User:Philip Legge: Difference between revisions

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[[Image:Philip_Legge.jpg|right|Philip Legge, February 2005]]
[[Image:Philip_Legge.jpg|right|Philip Legge, February 2005]]


==November 2008 update==
==May 2009 update==


Those of you who know me reasonably well will know that I haven't been very active here through most of 2008, and I'm only dropping in here briefly to report that this is likely to continue for at least the next month, and possibly until the New Year, while I turn attention to one of my other loves: writing. A close friend (and also represented here as a composer, incidentally) competed in [http://www.nanowrimo.org NaNoWriMo] in 2005, at a time when I happened to be much too busy (and the next two years only got busier). This year, it's my turn and I have deliberately set aside other of my musical projects to make way for it, having always put off writing the novels (that I didn't end up progressing beyond 20,000 words say) when an interesting musical project turned up.
I might be doing a little bit of Wiki cleanup tasks again here at CPDL, but probably not at a very high rate of turnover. One thing I am determined to get done over the next month or so is the update of various scores in my extensive back catalogue of unfinished scores here:
 
*links to Berlioz full scores I've finally gotten done;
(At the moment I'm actually rehearsing for a performance of Rachmaninov's ''Vespers'' on November 30, but as it's a work I first sang as a 19-year-old, almost from memory by the time of the (musically orgasmic) concert, I don't have much revision to do on it! 95% of it came back after the larger part of two decades, so I was almost up to performance standard in the first rehearsal. :-)
*tidy-up of the Mozart Great Mass in C (the vocal score is still rather shambolic);
 
*migration of wso.williams.edu scores to the choralwiki;
Even then, after the silly season finishes (4 concerts in December, some of which I'd prefer not to do), I think my chances of returning to CPDL as even a part-time admin are fairly slim: I would rather prefer to getting back to finishing some items in my extensive back catalogue of unfinished scores, and republishing most of my existing typesets in new PDFs linked directly on the Wiki, rather than to the wso.williams.edu archive. There's even a vague hope I might do PDFs of all those Berlioz scores marked with this little icon: {{Net}}
*some cross-fertilisation of useful templates from IMSLP, and vice versa.


I will of course attempt to answer the usual crop of e-mails that I receive as promptly as I can (address below).
I will of course attempt to answer the usual crop of e-mails that I receive as promptly as I can (address below).


Best regards, [[User:Pml|Philip Legge]]<sub>[[Special:Emailuser/Pml|@]] [[User_talk:Pml|&#934;]]</sub> 22:19, 2 November 2008 (UTC)
Best regards, [[User:Pml|Philip Legge]]<sub>[[Special:Emailuser/Pml|@]] [[User_talk:Pml|&#934;]]</sub> 13:00, 9 May 2009 (AEST)


==General information==
==General information==
Line 23: Line 21:
'''Number of scores on CPDL:''' 53 distinct works, but somewhere in the vicinity of 146 scores or so...
'''Number of scores on CPDL:''' 53 distinct works, but somewhere in the vicinity of 146 scores or so...


[[Special:Whatlinkshere/User:Philip Legge|'''List scores by this editor''']]
{{EditionsLink}}


==Contact information==
==Contact information==
Line 29: Line 27:
'''E-mail:''' [[Special:EmailUser/Pml|Philip·M·Legge AT gmail·com]]
'''E-mail:''' [[Special:EmailUser/Pml|Philip·M·Legge AT gmail·com]]


'''Website:''' [[ChoralWiki:Philip_Legge%27s Music Page|PML Music Editions: music prepared by Philip Legge]]
'''Website:''' [[ChoralWiki:Philip Legge's Music Page|PML Music Editions: music prepared by Philip Legge]]


==Education==
==Education==
Line 45: Line 43:
=Scores=
=Scores=


PDF versions: (v = vocal score; f = full score; p = parts available; [&nbsp;] = work in progress)
Key: '''FS''' = full score; '''VS''' = vocal score; '''Px''' = instrumental parts
 
