User:Philip Legge: Difference between revisions
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[[Image:Philip_Legge.jpg|right|Philip Legge, February 2005]] | |||
==May 2009 update== | |||
I might be doing a little bit of Wiki cleanup tasks again here at CPDL, but probably not at a very high rate of turnover. One thing I am determined to get done over the next month or so is the update of various scores in my extensive back catalogue of unfinished scores here: | |||
*links to Berlioz full scores I've finally gotten done; | |||
*tidy-up of the Mozart Great Mass in C (the vocal score is still rather shambolic); | |||
*migration of wso.williams.edu scores to the choralwiki; | |||
*some cross-fertilisation of useful templates from IMSLP, and vice versa. | |||
[[ | I will of course attempt to answer the usual crop of e-mails that I receive as promptly as I can (address below). | ||
Best regards, [[User:Pml|Philip Legge]]<sub>[[Special:Emailuser/Pml|@]] [[User_talk:Pml|Φ]]</sub> 13:00, 9 May 2009 (AEST) | |||
==General information== | ==General information== | ||
Line 7: | Line 17: | ||
'''Country of origin:''' Australia | '''Country of origin:''' Australia | ||
'''Contributor since:''' 22 September | '''Contributor since:''' 22 September 2000 | ||
'''Number of scores on CPDL:''' | '''Number of scores on CPDL:''' 53 distinct works, but somewhere in the vicinity of 146 scores or so... | ||
{{EditionsLink}} | |||
==Contact information== | ==Contact information== | ||
'''E-mail:''' [ | '''E-mail:''' [[Special:EmailUser/Pml|Philip·M·Legge AT gmail·com]] | ||
'''Website:''' [[ChoralWiki: | '''Website:''' [[ChoralWiki:Philip Legge's Music Page|PML Music Editions: music prepared by Philip Legge]] | ||
==Education== | ==Education== | ||
Line 33: | Line 43: | ||
=Scores= | =Scores= | ||
Key: '''FS''' = full score; '''VS''' = vocal score; '''Px''' = instrumental parts | |||
{| class="sortable wikitable collapsible" border=1 | |||
!CPDL#!!Composer!!Work!!{{Pdf}}!!{{Mid}}!!Source!!Scorch!!Notes | |||
|- | |||
|1391||[[George Frideric Handel|Handel]]||{{NoComp|Dixit Dominus|George Frideric Handel|, HWV 232|, HWV 232}}||[[cpdl_sheet:232dixit.pdf|FS]]||[http://www.classicalarchives.com/handel.html MIDI]||[[Media:HWV232 Dixit Dominus PML.sib|Sibelius 3]]||[[pml:handel/dixit.html|Scorch 1]]||Typeset from Chrysander, HG Band 38 (1872) | |||
|- | |||
|1392||[[George Frideric Handel|Handel]]||{{NoComp|Laudate pueri Dominum|George Frideric Handel| in D|, HWV 237}}||[[cpdl_sheet:237lauda.pdf|FS]]||[http://www.classicalarchives.com/handel.html MIDI]||[[Media:HWV237 Laudate PML.sib|Sibelius 3]]||[[pml:handel/laudate.html|Scorch 1]]||Typeset from Chrysander, HG Band 38 (1872) | |||
|- | |||
|1393||[[George Frideric Handel|Handel]]||{{NoComp|Nisi Dominus|George Frideric Handel|, HWV 238|, HWV 238}}||[[cpdl_sheet:238nisi.pdf|FS]]||[http://www.classicalarchives.com/handel.html MIDI]||[[Media:HWV238 Nisi Dominus PML.sib|Sibelius 1]]||[[pml:handel/nisi.html|Scorch 1]]||Typeset from Chrysander, HG Band 38 (1872) | |||
|- | |||
|1404||[[Hector Berlioz|Berlioz]]||{{NoComp|Grande messe des morts|Hector Berlioz|, H 75|, H 75}}: I. Introït et Kyrie||[[IMSLP:Special:ImagefromIndex/26253|FS]] [IMSLP]|| ||[[pml:berlioz/h.75.requiem_et_kyrie.sib|Sibelius 1]]||[[pml:scorch/75requiem.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902) | |||
|- | |||
|1430||[[Hector Berlioz|Berlioz]]||{{NoComp|Grande messe des morts|Hector Berlioz|, H 75|, H 75}}: III. Quid sum miser||[[IMSLP:Special:ImagefromIndex/26254|FS]] [IMSLP]|| ||[[pml:berlioz/h.75.quid_sum_miser.sib|Sibelius 1]]||[[pml:scorch/75quid_sum.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902) | |||
|- | |||
|1431||[[Hector Berlioz|Berlioz]]||{{NoComp|Grande messe des morts|Hector Berlioz|, H 75|, H 75}}: V. Quærens me||[[IMSLP:Special:ImagefromIndex/26255|FS]] [IMSLP]|| ||[[pml:berlioz/h.75.quaerens_me.sib|Sibelius 1]]||[[pml:scorch/75quaerens.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902) | |||
|- | |||
|1432||[[Hector Berlioz|Berlioz]]||{{NoComp|Grande messe des morts|Hector Berlioz|, H 75|, H 75}}: VIII. Hostias||[[IMSLP:Special:ImagefromIndex/26256|FS]] [IMSLP]|| ||[[pml:berlioz/h.75.hostias.sib|Sibelius 1]]||[[pml:scorch/75hostias.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902) | |||
|- | |||
|1433||[[Hector Berlioz|Berlioz]]||{{NoComp|Grande messe des morts|Hector Berlioz|, H 75|, H 75}}: X. Agnus Dei||[[IMSLP:Special:ImagefromIndex/26257|FS]] [IMSLP]|| ||[[pml:berlioz/h.75.agnus_dei.sib|Sibelius 1]]||[[pml:scorch/75agnus.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902) | |||
|- | |||
|1436||[[Hector Berlioz|Berlioz]]||{{NoComp|Te Deum|Hector Berlioz|, H 118}}: II. Tibi omnes||[[IMSLP:Special:ImagefromIndex/26472|FS]] [IMSLP]|| ||[[pml:berlioz/h118.tibi_omnes.sib|Sibelius 1]]||[[pml:scorch/h118tibi.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901) | |||
|- | |||
|1437||[[Hector Berlioz|Berlioz]]||{{NoComp|Te Deum|Hector Berlioz|, H 118}}: VI. Judex crederis||[[IMSLP:Special:ImagefromIndex/26473|FS]] [IMSLP]|| ||[[pml:berlioz/h118.judex_crederis.sib|Sibelius 1]]||[[pml:scorch/h118judex.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901) | |||
|- | |||
|1470||[[Josquin des Prez|Josquin]]||{{NoComp|Praeter rerum seriem|Josquin des Prez}}||[[cpdl_sheet:jos-prae.pdf|VS]]||[[Media:Josquin Praeter PML.mid|MIDI]]||[[Media:Josquin Praeter PML.sib|Sibelius 3]]||[[pml:josquin/index.html|Scorch 1]]||Typeset from Kalmus reprint No. 702, editorial copyright expired 1998 at latest | |||
|- | |||
|1473||[[Hector Berlioz|Berlioz]]||{{NoComp|La menace des Francs|Hector Berlioz|, H 117|, H 117}}||[[cpdl_sheet:hb117voc.pdf|VS]]<br>[[IMSLP:Special:ImagefromIndex/26492|FS]] [IMSLP]|| ||[[pml:berlioz/h117.la_menace_des_francs.sib|Sibelius 1]]||[[pml:scorch/h117menace.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 41 (Leipzig, 1903) | |||
|- | |||
|1474||[[Hector Berlioz|Berlioz]]||{{NoComp|Hymne à la France|Hector Berlioz|, H 97|, H 97}}||[[cpdl_sheet:hb97voc.pdf|VS]]<br>[[IMSLP:Special:ImagefromIndex/26487|FS]] [IMSLP]|| ||[[pml:berlioz/h.97.hymne_a_la_france.sib|Sibelius 1]]||[[pml:scorch/97hymne.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 40 (Leipzig, 1903) | |||
|- | |||
|1475||[[Hector Berlioz|Berlioz]]||{{NoComp|Vox populi|Hector Berlioz|, H 120|, H 120}}||[[cpdl_sheet:hb120vox.pdf|VS]]|| || || ||Typeset from Malherbe & Weingartener, H.B. 40 & 41 (Leipzig, 1903) | |||
|- | |||
|1999||[[Hector Berlioz|Berlioz]]||{{NoComp|Te Deum|Hector Berlioz|, H 118}}: I. Te Deum laudamus||[[IMSLP:Special:ImagefromIndex/26472|FS]] [IMSLP]|| ||[[pml:berlioz/h118.te_deum_laudamus.sib|Sibelius 1]]||[[pml:scorch/h118laudamus.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901) | |||
|- | |||
|2000||[[Hector Berlioz|Berlioz]]||{{NoComp|Te Deum|Hector Berlioz|, H 118}}: IV. Christe, rex gloriæ||[[IMSLP:Special:ImagefromIndex/26472|FS]] [IMSLP]|| ||[[pml:berlioz/h118.christe,rex_gloriae.sib|Sibelius 1]]||[[pml:scorch/h118christe.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901) | |||
|- | |||
|2686||[[Hector Berlioz|Berlioz]]||{{NoComp|Te Deum|Hector Berlioz|, H 118}}: V. Te ergo quæsumus||[[IMSLP:Special:ImagefromIndex/26472|FS]] [IMSLP]|| ||[[pml:berlioz/h118.christe,rex_gloriae.sib|Sibelius 1]]||[[pml:scorch/h118christe.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901) | |||
|- | |||
|3142 <br>3271||[[Hector Berlioz|Berlioz]]||{{NoComp|Te Deum|Hector Berlioz|, H 118}}: III. Dignare||[[IMSLP:Special:ImagefromIndex/26472|FS]] [IMSLP]|| ||[[pml:berlioz/h118.christe,rex_gloriae.sib|Sibelius 1]]||[[pml:scorch/h118christe.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901) | |||
|- | |||
|3272||[[Hector Berlioz|Berlioz]]||{{NoComp|Te Deum|Hector Berlioz|, H 118|, H 118}}: complete||[[IMSLP:Special:ImagefromIndex/26472|FS I–V]]<br>[[IMSLP:Special:ImagefromIndex/26473|FS VI–VII]]<br>[IMSLP]|| || ||[[pml:berlioz/te_deum/|Work page]]||Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901) | |||
