When like the hunted hind (Thomas Tallis): Difference between revisions
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==Music files== | ==Music files== | ||
{{Legend}} | {{#Legend:}} | ||
*{{PostedDate|2015-10-17}} {{CPDLno|37239}} [ | *{{PostedDate|2015-10-17}} {{CPDLno|37239}} [[Media:Psalm42Tallis1567bpr.pdf|{{pdf}}]] [[Media:Psalm42Tallis1567bpr.mid|{{mid}}]] [[Media:Psalm42Tallis1567bpr.mxl|{{XML}}]] | ||
{{Editor|Barry Johnston|2015-10-17}}{{ScoreInfo|Letter|1|67}}{{Copy|Public Domain}} | {{Editor|Barry Johnston|2015-10-17}}{{ScoreInfo|Letter|1|67}}{{Copy|Public Domain}} | ||
:'''Edition notes:''' Oval note edition. A few minor edits, otherwise as written in 1567. Six more pairs of stanzas from Parker's paraphrase added. | :'''Edition notes:''' Oval note edition. A few minor edits, otherwise as written in 1567. Six more pairs of stanzas from Parker's paraphrase added. | ||
*{{PostedDate|2015-10-17}} {{CPDLno|37238}} [ | *{{PostedDate|2015-10-17}} {{CPDLno|37238}} [[Media:Psalm42Tallis1567a.pdf|{{pdf}}]] | ||
{{Editor|Barry Johnston|2015-10-17}}{{ScoreInfo|7 x 10 in (landscape)|1|68}}{{Copy|Public Domain}} | {{Editor|Barry Johnston|2015-10-17}}{{ScoreInfo|7 x 10 in (landscape)|1|68}}{{Copy|Public Domain}} | ||
:'''Edition notes:''' Note shapes added (4-shape). Six more pairs of stanzas from Parker's paraphrase added. | :'''Edition notes:''' Note shapes added (4-shape). Six more pairs of stanzas from Parker's paraphrase added. | ||
*{{CPDLno|9937}} [ | *{{PostedDate|2005-10-10}} {{CPDLno|9937}} [[Media:Tunes_for_Archbishop_Parker's_Psalter-_5.pdf|{{pdf}}]] [[Media:Tunes_for_Archbishop_Parker's_Psalter-_5.mid|{{mid}}]] [[Media:Tallis Fifth Tune.mxl|{{XML}}]] [[Media:Tallis Fifth Tune.MUS|{{mus}}]] (Finale 2005) | ||
{{Editor|Tim Blickhan|2005-10-10}}{{ScoreInfo|Octavo|1|111}}{{Copy|Public Domain}} | {{Editor|Tim Blickhan|2005-10-10}}{{ScoreInfo|Octavo|1|111}}{{Copy|Public Domain}} | ||
:'''Edition notes:''' | :'''Edition notes:''' | ||
==General Information== | ==General Information== | ||
{{Title|''When like the hunted hind''}} | |||
{{Composer|Thomas Tallis}} | {{Composer|Thomas Tallis}} | ||
{{Lyricist|Matthew Parker}} | {{Lyricist|Matthew Parker}} | ||
{{Voicing|4|SATB}}<br> | {{Voicing|4|SATB}}<br> | ||
{{Genre|Sacred|Hymns}} {{ | {{Genre|Sacred|Hymns}} {{Meter|66. 86 (S.M.)}} (actually 66. 446.) | ||
{{Language|English}} | {{Language|English}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
''' | {{Pub|1|1567|in ''[[The whole Psalter translated (1567)]]''|no=}} | ||
'''Description:''' | '''Description:''' Words by [[Matthew Parker]], 1567, paraphrase of Psalm 42, in fourteen stanzas. | ||
'''External websites:''' | '''External websites:''' | ||
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{{top}} | {{top}} | ||
{{Text|English| | {{Text|English| | ||
1. When like the hunted hind, | 1. When like the hunted hind, | ||
The water brooks desire, | The water brooks desire, | ||
E'en thus my soul, | E'en thus my soul, | ||
That fainted is, | That fainted is, | ||
To Thee would fain aspire. | To Thee would fain aspire. | ||
2. My soul did thirst to God, | 2. My soul did thirst to God, | ||
To God of life and grace, | To God of life and grace, | ||
It said e'en thus: | It said e'en thus: | ||
When shall I come | When shall I come | ||
To see God's lively face? | To see God's lively face? | ||
3. My tears in stead of meat | 3. My tears in stead of meat | ||
Both day and night they were: | Both day and night they were: | ||
While that all day | While that all day | ||
Rebukers said, | Rebukers said, | ||
Where is thy God so far? | Where is thy God so far? | ||
4. When this came soon to heart, | 4. When this came soon to heart, | ||
I yet recomfort felt: | I yet recomfort felt: | ||
And trust to lead | And trust to lead | ||
The people forth, | The people forth, | ||
To go where Thou hast dwelt. | To go where Thou hast dwelt. | ||
5. To joy in voice of mirth, | 5. To joy in voice of mirth, | ||
With lauds and thanks alway: | With lauds and thanks alway: | ||