{| class="sortable wikitable collapsible" border=1
!CPDL#!!Composer!!Work!!{{Pdf}}!!{{Mid}}!!Source!!Scorch!!Notes
|-
|1391||[[George Frideric Handel|Handel]]||{{NoComp|Dixit Dominus|George Frideric Handel|, HWV 232|, HWV 232}}||[[cpdl_sheet:232dixit.pdf|FS]]||[http://www.classicalarchives.com/handel.html MIDI]||[[Media:HWV232 Dixit Dominus PML.sib|Sibelius 3]]||[[pml:handel/dixit.html|Scorch 1]]||Typeset from Chrysander, HG Band 38 (1872)
|-
|1392||[[George Frideric Handel|Handel]]||{{NoComp|Laudate pueri Dominum|George Frideric Handel| in D|, HWV 237}}||[[cpdl_sheet:237lauda.pdf|FS]]||[http://www.classicalarchives.com/handel.html MIDI]||[[Media:HWV237 Laudate PML.sib|Sibelius 3]]||[[pml:handel/laudate.html|Scorch 1]]||Typeset from Chrysander, HG Band 38 (1872)
|-
|1393||[[George Frideric Handel|Handel]]||{{NoComp|Nisi Dominus|George Frideric Handel|, HWV 238|, HWV 238}}||[[cpdl_sheet:238nisi.pdf|FS]]||[http://www.classicalarchives.com/handel.html MIDI]||[[Media:HWV238 Nisi Dominus PML.sib|Sibelius 1]]||[[pml:handel/nisi.html|Scorch 1]]||Typeset from Chrysander, HG Band 38 (1872)
|-
|1404||[[Hector Berlioz|Berlioz]]||{{NoComp|Grande messe des morts|Hector Berlioz|, H 75|, H 75}}: I. Introït et Kyrie||[[IMSLP:Special:ImagefromIndex/26253|FS]]&nbsp;[IMSLP]|| ||[[pml:berlioz/h.75.requiem_et_kyrie.sib|Sibelius 1]]||[[pml:scorch/75requiem.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902)
|-
|1430||[[Hector Berlioz|Berlioz]]||{{NoComp|Grande messe des morts|Hector Berlioz|, H 75|, H 75}}: III. Quid sum miser||[[IMSLP:Special:ImagefromIndex/26254|FS]] [IMSLP]|| ||[[pml:berlioz/h.75.quid_sum_miser.sib|Sibelius 1]]||[[pml:scorch/75quid_sum.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902)
|-
|1431||[[Hector Berlioz|Berlioz]]||{{NoComp|Grande messe des morts|Hector Berlioz|, H 75|, H 75}}: V. Quærens me||[[IMSLP:Special:ImagefromIndex/26255|FS]] [IMSLP]|| ||[[pml:berlioz/h.75.quaerens_me.sib|Sibelius 1]]||[[pml:scorch/75quaerens.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902)
|-
|1432||[[Hector Berlioz|Berlioz]]||{{NoComp|Grande messe des morts|Hector Berlioz|, H 75|, H 75}}: VIII. Hostias||[[IMSLP:Special:ImagefromIndex/26256|FS]] [IMSLP]|| ||[[pml:berlioz/h.75.hostias.sib|Sibelius 1]]||[[pml:scorch/75hostias.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902)
|-
|1433||[[Hector Berlioz|Berlioz]]||{{NoComp|Grande messe des morts|Hector Berlioz|, H 75|, H 75}}: X. Agnus Dei||[[IMSLP:Special:ImagefromIndex/26257|FS]] [IMSLP]|| ||[[pml:berlioz/h.75.agnus_dei.sib|Sibelius 1]]||[[pml:scorch/75agnus.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902)
|-
|1436||[[Hector Berlioz|Berlioz]]||{{NoComp|Te Deum|Hector Berlioz|, H 118}}: II. Tibi omnes||[[IMSLP:Special:ImagefromIndex/26472|FS]] [IMSLP]|| ||[[pml:berlioz/h118.tibi_omnes.sib|Sibelius 1]]||[[pml:scorch/h118tibi.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901)
|-
|1437||[[Hector Berlioz|Berlioz]]||{{NoComp|Te Deum|Hector Berlioz|, H 118}}: VI. Judex crederis||[[IMSLP:Special:ImagefromIndex/26473|FS]] [IMSLP]|| ||[[pml:berlioz/h118.judex_crederis.sib|Sibelius 1]]||[[pml:scorch/h118judex.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901)
|-
|1470||[[Josquin des Prez|Josquin]]||{{NoComp|Praeter rerum seriem|Josquin des Prez}}||[[cpdl_sheet:jos-prae.pdf|VS]]||[[Media:Josquin Praeter PML.mid|MIDI]]||[[Media:Josquin Praeter PML.sib|Sibelius 3]]||[[pml:josquin/index.html|Scorch 1]]||Typeset from Kalmus reprint No. 702, editorial copyright expired 1998 at latest
|-
|1473||[[Hector Berlioz|Berlioz]]||{{NoComp|La menace des Francs|Hector Berlioz|, H 117|, H 117}}||[[cpdl_sheet:hb117voc.pdf|VS]]<br>[[IMSLP:Special:ImagefromIndex/26492|FS]] [IMSLP]|| ||[[pml:berlioz/h117.la_menace_des_francs.sib|Sibelius 1]]||[[pml:scorch/h117menace.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 41 (Leipzig, 1903)
|-
|1474||[[Hector Berlioz|Berlioz]]||{{NoComp|Hymne à la France|Hector Berlioz|, H 97|, H 97}}||[[cpdl_sheet:hb97voc.pdf|VS]]<br>[[IMSLP:Special:ImagefromIndex/26487|FS]] [IMSLP]|| ||[[pml:berlioz/h.97.hymne_a_la_france.sib|Sibelius 1]]||[[pml:scorch/97hymne.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 40 (Leipzig, 1903)
|-
|1475||[[Hector Berlioz|Berlioz]]||{{NoComp|Vox populi|Hector Berlioz|, H 120|, H 120}}||[[cpdl_sheet:hb120vox.pdf|VS]]|| || || ||Typeset from Malherbe & Weingartener, H.B. 40 & 41 (Leipzig, 1903)
|-
|1999||[[Hector Berlioz|Berlioz]]||{{NoComp|Te Deum|Hector Berlioz|, H 118}}: I. Te Deum laudamus||[[IMSLP:Special:ImagefromIndex/26472|FS]] [IMSLP]|| ||[[pml:berlioz/h118.te_deum_laudamus.sib|Sibelius 1]]||[[pml:scorch/h118laudamus.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901)
|-
|2000||[[Hector Berlioz|Berlioz]]||{{NoComp|Te Deum|Hector Berlioz|, H 118}}: IV. Christe, rex gloriæ||[[IMSLP:Special:ImagefromIndex/26472|FS]] [IMSLP]|| ||[[pml:berlioz/h118.christe,rex_gloriae.sib|Sibelius 1]]||[[pml:scorch/h118christe.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901)
|-
|2686||[[Hector Berlioz|Berlioz]]||{{NoComp|Te Deum|Hector Berlioz|, H 118}}: V. Te ergo quæsumus||[[IMSLP:Special:ImagefromIndex/26472|FS]] [IMSLP]|| ||[[pml:berlioz/h118.christe,rex_gloriae.sib|Sibelius 1]]||[[pml:scorch/h118christe.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901)
|-
|3142 <br>3271||[[Hector Berlioz|Berlioz]]||{{NoComp|Te Deum|Hector Berlioz|, H 118}}: III. Dignare||[[IMSLP:Special:ImagefromIndex/26472|FS]] [IMSLP]|| ||[[pml:berlioz/h118.christe,rex_gloriae.sib|Sibelius 1]]||[[pml:scorch/h118christe.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901)
|-
|3272||[[Hector Berlioz|Berlioz]]||{{NoComp|Te Deum|Hector Berlioz|, H 118|, H 118}}: complete||[[IMSLP:Special:ImagefromIndex/26472|FS I–V]]<br>[[IMSLP:Special:ImagefromIndex/26473|FS VI–VII]]<br>[IMSLP]|| || ||[[pml:berlioz/te_deum/|Work page]]||Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901)
|-
|3273||[[Hector Berlioz|Berlioz]]||{{NoComp|La mort d'Ophélie, Op. 18, No. 2|Hector Berlioz}}||[[cpdl_sheet:hb92full.pdf|FS+Px+VS]]|| ||[[pml:berlioz/h.92b.la_mort_d'ophelie.sib|Sibelius 1]]||[[pml:scorch/92b_mort.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 38 (Leipzig, 1903)
|-
|3274||[[Hector Berlioz|Berlioz]]||{{NoComp|La mort d'Ophélie, Op. 18, No. 2|Hector Berlioz}}||[[cpdl_sheet:hb92voc.pdf|VS]]|| ||[[pml:berlioz/h.92b.la_mort_d'ophelie.sib|Sibelius 1]]||[[pml:scorch/92b_mort.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 38 (Leipzig, 1903)
|-
|3349||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [1] Kyrie||[[Media:Mozart 427-1 Kyrie VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/kyrie.sib|Sibelius 1]]||[[pml:mozart/great_mass/kyrie.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882)
|-
|3432||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [2] Gloria in excelsis Deo||[[Media:Mozart 427-2 Gloria VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/gloria.sib|Sibelius 1]]||[[pml:mozart/great_mass/gloria.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882)
|-
|3564||[[Hector Berlioz|Berlioz]]||{{NoComp|Le Dépit de la bergère|Hector Berlioz|, H 7|, H 7}}||[[cpdl_sheet:hb7.pdf|VS]]|| ||[[pml:berlioz/h..7.le_depit_de_la_bergere.sib|Sibelius 1]]||[[pml:scorch/07depit.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 79 (Leipzig, 1904)
|-
|3565||[[Hector Berlioz|Berlioz]]||{{NoComp|Ecot des joyeux compagnons: Histoire d'un rat (from 'Faust')|Hector Berlioz}}||[[cpdl_sheet:hb33-4f.pdf|FS]]|| ||[[pml:berlioz/h.33.histoire_d'un_rat.sib|Sibelius 1]]||[[pml:scorch/33rat.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 29 (Leipzig, 1903)
|-
|3566||[[Hector Berlioz|Berlioz]]||{{NoComp|Chanson de Méphistophélès: Histoire d'une puce (No. 5 from 'Faust')|Hector Berlioz}}||[[cpdl_sheet:hb33-5f.pdf|FS]]|| ||[[pml:berlioz/h.33.histoire_d'une_puce.sib|Sibelius 1]]||[[pml:scorch/33puce.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 29 (Leipzig, 1903)
|-
|3567||[[Hector Berlioz|Berlioz]]||{{NoComp|Sérénade de Méphistophélès (No. 8 from 'Faust')|Hector Berlioz}}||[[cpdl_sheet:hb33-8.pdf|VS]]|| ||[[pml:berlioz/h.33.serenade.sib|Sibelius 1]]||[[pml:scorch/33serenade.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 29 (Leipzig, 1903)
|-
|3568||[[Hector Berlioz|Berlioz]]||{{NoComp|La Captive, orientale|Hector Berlioz}}: Version A||VS|| ||[[pml:berlioz/h.60a.le_captive.sib|Sibelius 1]]||[[pml:scorch/60a.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 91 (Leipzig, 1904)
|-
|3569||[[Hector Berlioz|Berlioz]]||{{NoComp|La Captive, orientale|Hector Berlioz}}: Version C||VS|| ||[[pml:berlioz/h.60c.le_captive.sib|Sibelius 1]]||[[pml:scorch/60c.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 92 (Leipzig, 1904)
|-
|3570||[[Hector Berlioz|Berlioz]]||{{NoComp|Chant des Chemins de fer|Hector Berlioz}}||[http://imslp.org/wiki/Special:ImagefromIndex/26497 FS] [IMSLP]|| ||[[pml:berlioz/h110.chant_chemins_de_fer.sib|Sibelius 1]]||[[pml:scorch/h110chem.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 37 (Leipzig, 1903)
|-
|3571||[[Hector Berlioz|Berlioz]]||{{NoComp|Nessun maggior piacere|Hector Berlioz}}||[[cpdl_sheet:hb114.pdf|VS]]|| ||[[pml:berlioz/h114.nessun_maggior_piacere.sib|Sibelius 1]]||[[pml:scorch/h114nessun.html|Scorch 1]]||Typeset from albumleaf facsimile
|-
|3572||[[Johann Sebastian Bach|Bach]]||{{NoComp|Cantata BWV 50 - Nun ist das Heil und die Kraft|Johann Sebastian Bach}}||[[Media:BWV50 Nun ist VS PML.pdf|VS]]|| ||[[pml:bach/BWV50.sib|Sibelius 1]]||[[pml:bach/|Scorch 1]]||Typeset from BGA
|-