|- | |||
|3273||[[Hector Berlioz|Berlioz]]||{{NoComp|La mort d'Ophélie, Op. 18, No. 2|Hector Berlioz}}||[[cpdl_sheet:hb92full.pdf|FS+Px+VS]]|| ||[[pml:berlioz/h.92b.la_mort_d'ophelie.sib|Sibelius 1]]||[[pml:scorch/92b_mort.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 38 (Leipzig, 1903) | |||
|- | |||
|3274||[[Hector Berlioz|Berlioz]]||{{NoComp|La mort d'Ophélie, Op. 18, No. 2|Hector Berlioz}}||[[cpdl_sheet:hb92voc.pdf|VS]]|| ||[[pml:berlioz/h.92b.la_mort_d'ophelie.sib|Sibelius 1]]||[[pml:scorch/92b_mort.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 38 (Leipzig, 1903) | |||
|- | |||
|3349||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [1] Kyrie||[[Media:Mozart 427-1 Kyrie VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/kyrie.sib|Sibelius 1]]||[[pml:mozart/great_mass/kyrie.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |||
|- | |||
|3432||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [2] Gloria in excelsis Deo||[[Media:Mozart 427-2 Gloria VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/gloria.sib|Sibelius 1]]||[[pml:mozart/great_mass/gloria.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |||
|- | |||
|3564||[[Hector Berlioz|Berlioz]]||{{NoComp|Le Dépit de la bergère|Hector Berlioz|, H 7|, H 7}}||[[cpdl_sheet:hb7.pdf|VS]]|| ||[[pml:berlioz/h..7.le_depit_de_la_bergere.sib|Sibelius 1]]||[[pml:scorch/07depit.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 79 (Leipzig, 1904) | |||
|- | |||
|3565||[[Hector Berlioz|Berlioz]]||{{NoComp|Ecot des joyeux compagnons: Histoire d'un rat (from 'Faust')|Hector Berlioz}}||[[cpdl_sheet:hb33-4f.pdf|FS]]|| ||[[pml:berlioz/h.33.histoire_d'un_rat.sib|Sibelius 1]]||[[pml:scorch/33rat.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 29 (Leipzig, 1903) | |||
|- | |||
|3566||[[Hector Berlioz|Berlioz]]||{{NoComp|Chanson de Méphistophélès: Histoire d'une puce (No. 5 from 'Faust')|Hector Berlioz}}||[[cpdl_sheet:hb33-5f.pdf|FS]]|| ||[[pml:berlioz/h.33.histoire_d'une_puce.sib|Sibelius 1]]||[[pml:scorch/33puce.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 29 (Leipzig, 1903) | |||
|- | |||
|3567||[[Hector Berlioz|Berlioz]]||{{NoComp|Sérénade de Méphistophélès (No. 8 from 'Faust')|Hector Berlioz}}||[[cpdl_sheet:hb33-8.pdf|VS]]|| ||[[pml:berlioz/h.33.serenade.sib|Sibelius 1]]||[[pml:scorch/33serenade.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 29 (Leipzig, 1903) | |||
|- | |||
|3568||[[Hector Berlioz|Berlioz]]||{{NoComp|La Captive, orientale|Hector Berlioz}}: Version A||VS|| ||[[pml:berlioz/h.60a.le_captive.sib|Sibelius 1]]||[[pml:scorch/60a.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 91 (Leipzig, 1904) | |||
|- | |||
|3569||[[Hector Berlioz|Berlioz]]||{{NoComp|La Captive, orientale|Hector Berlioz}}: Version C||VS|| ||[[pml:berlioz/h.60c.le_captive.sib|Sibelius 1]]||[[pml:scorch/60c.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 92 (Leipzig, 1904) | |||
|- | |||
|3570||[[Hector Berlioz|Berlioz]]||{{NoComp|Chant des Chemins de fer|Hector Berlioz}}||[http://imslp.org/wiki/Special:ImagefromIndex/26497 FS] [IMSLP]|| ||[[pml:berlioz/h110.chant_chemins_de_fer.sib|Sibelius 1]]||[[pml:scorch/h110chem.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 37 (Leipzig, 1903) | |||
|- | |||
|3571||[[Hector Berlioz|Berlioz]]||{{NoComp|Nessun maggior piacere|Hector Berlioz}}||[[cpdl_sheet:hb114.pdf|VS]]|| ||[[pml:berlioz/h114.nessun_maggior_piacere.sib|Sibelius 1]]||[[pml:scorch/h114nessun.html|Scorch 1]]||Typeset from albumleaf facsimile | |||
|- | |||
|3572||[[Johann Sebastian Bach|Bach]]||{{NoComp|Cantata BWV 50 - Nun ist das Heil und die Kraft|Johann Sebastian Bach}}||[[Media:BWV50 Nun ist VS PML.pdf|VS]]|| ||[[pml:bach/BWV50.sib|Sibelius 1]]||[[pml:bach/|Scorch 1]]||Typeset from BGA | |||
|- | |||
|3573 <br>3573''bis''||[[Antoine Brumel|Brumel]]||{{NoComp|Missa Et ecce terræ motus|Antoine Brumel}}: Agnus Dei à 12, completion||[[icking:ByComposer/Brumel.php|VS]] [WIMA]<br>[[Media:Brumel Missa Et ecce Agnus PML.pdf|VS]]|| ||[[pml:brumel/agnus.sib|Sibelius 1]]||[[pml:brumel/|Scorch 1]]||Typeset from facsimile of Bayerische Staatsbibliothek Mus. MS 1 | |||
|- | |||
|3835||[[George Frideric Handel|Handel]]||{{NoComp|Dixit Dominus|George Frideric Handel|, HWV 232|, HWV 232}}||[{{SERVER}}/wiki/sheet/232-part.pdf Px]||[http://www.classicalarchives.com/handel.html#handel_sacred MIDI]||[[Media:HWV232 Violin 1 PML.sib|Violins 1]] & [[Media:HWV232 Violin 2 PML.sib|2]]<br>[[Media:HWV232 Viola 1 PML.sib|Violas 1]] & [[Media:HWV232 Viola 2 PML.sib|2]]<br>[[Media:HWV232 Cello PML.sib|Cello]]<br>[[Media:HWV232 Bass PML.sib|Bass]]<br>[[Media:HWV232 Continuo PML.sib|Continuo]]|| ||Typeset from Chrysander, HG Band 38 (1872) | |||
|- | |||
|3836||[[Johann Sebastian Bach|Bach]]||{{NoComp|Cantata BWV 50 - Nun ist das Heil und die Kraft|Johann Sebastian Bach}}||[[Media:BWV50 Nun ist FS PML.pdf|FS+Px+VS]]|| ||[[pml:bach/BWV50.sib|Sibelius 1]]||[[pml:bach/|Scorch 1]]||Typeset from BGA | |||
|- | |||
|4948||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [3] Laudamus te||[[Media:Mozart 427-3 Laudamus VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/laudamus.sib|Sibelius 1]]||[[pml:mozart/great_mass/laudamus.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |||
|- | |||
|4949||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [4] Gratias||[[Media:Mozart 427-4 Gratias VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/gratias.sib|Sibelius 1]]||[[pml:mozart/great_mass/gratias.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |||
|- | |||
|4950||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [5] Domine Deus||[[Media:Mozart 427-5 Domine Deus VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/domine.sib|Sibelius 1]]||[[pml:mozart/great_mass/domine.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |||
|- | |||
|4951||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [6] Qui tollis||[[Media:Mozart 427-6 Qui tollis VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/qui_tollis.sib|Sibelius 1]]||[[pml:mozart/great_mass/qui_tollis.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |||
|- | |||
|4952||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [7] Quoniam||[[Media:Mozart 427-7 Quoniam VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/quoniam.sib|Sibelius 1]]||[[pml:mozart/great_mass/quoniam.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |||
|- | |||
|4953||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [8] Jesu Christe – Cum sancto spiritu||[[Media:Mozart 427-8 Jesu Christe VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/jesu.sib|Sibelius 1]]||[[pml:mozart/great_mass/jesu.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |||
|- | |||
|4954||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [11] Sanctus – Osanna||[[Media:Mozart 427-11 Sanctus VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/sanctus.sib|Sibelius 1]]||[[pml:mozart/great_mass/sanctus.html|Scorch 1]]||Editorial completion from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |||
|- | |||
|6158||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427|, KV 427}}: complete work||[[Media:Mozart 427 Great Mass VS PML.pdf|VS]]<br>[http://imslp.org/wiki/Special:ImagefromIndex/28540 FS] [IMSLP]|| ||[[Media:Mozart K427 Great Mass in C VS PML.sib|Sibelius 3]]||[[pml:mozart/great_mass/index.html|Work page]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |||
|- | |||
|6495||[[Gustav Mahler|Mahler]]||{{NoComp|Symphony No. 2 in C Minor ('Resurrection') - choral score|Gustav Mahler}}||[[cpdl_sheet:mahler2v.pdf|VS]]|| || || ||Typeset from Universal Edition, plate U.E. 2933 (Vienna, 1910) | |||
|- | |||
|6607||[[Henry Purcell|Purcell]]||{{NoComp|If music be the food of love, Z 379|Henry Purcell}}||[[cpdl_sheet:pur-379b.pdf|VS]]|| ||[[Media:TUMS Busking Book 1_0.sib|Sibelius 3]]|| ||Retypeset; source unknown. | |||
|- | |||
|6608||[[Anonymous]]||{{NoComp|Pase el agoa|Anonymous}}||[[Media:Pase el agoa (Anon 15C).pdf|VS]]|| ||[[Media:TUMS Busking Book 1_0.sib|Sibelius 3]]|| ||Retypeset; urtext | |||
