English Anthems

Services

Secular music

Other works not listed above (See Template:CheckMissing for possible reasons and solutions)


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Publications (vocal music only)

Contributions to:

External links

There is no single official Byrd website, but a variety of useful resources can be found scattered widely across the Web. Many of these sites still repeat the (almost certainly) incorrect birthdate of 1543.