|3573 <br>3573''bis''||[[Antoine Brumel|Brumel]]||{{NoComp|Missa Et ecce terræ motus|Antoine Brumel}}: Agnus Dei à 12, completion||[[icking:ByComposer/Brumel.php|VS]] [WIMA]<br>[[Media:Brumel Missa Et ecce Agnus PML.pdf|VS]]|| ||[[pml:brumel/agnus.sib|Sibelius 1]]||[[pml:brumel/|Scorch 1]]||Typeset from facsimile of Bayerische Staatsbibliothek Mus. MS 1
|-
|3835||[[George Frideric Handel|Handel]]||{{NoComp|Dixit Dominus|George Frideric Handel|, HWV 232|, HWV 232}}||[{{SERVER}}/wiki/sheet/232-part.pdf Px]||[http://www.classicalarchives.com/handel.html#handel_sacred MIDI]||[[Media:HWV232 Violin 1 PML.sib|Violins 1]] & [[Media:HWV232 Violin 2 PML.sib|2]]<br>[[Media:HWV232 Viola 1 PML.sib|Violas 1]] & [[Media:HWV232 Viola 2 PML.sib|2]]<br>[[Media:HWV232 Cello PML.sib|Cello]]<br>[[Media:HWV232 Bass PML.sib|Bass]]<br>[[Media:HWV232 Continuo PML.sib|Continuo]]|| ||Typeset from Chrysander, HG Band 38 (1872)
|-
|3836||[[Johann Sebastian Bach|Bach]]||{{NoComp|Cantata BWV 50 - Nun ist das Heil und die Kraft|Johann Sebastian Bach}}||[[Media:BWV50 Nun ist FS PML.pdf|FS+Px+VS]]|| ||[[pml:bach/BWV50.sib|Sibelius 1]]||[[pml:bach/|Scorch 1]]||Typeset from BGA
|-
|4948||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [3] Laudamus te||[[Media:Mozart 427-3 Laudamus VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/laudamus.sib|Sibelius 1]]||[[pml:mozart/great_mass/laudamus.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882)
|-
|4949||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [4] Gratias||[[Media:Mozart 427-4 Gratias VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/gratias.sib|Sibelius 1]]||[[pml:mozart/great_mass/gratias.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882)
|-
|4950||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [5] Domine Deus||[[Media:Mozart 427-5 Domine Deus VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/domine.sib|Sibelius 1]]||[[pml:mozart/great_mass/domine.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882)
|-
|4951||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [6] Qui tollis||[[Media:Mozart 427-6 Qui tollis VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/qui_tollis.sib|Sibelius 1]]||[[pml:mozart/great_mass/qui_tollis.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882)
|-
|4952||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [7] Quoniam||[[Media:Mozart 427-7 Quoniam VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/quoniam.sib|Sibelius 1]]||[[pml:mozart/great_mass/quoniam.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882)
|-
|4953||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [8] Jesu Christe – Cum sancto spiritu||[[Media:Mozart 427-8 Jesu Christe VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/jesu.sib|Sibelius 1]]||[[pml:mozart/great_mass/jesu.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882)
|-
|4954||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [11] Sanctus – Osanna||[[Media:Mozart 427-11 Sanctus VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/sanctus.sib|Sibelius 1]]||[[pml:mozart/great_mass/sanctus.html|Scorch 1]]||Editorial completion from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882)
|-
|6158||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427|, KV 427}}: complete work||[[Media:Mozart 427 Great Mass VS PML.pdf|VS]]<br>[http://imslp.org/wiki/Special:ImagefromIndex/28540 FS] [IMSLP]|| ||[[Media:Mozart K427 Great Mass in C VS PML.sib|Sibelius 3]]||[[pml:mozart/great_mass/index.html|Work page]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882)
|-
|6495||[[Gustav Mahler|Mahler]]||{{NoComp|Symphony No. 2 in C Minor ('Resurrection') - choral score|Gustav Mahler}}||[[cpdl_sheet:mahler2v.pdf|VS]]|| || || ||Typeset from Universal Edition, plate U.E. 2933 (Vienna, 1910)
|-
|6607||[[Henry Purcell|Purcell]]||{{NoComp|If music be the food of love, Z 379|Henry Purcell}}||[[cpdl_sheet:pur-379b.pdf|VS]]|| ||[[Media:TUMS Busking Book 1_0.sib|Sibelius 3]]|| ||Retypeset; source unknown.
|-
|6608||[[Anonymous]]||{{NoComp|Pase el agoa|Anonymous}}||[[Media:Pase el agoa (Anon 15C).pdf|VS]]|| ||[[Media:TUMS Busking Book 1_0.sib|Sibelius 3]]|| ||Retypeset; urtext
|-
|6951||[[Charles Edward Horsley|Horsley]]||''[[All hail to thee, Sound! (Charles Edward Horsley)|Hail to thee, Sound!]]''||[[cpdl_sheet:hors-e01.pdf|VS]]|| || ||[[pml:horsley/|Scorch 1]]||Edited from composer’s autograph FS and VS; Px and FS available on hire from [http://www.rmp.org.au/ RMP]
|-
|8489||[[George Frideric Handel|Handel]]||{{NoComp|Laudate pueri Dominum|George Frideric Handel| in D|, HWV 237}}||[[cpdl_sheet:237-part.pdf|Px]]||[http://www.classicalarchives.com/handel.html MIDI]||[[Media:HWV237 Oboe 1 PML.sib|Oboes 1]] & [[Media:HWV237 Oboe 2 PML.sib|2]]<br>[[Media:HWV237 Violin 1 PML.sib|Violins 1]] & [[Media:HWV237 Violin 2 PML.sib|2]]<br>[[Media:HWV237 Viola 1 PML.sib|Violas 1]] & [[Media:HWV237 Viola 2 PML.sib|2]]<br>[[Media:HWV237 Continuo PML.sib|Continuo]]|| ||Typeset from Chrysander, HG Band 38 (1872)
|-
|8553||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Soprano partbook||[[Media:Tallis Spem in alium Sopranos PML.pdf|Px]]|| || || ||Typeset from Tudor Church Music VI (1928)
|-
|8554||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Alto partbook||[[Media:Tallis Spem in alium Altos PML.pdf|Px]]|| || || ||Typeset from Tudor Church Music VI (1928)
|-
|8555||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Tenor partbook||[[Media:Tallis Spem in alium Tenors PML.pdf|Px]]|| || || ||Typeset from Tudor Church Music VI (1928)
|-
|8556||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Baritone partbook||[[Media:Tallis Spem in alium Baritones PML.pdf|Px]]|| || || ||Typeset from Tudor Church Music VI (1928)
|-
|8557||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Bass partbook||[[Media:Tallis Spem in alium Basses PML.pdf|Px]]|| || || ||Typeset from Tudor Church Music VI (1928)
|-
|8558||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis|| ''à 40''}}: Full score||[[Media:Tallis Spem in alium full score PML.pdf|FS]]|| || ||[[pml:tallis/|Scorch 1]]||Typeset from Tudor Church Music VI (1928)
|-
|10522||[[George Frideric Handel|Handel]]||{{NoComp|Zadok the Priest|George Frideric Handel||, HWV 258}}||[[Media:Zadok the Priest-Sib4.pdf|FS]]||[[Media:Zadok the Priest-Sib4.mid|MIDI]]||[[Media:HWV232 Dixit Dominus PML.sib|Sibelius 3]]<br>[[Media:Zadok the Priest-Sib4.sib|Sibelius 4]]|| ||Typeset from Chrysander, HG Band 14 (1863)
|-
|10530||[[Gregorio Allegri|Allegri]]||{{NoComp|Miserere mei|Gregorio Allegri}}||[[Media:Allegri Miserere PML2.pdf|VS]]|| ||[[Media:Allegri Miserere PML.sib|Sibelius 3]]|| ||Re-typeset after Guest
|-
|10587||[[Guillaume Dufay|Dufay]]||{{NoComp|Nuper rosarum flores|Guillaume Dufay}}||[[Media:Dufay Nuper rosarum flores PML.pdf|VS]]||[[Media:Dufay Nuper rosarum flores PML.mid|MIDI]]||[[pml:dufay/nuper.sib|Sibelius 3]]||[[pml:dufay/|Scorch 3]]||Typeset from facsimile
|-
|10604||[[John Eccles|Eccles]]||{{NoComp|My man John|John Eccles}}||[[Media:Eccles My Man John PML.pdf|VS]]|| || || ||Typeset from facsimile
|-
|10605||[[Heinrich Schütz|Schütz]]||{{NoComp|Das ist je gewißlich wahr|Heinrich Schütz}}||[[Media:Schütz 277 Das ist je PML.pdf|VS]]|| || || ||Retypeset from complete works
|-
|10611||[[Orlando di Lasso|Lassus]]||{{NoComp|Missa Quand'io pens'al martire|Orlando di Lasso}}||[[Media:Lasso Missa Quand'io PML.pdf|VS]]|| ||[[pml:editions/|Sibelius 3]]|| ||Typeset from Kalmus reprint
|-
|10612||[[Giovanni Pierluigi da Palestrina|Palestrina]]||{{NoComp|Missa Iste Confessor|Giovanni Pierluigi da Palestrina|| ''à 4''}}||[[Media:Palestrina Missa Iste confessor PML.pdf|VS]]|| ||[[pml:editions/|Sibelius 3]]|| ||Typeset from Haberl (edition does not contain ''Credo'')
|-
|10613||[[Giovanni Pierluigi da Palestrina|Palestrina]]||{{NoComp|Missa O Rex gloriae|Giovanni Pierluigi da Palestrina|| ''à 4''}}||[[Media:Palestrina Missa O Rex gloriae PML2.pdf|VS]]|| ||[[Media:Palestrina Missa O Rex gloriae PML.sib|Sibelius 1]]|| ||Typeset from Haberl (edition does not contain ''Credo'')
|-
|10614||[[Johannes Ockeghem|Ockeghem]]||{{NoComp|Deo Gratias|Johannes Ockeghem| (36 part canon)}}: Parts||[[Media:Ockeghem Deo gratia PML.pdf|Px]]|| || || ||Realisation of '''CPDL #4065'''
|-
|10615||[[Johannes Ockeghem|Ockeghem]]||{{NoComp|Deo gratias|Johannes Ockeghem| (36 part canon)| ''à 36''}}: Full score||[[Media:Ockeghem Deo gratia FS PML.pdf|FS]]|| || ||[[pml:ockeghem/|Scorch]]||Realisation of '''CPDL #4065'''
|-
|10646||[[Marc-Antoine Charpentier|Charpentier]]||{{NoComp|Messe, H 1|Marc-Antoine Charpentier||: ''Kyrie'', ''Gloria''}}||[[Media:Charpentier Messe H1 PML.pdf|FS]]|| || || ||Typeset from facsimile
|-
|10735||[[John Dowland|Dowland]]||{{NoComp|Come|John Dowland|_again sweet love doth now invite| ''again!''}}||[[Media:TUMS Come Again 1 0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1 0.sib|Sibelius 3]]|| ||Re-edited from various sources, included in '''CPDL #10760'''
|-
|10736||[[Henry VIII]]||{{NoComp|Pastime with good company|Henry VIII}}||[[Media:TUMS Pastyme 1 0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1 0.sib|Sibelius 3]]|| ||Re-edited from various sources, included in '''CPDL #10760'''
|-
|10737||[[Christopher Tye|Tye]]||{{NoComp|Laudate nomen Domini|Christopher Tye}}||[[Media:TUMS Laudate 1 0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1 0.sib|Sibelius 3]]|| ||Re-edited from various sources, included in '''CPDL #10760'''
|-
|10738||[[Henry Purcell|Purcell]]||{{NoComp|Come, ye Sons of Art|Henry Purcell|, Z 323|, Z 323}}||[[Media:TUMS Come ye Sons 1 0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1_0.sib|Sibelius 3]]|| ||Re-edited from Shaw, Birthday Odes, Purcell Society (1926), included in '''CPDL #10760'''