|- | |||
|6951||[[Charles Edward Horsley|Horsley]]||''[[All hail to thee, Sound! (Charles Edward Horsley)|Hail to thee, Sound!]]''||[[cpdl_sheet:hors-e01.pdf|VS]]|| || ||[[pml:horsley/|Scorch 1]]||Edited from composer’s autograph FS and VS; Px and FS available on hire from [http://www.rmp.org.au/ RMP] | |||
|- | |||
|8489||[[George Frideric Handel|Handel]]||{{NoComp|Laudate pueri Dominum|George Frideric Handel| in D|, HWV 237}}||[[cpdl_sheet:237-part.pdf|Px]]||[http://www.classicalarchives.com/handel.html MIDI]||[[Media:HWV237 Oboe 1 PML.sib|Oboes 1]] & [[Media:HWV237 Oboe 2 PML.sib|2]]<br>[[Media:HWV237 Violin 1 PML.sib|Violins 1]] & [[Media:HWV237 Violin 2 PML.sib|2]]<br>[[Media:HWV237 Viola 1 PML.sib|Violas 1]] & [[Media:HWV237 Viola 2 PML.sib|2]]<br>[[Media:HWV237 Continuo PML.sib|Continuo]]|| ||Typeset from Chrysander, HG Band 38 (1872) | |||
|- | |||
|8553||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Soprano partbook||[[Media:Tallis Spem in alium Sopranos PML.pdf|Px]]|| || || ||Typeset from Tudor Church Music VI (1928) | |||
|- | |||
|8554||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Alto partbook||[[Media:Tallis Spem in alium Altos PML.pdf|Px]]|| || || ||Typeset from Tudor Church Music VI (1928) | |||
|- | |||
|8555||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Tenor partbook||[[Media:Tallis Spem in alium Tenors PML.pdf|Px]]|| || || ||Typeset from Tudor Church Music VI (1928) | |||
|- | |||
|8556||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Baritone partbook||[[Media:Tallis Spem in alium Baritones PML.pdf|Px]]|| || || ||Typeset from Tudor Church Music VI (1928) | |||
|- | |||
|8557||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Bass partbook||[[Media:Tallis Spem in alium Basses PML.pdf|Px]]|| || || ||Typeset from Tudor Church Music VI (1928) | |||
|- | |||
|8558||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis|| ''à 40''}}: Full score||[[Media:Tallis Spem in alium full score PML.pdf|FS]]|| || ||[[pml:tallis/|Scorch 1]]||Typeset from Tudor Church Music VI (1928) | |||
|- | |||
|10522||[[George Frideric Handel|Handel]]||{{NoComp|Zadok the Priest|George Frideric Handel||, HWV 258}}||[[Media:Zadok the Priest-Sib4.pdf|FS]]||[[Media:Zadok the Priest-Sib4.mid|MIDI]]||[[Media:HWV232 Dixit Dominus PML.sib|Sibelius 3]]<br>[[Media:Zadok the Priest-Sib4.sib|Sibelius 4]]|| ||Typeset from Chrysander, HG Band 14 (1863) | |||
|- | |||
|10530||[[Gregorio Allegri|Allegri]]||{{NoComp|Miserere mei|Gregorio Allegri}}||[[Media:Allegri Miserere PML2.pdf|VS]]|| ||[[Media:Allegri Miserere PML.sib|Sibelius 3]]|| ||Re-typeset after Guest | |||
|- | |||
|10587||[[Guillaume Dufay|Dufay]]||{{NoComp|Nuper rosarum flores|Guillaume Dufay}}||[[Media:Dufay Nuper rosarum flores PML.pdf|VS]]||[[Media:Dufay Nuper rosarum flores PML.mid|MIDI]]||[[pml:dufay/nuper.sib|Sibelius 3]]||[[pml:dufay/|Scorch 3]]||Typeset from facsimile | |||
|- | |||
|10604||[[John Eccles|Eccles]]||{{NoComp|My man John|John Eccles}}||[[Media:Eccles My Man John PML.pdf|VS]]|| || || ||Typeset from facsimile | |||
|- | |||
|10605||[[Heinrich Schütz|Schütz]]||{{NoComp|Das ist je gewißlich wahr|Heinrich Schütz}}||[[Media:Schütz 277 Das ist je PML.pdf|VS]]|| || || ||Retypeset from complete works | |||
|- | |||
|10611||[[Orlando di Lasso|Lassus]]||{{NoComp|Missa Quand'io pens'al martire|Orlando di Lasso}}||[[Media:Lasso Missa Quand'io PML.pdf|VS]]|| ||[[pml:editions/|Sibelius 3]]|| ||Typeset from Kalmus reprint | |||
|- | |||
|10612||[[Giovanni Pierluigi da Palestrina|Palestrina]]||{{NoComp|Missa Iste Confessor|Giovanni Pierluigi da Palestrina|| ''à 4''}}||[[Media:Palestrina Missa Iste confessor PML.pdf|VS]]|| ||[[pml:editions/|Sibelius 3]]|| ||Typeset from Haberl (edition does not contain ''Credo'') | |||
|- | |||
|10613||[[Giovanni Pierluigi da Palestrina|Palestrina]]||{{NoComp|Missa O Rex gloriae|Giovanni Pierluigi da Palestrina|| ''à 4''}}||[[Media:Palestrina Missa O Rex gloriae PML2.pdf|VS]]|| ||[[Media:Palestrina Missa O Rex gloriae PML.sib|Sibelius 1]]|| ||Typeset from Haberl (edition does not contain ''Credo'') | |||
|- | |||
|10614||[[Johannes Ockeghem|Ockeghem]]||{{NoComp|Deo Gratias|Johannes Ockeghem| (36 part canon)}}: Parts||[[Media:Ockeghem Deo gratia PML.pdf|Px]]|| || || ||Realisation of '''CPDL #4065''' | |||
|- | |||
|10615||[[Johannes Ockeghem|Ockeghem]]||{{NoComp|Deo gratias|Johannes Ockeghem| (36 part canon)| ''à 36''}}: Full score||[[Media:Ockeghem Deo gratia FS PML.pdf|FS]]|| || ||[[pml:ockeghem/|Scorch]]||Realisation of '''CPDL #4065''' | |||
|- | |||
|10646||[[Marc-Antoine Charpentier|Charpentier]]||{{NoComp|Messe, H 1|Marc-Antoine Charpentier||: ''Kyrie'', ''Gloria''}}||[[Media:Charpentier Messe H1 PML.pdf|FS]]|| || || ||Typeset from facsimile | |||
|- | |||
|10735||[[John Dowland|Dowland]]||{{NoComp|Come|John Dowland|_again sweet love doth now invite| ''again!''}}||[[Media:TUMS Come Again 1 0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1 0.sib|Sibelius 3]]|| ||Re-edited from various sources, included in '''CPDL #10760''' | |||
|- | |||
|10736||[[Henry VIII]]||{{NoComp|Pastime with good company|Henry VIII}}||[[Media:TUMS Pastyme 1 0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1 0.sib|Sibelius 3]]|| ||Re-edited from various sources, included in '''CPDL #10760''' | |||
|- | |||
|10737||[[Christopher Tye|Tye]]||{{NoComp|Laudate nomen Domini|Christopher Tye}}||[[Media:TUMS Laudate 1 0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1 0.sib|Sibelius 3]]|| ||Re-edited from various sources, included in '''CPDL #10760''' | |||
|- | |||
|10738||[[Henry Purcell|Purcell]]||{{NoComp|Come, ye Sons of Art|Henry Purcell|, Z 323|, Z 323}}||[[Media:TUMS Come ye Sons 1 0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1_0.sib|Sibelius 3]]|| ||Re-edited from Shaw, Birthday Odes, Purcell Society (1926), included in '''CPDL #10760''' | |||
|- | |||
|10739 <br>10740<br>10741||[[Anonymous]] after Wilder<br>[[Philip Legge|Legge]]<br>[[John Dowland|Dowland]]||{{NoComp|Non nobis Domine|Anonymous}} <br>{{NoComp|Non nobis, Domine|Philip Legge}}<br>{{NoComp|Fine knacks for Ladies, cheap, choise, braue and new|John Dowland}}||[[Media:TUMS Non nobis 1 0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1 0.sib|Sibelius 3]]|| ||Re-edited from various sources, included in '''CPDL #10760''' | |||
|- | |||
|10742||[[Anonymous]]||{{NoComp|Dona nobis pacem|Anonymous}}||[[Media:TUMS Dona nobis 1 0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1 0.sib|Sibelius 3]]|| ||Re-edited from various sources, included in '''CPDL #10760''' | |||
|- | |||
|10743||[[John Bennet|Bennet]]||{{NoComp|Weep, O mine eyes|John Bennet}}||[[Media:TUMS Weep O mine 1 0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1 0.sib|Sibelius 3]]|| ||Re-edited from various sources, included in '''CPDL #10760''' | |||
|- | |||
|10744 <br>10746||[[Anonymous]]||{{NoComp|Alle psallite cum luya|Anonymous}} <br>{{NoComp|Drink to me only|Traditional}}||[[Media:TUMS Alleluja psallite 1 0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1 0.sib|Sibelius 3]]|| ||Re-edited from various sources, included in '''CPDL #10760''' | |||
|- | |||
|10745||[[Anonymous]]||{{NoComp|Gaudeamus igitur|Anonymous}}||[[Media:TUMS Gaudeamus 1 0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1 0.sib|Sibelius 3]]|| ||Re-edited from various sources, included in '''CPDL #10760''' | |||
|- | |||
|10747||[[Thomas Morley|Morley]]||{{NoComp|Now is the month of maying|Thomas Morley}}||[[Media:TUMS Now is the month 1 0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1 0.sib|Sibelius 3]]|| ||Re-edited from various sources, included in '''CPDL #10760''' | |||
|- | |||
|10748 <br>10755||[[Anonymous]]/[[Henry VIII]]<br>[[David Ellyard|Ellyard]]||{{NoComp|Greensleeves|Anonymous}} <br>{{NoComp|Round on a well-known text|David Ellyard}}||[[Media:TUMS Greensleeves 1 0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1 0.sib|Sibelius 3]]|| ||Typeset from facsimile, included in '''CPDL #10760''' | |||
|- | |||
|10749||[[Josquin des Prez|Josquin]]||{{NoComp|El Grillo|Josquin des Prez}}||[[Media:TUMS El Grillo 1 0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1 0.sib|Sibelius 3]]|| ||Typeset from facsimile, included in '''CPDL #10760''' | |||
|- | |||
|10750||[[Philip Legge|Legge]]||{{NoComp|Kubla Khan|Philip Legge||, Op. 1}}||[[Media:Kubla Khan VS PML.pdf|VS]]<br>[http://imslp.org/wiki/Special:ImagefromIndex/24878 FS] [IMSLP]||[[pml:legge/kubla.midi|MIDI]]|| ||[[pml:legge/|Scorch]]|| | |||
|- | |||
|10760||Various||[[TUMS Busking Book]]||[[Media:TUMS Busking Book 1 01.pdf|VS]]|| ||[[Media:TUMS Busking Book 1 0.sib|Sibelius 3]]|| ||Re-edited from various sources | |||
|- | |||
|10787||[[George Frideric Handel|Handel]]||''[[Zadok the Priest (George Frideric Handel)|Zadok the Priest, HWV 258]]''||[[Media:HWV258 Parts PML.pdf|Px]]||[[Media:Zadok the Priest-Sib4.mid|MIDI]]||[[Media:HWV258 Oboe 1 PML.sib|Oboe 1]] & [[Media:HWV258 Oboe 2 PML.sib|2]]<br>[[Media:HWV258 Bassoon 1 PML.sib|Bassoons 1]] & [[Media:HWV258 Bassoon 2 PML.sib|2]]<br>[[Media:HWV258 Trumpet 1 PML.sib|Trumpets 1]], [[Media:HWV258 Trumpet 2 PML.sib|2]] & [[Media:HWV258 Trumpet 3 PML.sib|3]]<br>[[Media:HWV258 Timpani PML.sib|Timpani]]<br>[[Media:HWV258 Violin 1 PML.sib|Violins 1]], [[Media:HWV258 Violin 2 PML.sib|2]] & [[Media:HWV258 Violin 3 PML.sib|3]]<br>[[Media:HWV258 Viola PML.sib|Viola]], [[Media:HWV258 Violoncello PML.sib|Cello]], [[Media:HWV258 Contrabass PML.sib|Bass]]<br>[Continuo]|| ||Typeset from Chrysander, HG Band 14 (1863) | |||
|- | |||
|11088||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Requiem, KV 626|Wolfgang Amadeus Mozart}}||[[Media:K626 Requiem Urtext PML.pdf|FS]]|| || || ||Re-typeset from autograph facsimile | |||
|- | |||
|11117||[[Gabriel Fauré|Fauré]]||{{NoComp|Requiem in D minor|Gabriel Fauré|, Op. 48|, Op. 48}}: Full score||[[Media:Faure Requiem FS PML.pdf|FS]]|| || || ||Typeset from [[IMSLP:Requiem, Op.48 (Fauré, Gabriel)|Hamelle]] [@IMSLP] (Paris, 1900) | |||
|- | |||
|11222||[[Claudio Monteverdi|Monteverdi]]||{{NoComp|Domine ad adiuvandum|Claudio Monteverdi||, SV 318}}||[[Media:Monteverdi 1610 1Domine FS PML.pdf|FS+Px]]||[[Media:Monteverdi 1610 V1.mid|MIDI]]|| || ||Typeset from Amadino, [[Messa e Vespro della Beata Vergine (Monteverdi, Claudio)|''Sanctissimae Virgini'']] (Venice, 1610) | |||
|- | |||
|11232||[[Heinrich Schütz|Schütz]]||{{NoComp|Alleluja! Lobet den Herren|Heinrich Schütz| (Psalm 150), SWV 38| ''à 16'', SWV 38}}: Full score||[[Media:SWV38 Alleluja! FS PML.pdf|FS]]||[[Media:SWV38 Alleluja! PML.mid|MIDI]]||[[Media:SWV38 Alleluja! FS PML.sib|Sibelius 3]]||[[pml:schutz/|Scorch]]||Typeset from complete works | |||
|- | |||
|11233||[[Heinrich Schütz|Schütz]]||{{NoComp|Alleluja! Lobet den Herren|Heinrich Schütz| (Psalm 150), SWV 38}}: Vocal score||[[Media:SWV38 Alleluja! Favoriti VS PML.pdf|VS]]|| || || ||Typeset from complete works | |||
|- | |||
|11234||[[Heinrich Schütz|Schütz]]||{{NoComp|Alleluja! Lobet den Herren|Heinrich Schütz| (Psalm 150), SWV 38}}: Extra choirs||[[Media:SWV38 Alleluja! Capella VS PML.pdf|VS]]|| || || ||Typeset from complete works | |||
|- | |||
|11235||[[Heinrich Schütz|Schütz]]||{{NoComp|Alleluja! Lobet den Herren|Heinrich Schütz| (Psalm 150), SWV 38}}: Parts||[[Media:SWV38 Alleluja! Px PML.pdf|Px]]|| || || ||Typeset from complete works | |||
|- | |||
|11409||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [9] Credo in unum Deum||[[Media:Mozart 427-9 Credo VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/credo.sib|Sibelius 1]]||[[pml:mozart/great_mass/credo.html|Scorch 1]]||Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882) | |||
|- | |||
|11410||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [10] Et incarnatus est||[[Media:Mozart 427-10 Et incarnatus VS PML.pdf|VS]]|| || || ||Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882) | |||
|- | |||
|11411||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [12] Benedictus – Osanna||[[Media:Mozart 427-12 Benedictus VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/benedictus.sib|Sibelius 1]]||[[pml:mozart/great_mass/benedictus.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |||
|- | |||
|11412||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [A1] Crucifixus – [A2] Et in Spiritum||[[Media:Mozart 427-A1 Crucifixus VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/crucifixus.sib|Sibelius 1]]||[[pml:mozart/great_mass/crucifixus.html|Scorch 1]]||Editorial completion from Ph. Spitta, W.A.M. 262, B&H (1878) | |||
|- | |||
|11421||[[Claudio Monteverdi|Monteverdi]]||{{NoComp|L'Orfeo, Favola in Musica|Claudio Monteverdi||, SV 318}}||[[Media:Monteverdi Orfeo Act-1 PML.pdf|FS+Px]]|| || || ||Typeset from Amadino, [[IMSLP:L'Orfeo, favola in musica, SV 318 (Monteverdi, Claudio)|L’Orfeo]] [@IMSLP] (Venice, 1615) | |||
|- | |||
|11578||[[Philip Legge|Legge]]||{{NoComp|Ave atque vale|Philip Legge}}||[[Media:Ave atque vale PML.pdf|VS]]|| || || ||Sung as part of the 2007 ROCS Occasional Choral Competition (but ineligible) | |||
|- | |||
|11784||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Ave verum corpus, KV 618|Wolfgang Amadeus Mozart}}||[[Media:K618 Ave verum VS PML.pdf|VS]]||[[Media:K618 Ave verum PML.mid|MIDI]]||[[Media:K618 Ave verum VS PML.sib|Sibelius 3]]|| ||Re-typeset after NMA | |||
|- | |||
|11825||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem|Johannes Brahms|, Op. 45}}: 1. ''Selig sind, die da Leid tragen''||[[Media:JB45-1 Selig sind die da Leid.pdf|VS]]||[[Media:JB45-1 Selig sind die da Leid.mid|MIDI]]||[[Media:JB45-1 Selig sind die da Leid.sib|Sibelius 3]]|| ||Re-typeset after complete works ed. E. Mandyczewski | |||
|- | |||
|11826||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem|Johannes Brahms|, Op. 45}}: 2. ''Denn alles Fleisch, wie est Gras''||[[Media:JB45-2 Denn alles fleisch.pdf|VS]]||[[Media:JB45-2 Denn alles fleisch.mid|MIDI]]||[[Media:JB45-2 Denn alles Fleisch.sib|Sibelius 3]]|| ||Re-typeset after complete works ed. E. Mandyczewski | |||
|- | |||
|11827||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem|Johannes Brahms|, Op. 45}}: 3. ''Herr, lehre doch mich''||[[Media:JB45-3 Herr lehre doch mich.pdf|VS]]||[[Media:JB45-3 Herr lehre doch mich.mid|MIDI]]||[[Media:JB45-3 Herr lehre doch mich.sib|Sibelius 3]]|| ||Re-typeset after complete works ed. E. Mandyczewski | |||
|- | |||
|11828||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem|Johannes Brahms|, Op. 45}}: 4. ''Wie lieblich sind deine Wohnungen''||[[Media:JB45-4 Wie lieblich sind.pdf|VS]]||[[Media:JB45-4 Wie lieblich sind.mid|MIDI]]||[[Media:JB45-4 Wie lieblich sind.sib|Sibelius 3]]|| ||Re-typeset after complete works ed. E. Mandyczewski | |||
|- | |||
|11829||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem|Johannes Brahms|, Op. 45}}: 5. ''Ihr habt nun Traurigkeit''||[[Media:JB45-5 Ihr habt nun.pdf|VS]]||[[Media:JB45-5 Ihr habt nun.mid|MIDI]]||[[Media:JB45-5 Ihr habt nun.sib|Sibelius 3]]|| ||Re-typeset after complete works ed. E. Mandyczewski | |||
|- | |||
|11830||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem|Johannes Brahms|, Op. 45}}: 6. ''Denn wir haben hie keine bleibende Statt''||[[Media:JB45-6 Denn wir haben.pdf|VS]]||[[Media:JB45-6 Denn wir haben.mid|MIDI]]||[[Media:JB45-6 Denn wir haben.sib|Sibelius 3]]|| ||Re-typeset after complete works ed. E. Mandyczewski | |||
|- | |||
|11831||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem|Johannes Brahms|, Op. 45}}: 7. ''Selig sind die Toten''||[[Media:JB45-7 Selig sind die Toten.pdf|VS]]||[[Media:JB45-7 Selig sind die Toten.mid|MIDI]]||[[Media:JB45-7 Selig sind die Toten.sib|Sibelius 3]]|| ||Re-typeset after complete works ed. E. Mandyczewski | |||
|- | |||
|11832||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem|Johannes Brahms|, Op. 45|, Op. 45}}: complete||[[Media:JB45-Ein deutsches Requiem.pdf|VS]]|| || || ||Re-typeset after complete works ed. E. Mandyczewski | |||
|- | |||
|11932||[[Josquin des Prez|Josquin]]||{{NoComp|Qui habitat|Josquin des Prez|| ''in adjutorio altissimi à 24''}}||[[Media:Josquin Qui habitat Px PML.pdf|Px]]|| ||[[pml:josquin/qui_habitat.sib|Sibelius 3]]||[[pml:josquin/24.html|Scorch 3]]||Individual canons derived from '''CPDL #5915''', edited by Sabine Cassola | |||
|- | |||
|12709||[[Robert Carver|Carver]]||{{NoComp|O bone Jesu|Robert Carver|| ''à 19''}}||[[Media:Carver arr PML O bone Jesu 19vv.pdf|FS]]|| || || ||Arranged from '''CPDL #7869''', edited by Sabine Cassola | |||
|- | |||
|13611||[[Gabriel Fauré|Fauré]]||{{NoComp|Requiem in D minor|Gabriel Fauré|, Op. 48|, Op. 48}}: Vocal score||[[Media:Faure Requiem FS PML.pdf|FS]]|| || || ||Typeset from [[IMSLP:Requiem, Op.48 (Fauré, Gabriel)|Hamelle]] [@IMSLP] (Paris, 1900) | |||
|- | |||
|13637||[[Gabriel Fauré|Fauré]]||{{NoComp|Cantique de Jean Racine|Gabriel Fauré|, Op. 11|, Op. 11}}: Full score, Parts||[[Media:Cantique de JR FS,Px PML.pdf|FS, Px]]|| || || ||Arranged from '''CPDL #130/#2745''', edited by Rafael Ornes/Denis Mason | |||
|- | |||
|13638||[[Henry Purcell|Purcell]]||{{NoComp|Come, ye Sons of Art|Henry Purcell|, Z 323|, Z 323}}: Full score||[[Media:Z323 Come ye Sons FS PML.pdf|FS]]|| || || ||Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | |||
|- | |||
|13665||[[Alexander Borodin|Borodin]]||{{NoComp|Polovetsian Dances|Alexander Borodin}} (from ''Prince Igor'')||[[Media:Borodin Polovetsian Dances PML.pdf|VS]]|| || || ||Re-edited from M.P. Belaieff (Leipzig, 1888) | |||
|- | |||
|15250||[[Antoine Brumel|Brumel]]||{{NoComp|Missa Et ecce terræ motus|Antoine Brumel|| ''à 12''}}: complete||[[Media:Brumel Earthquake PML.pdf|VS]]|| || || ||Typeset from facsimile of Bayerische Staatsbibliothek Mus. MS 1 | |||
|- | |||
|15467||[[Henry Purcell|Purcell]]||{{NoComp|Come, ye Sons of Art|Henry Purcell|, Z 323|, Z 323}}: Vocal score||[[Media:Z323 Come ye Sons VS PML.pdf|VS]]|| || || ||Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | |||
|- | |||
|15527||[[Heinrich Biber|Biber]]||{{NoComp|Plaudite tympana|Heinrich Biber||, C App. 104}}: Vocal score||[[Media:Biber Plaudite VS PML.pdf|VS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903) | |||
|- | |||
|15540||[[Heinrich Biber|Biber]]||{{NoComp|Plaudite tympana|Heinrich Biber|| ''à 54'', C App. 104}}: Full score||[[Media:Biber Plaudite FS PML.pdf|FS]]|| ||[[Media:Biber Plaudite PML.sib|Sibelius 5]]|| ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903) | |||
|- | |||
|15541||[[Heinrich Biber|Biber]]||{{NoComp|Plaudite tympana|Heinrich Biber||, C App. 104}}: Parts||[[Media:Biber Plaudite Parts PML.pdf|Px]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903) | |||
|- | |||
|15737||[[Heinrich Biber|Biber]]||{{NoComp|Missa Salisburgensis|Heinrich Biber||, C App. 101}}: ''Kyrie'', Vocal score||[[Media:Biber Salisburgensis VS PML.pdf|VS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903) | |||
|- | |||
|15742||[[Anonymous]]||{{NoComp|Sumer is Icumen In|Anonymous}}||[[Media:Anon Sumer is icumen in DG PML.pdf|VS]]|| || || ||Typeset from autograph facsimile | |||
|- | |||
|15750||[[Heinrich Biber|Biber]]||{{NoComp|Requiem in f|Heinrich Biber||, C 8}}: Vocal score||[[Media:Biber Requiem in f VS PML.pdf|VS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 59 (1923) | |||
|- | |||
|15751||[[Heinrich Biber|Biber]]||{{NoComp|Requiem in f|Heinrich Biber|| ''à 14'', C 8}}: Full score||[[Media:Biber Requiem in f FS PML.pdf|FS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 59 (1923) | |||
|- | |||
|15752||[[Philip Legge|Legge]]||{{NoComp|I hear the land|Philip Legge||, Op. 4}}||[[Media:I hear the land.pdf|VS]]|| || || ||Sung as part of the 2007 ROCS Occasional Choral Competition (but ineligible) | |||
|- | |||
|15754||[[Michael Winikoff|Winikoff]]||{{NoComp|This is Australia|Michael Winikoff}}||[[Media:Winikoff This is Australia.pdf|VS]]|| || || ||Winning entry in the ROCS Occasional Choral Competition | |||
|- | |||
|15804||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Choirs I and II||[[Media:Tallis Spem in alium 1-2 PML.pdf|VS]]|| || || ||Typeset from Tudor Church Music VI (1928) | |||
|- | |||
|15805||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Choirs III and IV||[[Media:Tallis Spem in alium 3-4 PML.pdf|VS]]|| || || ||Typeset from Tudor Church Music VI (1928) | |||
|- | |||
|15806||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Choirs V and VI||[[Media:Tallis Spem in alium 5-6 PML.pdf|VS]]|| || || ||Typeset from Tudor Church Music VI (1928) | |||
|- | |||
|15807||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Choirs VII and VIII||[[Media:Tallis Spem in alium 7-8 PML.pdf|VS]]|| || || ||Typeset from Tudor Church Music VI (1928) | |||
|- | |||
|16368||[[Henry Purcell|Purcell]]||{{NoComp|Come, ye Sons of Art|Henry Purcell|, Z 323|, Z 323}}: Parts||[[Media:Z323 Come ye Sons Px PML.pdf|Px]]|| || || ||Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | |||
|- | |||
|16369||[[Heinrich Biber|Biber]]||{{NoComp|Missa Salisburgensis|Heinrich Biber||, C App. 101}}: ''Kyrie'', Parts||[[Media:Biber Salisburgensis Px PML.pdf|Px]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903) | |||
|- | |||
|16370||[[Heinrich Biber|Biber]]||{{NoComp|Missa Salisburgensis|Heinrich Biber|| ''à 54'', C App. 101}}: ''Kyrie'', Full score||[[Media:Biber Salisburgensis PML.pdf|FS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903) | |||
|- | |||
|16491||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio}}: Choir 1||[[Media:Striggio Ecce beatam lucem Choir 1 PML.pdf|VS]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola | |||
|- | |||
|16492||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio}}: Choir 2||[[Media:Striggio Ecce beatam lucem Choir 2 PML.pdf|VS]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola | |||
|- | |||
|16493||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio}}: Choir 3||[[Media:Striggio Ecce beatam lucem Choir 3 PML.pdf|VS]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola | |||
|- | |||
|16494||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio}}: Choir 4||[[Media:Striggio Ecce beatam lucem Choir 4 PML.pdf|VS]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola | |||
|- | |||
|16495||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio}}: Choir 5||[[Media:Striggio Ecce beatam lucem Choir 5 PML.pdf|VS]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola | |||
|- | |||
|16496||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio}}: Continuo||[[Media:Striggio Ecce beatam lucem Continuo PML.pdf|Px]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola | |||
|- | |||
|16497||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio|| ''à 40''}}: Full score||[[Media:Striggio Ecce beatam lucem FS PML.pdf|FS]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola | |||
|- | |||
|19156||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor|Wolfgang Amadeus Mozart|, KV 427}}: [B1] Agnus Dei – [B2] Dona nobis pacem||[[Media:Mozart 427-B1 Agnus Dei VS PML.pdf|VS]]|| ||[[pml:mozart/great_mass/agnus.sib|Sibelius 3]]<br>[[pml:mozart/great_mass/dona.sib|Sibelius 3]]||[[pml:mozart/great_mass/agnus.html|Scorch 3]]<br>[[pml:mozart/great_mass/dona.html|Scorch 3]]||Editorial additions to Ph. Spitta, W.A.M. 337, B&H (1878) | |||
|- | |||
|19592||[[Philip Legge|Legge]]||{{NoComp|Ite, missa est|Philip Legge||, Op. 6}}||[[Media:Ite missa est, Op6-FS,VS,Px-PML.pdf|FS+VS+Px]]|| || || || | |||
|- | |||
|19690||[[Heinrich Biber|Biber]]||{{NoComp|Requiem in f|Heinrich Biber||, C 8}}: Parts||[[Media:Biber Requiem in f Px PML.pdf|Px]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 59 (1923) | |||
|- | |||
|19694||[[Alexandra Uitdenbogerd|Uitdenbogerd]]||{{NoComp|Space Tale|Alexandra Uitdenbogerd}}: Vocal score||[[Media:Uitdenbogerd Space Tale VS.pdf|VS]]|| || || || | |||
|- | |||
|19695||[[Alexandra Uitdenbogerd|Uitdenbogerd]]||{{NoComp|Space Tale|Alexandra Uitdenbogerd}}: Full score and parts||[[Media:Uitdenbogerd Space Tale FS,Px.pdf|FS+Px]]|| || || || | |||
|- | |||
|19696||[[Alexandra Uitdenbogerd|Uitdenbogerd]]||{{NoComp|Who's in the Next Room|Alexandra Uitdenbogerd}}: Vocal score||[[Media:Uitdenbogerd Who's in the Next Room.pdf|VS]]|| || || ||Sung as part of the 2007 ROCS Occasional Choral Competition (but ineligible) | |||
|- | |||
|19697||[[Alexandra Uitdenbogerd|Uitdenbogerd]]||{{NoComp|I Wandered Lonely as a Cloud|Alexandra Uitdenbogerd}}: Full score and parts||[[Media:Uitdenbogerd I Wandered Lonely.pdf|VS]]|| || || ||Sung as part of the 2007 ROCS Occasional Choral Competition (but ineligible) | |||
|- | |||
|19805||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Choirs I and II, large format||[[Media:Tallis Spem in alium 1+2 PML.pdf|VS]]|| || || ||Typeset from Tudor Church Music VI (1928) | |||
|- | |||
|19806||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Choirs III and IV, large format||[[Media:Tallis Spem in alium 3+4 PML.pdf|VS]]|| || || ||Typeset from Tudor Church Music VI (1928) | |||
|- | |||
|19807||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Choirs V and VI, large format||[[Media:Tallis Spem in alium 5+6 PML.pdf|VS]]|| || || ||Typeset from Tudor Church Music VI (1928) | |||
|- | |||
|19808||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Choirs VII and VIII, large format||[[Media:Tallis Spem in alium 7+8 PML.pdf|VS]]|| || || ||Typeset from Tudor Church Music VI (1928) | |||
|- | |||
|19871||[[Sergei Rachmaninoff|Rachmaninov]]||[[Bogoroditse Devo (Sergei Rachmaninoff)|''Bogorodĩtsẽ Dẽvo'']]||[[Media:Rachmaninov Bogorodyitse Dyevo PML.pdf|VS]]|| || || ||Typeset from Muzyka edition | |||
|- | |||
|20094||[[Claudio Monteverdi|Monteverdi]]||{{NoComp|Iste confessor|Claudio Monteverdi|, SV 279|, SV 279}}||[[Media:Monteverdi SV 279 Iste confessor II PML.pdf|FS+Px]]|| || || ||Typeset from Magni, {{NoComp|Selva morale e spirituale|Claudio Monteverdi}} (Venice, 1641) | |||
|} | |||
===Works in progress=== | |||
* | * Gesualdo: Tenebræ responses for Holy Saturday (another edition is available) | ||
* Monteverdi: ''Missa In illo tempore'', ''Vespro della beata Vergine'' (1610) full and vocal scores, and parts: hopefully in time for 2010! | |||
* | |||
The [[ | The [[pml:editions/|PML Music Editions]] page has a fuller list of music, including orchestral music and some works with copyright restrictions (making them unsuitable for inclusion in the CPDL). | ||
==Publications== | ==Publications== | ||
[[TUMS Busking Book|The TUMS Busking Book]], a compendium of 26 madrigals, motets, songs, rounds, and canons, as sung by the Tasmania University Musical Society. | [[TUMS Busking Book|The TUMS Busking Book]], a compendium of 26 madrigals, motets, songs, rounds, and canons, as sung by the Tasmania University Musical Society. Edition 2 of the book is currently in planning, and will include several additional pieces (e.g. Bruckner ''Locus iste'', Rachmaninov ''Bogorodĩtsẽ Dẽvo''). | ||
Index by composer: | Index by composer: | ||
* Anonymous: [[ | * Anonymous: [[Alle psallite cum luya (Anonymous)|''Alle psallite'']], {{NoComp|Dona nobis pacem|Anonymous}}, {{NoComp|Drink to me only|Traditional}}, {{NoComp|Gaudeamus igitur|Anonymous}}, {{NoComp|Non nobis Domine|William Byrd}}, {{NoComp|Pase el agoa|Anonymous}} | ||
* Bateson: [[Your | * Bateson: [[Your shining eyes (Thomas Bateson)|''Your shining eyes'']] | ||
* Bennet: [[Weep, O | * Bennet: [[Weep, O mine eyes (John Bennet)|''Weep O mine eyes'']] | ||
* Dowland: [[Come again sweet love doth now invite (John Dowland)|''Come again!'']], [[Fine knacks for ladies (John Dowland)|''Fine knacks'']] | * Dowland: [[Come again sweet love doth now invite (John Dowland)|''Come again!'']], [[Fine knacks for ladies (John Dowland)|''Fine knacks'']] | ||
* Ellyard: | * Ellyard: {{NoComp|Round on a well-known text|David Ellyard}} | ||
* Farmer: [[Fair Phyllis I saw (John Farmer)|''Faire Phyllis'']] | * Farmer: [[Fair Phyllis I saw (John Farmer)|''Faire Phyllis'']] | ||
* Ford: [[Since first I saw your face (Thomas Ford)|''Since first'']] | * Ford: [[Since first I saw your face (Thomas Ford)|''Since first'']] | ||
* Henry VIII: | * Henry VIII: {{NoComp|Greensleeves|Anonymous}}, [[Pastime with good company (Henry VIII)|''Pastyme'']] | ||
* Josquin Desprez: | * Josquin Desprez: {{NoComp|El Grillo|Josquin des Prez}} | ||
* Legge: | * Legge: {{NoComp|Non nobis, Domine|Philip Legge}} | ||
* Morley: [[Now is the | * Morley: [[Now is the month of maying (Thomas Morley)|''Now is the month of maying'']] | ||
* Passereau: | * Passereau: {{NoComp|Il est bel et bon|Pierre Passereau}} | ||
* Purcell: [[Come, ye Sons of Art (Henry Purcell)|''Come ye Sons of Art'']], | * Purcell: [[Come, ye Sons of Art (Henry Purcell)|''Come ye Sons of Art'']], {{NoComp|If music be the food of love|Henry Purcell}} | ||
* Tye: [[Laudate nomen Domini (Christopher Tye)|''Laudate'']] | * Tye: [[Laudate nomen Domini (Christopher Tye)|''Laudate'']] | ||
* Vecchi: | * Vecchi: {{NoComp|Fa una canzona|Orazio Vecchi}} | ||
* Vulpius: [[Es ist ein Ros' entsprungen (Melchior Vulpius)|''Lo, how a rose'']] | * Vulpius: [[Es ist ein Ros' entsprungen (Melchior Vulpius)|''Lo, how a rose'']] | ||
* Weelkes: | * Weelkes: {{NoComp|All at once well met|Thomas Weelkes}} | ||
* Wheeler: | * Wheeler: {{NoComp|Old Mother Hubbard|Alfred Wheeler}} | ||
[[Category:CPDL Editors|Legge, Philip|]] | [[Category:CPDL Editors|Legge, Philip|]] |
Latest revision as of 12:43, 3 October 2017
May 2009 update
I might be doing a little bit of Wiki cleanup tasks again here at CPDL, but probably not at a very high rate of turnover. One thing I am determined to get done over the next month or so is the update of various scores in my extensive back catalogue of unfinished scores here:
- links to Berlioz full scores I've finally gotten done;
- tidy-up of the Mozart Great Mass in C (the vocal score is still rather shambolic);
- migration of wso.williams.edu scores to the choralwiki;
- some cross-fertilisation of useful templates from IMSLP, and vice versa.
I will of course attempt to answer the usual crop of e-mails that I receive as promptly as I can (address below).
Best regards, Philip Legge@ Φ 13:00, 9 May 2009 (AEST)
General information
Country of origin: Australia
Contributor since: 22 September 2000
Number of scores on CPDL: 53 distinct works, but somewhere in the vicinity of 146 scores or so...
Works with editions by this editor: 88 (see list)
Contact information
E-mail: Philip·M·Legge AT gmail·com
Website: PML Music Editions: music prepared by Philip Legge
Education
Bachelor of Science (Physics, Mathematics), University of Tasmania
Background
Philip Legge is an amateur musician based in Melbourne. Although always interested in music from an early age, he took up singing as an adult with the Tasmania University Musical Society thanks to the lure of performing in Beethoven's Choral Symphony. He sings mainly as a tenor or counter-tenor, and has performed a wide variety of repertoire with a number of choirs around Australia. He has from time to time conducted choirs, composed some choral music, and on several occasions unwillingly played as a repetiteur, despite not being a pianist!
Philip's interests range across seven centuries of Western art music, from the notational complexities of Guillaume Dufay, to modern composers such as György Ligeti, and as a musicologist he is particularly interested in notations pre-dating the modern era. He is especially knowledgeable in the music of Hector Berlioz and the English symphonist Havergal Brian, and has edited the latter's Symphony No. 7 in C (1948) for publication by United Music Publishing Ltd. Philip intends to eventually have public domain editions of Berlioz's Te Deum and Requiem available for download as full scores, vocal scores, and instrumental parts.
Other ongoing projects include performing editions of Mozart's Great Mass in C supplemented by suitable movements from two other Mozart masses; and Monteverdi's Mass and Vespers of 1610.
Scores
Key: FS = full score; VS = vocal score; Px = instrumental parts
CPDL# | Composer | Work | Source | Scorch | Notes | ||
---|---|---|---|---|---|---|---|
1391 | Handel | Dixit Dominus, HWV 232 | FS | MIDI | Sibelius 3 | Scorch 1 | Typeset from Chrysander, HG Band 38 (1872) |
1392 | Handel | Laudate pueri Dominum, HWV 237 | FS | MIDI | Sibelius 3 | Scorch 1 | Typeset from Chrysander, HG Band 38 (1872) |
1393 | Handel | Nisi Dominus, HWV 238 | FS | MIDI | Sibelius 1 | Scorch 1 | Typeset from Chrysander, HG Band 38 (1872) |
1404 | Berlioz | Grande messe des morts, H 75: I. Introït et Kyrie | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902) | |
1430 | Berlioz | Grande messe des morts, H 75: III. Quid sum miser | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902) | |
1431 | Berlioz | Grande messe des morts, H 75: V. Quærens me | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902) | |
1432 | Berlioz | Grande messe des morts, H 75: VIII. Hostias | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902) | |
1433 | Berlioz | Grande messe des morts, H 75: X. Agnus Dei | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (Leipzig, 1902) | |
1436 | Berlioz | Te Deum: II. Tibi omnes | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901) | |
1437 | Berlioz | Te Deum: VI. Judex crederis | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901) | |
1470 | Josquin | Praeter rerum seriem | VS | MIDI | Sibelius 3 | Scorch 1 | Typeset from Kalmus reprint No. 702, editorial copyright expired 1998 at latest |
1473 | Berlioz | La menace des Francs, H 117 | VS FS [IMSLP] |
Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 41 (Leipzig, 1903) | |
1474 | Berlioz | Hymne à la France, H 97 | VS FS [IMSLP] |
Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 40 (Leipzig, 1903) | |
1475 | Berlioz | Vox populi, H 120 | VS | Typeset from Malherbe & Weingartener, H.B. 40 & 41 (Leipzig, 1903) | |||
1999 | Berlioz | Te Deum: I. Te Deum laudamus | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901) | |
2000 | Berlioz | Te Deum: IV. Christe, rex gloriæ | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901) | |
2686 | Berlioz | Te Deum: V. Te ergo quæsumus | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901) | |
3142 3271 |
Berlioz | Te Deum: III. Dignare | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901) | |
3272 | Berlioz | Te Deum, H 118: complete | FS I–V FS VI–VII [IMSLP] |
Work page | Typeset from Malherbe & Weingartener, H.B. 26 (Leipzig, 1901) | ||
3273 | Berlioz | La mort d'Ophélie, Op. 18, No. 2 | FS+Px+VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 38 (Leipzig, 1903) | |
3274 | Berlioz | La mort d'Ophélie, Op. 18, No. 2 | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 38 (Leipzig, 1903) | |
3349 | Mozart | Great Mass in C minor: [1] Kyrie | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |
3432 | Mozart | Great Mass in C minor: [2] Gloria in excelsis Deo | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |
3564 | Berlioz | Le Dépit de la bergère, H 7 | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 79 (Leipzig, 1904) | |
3565 | Berlioz | Ecot des joyeux compagnons: Histoire d'un rat (from 'Faust') | FS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 29 (Leipzig, 1903) | |
3566 | Berlioz | Chanson de Méphistophélès: Histoire d'une puce (No. 5 from 'Faust') | FS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 29 (Leipzig, 1903) | |
3567 | Berlioz | Sérénade de Méphistophélès (No. 8 from 'Faust') | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 29 (Leipzig, 1903) | |
3568 | Berlioz | La Captive, orientale: Version A | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 91 (Leipzig, 1904) | |
3569 | Berlioz | La Captive, orientale: Version C | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 92 (Leipzig, 1904) | |
3570 | Berlioz | Chant des Chemins de fer | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 37 (Leipzig, 1903) | |
3571 | Berlioz | Nessun maggior piacere | VS | Sibelius 1 | Scorch 1 | Typeset from albumleaf facsimile | |
3572 | Bach | Cantata BWV 50 - Nun ist das Heil und die Kraft | VS | Sibelius 1 | Scorch 1 | Typeset from BGA | |
3573 3573bis |
Brumel | Missa Et ecce terræ motus: Agnus Dei à 12, completion | VS [WIMA] VS |
Sibelius 1 | Scorch 1 | Typeset from facsimile of Bayerische Staatsbibliothek Mus. MS 1 | |
3835 | Handel | Dixit Dominus, HWV 232 | Px | MIDI | Violins 1 & 2 Violas 1 & 2 Cello Bass Continuo |
Typeset from Chrysander, HG Band 38 (1872) | |
3836 | Bach | Cantata BWV 50 - Nun ist das Heil und die Kraft | FS+Px+VS | Sibelius 1 | Scorch 1 | Typeset from BGA | |
4948 | Mozart | Great Mass in C minor: [3] Laudamus te | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |
4949 | Mozart | Great Mass in C minor: [4] Gratias | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |
4950 | Mozart | Great Mass in C minor: [5] Domine Deus | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |
4951 | Mozart | Great Mass in C minor: [6] Qui tollis | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |
4952 | Mozart | Great Mass in C minor: [7] Quoniam | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |
4953 | Mozart | Great Mass in C minor: [8] Jesu Christe – Cum sancto spiritu | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |
4954 | Mozart | Great Mass in C minor: [11] Sanctus – Osanna | VS | Sibelius 1 | Scorch 1 | Editorial completion from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |
6158 | Mozart | Great Mass in C minor, KV 427: complete work | VS FS [IMSLP] |
Sibelius 3 | Work page | Typeset from Ph. Spitta, W.A.M. 427, B&H (Leipzig, 1882) | |
6495 | Mahler | Symphony No. 2 in C Minor ('Resurrection') - choral score | VS | Typeset from Universal Edition, plate U.E. 2933 (Vienna, 1910) | |||
6607 | Purcell | If music be the food of love, Z 379 | VS | Sibelius 3 | Retypeset; source unknown. | ||
6608 | Anonymous | Pase el agoa | VS | Sibelius 3 | Retypeset; urtext | ||
6951 | Horsley | Hail to thee, Sound! | VS | Scorch 1 | Edited from composer’s autograph FS and VS; Px and FS available on hire from RMP | ||
8489 | Handel | Laudate pueri Dominum, HWV 237 | Px | MIDI | Oboes 1 & 2 Violins 1 & 2 Violas 1 & 2 Continuo |
Typeset from Chrysander, HG Band 38 (1872) | |
8553 | Tallis | Spem in alium nunquam habui: Soprano partbook | Px | Typeset from Tudor Church Music VI (1928) | |||
8554 | Tallis | Spem in alium nunquam habui: Alto partbook | Px | Typeset from Tudor Church Music VI (1928) | |||
8555 | Tallis | Spem in alium nunquam habui: Tenor partbook | Px | Typeset from Tudor Church Music VI (1928) | |||
8556 | Tallis | Spem in alium nunquam habui: Baritone partbook | Px | Typeset from Tudor Church Music VI (1928) | |||
8557 | Tallis | Spem in alium nunquam habui: Bass partbook | Px | Typeset from Tudor Church Music VI (1928) | |||
8558 | Tallis | Spem in alium nunquam habui à 40: Full score | FS | Scorch 1 | Typeset from Tudor Church Music VI (1928) | ||
10522 | Handel | Zadok the Priest, HWV 258 | FS | MIDI | Sibelius 3 Sibelius 4 |
Typeset from Chrysander, HG Band 14 (1863) | |
10530 | Allegri | Miserere mei | VS | Sibelius 3 | Re-typeset after Guest | ||
10587 | Dufay | Nuper rosarum flores | VS | MIDI | Sibelius 3 | Scorch 3 | Typeset from facsimile |
10604 | Eccles | My man John | VS | Typeset from facsimile | |||
10605 | Schütz | Das ist je gewißlich wahr | VS | Retypeset from complete works | |||
10611 | Lassus | Missa Quand'io pens'al martire | VS | Sibelius 3 | Typeset from Kalmus reprint | ||
10612 | Palestrina | Missa Iste Confessor à 4 | VS | Sibelius 3 | Typeset from Haberl (edition does not contain Credo) | ||
10613 | Palestrina | Missa O Rex gloriae à 4 | VS | Sibelius 1 | Typeset from Haberl (edition does not contain Credo) | ||
10614 | Ockeghem | Deo Gratias: Parts | Px | Realisation of CPDL #4065 | |||
10615 | Ockeghem | Deo gratias à 36: Full score | FS | Scorch | Realisation of CPDL #4065 | ||
10646 | Charpentier | Messe, H 1: Kyrie, Gloria | FS | Typeset from facsimile | |||
10735 | Dowland | Come again! | VS | Sibelius 3 | Re-edited from various sources, included in CPDL #10760 | ||
10736 | Henry VIII | Pastime with good company | VS | Sibelius 3 | Re-edited from various sources, included in CPDL #10760 | ||
10737 | Tye | Laudate nomen Domini | VS | Sibelius 3 | Re-edited from various sources, included in CPDL #10760 | ||
10738 | Purcell | Come, ye Sons of Art, Z 323 | VS | Sibelius 3 | Re-edited from Shaw, Birthday Odes, Purcell Society (1926), included in CPDL #10760 | ||
10739 10740 10741 |
Anonymous after Wilder Legge Dowland |
Non nobis Domine Non nobis, Domine Fine knacks for Ladies, cheap, choise, braue and new |
VS | Sibelius 3 | Re-edited from various sources, included in CPDL #10760 | ||
10742 | Anonymous | Dona nobis pacem | VS | Sibelius 3 | Re-edited from various sources, included in CPDL #10760 | ||
10743 | Bennet | Weep, O mine eyes | VS | Sibelius 3 | Re-edited from various sources, included in CPDL #10760 | ||
10744 10746 |
Anonymous | Alle psallite cum luya Drink to me only |
VS | Sibelius 3 | Re-edited from various sources, included in CPDL #10760 | ||
10745 | Anonymous | Gaudeamus igitur | VS | Sibelius 3 | Re-edited from various sources, included in CPDL #10760 | ||
10747 | Morley | Now is the month of maying | VS | Sibelius 3 | Re-edited from various sources, included in CPDL #10760 | ||
10748 10755 |
Anonymous/Henry VIII Ellyard |
Greensleeves Round on a well-known text |
VS | Sibelius 3 | Typeset from facsimile, included in CPDL #10760 | ||
10749 | Josquin | El Grillo | VS | Sibelius 3 | Typeset from facsimile, included in CPDL #10760 | ||
10750 | Legge | Kubla Khan, Op. 1 | VS FS [IMSLP] |
MIDI | Scorch | ||
10760 | Various | TUMS Busking Book | VS | Sibelius 3 | Re-edited from various sources | ||
10787 | Handel | Zadok the Priest, HWV 258 | Px | MIDI | Oboe 1 & 2 Bassoons 1 & 2 Trumpets 1, 2 & 3 Timpani Violins 1, 2 & 3 Viola, Cello, Bass [Continuo] |
Typeset from Chrysander, HG Band 14 (1863) | |
11088 | Mozart | Requiem, KV 626 | FS | Re-typeset from autograph facsimile | |||
11117 | Fauré | Requiem in D minor, Op. 48: Full score | FS | Typeset from Hamelle [@IMSLP] (Paris, 1900) | |||
11222 | Monteverdi | Domine ad adiuvandum, SV 318 | FS+Px | MIDI | Typeset from Amadino, Sanctissimae Virgini (Venice, 1610) | ||
11232 | Schütz | Alleluja! Lobet den Herren à 16, SWV 38: Full score | FS | MIDI | Sibelius 3 | Scorch | Typeset from complete works |
11233 | Schütz | Alleluja! Lobet den Herren: Vocal score | VS | Typeset from complete works | |||
11234 | Schütz | Alleluja! Lobet den Herren: Extra choirs | VS | Typeset from complete works | |||
11235 | Schütz | Alleluja! Lobet den Herren: Parts | Px | Typeset from complete works | |||
11409 | Mozart | Great Mass in C minor: [9] Credo in unum Deum | VS | Sibelius 1 | Scorch 1 | Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882) | |
11410 | Mozart | Great Mass in C minor: [10] Et incarnatus est | VS | Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882) | |||
11411 | Mozart | Great Mass in C minor: [12] Benedictus – Osanna | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
11412 | Mozart | Great Mass in C minor: [A1] Crucifixus – [A2] Et in Spiritum | VS | Sibelius 1 | Scorch 1 | Editorial completion from Ph. Spitta, W.A.M. 262, B&H (1878) | |
11421 | Monteverdi | L'Orfeo, Favola in Musica, SV 318 | FS+Px | Typeset from Amadino, L’Orfeo [@IMSLP] (Venice, 1615) | |||
11578 | Legge | Ave atque vale | VS | Sung as part of the 2007 ROCS Occasional Choral Competition (but ineligible) | |||
11784 | Mozart | Ave verum corpus, KV 618 | VS | MIDI | Sibelius 3 | Re-typeset after NMA | |
11825 | Brahms | Ein deutsches Requiem: 1. Selig sind, die da Leid tragen | VS | MIDI | Sibelius 3 | Re-typeset after complete works ed. E. Mandyczewski | |
11826 | Brahms | Ein deutsches Requiem: 2. Denn alles Fleisch, wie est Gras | VS | MIDI | Sibelius 3 | Re-typeset after complete works ed. E. Mandyczewski | |
11827 | Brahms | Ein deutsches Requiem: 3. Herr, lehre doch mich | VS | MIDI | Sibelius 3 | Re-typeset after complete works ed. E. Mandyczewski | |
11828 | Brahms | Ein deutsches Requiem: 4. Wie lieblich sind deine Wohnungen | VS | MIDI | Sibelius 3 | Re-typeset after complete works ed. E. Mandyczewski | |
11829 | Brahms | Ein deutsches Requiem: 5. Ihr habt nun Traurigkeit | VS | MIDI | Sibelius 3 | Re-typeset after complete works ed. E. Mandyczewski | |
11830 | Brahms | Ein deutsches Requiem: 6. Denn wir haben hie keine bleibende Statt | VS | MIDI | Sibelius 3 | Re-typeset after complete works ed. E. Mandyczewski | |
11831 | Brahms | Ein deutsches Requiem: 7. Selig sind die Toten | VS | MIDI | Sibelius 3 | Re-typeset after complete works ed. E. Mandyczewski | |
11832 | Brahms | Ein deutsches Requiem, Op. 45: complete | VS | Re-typeset after complete works ed. E. Mandyczewski | |||
11932 | Josquin | Qui habitat in adjutorio altissimi à 24 | Px | Sibelius 3 | Scorch 3 | Individual canons derived from CPDL #5915, edited by Sabine Cassola | |
12709 | Carver | O bone Jesu à 19 | FS | Arranged from CPDL #7869, edited by Sabine Cassola | |||
13611 | Fauré | Requiem in D minor, Op. 48: Vocal score | FS | Typeset from Hamelle [@IMSLP] (Paris, 1900) | |||
13637 | Fauré | Cantique de Jean Racine, Op. 11: Full score, Parts | FS, Px | Arranged from CPDL #130/#2745, edited by Rafael Ornes/Denis Mason | |||
13638 | Purcell | Come, ye Sons of Art, Z 323: Full score | FS | Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | |||
13665 | Borodin | Polovetsian Dances (from Prince Igor) | VS | Re-edited from M.P. Belaieff (Leipzig, 1888) | |||
15250 | Brumel | Missa Et ecce terræ motus à 12: complete | VS | Typeset from facsimile of Bayerische Staatsbibliothek Mus. MS 1 | |||
15467 | Purcell | Come, ye Sons of Art, Z 323: Vocal score | VS | Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | |||
15527 | Biber | Plaudite tympana, C App. 104: Vocal score | VS | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903) | |||
15540 | Biber | Plaudite tympana à 54, C App. 104: Full score | FS | Sibelius 5 | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903) | ||
15541 | Biber | Plaudite tympana, C App. 104: Parts | Px | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903) | |||
15737 | Biber | Missa Salisburgensis, C App. 101: Kyrie, Vocal score | VS | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903) | |||
15742 | Anonymous | Sumer is Icumen In | VS | Typeset from autograph facsimile | |||
15750 | Biber | Requiem in f, C 8: Vocal score | VS | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 59 (1923) | |||
15751 | Biber | Requiem in f à 14, C 8: Full score | FS | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 59 (1923) | |||
15752 | Legge | I hear the land, Op. 4 | VS | Sung as part of the 2007 ROCS Occasional Choral Competition (but ineligible) | |||
15754 | Winikoff | This is Australia | VS | Winning entry in the ROCS Occasional Choral Competition | |||
15804 | Tallis | Spem in alium nunquam habui: Choirs I and II | VS | Typeset from Tudor Church Music VI (1928) | |||
15805 | Tallis | Spem in alium nunquam habui: Choirs III and IV | VS | Typeset from Tudor Church Music VI (1928) | |||
15806 | Tallis | Spem in alium nunquam habui: Choirs V and VI | VS | Typeset from Tudor Church Music VI (1928) | |||
15807 | Tallis | Spem in alium nunquam habui: Choirs VII and VIII | VS | Typeset from Tudor Church Music VI (1928) | |||
16368 | Purcell | Come, ye Sons of Art, Z 323: Parts | Px | Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | |||
16369 | Biber | Missa Salisburgensis, C App. 101: Kyrie, Parts | Px | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903) | |||
16370 | Biber | Missa Salisburgensis à 54, C App. 101: Kyrie, Full score | FS | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903) | |||
16491 | Striggio | Ecce beatam lucem: Choir 1 | VS | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
16492 | Striggio | Ecce beatam lucem: Choir 2 | VS | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
16493 | Striggio | Ecce beatam lucem: Choir 3 | VS | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
16494 | Striggio | Ecce beatam lucem: Choir 4 | VS | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
16495 | Striggio | Ecce beatam lucem: Choir 5 | VS | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
16496 | Striggio | Ecce beatam lucem: Continuo | Px | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
16497 | Striggio | Ecce beatam lucem à 40: Full score | FS | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
19156 | Mozart | Great Mass in C minor: [B1] Agnus Dei – [B2] Dona nobis pacem | VS | Sibelius 3 Sibelius 3 |
Scorch 3 Scorch 3 |
Editorial additions to Ph. Spitta, W.A.M. 337, B&H (1878) | |
19592 | Legge | Ite, missa est, Op. 6 | FS+VS+Px | ||||
19690 | Biber | Requiem in f, C 8: Parts | Px | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 59 (1923) | |||
19694 | Uitdenbogerd | Space Tale: Vocal score | VS | ||||
19695 | Uitdenbogerd | Space Tale: Full score and parts | FS+Px | ||||
19696 | Uitdenbogerd | Who's in the Next Room: Vocal score | VS | Sung as part of the 2007 ROCS Occasional Choral Competition (but ineligible) | |||
19697 | Uitdenbogerd | I Wandered Lonely as a Cloud: Full score and parts | VS | Sung as part of the 2007 ROCS Occasional Choral Competition (but ineligible) | |||
19805 | Tallis | Spem in alium nunquam habui: Choirs I and II, large format | VS | Typeset from Tudor Church Music VI (1928) | |||
19806 | Tallis | Spem in alium nunquam habui: Choirs III and IV, large format | VS | Typeset from Tudor Church Music VI (1928) | |||
19807 | Tallis | Spem in alium nunquam habui: Choirs V and VI, large format | VS | Typeset from Tudor Church Music VI (1928) | |||
19808 | Tallis | Spem in alium nunquam habui: Choirs VII and VIII, large format | VS | Typeset from Tudor Church Music VI (1928) | |||
19871 | Rachmaninov | Bogorodĩtsẽ Dẽvo | VS | Typeset from Muzyka edition | |||
20094 | Monteverdi | Iste confessor, SV 279 | FS+Px | Typeset from Magni, Selva morale e spirituale (Venice, 1641) |
Works in progress
- Gesualdo: Tenebræ responses for Holy Saturday (another edition is available)
- Monteverdi: Missa In illo tempore, Vespro della beata Vergine (1610) full and vocal scores, and parts: hopefully in time for 2010!
The PML Music Editions page has a fuller list of music, including orchestral music and some works with copyright restrictions (making them unsuitable for inclusion in the CPDL).
Publications
The TUMS Busking Book, a compendium of 26 madrigals, motets, songs, rounds, and canons, as sung by the Tasmania University Musical Society. Edition 2 of the book is currently in planning, and will include several additional pieces (e.g. Bruckner Locus iste, Rachmaninov Bogorodĩtsẽ Dẽvo).
Index by composer:
- Anonymous: Alle psallite, Dona nobis pacem, Drink to me only, Gaudeamus igitur, Non nobis Domine, Pase el agoa
- Bateson: Your shining eyes
- Bennet: Weep O mine eyes
- Dowland: Come again!, Fine knacks
- Ellyard: Round on a well-known text
- Farmer: Faire Phyllis
- Ford: Since first
- Henry VIII: Greensleeves, Pastyme
- Josquin Desprez: El Grillo
- Legge: Non nobis, Domine
- Morley: Now is the month of maying
- Passereau: Il est bel et bon
- Purcell: Come ye Sons of Art, If music be the food of love
- Tye: Laudate
- Vecchi: Fa una canzona
- Vulpius: Lo, how a rose
- Weelkes: All at once well met
- Wheeler: Old Mother Hubbard