Among Thy folk, | Among Thy folk, | ||
When that they keep | When that they keep | ||
So high their holy day. | So high their holy day. | ||
6. Why cast thyself then down, | 6. Why cast thyself then down, | ||
My soul, I said no less: | My soul, I said no less: | ||
Why lay in me | Why lay in me | ||
So painfully | So painfully | ||
In woe and carefulness? | In woe and carefulness? | ||
7. Put thou thy trust in God, | 7. Put thou thy trust in God, | ||
Let things not thee amaze: | Let things not thee amaze: | ||
I will Him thank | I will Him thank | ||
For all His help, | For all His help, | ||
In sight of His good grace.}} | In sight of His good grace.}} | ||
{{middle}} | {{middle}} | ||
{{Text|Simple| | {{Text|Simple| | ||
8. My God, my soul is vexed | 8. My God, my soul is vexed | ||
With inward pains so thrill: | With inward pains so thrill: | ||
I mind Thy works | I mind Thy works | ||
In Jordan yet, | In Jordan yet, | ||
So done next Hermon hill. | So done next Hermon hill. | ||
9. As deep to deep rebounds | 9. As deep to deep rebounds | ||
At dreadful noise of showers, | At dreadful noise of showers, | ||
Thy streams by course | Thy streams by course | ||
So overflow, | So overflow, | ||
My soul the pain devours. | My soul the pain devours. | ||
10. But God yet will the day | 10. But God yet will the day | ||
To shine me grace to see: | To shine me grace to see: | ||
My night of woe | My night of woe | ||
Shall praise Him then, | Shall praise Him then, | ||
Who kept yet life in me. | Who kept yet life in me. | ||
11. Thou art my strength, O God, | 11. Thou art my strength, O God, | ||
I might than plain in woe: | I might than plain in woe: | ||
Why hast me thus | Why hast me thus | ||
Forgot so quite, | Forgot so quite, | ||
So sad to go for foe. | So sad to go for foe. | ||
12. It pierced my bones as sword, | 12. It pierced my bones as sword, | ||
To hear my foes in spite: | To hear my foes in spite: | ||
They daily thus | They daily thus | ||
At me upbraid, | At me upbraid, | ||
Where is thy God of might? | Where is thy God of might? | ||
13. Why art thou then, my soul, | 13. Why art thou then, my soul, | ||
So vexed and prostrate so? | So vexed and prostrate so? | ||
Why make in me | Why make in me | ||
So much ado, | So much ado, | ||
Where God is friend in woe? | Where God is friend in woe? | ||
14. I put my hope in God, | 14. I put my hope in God, | ||
I trust in time and place, | I trust in time and place, | ||
He is my God, | He is my God, | ||
Whom I will thank; | Whom I will thank; | ||
My face shall see His grace.}} | My face shall see His grace.}} | ||
{{bottom}} | {{bottom}} | ||
[[Category: | [[Category:Four-shape note editions]] | ||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] |
Revision as of 12:49, 25 November 2020
Music files
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Help |
- Editor: Barry Johnston (submitted 2015-10-17). Score information: Letter, 1 page, 67 kB Copyright: Public Domain
- Edition notes: Oval note edition. A few minor edits, otherwise as written in 1567. Six more pairs of stanzas from Parker's paraphrase added.
- Editor: Barry Johnston (submitted 2015-10-17). Score information: 7 x 10 in (landscape), 1 page, 68 kB Copyright: Public Domain
- Edition notes: Note shapes added (4-shape). Six more pairs of stanzas from Parker's paraphrase added.
- Editor: Tim Blickhan (submitted 2005-10-10). Score information: Octavo, 1 page, 111 kB Copyright: Public Domain
- Edition notes:
General Information
Title: When like the hunted hind
Composer: Thomas Tallis
Lyricist: Matthew Parker
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Hymn Meter: 66. 86 (S.M.) (actually 66. 446.)
Language: English
Instruments: A cappella
First published: 1567 in The whole Psalter translated (1567)
Description: Words by Matthew Parker, 1567, paraphrase of Psalm 42, in fourteen stanzas.
External websites:
Original text and translations
English text 1. When like the hunted hind, |
8. My God, my soul is vexed |