|-
|10739 <br>10740<br>10741||[[Anonymous]]&nbsp;after&nbsp;Wilder<br>[[Philip Legge|Legge]]<br>[[John Dowland|Dowland]]||{{NoComp|Non nobis Domine|Anonymous}} <br>{{NoComp|Non nobis, Domine|Philip Legge}}<br>{{NoComp|Fine knacks for Ladies, cheap, choise, braue and new|John Dowland}}||[[Media:TUMS Non nobis 1 0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1 0.sib|Sibelius 3]]|| ||Re-edited from various sources, included in '''CPDL #10760'''
|-
|10742||[[Anonymous]]||{{NoComp|Dona nobis pacem|Anonymous}}||[[Media:TUMS Dona nobis 1 0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1 0.sib|Sibelius 3]]|| ||Re-edited from various sources, included in '''CPDL #10760'''
|-
|10743||[[John Bennet|Bennet]]||{{NoComp|Weep, O mine eyes|John Bennet}}||[[Media:TUMS Weep O mine 1 0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1 0.sib|Sibelius 3]]|| ||Re-edited from various sources, included in '''CPDL #10760'''
|-
|10744 <br>10746||[[Anonymous]]||{{NoComp|Alle psallite cum luya|Anonymous}} <br>{{NoComp|Drink to me only|Traditional}}||[[Media:TUMS Alleluja psallite 1 0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1 0.sib|Sibelius 3]]|| ||Re-edited from various sources, included in '''CPDL #10760'''
|-
|10745||[[Anonymous]]||{{NoComp|Gaudeamus igitur|Anonymous}}||[[Media:TUMS Gaudeamus 1 0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1 0.sib|Sibelius 3]]|| ||Re-edited from various sources, included in '''CPDL #10760'''
|-
|10747||[[Thomas Morley|Morley]]||{{NoComp|Now is the month of maying|Thomas Morley}}||[[Media:TUMS Now is the month 1 0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1 0.sib|Sibelius 3]]|| ||Re-edited from various sources, included in '''CPDL #10760'''
|-
|10748 <br>10755||[[Anonymous]]/[[Henry VIII]]<br>[[David Ellyard|Ellyard]]||{{NoComp|Greensleeves|Anonymous}} <br>{{NoComp|Round on a well-known text|David Ellyard}}||[[Media:TUMS Greensleeves 1 0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1 0.sib|Sibelius 3]]|| ||Typeset from facsimile, included in '''CPDL #10760'''
|-
|10749||[[Josquin des Prez|Josquin]]||{{NoComp|El Grillo|Josquin des Prez}}||[[Media:TUMS El Grillo 1 0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1 0.sib|Sibelius 3]]|| ||Typeset from facsimile, included in '''CPDL #10760'''
|-
|10750||[[Philip Legge|Legge]]||{{NoComp|Kubla Khan|Philip Legge||, Op. 1}}||[[Media:Kubla Khan VS PML.pdf|VS]]<br>[http://imslp.org/wiki/Special:ImagefromIndex/24878 FS] [IMSLP]||[[pml:legge/kubla.midi|MIDI]]|| ||[[pml:legge/|Scorch]]||
|-
|10760||Various||[[TUMS Busking Book]]||[[Media:TUMS Busking Book 1 01.pdf|VS]]|| ||[[Media:TUMS Busking Book 1 0.sib|Sibelius 3]]|| ||Re-edited from various sources
|-
|10787||[[George Frideric Handel|Handel]]||''[[Zadok the Priest (George Frideric Handel)|Zadok the Priest, HWV 258]]''||[[Media:HWV258 Parts PML.pdf|Px]]||[[Media:Zadok the Priest-Sib4.mid|MIDI]]||[[Media:HWV258 Oboe 1 PML.sib|Oboe 1]] & [[Media:HWV258 Oboe 2 PML.sib|2]]<br>[[Media:HWV258 Bassoon 1 PML.sib|Bassoons 1]] & [[Media:HWV258 Bassoon 2 PML.sib|2]]<br>[[Media:HWV258 Trumpet 1 PML.sib|Trumpets&nbsp;1]],&nbsp;[[Media:HWV258 Trumpet 2 PML.sib|2]]&nbsp;&amp;&nbsp;[[Media:HWV258 Trumpet 3 PML.sib|3]]<br>[[Media:HWV258 Timpani PML.sib|Timpani]]<br>[[Media:HWV258 Violin 1 PML.sib|Violins 1]], [[Media:HWV258 Violin 2 PML.sib|2]] & [[Media:HWV258 Violin 3 PML.sib|3]]<br>[[Media:HWV258 Viola PML.sib|Viola]], [[Media:HWV258 Violoncello PML.sib|Cello]], [[Media:HWV258 Contrabass PML.sib|Bass]]<br>[Continuo]|| ||Typeset from Chrysander, HG Band 14 (1863)
|-
|11088||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Requiem, KV 626|Wolfgang Amadeus Mozart}}||[[Media:K626 Requiem Urtext PML.pdf|FS]]|| || || ||Re-typeset from autograph facsimile
|-
|11117||[[Gabriel Fauré|Fauré]]||{{NoComp|Requiem in D minor|Gabriel Fauré|, Op. 48|, Op. 48}}: Full score||[[Media:Faure Requiem FS PML.pdf|FS]]|| || || ||Typeset from [[IMSLP:Requiem, Op.48 (Fauré, Gabriel)|Hamelle]] [@IMSLP] (Paris, 1900)
|-
|11222||[[Claudio Monteverdi|Monteverdi]]||{{NoComp|Domine ad adiuvandum|Claudio Monteverdi||, SV 318}}||[[Media:Monteverdi 1610 1Domine FS PML.pdf|FS+Px]]||[[Media:Monteverdi 1610 V1.mid|MIDI]]|| || ||Typeset from Amadino, [[Messa e Vespro della Beata Vergine (Monteverdi, Claudio)|''Sanctissimae Virgini'']] (Venice, 1610)
|-
|11232||[[Heinrich Schütz|Schütz]]||{{NoComp|Alleluja! Lobet den Herren|Heinrich Schütz| (Psalm 150), SWV 38| ''à 16'', SWV 38}}: Full score||[[Media:SWV38 Alleluja! FS PML.pdf|FS]]||[[Media:SWV38 Alleluja! PML.mid|MIDI]]||[[Media:SWV38 Alleluja! FS PML.sib|Sibelius 3]]||[[pml:schutz/|Scorch]]||Typeset from complete works
|-
|11233||[[Heinrich Schütz|Schütz]]||{{NoComp|Alleluja! Lobet den Herren|Heinrich Schütz| (Psalm 150), SWV 38}}: Vocal score||[[Media:SWV38 Alleluja! Favoriti VS PML.pdf|VS]]|| || || ||Typeset from complete works
|-
|11234||[[Heinrich Schütz|Schütz]]||{{NoComp|Alleluja! Lobet den Herren|Heinrich Schütz| (Psalm 150), SWV 38}}: Extra choirs||[[Media:SWV38 Alleluja! Capella VS PML.pdf|VS]]|| || || ||Typeset from complete works
|-
|11235||[[Heinrich Schütz|Schütz]]||{{NoComp|Alleluja! Lobet den Herren|Heinrich Schütz| (Psalm 150), SWV 38}}: Parts||[[Media:SWV38 Alleluja! Px PML.pdf|Px]]|| || || ||Typeset from complete works
|-
|11409||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [9] Credo in unum Deum||[[Media:Mozart 427-9 Credo VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/credo.sib|Sibelius 1]]||[[pml:mozart/great_mass/credo.html|Scorch 1]]||Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882)
|-
|11410||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [10] Et incarnatus est||[[Media:Mozart 427-10 Et incarnatus VS PML.pdf|VS]]|| || || ||Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882)
|-
|11411||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [12] Benedictus – Osanna||[[Media:Mozart 427-12 Benedictus VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/benedictus.sib|Sibelius 1]]||[[pml:mozart/great_mass/benedictus.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (1882)
|-
|11412||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [A1] Crucifixus – [A2] Et in Spiritum||[[Media:Mozart 427-A1 Crucifixus VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/crucifixus.sib|Sibelius 1]]||[[pml:mozart/great_mass/crucifixus.html|Scorch 1]]||Editorial completion from Ph. Spitta, W.A.M. 262, B&H (1878)
|-
|11421||[[Claudio Monteverdi|Monteverdi]]||{{NoComp|L'Orfeo, Favola in Musica|Claudio Monteverdi||, SV 318}}||[[Media:Monteverdi Orfeo Act-1 PML.pdf|FS+Px]]|| || || ||Typeset from Amadino, [[IMSLP:L'Orfeo, favola in musica, SV 318 (Monteverdi, Claudio)|L’Orfeo]] [@IMSLP] (Venice, 1615)
|-
|11578||[[Philip Legge|Legge]]||{{NoComp|Ave atque vale|Philip Legge}}||[[Media:Ave atque vale PML.pdf|VS]]|| || || ||Sung as part of the 2007 ROCS Occasional Choral Competition (but ineligible)
|-
|11784||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Ave verum corpus, KV 618|Wolfgang Amadeus Mozart}}||[[Media:K618 Ave verum VS PML.pdf|VS]]||[[Media:K618 Ave verum PML.mid|MIDI]]||[[Media:K618 Ave verum VS PML.sib|Sibelius 3]]|| ||Re-typeset after NMA
|-
|11825||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem|Johannes Brahms|, Op. 45}}: 1. ''Selig sind, die da Leid tragen''||[[Media:JB45-1 Selig sind die da Leid.pdf|VS]]||[[Media:JB45-1 Selig sind die da Leid.mid|MIDI]]||[[Media:JB45-1 Selig sind die da Leid.sib|Sibelius 3]]|| ||Re-typeset after complete works ed. E. Mandyczewski
|-
|11826||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem|Johannes Brahms|, Op. 45}}: 2. ''Denn alles Fleisch, wie est Gras''||[[Media:JB45-2 Denn alles fleisch.pdf|VS]]||[[Media:JB45-2 Denn alles fleisch.mid|MIDI]]||[[Media:JB45-2 Denn alles Fleisch.sib|Sibelius 3]]|| ||Re-typeset after complete works ed. E. Mandyczewski
|-
|11827||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem|Johannes Brahms|, Op. 45}}: 3. ''Herr, lehre doch mich''||[[Media:JB45-3 Herr lehre doch mich.pdf|VS]]||[[Media:JB45-3 Herr lehre doch mich.mid|MIDI]]||[[Media:JB45-3 Herr lehre doch mich.sib|Sibelius 3]]|| ||Re-typeset after complete works ed. E. Mandyczewski
|-
|11828||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem|Johannes Brahms|, Op. 45}}: 4. ''Wie lieblich sind deine Wohnungen''||[[Media:JB45-4 Wie lieblich sind.pdf|VS]]||[[Media:JB45-4 Wie lieblich sind.mid|MIDI]]||[[Media:JB45-4 Wie lieblich sind.sib|Sibelius 3]]|| ||Re-typeset after complete works ed. E. Mandyczewski
|-
|11829||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem|Johannes Brahms|, Op. 45}}: 5. ''Ihr habt nun Traurigkeit''||[[Media:JB45-5 Ihr habt nun.pdf|VS]]||[[Media:JB45-5 Ihr habt nun.mid|MIDI]]||[[Media:JB45-5 Ihr habt nun.sib|Sibelius 3]]|| ||Re-typeset after complete works ed. E. Mandyczewski
|-
|11830||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem|Johannes Brahms|, Op. 45}}: 6. ''Denn wir haben hie keine bleibende Statt''||[[Media:JB45-6 Denn wir haben.pdf|VS]]||[[Media:JB45-6 Denn wir haben.mid|MIDI]]||[[Media:JB45-6 Denn wir haben.sib|Sibelius 3]]|| ||Re-typeset after complete works ed. E. Mandyczewski
|-
|11831||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem|Johannes Brahms|, Op. 45}}: 7. ''Selig sind die Toten''||[[Media:JB45-7 Selig sind die Toten.pdf|VS]]||[[Media:JB45-7 Selig sind die Toten.mid|MIDI]]||[[Media:JB45-7 Selig sind die Toten.sib|Sibelius 3]]|| ||Re-typeset after complete works ed. E. Mandyczewski
|-
|11832||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem|Johannes Brahms|, Op. 45|, Op. 45}}: complete||[[Media:JB45-Ein deutsches Requiem.pdf|VS]]|| || || ||Re-typeset after complete works ed. E. Mandyczewski
|-
|11932||[[Josquin des Prez|Josquin]]||{{NoComp|Qui habitat|Josquin des Prez|| ''in adjutorio altissimi à 24''}}||[[Media:Josquin Qui habitat Px PML.pdf|Px]]|| ||[[pml:josquin/qui_habitat.sib|Sibelius 3]]||[[pml:josquin/24.html|Scorch 3]]||Individual canons derived from '''CPDL #5915''', edited by Sabine Cassola
|-
|12709||[[Robert Carver|Carver]]||{{NoComp|O bone Jesu|Robert Carver|| ''à 19''}}||[[Media:Carver arr PML O bone Jesu 19vv.pdf|FS]]|| || || ||Arranged from '''CPDL #7869''', edited by Sabine Cassola
|-
|13611||[[Gabriel Fauré|Fauré]]||{{NoComp|Requiem in D minor|Gabriel Fauré|, Op. 48|, Op. 48}}: Vocal score||[[Media:Faure Requiem FS PML.pdf|FS]]|| || || ||Typeset from [[IMSLP:Requiem, Op.48 (Fauré, Gabriel)|Hamelle]] [@IMSLP] (Paris, 1900)
|-
|13637||[[Gabriel Fauré|Fauré]]||{{NoComp|Cantique de Jean Racine|Gabriel Fauré|, Op. 11|, Op. 11}}: Full score, Parts||[[Media:Cantique de JR FS,Px PML.pdf|FS, Px]]|| || || ||Arranged from '''CPDL #130/#2745''', edited by Rafael Ornes/Denis Mason
|-
|13638||[[Henry Purcell|Purcell]]||{{NoComp|Come, ye Sons of Art|Henry Purcell|, Z 323|, Z 323}}: Full score||[[Media:Z323 Come ye Sons FS PML.pdf|FS]]|| || || ||Re-edited from Shaw, Birthday Odes, Purcell Society (1926)
|-
|13665||[[Alexander Borodin|Borodin]]||{{NoComp|Polovetsian Dances|Alexander Borodin}} (from ''Prince Igor'')||[[Media:Borodin Polovetsian Dances PML.pdf|VS]]|| || || ||Re-edited from M.P. Belaieff (Leipzig, 1888)
|-
|15250||[[Antoine Brumel|Brumel]]||{{NoComp|Missa Et ecce terræ motus|Antoine Brumel|| ''à 12''}}: complete||[[Media:Brumel Earthquake PML.pdf|VS]]|| || || ||Typeset from facsimile of Bayerische Staatsbibliothek Mus. MS 1
|-
|15467||[[Henry Purcell|Purcell]]||{{NoComp|Come, ye Sons of Art|Henry Purcell|, Z 323|, Z 323}}: Vocal score||[[Media:Z323 Come ye Sons VS PML.pdf|VS]]|| || || ||Re-edited from Shaw, Birthday Odes, Purcell Society (1926)
|-
|15527||[[Heinrich Biber|Biber]]||{{NoComp|Plaudite tympana|Heinrich Biber||, C App. 104}}: Vocal score||[[Media:Biber Plaudite VS PML.pdf|VS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903)
|-
|15540||[[Heinrich Biber|Biber]]||{{NoComp|Plaudite tympana|Heinrich Biber|| ''à 54'', C App. 104}}: Full score||[[Media:Biber Plaudite FS PML.pdf|FS]]|| ||[[Media:Biber Plaudite PML.sib|Sibelius 5]]|| ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903)
|-
|15541||[[Heinrich Biber|Biber]]||{{NoComp|Plaudite tympana|Heinrich Biber||, C App. 104}}: Parts||[[Media:Biber Plaudite Parts PML.pdf|Px]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903)
|-
|15737||[[Heinrich Biber|Biber]]||{{NoComp|Missa Salisburgensis|Heinrich Biber||, C App. 101}}: ''Kyrie'', Vocal score||[[Media:Biber Salisburgensis VS PML.pdf|VS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903)
|-
|15742||[[Anonymous]]||{{NoComp|Sumer is Icumen In|Anonymous}}||[[Media:Anon Sumer is icumen in DG PML.pdf|VS]]|| || || ||Typeset from autograph facsimile
|-
|15750||[[Heinrich Biber|Biber]]||{{NoComp|Requiem in f|Heinrich Biber||, C 8}}: Vocal score||[[Media:Biber Requiem in f VS PML.pdf|VS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 59 (1923)
|-
|15751||[[Heinrich Biber|Biber]]||{{NoComp|Requiem in f|Heinrich Biber|| ''à 14'', C 8}}: Full score||[[Media:Biber Requiem in f FS PML.pdf|FS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 59 (1923)
|-
|15752||[[Philip Legge|Legge]]||{{NoComp|I hear the land|Philip Legge||, Op. 4}}||[[Media:I hear the land.pdf|VS]]|| || || ||Sung as part of the 2007 ROCS Occasional Choral Competition (but ineligible)
|-
|15754||[[Michael Winikoff|Winikoff]]||{{NoComp|This is Australia|Michael Winikoff}}||[[Media:Winikoff This is Australia.pdf|VS]]|| || || ||Winning entry in the ROCS Occasional Choral Competition
|-
|15804||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Choirs I and II||[[Media:Tallis Spem in alium 1-2 PML.pdf|VS]]|| || || ||Typeset from Tudor Church Music VI (1928)
|-
|15805||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Choirs III and IV||[[Media:Tallis Spem in alium 3-4 PML.pdf|VS]]|| || || ||Typeset from Tudor Church Music VI (1928)
|-
|15806||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Choirs V and VI||[[Media:Tallis Spem in alium 5-6 PML.pdf|VS]]|| || || ||Typeset from Tudor Church Music VI (1928)
|-
|15807||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Choirs VII and VIII||[[Media:Tallis Spem in alium 7-8 PML.pdf|VS]]|| || || ||Typeset from Tudor Church Music VI (1928)
|-
|16368||[[Henry Purcell|Purcell]]||{{NoComp|Come, ye Sons of Art|Henry Purcell|, Z 323|, Z 323}}: Parts||[[Media:Z323 Come ye Sons Px PML.pdf|Px]]|| || || ||Re-edited from Shaw, Birthday Odes, Purcell Society (1926)
|-
|16369||[[Heinrich Biber|Biber]]||{{NoComp|Missa Salisburgensis|Heinrich Biber||, C App. 101}}: ''Kyrie'', Parts||[[Media:Biber Salisburgensis Px PML.pdf|Px]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903)
|-
|16370||[[Heinrich Biber|Biber]]||{{NoComp|Missa Salisburgensis|Heinrich Biber|| ''à 54'', C App. 101}}: ''Kyrie'', Full score||[[Media:Biber Salisburgensis PML.pdf|FS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903)
|-
|16491||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio}}: Choir 1||[[Media:Striggio Ecce beatam lucem Choir 1 PML.pdf|VS]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola
|-
|16492||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio}}: Choir 2||[[Media:Striggio Ecce beatam lucem Choir 2 PML.pdf|VS]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola
|-
|16493||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio}}: Choir 3||[[Media:Striggio Ecce beatam lucem Choir 3 PML.pdf|VS]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola
|-
|16494||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio}}: Choir 4||[[Media:Striggio Ecce beatam lucem Choir 4 PML.pdf|VS]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola
|-
|16495||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio}}: Choir 5||[[Media:Striggio Ecce beatam lucem Choir 5 PML.pdf|VS]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola
|-
|16496||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio}}: Continuo||[[Media:Striggio Ecce beatam lucem Continuo PML.pdf|Px]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola
|-
|16497||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio|| ''à 40''}}: Full score||[[Media:Striggio Ecce beatam lucem FS PML.pdf|FS]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola
|-
|19156||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [B1] Agnus Dei – [B2] Dona nobis pacem||[[Media:Mozart 427-B1 Agnus Dei VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/agnus.sib|Sibelius 3]]<br>[[pml:mozart/great_mass/dona.sib|Sibelius 3]]||[[pml:mozart/great_mass/agnus.html|Scorch 3]]<br>[[pml:mozart/great_mass/dona.html|Scorch 3]]||Editorial additions to Ph. Spitta, W.A.M. 337, B&H (1878)
|-
|19592||[[Philip Legge|Legge]]||{{NoComp|Ite, missa est|Philip Legge||, Op. 6}}||[[Media:Ite missa est, Op6-FS,VS,Px-PML.pdf|FS+VS+Px]]|| || || ||
|-
|19690||[[Heinrich Biber|Biber]]||{{NoComp|Requiem in f|Heinrich Biber||, C 8}}: Parts||[[Media:Biber Requiem in f Px PML.pdf|Px]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 59 (1923)
|-
|19694||[[Alexandra Uitdenbogerd|Uitdenbogerd]]||{{NoComp|Space Tale|Alexandra Uitdenbogerd}}: Vocal score||[[Media:Uitdenbogerd Space Tale VS.pdf|VS]]|| || || ||
|-
|19695||[[Alexandra Uitdenbogerd|Uitdenbogerd]]||{{NoComp|Space Tale|Alexandra Uitdenbogerd}}: Full score and parts||[[Media:Uitdenbogerd Space Tale FS,Px.pdf|FS+Px]]|| || || ||
|-
|19696||[[Alexandra Uitdenbogerd|Uitdenbogerd]]||{{NoComp|Who's in the Next Room|Alexandra Uitdenbogerd}}: Vocal score||[[Media:Uitdenbogerd Who's in the Next Room.pdf|VS]]|| || || ||Sung as part of the 2007 ROCS Occasional Choral Competition (but ineligible)
|-
|19697||[[Alexandra Uitdenbogerd|Uitdenbogerd]]||{{NoComp|I Wandered Lonely as a Cloud|Alexandra Uitdenbogerd}}: Full score and parts||[[Media:Uitdenbogerd I Wandered Lonely.pdf|VS]]|| || || ||Sung as part of the 2007 ROCS Occasional Choral Competition (but ineligible)
|-
|19805||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Choirs I and II, large format||[[Media:Tallis Spem in alium 1+2 PML.pdf|VS]]|| || || ||Typeset from Tudor Church Music VI (1928)
|-
|19806||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Choirs III and IV, large format||[[Media:Tallis Spem in alium 3+4 PML.pdf|VS]]|| || || ||Typeset from Tudor Church Music VI (1928)
|-
|19807||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Choirs V and VI, large format||[[Media:Tallis Spem in alium 5+6 PML.pdf|VS]]|| || || ||Typeset from Tudor Church Music VI (1928)
|-
|19808||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Choirs VII and VIII, large format||[[Media:Tallis Spem in alium 7+8 PML.pdf|VS]]|| || || ||Typeset from Tudor Church Music VI (1928)
|-
|19871||[[Sergei Rachmaninoff|Rachmaninov]]||[[Bogoroditse Devo (Sergei Rachmaninoff)|''Bogorodĩtsẽ Dẽvo'']]||[[Media:Rachmaninov Bogorodyitse Dyevo PML.pdf|VS]]|| || || ||Typeset from Muzyka edition
|-
|20094||[[Claudio Monteverdi|Monteverdi]]||{{NoComp|Iste confessor|Claudio Monteverdi|, SV 279|, SV 279}}||[[Media:Monteverdi SV 279 Iste confessor II PML.pdf|FS+Px]]|| || || ||Typeset from Magni, {{NoComp|Selva morale e spirituale|Claudio Monteverdi}} (Venice, 1641)
|}
 
===Works in progress===


* after G. Allegri: [[Miserere mei (Gregorio Allegri)|''Miserere mei, Deus'']] (v, "top C version")
* Gesualdo: Tenebræ responses for Holy Saturday (another edition is available)
* Anonymous: [[Sumer is Icumen In (Anonymous)|''Sumer is icumen in'']] (v)
* Monteverdi: ''Missa In illo tempore'', ''Vespro della beata Vergine'' (1610) full and vocal scores, and parts: hopefully in time for 2010!
* J.S. Bach: Cantata BWV 50, [[Cantata BWV 50 - Nun ist das Heil und die Kraft (Johann Sebastian Bach)|''Nun ist das Heil und die Kraft'']] (v, f+p)
* H. Berlioz: ''La mort d'Ophélie'' (v, f+p); ''Vox populi'' (v)
* H. Berlioz: some other minor works (usually f only)
* H. Biber: [[Missa Salisburgensis (Heinrich Biber)|''Missa Salisburgensis'' 16vv: ''Kyrie'']] and [[Plaudite tympana (Heinrich Biber)|''Plaudite tympana'']] (v, f, p); [[Requiem in f (Heinrich Biber)|''Requiem ex F con terza minore'' 5vv: ''Introïtus et Kyrie, Sequentia'']] (v, f, [p])
* A. Borodin: [[Polovetsian Dances (Alexander Borodin)|''Polovetsian Dances'']] from ''Prince Igor'' (v)
* J. Brahms: [[Ein deutsches Requiem, Op. 45 (Johannes Brahms)|''Ein deutsches Requiem'']], Op. 45 (v)
* A. Brumel: [[Missa Et ecce terræ motus (Antoine Brumel)|''Missa Et ecce terræ motus'' 12vv]] (v); with completion of Brumel’s incomplete ''Agnus Dei''.
* R. Carver arr. Legge: [[O bone Jesu (Robert Carver)|''O bone Jesu'' 19vv]] (v)
* M.-A. Charpentier: H 1 [[Messe, H 1 (Marc-Antoine Charpentier)|Mass for double choir, ''Kyrie'' &amp; ''Gloria'']] (f)
* G. Dufay: [[Nuper rosarum flores (Guillaume Dufay)|''Nuper rosarum flores'']] (v)
* J. Eccles: [[My man John (John Eccles)|''My man John'']] (v)
* G. Fauré: [[Requiem in D minor, Op. 48 (Gabriel Fauré)|''Requiem'' in D minor, Op. 48 (1888/1893 version)]] (v, f), [[Cantique de Jean Racine, Op. 11 (Gabriel Fauré)|''Cantique de Jean Racine'', Op. 11]] (f+p)
* [C. Gesualdo: Tenebræ responses for Holy Saturday]
* G.F. Handel: [[Dixit Dominus, HWV 232 (George Frideric Handel)|''Dixit Dominus'']] (f, p); [[Laudate pueri Dominum in D (George Frideric Handel)|''Laudate pueri Dominum'']] (f, p); [[Nisi Dominus, HWV 238 (George Frideric Handel)|''Nisi Dominus'']] (f); [[Zadok the Priest (George Frideric Handel)|''Zadok the Priest'']] (f, p)
* C.E. Horsley: [[All hail to thee, Sound! (Charles Edward Horsley)|''Hail to thee, Sound!'']] (v only, but f+p available on hire)
* Josquin Desprez: [[Praeter rerum seriem (Josquin des Prez)|''Præter rerum seriem'']] (v), [[Qui habitat (Josquin des Prez)|''Qui habitat in adjutorio altissimi'' 24vv]] (p)
* Orlande de Lassus: [[Missa Quand'io pens'al martire (Orlando di Lasso)|''Missa Quand'io pens'al martire'']] (v)
* P.M. Legge: [[Ave atque vale (Philip Legge)|''Ave atque vale'']] (v), [[I hear the land (Philip Legge)|''I hear the land'']] (v), [[Kubla Khan (Philip Legge)|''Kubla Khan'']] (v only, but f+p available on hire)
* G. Mahler: Symphony Nº 2 in C minor ''"Resurrection"'', [[Symphony No. 2 in C Minor ('Resurrection') - choral score (Gustav Mahler)|choral score of 5th movement]] (v)
* C. Monteverdi: [[L'Orfeo, Favola in Musica (Claudio Monteverdi)|''Orfeo'' &ndash; Toccata, Prologue, &amp; Act One]] (f)
* [C. Monteverdi: ''Missa In illo tempore'' (1610) (v)]
* C. Monteverdi: [[Domine ad adiuvandum (Claudio Monteverdi)|''Domine ad adiuvandum'']] (1610) (v, f, p)
* W.A. Mozart: K 427 (417a) [[Great Mass in C minor, KV 427 (Wolfgang Amadeus Mozart)|Great Mass in C]] (completed by additions from K 262 &amp; K 337), ''Kyrie'', ''Gloria'', [''Credo''], ''Sanctus'', ''Benedictus'', [''Agnus Dei''] (v)
* W.A. Mozart: K 618 [[Ave verum corpus, KV 618 (Wolfgang Amadeus Mozart)|''Ave verum corpus'']] (v), K 626 [[Requiem, KV 626 (Wolfgang Amadeus Mozart)|''Requiem'' in D minor (urtext)]] (f)
* J. de Okeghem: [[Deo Gratias (36 part canon) (Johannes Ockeghem)|''Deo gratia'' 36vv]] (v/p, f)
* G.P. da Palestrina: [[Missa Iste Confessor (Giovanni Pierluigi da Palestrina)|''Missa Iste confessor'']], [[Missa O Rex gloriae (Giovanni Pierluigi da Palestrina)|''Missa O Rex gloriæ'']] (v); editions do not contain ''Credo''.
* H. Purcell: [[Come, ye Sons of Art, Z 323 (Henry Purcell)|''Come ye Sons of Art'']] (v, f, p); complete.
* H.S. Schütz: {{NoComp|Alleluja! Lobet den Herren (Psalm 150), SWV 38|Heinrich Schütz}}, 16vv (v, f, p), [[Das ist je gewißlich wahr (Heinrich Schütz)|''Das ist je gewißlich wahr'']] (v)
* A. Striggio Sr: [[Ecce beatam lucem (Alessandro Striggio)|''Ecce beatam lucem'' 40vv]] (v, f, p)
* T. Tallis: [[Spem in alium nunquam habui (Thomas Tallis)|''Spem in alium nunquam habui/Sing and glorify'' 40vv]] (v, f, p)


The [[philiplegge:editions/|PML Music Editions]] page has a fuller list of music, including orchestral music and some works with copyright restrictions (making them unsuitable for inclusion in the CPDL).
The [[pml:editions/|PML Music Editions]] page has a fuller list of music, including orchestral music and some works with copyright restrictions (making them unsuitable for inclusion in the CPDL).


==Publications==
==Publications==
[[TUMS Busking Book|The TUMS Busking Book]], a compendium of 26 madrigals, motets, songs, rounds, and canons, as sung by the Tasmania University Musical Society.
[[TUMS Busking Book|The TUMS Busking Book]], a compendium of 26 madrigals, motets, songs, rounds, and canons, as sung by the Tasmania University Musical Society. Edition 2 of the book is currently in planning, and will include several additional pieces (e.g. Bruckner ''Locus iste'', Rachmaninov ''Bogorodĩtsẽ Dẽvo'').


Index by composer:
Index by composer:
* Anonymous: [[Alle psallite cum luya (Anonymous)|''Alle psallite'']], [[Dona nobis pacem (Anonymous)|''Dona nobis pacem'']], [[Drink to me only (Traditional)|''Drink to me only'']], [[Gaudeamus igitur (Anonymous)|''Gaudeamus igitur'']], [[Non nobis Domine (William Byrd)|''Non nobis Domine'']], [[Pase el agoa (Anonymous)|''Pase el agoa'']]
* Anonymous: [[Alle psallite cum luya (Anonymous)|''Alle psallite'']], {{NoComp|Dona nobis pacem|Anonymous}}, {{NoComp|Drink to me only|Traditional}}, {{NoComp|Gaudeamus igitur|Anonymous}}, {{NoComp|Non nobis Domine|William Byrd}}, {{NoComp|Pase el agoa|Anonymous}}
* Bateson: [[Your Shining Eyes (Thomas Bateson)|''Your shining eyes'']]
* Bateson: [[Your shining eyes (Thomas Bateson)|''Your shining eyes'']]
* Bennet: [[Weep, O Mine Eyes (John Bennet)|''Weep O mine eyes'']]
* Bennet: [[Weep, O mine eyes (John Bennet)|''Weep O mine eyes'']]
* Dowland: [[Come again sweet love doth now invite (John Dowland)|''Come again!'']], [[Fine knacks for ladies (John Dowland)|''Fine knacks'']]
* Dowland: [[Come again sweet love doth now invite (John Dowland)|''Come again!'']], [[Fine knacks for ladies (John Dowland)|''Fine knacks'']]
* Ellyard: [[Round on a well-known text (David Ellyard)|''Round on a well-known text'']]
* Ellyard: {{NoComp|Round on a well-known text|David Ellyard}}
* Farmer: [[Fair Phyllis I saw (John Farmer)|''Faire Phyllis'']]
* Farmer: [[Fair Phyllis I saw (John Farmer)|''Faire Phyllis'']]
* Ford: [[Since first I saw your face (Thomas Ford)|''Since first'']]
* Ford: [[Since first I saw your face (Thomas Ford)|''Since first'']]
* Henry VIII: [[Greensleeves (Anonymous)|''Greensleeves'']], [[Pastime with good company (Henry VIII)|''Pastyme'']]
* Henry VIII: {{NoComp|Greensleeves|Anonymous}}, [[Pastime with good company (Henry VIII)|''Pastyme'']]
* Josquin Desprez: [[El Grillo (Josquin des Prez)|''El Grillo'']]
* Josquin Desprez: {{NoComp|El Grillo|Josquin des Prez}}
* Legge: [[Non nobis, Domine (Philip Legge)|''Non nobis, Domine'']]
* Legge: {{NoComp|Non nobis, Domine|Philip Legge}}
* Morley: [[Now is the Month of Maying (Thomas Morley)|''Now is the month of maying'']]
* Morley: [[Now is the month of maying (Thomas Morley)|''Now is the month of maying'']]
* Passereau: [[Il est bel et bon (Pierre Passereau)|''Il est bel et bon'']]
* Passereau: {{NoComp|Il est bel et bon|Pierre Passereau}}
* Purcell: [[Come, ye Sons of Art (Henry Purcell)|''Come ye Sons of Art'']], [[If Music be the Food of Love (Henry Purcell)|''If music be the food of love'']]
* Purcell: [[Come, ye Sons of Art (Henry Purcell)|''Come ye Sons of Art'']], {{NoComp|If music be the food of love|Henry Purcell}}
* Tye: [[Laudate nomen Domini (Christopher Tye)|''Laudate'']]
* Tye: [[Laudate nomen Domini (Christopher Tye)|''Laudate'']]
* Vecchi: [[Fa una canzona (Orazio Vecchi)|''Fa una canzona'']]
* Vecchi: {{NoComp|Fa una canzona|Orazio Vecchi}}
* Vulpius: [[Es ist ein Ros' entsprungen (Melchior Vulpius)|''Lo, how a rose'']]
* Vulpius: [[Es ist ein Ros' entsprungen (Melchior Vulpius)|''Lo, how a rose'']]
* Weelkes: [[All at once well met (Thomas Weelkes)|''All at once well met'']]
* Weelkes: {{NoComp|All at once well met|Thomas Weelkes}}
* Wheeler: [[Old Mother Hubbard (Alfred Wheeler)|''Old Mother Hubbard'']]
* Wheeler: {{NoComp|Old Mother Hubbard|Alfred Wheeler}}


[[Category:CPDL Editors|Legge, Philip|]]
[[Category:CPDL Editors|Legge, Philip|]]

Latest revision as of 12:43, 3 October 2017

Philip Legge, February 2005

May 2009 update

I might be doing a little bit of Wiki cleanup tasks again here at CPDL, but probably not at a very high rate of turnover. One thing I am determined to get done over the next month or so is the update of various scores in my extensive back catalogue of unfinished scores here:

  • links to Berlioz full scores I've finally gotten done;
  • tidy-up of the Mozart Great Mass in C (the vocal score is still rather shambolic);
  • migration of wso.williams.edu scores to the choralwiki;
  • some cross-fertilisation of useful templates from IMSLP, and vice versa.

I will of course attempt to answer the usual crop of e-mails that I receive as promptly as I can (address below).

Best regards, Philip Legge@ Φ 13:00, 9 May 2009 (AEST)

General information

Country of origin: Australia

Contributor since: 22 September 2000

Number of scores on CPDL: 53 distinct works, but somewhere in the vicinity of 146 scores or so...

Works with editions by this editor: 88 (see list)

Contact information

E-mail: Philip·M·Legge AT gmail·com

Website: PML Music Editions: music prepared by Philip Legge

Education

Bachelor of Science (Physics, Mathematics), University of Tasmania

Background

Philip Legge is an amateur musician based in Melbourne. Although always interested in music from an early age, he took up singing as an adult with the Tasmania University Musical Society thanks to the lure of performing in Beethoven's Choral Symphony. He sings mainly as a tenor or counter-tenor, and has performed a wide variety of repertoire with a number of choirs around Australia. He has from time to time conducted choirs, composed some choral music, and on several occasions unwillingly played as a repetiteur, despite not being a pianist!

Philip's interests range across seven centuries of Western art music, from the notational complexities of Guillaume Dufay, to modern composers such as György Ligeti, and as a musicologist he is particularly interested in notations pre-dating the modern era. He is especially knowledgeable in the music of Hector Berlioz and the English symphonist Havergal Brian, and has edited the latter's Symphony No. 7 in C (1948) for publication by United Music Publishing Ltd. Philip intends to eventually have public domain editions of Berlioz's Te Deum and Requiem available for download as full scores, vocal scores, and instrumental parts.

Other ongoing projects include performing editions of Mozart's Great Mass in C supplemented by suitable movements from two other Mozart masses; and Monteverdi's Mass and Vespers of 1610.

Scores

Key: FS = full score; VS = vocal score; Px = instrumental parts

CPDL# Composer Work Icon_pdf.gif Icon_snd.gif Source Scorch Notes
1391 Handel Dixit Dominus, HWV 232 FS MIDI Sibelius 3 Scorch 1 Typeset from Chrysander, HG Band 38 (1872)
1392 Handel Laudate pueri Dominum, HWV 237 FS MIDI Sibelius 3 Scorch 1 Typeset from Chrysander, HG Band 38 (1872)
1393 Handel Nisi Dominus, HWV 238 FS MIDI Sibelius 1 Scorch 1 Typeset from Chrysander, HG Band 38 (1872)
1404 Berlioz Grande messe des morts, H 75: I. Introït et Kyrie FS [IMSLP] Sibelius 1 Scorch 1 Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902)
1430 Berlioz Grande messe des morts, H 75: III. Quid sum miser FS [IMSLP] Sibelius 1 Scorch 1 Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902)
1431 Berlioz Grande messe des morts, H 75: V. Quærens me FS [IMSLP] Sibelius 1 Scorch 1 Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902)
1432 Berlioz Grande messe des morts, H 75: VIII. Hostias FS [IMSLP] Sibelius 1 Scorch 1 Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902)
1433 Berlioz Grande messe des morts, H 75: X. Agnus Dei FS [IMSLP] Sibelius 1 Scorch 1 Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902)
1436 Berlioz Te Deum: II. Tibi omnes FS [IMSLP] Sibelius 1 Scorch 1 Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901)
1437 Berlioz Te Deum: VI. Judex crederis FS [IMSLP] Sibelius 1 Scorch 1 Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901)
1470 Josquin Praeter rerum seriem VS MIDI Sibelius 3 Scorch 1 Typeset from Kalmus reprint No. 702, editorial copyright expired 1998 at latest
1473 Berlioz La menace des Francs, H 117 VS
FS [IMSLP]
Sibelius 1 Scorch 1 Typeset from Malherbe & Weingartener, H.B. 41 (Leipzig, 1903)
1474 Berlioz Hymne à la France, H 97 VS
FS [IMSLP]
Sibelius 1 Scorch 1 Typeset from Malherbe & Weingartener, H.B. 40 (Leipzig, 1903)
1475 Berlioz Vox populi, H 120 VS Typeset from Malherbe & Weingartener, H.B. 40 & 41 (Leipzig, 1903)
1999 Berlioz Te Deum: I. Te Deum laudamus FS [IMSLP] Sibelius 1 Scorch 1 Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901)
2000 Berlioz Te Deum: IV. Christe, rex gloriæ FS [IMSLP] Sibelius 1 Scorch 1 Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901)
2686 Berlioz Te Deum: V. Te ergo quæsumus FS [IMSLP] Sibelius 1 Scorch 1 Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901)
3142
3271
Berlioz Te Deum: III. Dignare FS [IMSLP] Sibelius 1 Scorch 1 Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901)
3272 Berlioz Te Deum, H 118: complete FS I–V
FS VI–VII
[IMSLP]
Work page Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901)
3273 Berlioz La mort d'Ophélie, Op. 18, No. 2 FS+Px+VS Sibelius 1 Scorch 1 Typeset from Malherbe & Weingartener, H.B. 38 (Leipzig, 1903)
3274 Berlioz La mort d'Ophélie, Op. 18, No. 2 VS Sibelius 1 Scorch 1 Typeset from Malherbe & Weingartener, H.B. 38 (Leipzig, 1903)
3349 Mozart Great Mass in C minor: [1] Kyrie VS Sibelius 1 Scorch 1 Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882)
3432 Mozart Great Mass in C minor: [2] Gloria in excelsis Deo VS Sibelius 1 Scorch 1 Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882)
3564 Berlioz Le Dépit de la bergère, H 7 VS Sibelius 1 Scorch 1 Typeset from Malherbe & Weingartener, H.B. 79 (Leipzig, 1904)
3565 Berlioz Ecot des joyeux compagnons: Histoire d'un rat (from 'Faust') FS Sibelius 1 Scorch 1 Typeset from Malherbe & Weingartener, H.B. 29 (Leipzig, 1903)
3566 Berlioz Chanson de Méphistophélès: Histoire d'une puce (No. 5 from 'Faust') FS Sibelius 1 Scorch 1 Typeset from Malherbe & Weingartener, H.B. 29 (Leipzig, 1903)
3567 Berlioz Sérénade de Méphistophélès (No. 8 from 'Faust') VS Sibelius 1 Scorch 1 Typeset from Malherbe & Weingartener, H.B. 29 (Leipzig, 1903)
3568 Berlioz La Captive, orientale: Version A VS Sibelius 1 Scorch 1 Typeset from Malherbe & Weingartener, H.B. 91 (Leipzig, 1904)
3569 Berlioz La Captive, orientale: Version C VS Sibelius 1 Scorch 1 Typeset from Malherbe & Weingartener, H.B. 92 (Leipzig, 1904)
3570 Berlioz Chant des Chemins de fer FS [IMSLP] Sibelius 1 Scorch 1 Typeset from Malherbe & Weingartener, H.B. 37 (Leipzig, 1903)
3571 Berlioz Nessun maggior piacere VS Sibelius 1 Scorch 1 Typeset from albumleaf facsimile
3572 Bach Cantata BWV 50 - Nun ist das Heil und die Kraft VS Sibelius 1 Scorch 1 Typeset from BGA
3573
3573bis
Brumel Missa Et ecce terræ motus: Agnus Dei à 12, completion VS [WIMA]
VS
Sibelius 1 Scorch 1 Typeset from facsimile of Bayerische Staatsbibliothek Mus. MS 1
3835 Handel Dixit Dominus, HWV 232 Px MIDI Violins 1 & 2
Violas 1 & 2
Cello
Bass
Continuo
Typeset from Chrysander, HG Band 38 (1872)
3836 Bach Cantata BWV 50 - Nun ist das Heil und die Kraft FS+Px+VS Sibelius 1 Scorch 1 Typeset from BGA
4948 Mozart Great Mass in C minor: [3] Laudamus te VS Sibelius 1 Scorch 1 Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882)
4949 Mozart Great Mass in C minor: [4] Gratias VS Sibelius 1 Scorch 1 Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882)
4950 Mozart Great Mass in C minor: [5] Domine Deus VS Sibelius 1 Scorch 1 Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882)
4951 Mozart Great Mass in C minor: [6] Qui tollis VS Sibelius 1 Scorch 1 Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882)
4952 Mozart Great Mass in C minor: [7] Quoniam VS Sibelius 1 Scorch 1 Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882)
4953 Mozart Great Mass in C minor: [8] Jesu Christe – Cum sancto spiritu VS Sibelius 1 Scorch 1 Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882)
4954 Mozart Great Mass in C minor: [11] Sanctus – Osanna VS Sibelius 1 Scorch 1 Editorial completion from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882)
6158 Mozart Great Mass in C minor, KV 427: complete work VS
FS [IMSLP]
Sibelius 3 Work page Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882)
6495 Mahler Symphony No. 2 in C Minor ('Resurrection') - choral score VS Typeset from Universal Edition, plate U.E. 2933 (Vienna, 1910)
6607 Purcell If music be the food of love, Z 379 VS Sibelius 3 Retypeset; source unknown.
6608 Anonymous Pase el agoa VS Sibelius 3 Retypeset; urtext
6951 Horsley Hail to thee, Sound! VS Scorch 1 Edited from composer’s autograph FS and VS; Px and FS available on hire from RMP
8489 Handel Laudate pueri Dominum, HWV 237 Px MIDI Oboes 1 & 2
Violins 1 & 2
Violas 1 & 2
Continuo
Typeset from Chrysander, HG Band 38 (1872)
8553 Tallis Spem in alium nunquam habui: Soprano partbook Px Typeset from Tudor Church Music VI (1928)
8554 Tallis Spem in alium nunquam habui: Alto partbook Px Typeset from Tudor Church Music VI (1928)
8555 Tallis Spem in alium nunquam habui: Tenor partbook Px Typeset from Tudor Church Music VI (1928)
8556 Tallis Spem in alium nunquam habui: Baritone partbook Px Typeset from Tudor Church Music VI (1928)
8557 Tallis Spem in alium nunquam habui: Bass partbook Px Typeset from Tudor Church Music VI (1928)
8558 Tallis Spem in alium nunquam habui à 40: Full score FS Scorch 1 Typeset from Tudor Church Music VI (1928)
10522 Handel Zadok the Priest, HWV 258 FS MIDI Sibelius 3
Sibelius 4
Typeset from Chrysander, HG Band 14 (1863)
10530 Allegri Miserere mei VS Sibelius 3 Re-typeset after Guest
10587 Dufay Nuper rosarum flores VS MIDI Sibelius 3 Scorch 3 Typeset from facsimile
10604 Eccles My man John VS Typeset from facsimile
10605 Schütz Das ist je gewißlich wahr VS Retypeset from complete works
10611 Lassus Missa Quand'io pens'al martire VS Sibelius 3 Typeset from Kalmus reprint
10612 Palestrina Missa Iste Confessor à 4 VS Sibelius 3 Typeset from Haberl (edition does not contain Credo)
10613 Palestrina Missa O Rex gloriae à 4 VS Sibelius 1 Typeset from Haberl (edition does not contain Credo)
10614 Ockeghem Deo Gratias: Parts Px Realisation of CPDL #4065
10615 Ockeghem Deo gratias à 36: Full score FS Scorch Realisation of CPDL #4065
10646 Charpentier Messe, H 1: Kyrie, Gloria FS Typeset from facsimile
10735 Dowland Come again! VS Sibelius 3 Re-edited from various sources, included in CPDL #10760
10736 Henry VIII Pastime with good company VS Sibelius 3 Re-edited from various sources, included in CPDL #10760
10737 Tye Laudate nomen Domini VS Sibelius 3 Re-edited from various sources, included in CPDL #10760
10738 Purcell Come, ye Sons of Art, Z 323 VS Sibelius 3 Re-edited from Shaw, Birthday Odes, Purcell Society (1926), included in CPDL #10760
10739
10740
10741
Anonymous after Wilder
Legge
Dowland
Non nobis Domine
Non nobis, Domine
Fine knacks for Ladies, cheap, choise, braue and new
VS Sibelius 3 Re-edited from various sources, included in CPDL #10760
10742 Anonymous Dona nobis pacem VS Sibelius 3 Re-edited from various sources, included in CPDL #10760
10743 Bennet Weep, O mine eyes VS Sibelius 3 Re-edited from various sources, included in CPDL #10760
10744
10746
Anonymous Alle psallite cum luya
Drink to me only
VS Sibelius 3 Re-edited from various sources, included in CPDL #10760
10745 Anonymous Gaudeamus igitur VS Sibelius 3 Re-edited from various sources, included in CPDL #10760
10747 Morley Now is the month of maying VS Sibelius 3 Re-edited from various sources, included in CPDL #10760
10748
10755
Anonymous/Henry VIII
Ellyard
Greensleeves
Round on a well-known text
VS Sibelius 3 Typeset from facsimile, included in CPDL #10760
10749 Josquin El Grillo VS Sibelius 3 Typeset from facsimile, included in CPDL #10760
10750 Legge Kubla Khan, Op. 1 VS
FS [IMSLP]
MIDI Scorch
10760 Various TUMS Busking Book VS Sibelius 3 Re-edited from various sources
10787 Handel Zadok the Priest, HWV 258 Px MIDI Oboe 1 & 2
Bassoons 1 & 2
Trumpets 12 & 3
Timpani
Violins 1, 2 & 3
Viola, Cello, Bass
[Continuo]
Typeset from Chrysander, HG Band 14 (1863)
11088 Mozart Requiem, KV 626 FS Re-typeset from autograph facsimile
11117 Fauré Requiem in D minor, Op. 48: Full score FS Typeset from Hamelle [@IMSLP] (Paris, 1900)
11222 Monteverdi Domine ad adiuvandum, SV 318 FS+Px MIDI Typeset from Amadino, Sanctissimae Virgini (Venice, 1610)
11232 Schütz Alleluja! Lobet den Herren à 16, SWV 38: Full score FS MIDI Sibelius 3 Scorch Typeset from complete works
11233 Schütz Alleluja! Lobet den Herren: Vocal score VS Typeset from complete works
11234 Schütz Alleluja! Lobet den Herren: Extra choirs VS Typeset from complete works
11235 Schütz Alleluja! Lobet den Herren: Parts Px Typeset from complete works
11409 Mozart Great Mass in C minor: [9] Credo in unum Deum VS Sibelius 1 Scorch 1 Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882)
11410 Mozart Great Mass in C minor: [10] Et incarnatus est VS Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882)
11411 Mozart Great Mass in C minor: [12] Benedictus – Osanna VS Sibelius 1 Scorch 1 Typeset from Ph. Spitta, W.A.M. 427, B&H (1882)
11412 Mozart Great Mass in C minor: [A1] Crucifixus – [A2] Et in Spiritum VS Sibelius 1 Scorch 1 Editorial completion from Ph. Spitta, W.A.M. 262, B&H (1878)
11421 Monteverdi L'Orfeo, Favola in Musica, SV 318 FS+Px Typeset from Amadino, L’Orfeo [@IMSLP] (Venice, 1615)
11578 Legge Ave atque vale VS Sung as part of the 2007 ROCS Occasional Choral Competition (but ineligible)
11784 Mozart Ave verum corpus, KV 618 VS MIDI Sibelius 3 Re-typeset after NMA
11825 Brahms Ein deutsches Requiem: 1. Selig sind, die da Leid tragen VS MIDI Sibelius 3 Re-typeset after complete works ed. E. Mandyczewski
11826 Brahms Ein deutsches Requiem: 2. Denn alles Fleisch, wie est Gras VS MIDI Sibelius 3 Re-typeset after complete works ed. E. Mandyczewski
11827 Brahms Ein deutsches Requiem: 3. Herr, lehre doch mich VS MIDI Sibelius 3 Re-typeset after complete works ed. E. Mandyczewski
11828 Brahms Ein deutsches Requiem: 4. Wie lieblich sind deine Wohnungen VS MIDI Sibelius 3 Re-typeset after complete works ed. E. Mandyczewski
11829 Brahms Ein deutsches Requiem: 5. Ihr habt nun Traurigkeit VS MIDI Sibelius 3 Re-typeset after complete works ed. E. Mandyczewski
11830 Brahms Ein deutsches Requiem: 6. Denn wir haben hie keine bleibende Statt VS MIDI Sibelius 3 Re-typeset after complete works ed. E. Mandyczewski
11831 Brahms Ein deutsches Requiem: 7. Selig sind die Toten VS MIDI Sibelius 3 Re-typeset after complete works ed. E. Mandyczewski
11832 Brahms Ein deutsches Requiem, Op. 45: complete VS Re-typeset after complete works ed. E. Mandyczewski
11932 Josquin Qui habitat in adjutorio altissimi à 24 Px Sibelius 3 Scorch 3 Individual canons derived from CPDL #5915, edited by Sabine Cassola
12709 Carver O bone Jesu à 19 FS Arranged from CPDL #7869, edited by Sabine Cassola
13611 Fauré Requiem in D minor, Op. 48: Vocal score FS Typeset from Hamelle [@IMSLP] (Paris, 1900)
13637 Fauré Cantique de Jean Racine, Op. 11: Full score, Parts FS, Px Arranged from CPDL #130/#2745, edited by Rafael Ornes/Denis Mason
13638 Purcell Come, ye Sons of Art, Z 323: Full score FS Re-edited from Shaw, Birthday Odes, Purcell Society (1926)
13665 Borodin Polovetsian Dances (from Prince Igor) VS Re-edited from M.P. Belaieff (Leipzig, 1888)
15250 Brumel Missa Et ecce terræ motus à 12: complete VS Typeset from facsimile of Bayerische Staatsbibliothek Mus. MS 1
15467 Purcell Come, ye Sons of Art, Z 323: Vocal score VS Re-edited from Shaw, Birthday Odes, Purcell Society (1926)
15527 Biber Plaudite tympana, C App. 104: Vocal score VS Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903)
15540 Biber Plaudite tympana à 54, C App. 104: Full score FS Sibelius 5 Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903)
15541 Biber Plaudite tympana, C App. 104: Parts Px Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903)
15737 Biber Missa Salisburgensis, C App. 101: Kyrie, Vocal score VS Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903)
15742 Anonymous Sumer is Icumen In VS Typeset from autograph facsimile
15750 Biber Requiem in f, C 8: Vocal score VS Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 59 (1923)
15751 Biber Requiem in f à 14, C 8: Full score FS Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 59 (1923)
15752 Legge I hear the land, Op. 4 VS Sung as part of the 2007 ROCS Occasional Choral Competition (but ineligible)
15754 Winikoff This is Australia VS Winning entry in the ROCS Occasional Choral Competition
15804 Tallis Spem in alium nunquam habui: Choirs I and II VS Typeset from Tudor Church Music VI (1928)
15805 Tallis Spem in alium nunquam habui: Choirs III and IV VS Typeset from Tudor Church Music VI (1928)
15806 Tallis Spem in alium nunquam habui: Choirs V and VI VS Typeset from Tudor Church Music VI (1928)
15807 Tallis Spem in alium nunquam habui: Choirs VII and VIII VS Typeset from Tudor Church Music VI (1928)
16368 Purcell Come, ye Sons of Art, Z 323: Parts Px Re-edited from Shaw, Birthday Odes, Purcell Society (1926)
16369 Biber Missa Salisburgensis, C App. 101: Kyrie, Parts Px Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903)
16370 Biber Missa Salisburgensis à 54, C App. 101: Kyrie, Full score FS Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903)
16491 Striggio Ecce beatam lucem: Choir 1 VS Re-typeset from CPDL #10763, edited by Sabine Cassola
16492 Striggio Ecce beatam lucem: Choir 2 VS Re-typeset from CPDL #10763, edited by Sabine Cassola
16493 Striggio Ecce beatam lucem: Choir 3 VS Re-typeset from CPDL #10763, edited by Sabine Cassola
16494 Striggio Ecce beatam lucem: Choir 4 VS Re-typeset from CPDL #10763, edited by Sabine Cassola
16495 Striggio Ecce beatam lucem: Choir 5 VS Re-typeset from CPDL #10763, edited by Sabine Cassola
16496 Striggio Ecce beatam lucem: Continuo Px Re-typeset from CPDL #10763, edited by Sabine Cassola
16497 Striggio Ecce beatam lucem à 40: Full score FS Re-typeset from CPDL #10763, edited by Sabine Cassola
19156 Mozart Great Mass in C minor: [B1] Agnus Dei – [B2] Dona nobis pacem VS Sibelius 3
Sibelius 3
Scorch 3
Scorch 3
Editorial additions to Ph. Spitta, W.A.M. 337, B&H (1878)
19592 Legge Ite, missa est, Op. 6 FS+VS+Px
19690 Biber Requiem in f, C 8: Parts Px Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 59 (1923)
19694 Uitdenbogerd Space Tale: Vocal score VS
19695 Uitdenbogerd Space Tale: Full score and parts FS+Px
19696 Uitdenbogerd Who's in the Next Room: Vocal score VS Sung as part of the 2007 ROCS Occasional Choral Competition (but ineligible)
19697 Uitdenbogerd I Wandered Lonely as a Cloud: Full score and parts VS Sung as part of the 2007 ROCS Occasional Choral Competition (but ineligible)
19805 Tallis Spem in alium nunquam habui: Choirs I and II, large format VS Typeset from Tudor Church Music VI (1928)
19806 Tallis Spem in alium nunquam habui: Choirs III and IV, large format VS Typeset from Tudor Church Music VI (1928)
19807 Tallis Spem in alium nunquam habui: Choirs V and VI, large format VS Typeset from Tudor Church Music VI (1928)
19808 Tallis Spem in alium nunquam habui: Choirs VII and VIII, large format VS Typeset from Tudor Church Music VI (1928)
19871 Rachmaninov Bogorodĩtsẽ Dẽvo VS Typeset from Muzyka edition
20094 Monteverdi Iste confessor, SV 279 FS+Px Typeset from Magni, Selva morale e spirituale (Venice, 1641)

Works in progress

  • Gesualdo: Tenebræ responses for Holy Saturday (another edition is available)
  • Monteverdi: Missa In illo tempore, Vespro della beata Vergine (1610) full and vocal scores, and parts: hopefully in time for 2010!

The PML Music Editions page has a fuller list of music, including orchestral music and some works with copyright restrictions (making them unsuitable for inclusion in the CPDL).

Publications

The TUMS Busking Book, a compendium of 26 madrigals, motets, songs, rounds, and canons, as sung by the Tasmania University Musical Society. Edition 2 of the book is currently in planning, and will include several additional pieces (e.g. Bruckner Locus iste, Rachmaninov Bogorodĩtsẽ Dẽvo).

Index by composer: