User:Philip Legge: Difference between revisions

From ChoralWiki

Revision as of 09:42, 7 June 2009

May 2009 update

I might be doing a little bit of Wiki cleanup tasks again here at CPDL, but probably not at a very high rate of turnover. One thing I am determined to get done over the next month or so is the update of various scores in my extensive back catalogue of unfinished scores here:

links to Berlioz full scores I've finally gotten done;
tidy-up of the Mozart Great Mass in C (the vocal score is still rather shambolic);
migration of wso.williams.edu scores to the choralwiki;
some cross-fertilisation of useful templates from IMSLP, and vice versa.

I will of course attempt to answer the usual crop of e-mails that I receive as promptly as I can (address below).

Best regards, Philip Legge_{@ Φ} 13:00, 9 May 2009 (AEST)

General information

Country of origin: Australia

Contributor since: 22 September 2000

Number of scores on CPDL: 53 distinct works, but somewhere in the vicinity of 146 scores or so...

List scores by this editor

Contact information

E-mail: Philip·M·Legge AT gmail·com

Website: PML Music Editions: music prepared by Philip Legge

Education

Bachelor of Science (Physics, Mathematics), University of Tasmania

Background

Philip Legge is an amateur musician based in Melbourne. Although always interested in music from an early age, he took up singing as an adult with the Tasmania University Musical Society thanks to the lure of performing in Beethoven's Choral Symphony. He sings mainly as a tenor or counter-tenor, and has performed a wide variety of repertoire with a number of choirs around Australia. He has from time to time conducted choirs, composed some choral music, and on several occasions unwillingly played as a repetiteur, despite not being a pianist!

Philip's interests range across seven centuries of Western art music, from the notational complexities of Guillaume Dufay, to modern composers such as György Ligeti, and as a musicologist he is particularly interested in notations pre-dating the modern era. He is especially knowledgeable in the music of Hector Berlioz and the English symphonist Havergal Brian, and has edited the latter's Symphony No. 7 in C (1948) for publication by United Music Publishing Ltd. Philip intends to eventually have public domain editions of Berlioz's Te Deum and Requiem available for download as full scores, vocal scores, and instrumental parts.

Other ongoing projects include performing editions of Mozart's Great Mass in C supplemented by suitable movements from two other Mozart masses; and Monteverdi's Mass and Vespers of 1610.

Scores

Key: FS = full score; VS = vocal score; Px = instrumental parts

CPDL#	Composer	Work			Source	Scorch	Notes
1391	Handel	Dixit Dominus, HWV 232	FS	MIDI	Sibelius 3	Scorch 1	Typeset from Chrysander, HG Band 38 (1872)
1392	Handel	Laudate pueri Dominum, HWV 237	FS	MIDI	Sibelius 3	Scorch 1	Typeset from Chrysander, HG Band 38 (1872)
1393	Handel	Nisi Dominus, HWV 238	FS	MIDI	Sibelius 1	Scorch 1	Typeset from Chrysander, HG Band 38 (1872)
1404	Berlioz	Grande messe des morts, H 75: I. Introït et Kyrie	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 25 (1902)
1430	Berlioz	Grande messe des morts, H 75: III. Quid sum miser	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 25 (1902)
1431	Berlioz	Grande messe des morts, H 75: V. Quærens me	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 25 (1902)
1432	Berlioz	Grande messe des morts, H 75: VIII. Hostias	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 25 (1902)
1433	Berlioz	Grande messe des morts, H 75: X. Agnus Dei	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 25 (1902)
1436	Berlioz	Te deum, H 118: II. Tibi omnes	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 26 (1901)
1437	Berlioz	Te deum, H 118: VI. Judex crederis	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 26 (1901)
1470	Josquin	Praeter rerum seriem	VS	MIDI	Sibelius 3	Scorch 1	Typeset from Kalmus reprint No. 702, editorial copyright expired 1998 at latest
1473	Berlioz	La menace des Francs, H 117	VS FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 41 (1903)
1474	Berlioz	Hymne à la France (from 'Vox populi')	VS FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 40 (1903)
1475	Berlioz	Vox populi, H 120	VS				Typeset from Malherbe & Weingartener, H.B. 40 & 41 (1903)
1999	Berlioz	Te deum, H 118: I. Te Deum laudamus	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 26 (1901)
2000	Berlioz	Te deum, H 118: IV. Christe, rex gloriæ	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 26 (1901)
2686	Berlioz	Te deum, H 118: V. Te ergo quæsumus	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 26 (1901)
3142 3271	Berlioz	Te deum, H 118: III. Dignare	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 26 (1901)
3272	Berlioz	Te deum, H 118 (complete)	FS I–V FS VI–VII [IMSLP]			Work page	Typeset from Malherbe & Weingartener, H.B. 26 (1901)
3273	Berlioz	La mort d'Ophélie, Op. 18, No. 2	FS+Px+VS		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 38 (1903)
3274	Berlioz	La mort d'Ophélie, Op. 18, No. 2	VS		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 38 (1903)
3349	Mozart	Great Mass in C minor, KV 427: [1] Kyrie	VS		Sibelius 1	Scorch 1	Typeset from Ph. Spitta, W.A.M. 427, B&H (1882)
3432	Mozart	Great Mass in C minor, KV 427: [2] Gloria in excelsis Deo	VS		Sibelius 1	Scorch 1	Typeset from Ph. Spitta, W.A.M. 427, B&H (1882)
3564	Berlioz	Le Dépit de la bergère	VS		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 79 (1904)
3565	Berlioz	Ecot des joyeux compagnons: Histoire d'un rat (from 'Faust')	FS		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 29 (1903)
3566	Berlioz	Chanson de Méphistophélès: Histoire d'une puce (No. 5 from 'Faust')	FS		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 29 (1903)
3567	Berlioz	Sérénade de Méphistophélès (No. 8 from 'Faust')	VS		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 29 (1903)
3568	Berlioz	La Captive, orientale: Version A	VS		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 91 (1904)
3569	Berlioz	La Captive, orientale: Version C	VS		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 92 (1904)
3570	Berlioz	Chant des Chemins de fer	FS [IMSLP]		Sibelius 1	Scorch 1	Typeset from Malherbe & Weingartener, H.B. 37 (1903)
3571	Berlioz	Nessun maggior piacere	VS		Sibelius 1	Scorch 1	Typeset from albumleaf facsimile
3572	Bach	Cantata BWV 50 - Nun ist das Heil und die Kraft	VS		Sibelius 1	Scorch 1	Typeset from BGA
3573 3573bis	Brumel	Missa Et ecce terræ motus: Agnus Dei à 12, completion	VS [WIMA] VS		Sibelius 1	Scorch 1	Typeset from facsimile of Bayerische Staatsbibliothek Mus. MS 1
3835	Handel	Dixit Dominus, HWV 232	Px	MIDI	Violins 1 & 2 Violas 1 & 2 Cello Bass Continuo		Typeset from Chrysander, HG Band 38 (1872)
3836	Bach	Cantata BWV 50 - Nun ist das Heil und die Kraft	FS+Px+VS		Sibelius 1	Scorch 1	Typeset from BGA
4948	Mozart	Great Mass in C minor, KV 427: [3] Laudamus te	VS		Sibelius 1	Scorch 1	Typeset from Ph. Spitta, W.A.M. 427, B&H (1882)
4949	Mozart	Great Mass in C minor, KV 427: [4] Gratias	VS		Sibelius 1	Scorch 1	Typeset from Ph. Spitta, W.A.M. 427, B&H (1882)
4950	Mozart	Great Mass in C minor, KV 427: [5] Domine Deus	VS		Sibelius 1	Scorch 1	Typeset from Ph. Spitta, W.A.M. 427, B&H (1882)
4951	Mozart	Great Mass in C minor, KV 427: [6] Qui tollis	VS		Sibelius 1	Scorch 1	Typeset from Ph. Spitta, W.A.M. 427, B&H (1882)
4952	Mozart	Great Mass in C minor, KV 427: [7] Quoniam	VS		Sibelius 1	Scorch 1	Typeset from Ph. Spitta, W.A.M. 427, B&H (1882)
4953	Mozart	Great Mass in C minor, KV 427: [8] Jesu Christe – Cum sancto spiritu	VS		Sibelius 1	Scorch 1	Typeset from Ph. Spitta, W.A.M. 427, B&H (1882)
4954	Mozart	Great Mass in C minor, KV 427: [11] Sanctus – Osanna	VS		Sibelius 1	Scorch 1	Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882)
6158	Mozart	Great Mass in C minor, KV 427: complete work	VS FS [IMSLP]		Sibelius 3	Work page	Typeset from Ph. Spitta, W.A.M. 427, B&H (1882)
6495	Mahler	Symphony No. 2 in C Minor ('Resurrection') - choral score	VS				Typeset from Universal Edition, plate U.E. 2933 (1910).
6607	Purcell	If Music be the Food of Love	VS		Sibelius 3		Retypeset; source unknown.
6608	Anonymous	Pase el agoa	VS		Sibelius 3		Retypeset; urtext
6951	Horsley	Hail to thee, Sound!	VS			Scorch 1	Edited from composer’s autograph FS and VS; Px and FS available on hire from RMP
8489	Handel	Laudate pueri Dominum, HWV 237	Px	MIDI	Oboes 1 & 2 Violins 1 & 2 Violas 1 & 2 Continuo		Typeset from Chrysander, HG Band 38 (1872)
8553	Tallis	Spem in alium nunquam habui: Soprano partbook	Px				Typeset from Tudor Church Music VI (1928)
8554	Tallis	Spem in alium nunquam habui: Alto partbook	Px				Typeset from Tudor Church Music VI (1928)
8555	Tallis	Spem in alium nunquam habui: Tenor partbook	Px				Typeset from Tudor Church Music VI (1928)
8556	Tallis	Spem in alium nunquam habui: Baritone partbook	Px				Typeset from Tudor Church Music VI (1928)
8557	Tallis	Spem in alium nunquam habui: Bass partbook	Px				Typeset from Tudor Church Music VI (1928)
8558	Tallis	Spem in alium nunquam habui: Full Score	FS			Scorch 1	Typeset from Tudor Church Music VI (1928)
10522	Handel	Zadok the Priest, HWV 258	FS	MIDI	Sibelius 3 Sibelius 4		Typeset from Chrysander, HG Band 14 (1863)
10530	Allegri	Miserere mei	VS		Sibelius 3		Re-typeset after Guest
10739	Purcell	Come, ye Sons of Art, Z 323	VS		Sibelius 3		Re-edited from Shaw, Birthday Odes, Purcell Society (1926)
10750	Legge	Kubla Khan	VS FS [IMSLP]	MIDI		Scorch
10787	Handel	Zadok the Priest, HWV 258	Px	MIDI	Oboe 1 & 2 Bassoons 1 & 2 Trumpets 1, 2 & 3 Timpani Violins 1, 2 & 3 Viola, Cello, Bass [Continuo]		Typeset from Chrysander, HG Band 14 (1863)
11088	Mozart	Requiem, KV 626	FS				Re-typeset from autograph facsimile
11409	Mozart	Great Mass in C minor, KV 427: [9] Credo in unum Deum	VS		Sibelius 1	Scorch 1	Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882)
11410	Mozart	Great Mass in C minor, KV 427: [10] Et incarnatus est	VS				Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882)
11411	Mozart	Great Mass in C minor, KV 427: [12] Benedictus – Osanna	VS		Sibelius 1	Scorch 1	Typeset from Ph. Spitta, W.A.M. 427, B&H (1882)
11412	Mozart	Great Mass in C minor, KV 427: [A1] Crucifixus – [A2] Et in Spiritum	VS		Sibelius 1	Scorch 1	Editorial completion from Ph. Spitta, W.A.M. 262, B&H (1878)
11578	Legge	Ave atque vale	VS
11784	Mozart	Ave verum corpus, KV 618	VS	MIDI	Sibelius 3		Re-typeset after NMA
11825	Brahms	Ein deutsches Requiem, Op. 45: 1. Selig sind, die da Leid tragen	VS	MIDI	Sibelius 3		Re-typeset after complete works ed. E. Mandyczewski
11826	Brahms	Ein deutsches Requiem, Op. 45: 2. Denn alles Fleisch, wie est Gras	VS	MIDI	Sibelius 3		Re-typeset after complete works ed. E. Mandyczewski
11827	Brahms	Ein deutsches Requiem, Op. 45: 3. Herr, lehre doch mich	VS	MIDI	Sibelius 3		Re-typeset after complete works ed. E. Mandyczewski
11828	Brahms	Ein deutsches Requiem, Op. 45: 4. Wie lieblich sind deine Wohnungen	VS	MIDI	Sibelius 3		Re-typeset after complete works ed. E. Mandyczewski
11829	Brahms	Ein deutsches Requiem, Op. 45: 5. Ihr habt nun Traurigkeit	VS	MIDI	Sibelius 3		Re-typeset after complete works ed. E. Mandyczewski
11830	Brahms	Ein deutsches Requiem, Op. 45: 6. Denn wir haben hie keine bleibende Statt	VS	MIDI	Sibelius 3		Re-typeset after complete works ed. E. Mandyczewski
11831	Brahms	Ein deutsches Requiem, Op. 45: 7. Selig sind die Toten	VS	MIDI	Sibelius 3		Re-typeset after complete works ed. E. Mandyczewski
11832	Brahms	Ein deutsches Requiem, Op. 45 (complete)	VS				Re-typeset after complete works ed. E. Mandyczewski
11932	Josquin	Qui habitat	Px		Sibelius 3	Scorch 3	Individual canons derived from CPDL #5915, edited by Sabine Cassola
13638	Purcell	Come, ye Sons of Art, Z 323	FS				Re-edited from Shaw, Birthday Odes, Purcell Society (1926)
13665	Borodin	Polovetsian Dances (from Prince Igor)	VS				Re-edited from M.P. Belaieff
15250	Brumel	Missa Et ecce terræ motus: complete	VS				Typeset from facsimile of Bayerische Staatsbibliothek Mus. MS 1
15467	Purcell	Come, ye Sons of Art, Z 323	VS				Re-edited from Shaw, Birthday Odes, Purcell Society (1926)
15527	Biber	Plaudite tympana: Vocal score	VS				Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903)
15540	Biber	Plaudite tympana: Full score	FS		Sibelius 5		Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903)
15541	Biber	Plaudite tympana	Px				Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903)
15737	Biber	Missa Salisburgensis: Kyrie, Vocal score	VS				Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903)
15742	Anonymous	Sumer is Icumen In	VS				Typeset from autograph facsimile
15750	Biber	Requiem in f: Introïtus et Kyrie, Sequentia, Vocal score	VS				Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 59 (1923)
15751	Biber	Requiem in f: Introïtus et Kyrie, Sequentia, Full score	FS				Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 59 (1923)
15752	Legge	I hear the land	VS
15754	Winikoff	This is Australia	VS
15804	Tallis	Spem in alium nunquam habui: Choirs I and II	VS				Typeset from Tudor Church Music VI (1928)
15805	Tallis	Spem in alium nunquam habui: Choirs III and IV	VS				Typeset from Tudor Church Music VI (1928)
15806	Tallis	Spem in alium nunquam habui: Choirs V and VI	VS				Typeset from Tudor Church Music VI (1928)
15807	Tallis	Spem in alium nunquam habui: Choirs VII and VIII	VS				Typeset from Tudor Church Music VI (1928)
16368	Purcell	Come, ye Sons of Art, Z 323: Parts	Px				Re-edited from Shaw, Birthday Odes, Purcell Society (1926)
16369	Biber	Missa Salisburgensis: Kyrie, Parts	Px				Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903)
16370	Biber	Missa Salisburgensis: Kyrie, Full score	FS				Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903)
16491	Striggio	Ecce beatam lucem: Choir 1	VS				Re-typeset from CPDL #10763, edited by Sabine Cassola
16492	Striggio	Ecce beatam lucem: Choir 2	VS				Re-typeset from CPDL #10763, edited by Sabine Cassola
16493	Striggio	Ecce beatam lucem: Choir 3	VS				Re-typeset from CPDL #10763, edited by Sabine Cassola
16494	Striggio	Ecce beatam lucem: Choir 4	VS				Re-typeset from CPDL #10763, edited by Sabine Cassola
16495	Striggio	Ecce beatam lucem: Choir 5	VS				Re-typeset from CPDL #10763, edited by Sabine Cassola
16496	Striggio	Ecce beatam lucem: Continuo	Px				Re-typeset from CPDL #10763, edited by Sabine Cassola
16497	Striggio	Ecce beatam lucem: Full score	FS				Re-typeset from CPDL #10763, edited by Sabine Cassola
19156	Mozart	Great Mass in C minor, KV 427: [B1] Agnus Dei – [B2] Dona nobis pacem	VS		Sibelius 3 Sibelius 3	Scorch 3 Scorch 3	Editorial completion from Ph. Spitta, W.A.M. 337, B&H (1878)
19592	Legge	Ite, missa est	FS+VS+Px

PDF versions: (v = vocal score; f = full score; p = parts available; [ ] = work in progress)

A. Borodin: Polovetsian Dances from Prince Igor (v)
R. Carver arr. Legge: O bone Jesu 19vv (v)
M.-A. Charpentier: H 1 Mass for double choir, Kyrie & Gloria (f)
G. Dufay: Nuper rosarum flores (v)
J. Eccles: My man John (v)
G. Fauré: Requiem in D minor, Op. 48 (1888/1893 version) (v, f), Cantique de Jean Racine, Op. 11 (f+p)
[C. Gesualdo: Tenebræ responses for Holy Saturday]
Orlande de Lassus: Missa Quand'io pens'al martire (v)
C. Monteverdi: Orfeo – Toccata, Prologue, & Act One (f)
[C. Monteverdi: Missa In illo tempore (1610) (v)]
C. Monteverdi: Domine ad adiuvandum (1610) (v, f, p)
J. de Okeghem: Deo gratia 36vv (v/p, f)
G.P. da Palestrina: Missa Iste confessor, Missa O Rex gloriæ (v); editions do not contain Credo.
H.S. Schütz: Alleluja! Lobet den Herren (Psalm 150), SWV 38, 16vv (v, f, p), Das ist je gewißlich wahr (v)

The PML Music Editions page has a fuller list of music, including orchestral music and some works with copyright restrictions (making them unsuitable for inclusion in the CPDL).

Publications

The TUMS Busking Book, a compendium of 26 madrigals, motets, songs, rounds, and canons, as sung by the Tasmania University Musical Society.

Index by composer:

Anonymous: Alle psallite, Dona nobis pacem, Drink to me only, Gaudeamus igitur, Non nobis Domine, Pase el agoa
Bateson: Your shining eyes
Bennet: Weep O mine eyes
Dowland: Come again!, Fine knacks
Ellyard: Round on a well-known text
Farmer: Faire Phyllis
Ford: Since first
Henry VIII: Greensleeves, Pastyme
Josquin Desprez: El Grillo
Legge: Non nobis, Domine
Morley: Now is the month of maying
Passereau: Il est bel et bon
Purcell: Come ye Sons of Art, If music be the food of love
Tye: Laudate
Vecchi: Fa una canzona
Vulpius: Lo, how a rose
Weelkes: All at once well met
Wheeler: Old Mother Hubbard

Retrieved from "https://www.cpdl.org/wiki/index.php?title=User:Philip_Legge&oldid=210214"

Category:

CPDL Editors

@@ Line 52: / Line 52: @@
 |1391||[[George Frideric Handel|Handel]]||{{NoComp|Dixit Dominus, HWV 232|George Frideric Handel}}||[{{SERVER}}/wiki/sheet/232dixit.pdf FS]||[http://www.classicalarchives.com/handel.html#handel_sacred MIDI]||[[Media:HWV232 Dixit Dominus PML.sib|Sibelius 3]]||[[philiplegge:handel/dixit.html|Scorch 1]]||Typeset from Chrysander, HG Band 38 (1872)
 |-
-|1392||[[George Frideric Handel|Handel]]||[[Laudate pueri Dominum in D (George Frideric Handel)|Laudate pueri Dominum, HWV 237]]||[{{SERVER}}/wiki/sheet/237lauda.pdf FS]||[http://www.classicalarchives.com/handel.html#handel_sacred MIDI]||[[Media:HWV237 Laudate PML.sib|Sibelius 3]]||[[philiplegge:handel/laudate.html|Scorch 1]]||Typeset from Chrysander, HG Band 38 (1872)
+|1392||[[George Frideric Handel|Handel]]||''[[Laudate pueri Dominum in D (George Frideric Handel)|Laudate pueri Dominum, HWV 237]]''||[{{SERVER}}/wiki/sheet/237lauda.pdf FS]||[http://www.classicalarchives.com/handel.html#handel_sacred MIDI]||[[Media:HWV237 Laudate PML.sib|Sibelius 3]]||[[philiplegge:handel/laudate.html|Scorch 1]]||Typeset from Chrysander, HG Band 38 (1872)
 |-
 |1393||[[George Frideric Handel|Handel]]||{{NoComp|Nisi Dominus, HWV 238|George Frideric Handel}}||[{{SERVER}}/wiki/sheet/238nisi.pdf FS]||[http://www.classicalarchives.com/handel.html#handel_sacred MIDI]||[[Media:HWV238 Nisi Dominus PML.sib|Sibelius 1]]||[[philiplegge:handel/nisi.html|Scorch 1]]||Typeset from Chrysander, HG Band 38 (1872)
@@ Line 86: / Line 86: @@
 |3142 <br>3271||[[Hector Berlioz|Berlioz]]||{{NoComp|Te deum, H 118|Hector Berlioz}}: III. Dignare||[http://imslp.org/wiki/Special:ImagefromIndex/26472 FS] [IMSLP]|| ||[[philiplegge:berlioz/h118.christe,rex_gloriae.sib|Sibelius 1]]||[[philiplegge:scorch/h118christe.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 26 (1901)
 |-
-|3272||[[Hector Berlioz|Berlioz]]||{{NoComp|Te deum, H 118|Hector Berlioz}} (complete)||[http://imslp.org/wiki/Special:ImagefromIndex/26472 FS I-V]<br>[http://imslp.org/wiki/Special:ImagefromIndex/26473 FS VI-VII]<br>[IMSLP]|| || ||[[philiplegge:berlioz/te_deum/|Work page]]||Typeset from Malherbe & Weingartener, H.B. 26 (1901)
+|3272||[[Hector Berlioz|Berlioz]]||{{NoComp|Te deum, H 118|Hector Berlioz}} (complete)||[http://imslp.org/wiki/Special:ImagefromIndex/26472 FS I–V]<br>[http://imslp.org/wiki/Special:ImagefromIndex/26473 FS VI–VII]<br>[IMSLP]|| || ||[[philiplegge:berlioz/te_deum/|Work page]]||Typeset from Malherbe & Weingartener, H.B. 26 (1901)
 |-
 |3273||[[Hector Berlioz|Berlioz]]||{{NoComp|La mort d'Ophélie, Op. 18, No. 2|Hector Berlioz}}||[{{SERVER}}/wiki/sheet/hb92full.pdf FS+Px+VS]|| ||[[philiplegge:berlioz/h.92b.la_mort_d'ophelie.sib|Sibelius 1]]||[[philiplegge:scorch/92b_mort.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 38 (1903)
@@ Line 142: / Line 142: @@
 |6608||[[Anonymous]]||{{NoComp|Pase el agoa|Anonymous}}||[[Media:Pase el agoa (Anon 15C).pdf|VS]]|| ||[[Media:TUMS Busking Book 1_0.sib|Sibelius 3]]|| ||Retypeset; urtext
 |-
-|6951||[[Charles Edward Horsley|Horsley]]||[[All hail to thee, Sound! (Charles Edward Horsley)|''Hail to thee, Sound!'']]||[{{SERVER}}/wiki/sheet/hors-e01.pdf VS]|| || ||[[philiplegge:horsley/|Scorch 1]]||Edited from composer’s autograph FS and VS; Px and FS available on hire from [http://www.rmp.org.au/ RMP]
+|6951||[[Charles Edward Horsley|Horsley]]||''[[All hail to thee, Sound! (Charles Edward Horsley)|Hail to thee, Sound!]]''||[{{SERVER}}/wiki/sheet/hors-e01.pdf VS]|| || ||[[philiplegge:horsley/|Scorch 1]]||Edited from composer’s autograph FS and VS; Px and FS available on hire from [http://www.rmp.org.au/ RMP]
 |-
-|8489||[[George Frideric Handel|Handel]]||[[Laudate pueri Dominum in D (George Frideric Handel)|Laudate pueri Dominum, HWV 237]]||[{{SERVER}}/wiki/sheet/237-part.pdf Px]||[http://www.classicalarchives.com/handel.html#handel_sacred MIDI]||[[Media:HWV237 Oboe 1 PML.sib|Oboes 1]] & [[Media:HWV237 Oboe 2 PML.sib|2]]<br>[[Media:HWV237 Violin 1 PML.sib|Violins 1]] & [[Media:HWV237 Violin 2 PML.sib|2]]<br>[[Media:HWV237 Viola 1 PML.sib|Violas 1]] & [[Media:HWV237 Viola 2 PML.sib|2]]<br>[[Media:HWV237 Continuo PML.sib|Continuo]]|| ||Typeset from Chrysander, HG Band 38 (1872)
+|8489||[[George Frideric Handel|Handel]]||''[[Laudate pueri Dominum in D (George Frideric Handel)|Laudate pueri Dominum, HWV 237]]''||[{{SERVER}}/wiki/sheet/237-part.pdf Px]||[http://www.classicalarchives.com/handel.html#handel_sacred MIDI]||[[Media:HWV237 Oboe 1 PML.sib|Oboes 1]] & [[Media:HWV237 Oboe 2 PML.sib|2]]<br>[[Media:HWV237 Violin 1 PML.sib|Violins 1]] & [[Media:HWV237 Violin 2 PML.sib|2]]<br>[[Media:HWV237 Viola 1 PML.sib|Violas 1]] & [[Media:HWV237 Viola 2 PML.sib|2]]<br>[[Media:HWV237 Continuo PML.sib|Continuo]]|| ||Typeset from Chrysander, HG Band 38 (1872)
 |-
 |8553||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Soprano partbook||[[Media:Tallis Spem in alium Sopranos PML.pdf|Px]]|| || || ||Typeset from Tudor Church Music VI (1928)
@@ Line 156: / Line 156: @@
 |8557||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Bass partbook||[[Media:Tallis Spem in alium Basses PML.pdf|Px]]|| || || ||Typeset from Tudor Church Music VI (1928)
 |-
-|8558||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Full Score||[[Media:Tallis Spem in alium full score PML.pdf|FS]]|| ||[[philiplegge:tallis/|Scorch 1]]|| ||Typeset from Tudor Church Music VI (1928)
+|8558||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Full Score||[[Media:Tallis Spem in alium full score PML.pdf|FS]]|| || ||[[philiplegge:tallis/|Scorch 1]]||Typeset from Tudor Church Music VI (1928)
 |-
-|10522||[[George Frideric Handel|Handel]]||[[Zadok the Priest (George Frideric Handel)|Zadok the Priest, HWV 258]]||[[Media:Zadok the Priest-Sib4.pdf|FS]]||[[Media:Zadok the Priest-Sib4.mid|MIDI]]||[[Media:HWV232 Dixit Dominus PML.sib|Sibelius 3]]<br>[[Media:Zadok the Priest-Sib4.sib|Sibelius 4]]|| ||Typeset from Chrysander, HG Band 14 (1863)
+|10522||[[George Frideric Handel|Handel]]||''[[Zadok the Priest (George Frideric Handel)|Zadok the Priest, HWV 258]]''||[[Media:Zadok the Priest-Sib4.pdf|FS]]||[[Media:Zadok the Priest-Sib4.mid|MIDI]]||[[Media:HWV232 Dixit Dominus PML.sib|Sibelius 3]]<br>[[Media:Zadok the Priest-Sib4.sib|Sibelius 4]]|| ||Typeset from Chrysander, HG Band 14 (1863)
+|-
+|10530||[[Gregorio Allegri|Allegri]]||{{NoComp|Miserere mei|Gregorio Allegri}}||[[Media:Allegri Miserere PML2.pdf|VS]]|| ||[[Media:Allegri Miserere PML.sib|Sibelius 3]]|| ||Re-typeset after Guest
 |-
 |10739||[[Henry Purcell|Purcell]]||{{NoComp|Come, ye Sons of Art, Z 323|Henry Purcell}}||[[Media:TUMS Come ye Sons 1_0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1_0.sib|Sibelius 3]]|| ||Re-edited from Shaw, Birthday Odes, Purcell Society (1926)
 |-
-|10787||[[George Frideric Handel|Handel]]||[[Zadok the Priest (George Frideric Handel)|Zadok the Priest, HWV 258]]||[[Media:HWV258 Parts PML.pdf|Px]]||[[Media:Zadok the Priest-Sib4.mid|MIDI]]||[[Media:HWV258 Oboe 1 PML.sib|Oboe 1]] & [[Media:HWV258 Oboe 2 PML.sib|2]]<br>[[Media:HWV258 Bassoon 1 PML.sib|Bassoons 1]] & [[Media:HWV258 Bassoon 2 PML.sib|2]]<br>[[Media:HWV258 Trumpet 1 PML.sib|Trumpets 1]], [[Media:HWV258 Trumpet 2 PML.sib|2]] & [[Media:HWV258 Trumpet 3 PML.sib|3]]<br>[[Media:HWV258 Timpani PML.sib|Timpani]]<br>[[Media:HWV258 Violin 1 PML.sib|Violins 1]], [[Media:HWV258 Violin 2 PML.sib|2]] & [[Media:HWV258 Violin 3 PML.sib|3]]<br>[[Media:HWV258 Viola PML.sib|Viola]]<br>[[Media:HWV258 Violoncello PML.sib|Cello]]<br>[[Media:HWV258 Contrabass PML.sib|Bass]]<br>[Continuo]|| ||Typeset from Chrysander, HG Band 14 (1863)
+|10750||[[Philip Legge|Legge]]||{{NoComp|Kubla Khan|Philip Legge}}||[[Media:Kubla Khan VS PML.pdf|VS]]<br>[http://imslp.org/wiki/Special:ImagefromIndex/24878 FS] [IMSLP]||[[philiplegge:legge/kubla.midi|MIDI]]|| ||[[philiplegge:legge/|Scorch]]||
+|-
+|10787||[[George Frideric Handel|Handel]]||''[[Zadok the Priest (George Frideric Handel)|Zadok the Priest, HWV 258]]''||[[Media:HWV258 Parts PML.pdf|Px]]||[[Media:Zadok the Priest-Sib4.mid|MIDI]]||[[Media:HWV258 Oboe 1 PML.sib|Oboe 1]] & [[Media:HWV258 Oboe 2 PML.sib|2]]<br>[[Media:HWV258 Bassoon 1 PML.sib|Bassoons 1]] & [[Media:HWV258 Bassoon 2 PML.sib|2]]<br>[[Media:HWV258 Trumpet 1 PML.sib|Trumpets&nbsp;1]],&nbsp;[[Media:HWV258 Trumpet 2 PML.sib|2]]&nbsp;&amp;&nbsp;[[Media:HWV258 Trumpet 3 PML.sib|3]]<br>[[Media:HWV258 Timpani PML.sib|Timpani]]<br>[[Media:HWV258 Violin 1 PML.sib|Violins 1]], [[Media:HWV258 Violin 2 PML.sib|2]] & [[Media:HWV258 Violin 3 PML.sib|3]]<br>[[Media:HWV258 Viola PML.sib|Viola]], [[Media:HWV258 Violoncello PML.sib|Cello]], [[Media:HWV258 Contrabass PML.sib|Bass]]<br>[Continuo]|| ||Typeset from Chrysander, HG Band 14 (1863)
+|-
+|11088||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Requiem, KV 626|Wolfgang Amadeus Mozart}}||[[Media:K626 Requiem Urtext PML.pdf|FS]]|| || || ||Re-typeset from autograph facsimile
 |-
 |11409||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: [9] Credo in unum Deum||[[Media:Mozart 427-9 Credo VS PML.pdf|VS]]|| ||[[philiplegge:mozart/great_mass/credo.sib|Sibelius 1]]||[[philiplegge:mozart/great_mass/credo.html|Scorch 1]]||Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882)
@@ Line 171: / Line 177: @@
 |-
 |11412||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: [A1] Crucifixus – [A2] Et in Spiritum||[[Media:Mozart 427-A1 Crucifixus VS PML.pdf|VS]]|| ||[[philiplegge:mozart/great_mass/crucifixus.sib|Sibelius 1]]||[[philiplegge:mozart/great_mass/crucifixus.html|Scorch 1]]||Editorial completion from Ph. Spitta, W.A.M. 262, B&H (1878)
+|-
+|11578||[[Philip Legge|Legge]]||{{NoComp|Ave atque vale|Philip Legge}}||[[Media:Ave atque vale PML.pdf|VS]]|| || || ||
+|-
+|11784||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Ave verum corpus, KV 618|Wolfgang Amadeus Mozart}}||[[Media:K618 Ave verum VS PML.pdf|VS]]||[[Media:K618 Ave verum PML.mid|MIDI]]||[[Media:K618 Ave verum VS PML.sib|Sibelius 3]]|| ||Re-typeset after NMA
+|-
+|11825||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem, Op. 45|Johannes Brahms}}: 1. ''Selig sind, die da Leid tragen''||[[Media:JB45-1 Selig sind die da Leid.pdf|VS]]||[[Media:JB45-1 Selig sind die da Leid.mid|MIDI]]||[[Media:JB45-1 Selig sind die da Leid.sib|Sibelius 3]]|| ||Re-typeset after complete works ed. E. Mandyczewski
+|-
+|11826||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem, Op. 45|Johannes Brahms}}: 2. ''Denn alles Fleisch, wie est Gras''||[[Media:JB45-2 Denn alles fleisch.pdf|VS]]||[[Media:JB45-2 Denn alles fleisch.mid|MIDI]]||[[Media:JB45-2 Denn alles Fleisch.sib|Sibelius 3]]|| ||Re-typeset after complete works ed. E. Mandyczewski
+|-
+|11827||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem, Op. 45|Johannes Brahms}}: 3. ''Herr, lehre doch mich''||[[Media:JB45-3 Herr lehre doch mich.pdf|VS]]||[[Media:JB45-3 Herr lehre doch mich.mid|MIDI]]||[[Media:JB45-3 Herr lehre doch mich.sib|Sibelius 3]]|| ||Re-typeset after complete works ed. E. Mandyczewski
+|-
+|11828||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem, Op. 45|Johannes Brahms}}: 4. ''Wie lieblich sind deine Wohnungen''||[[Media:JB45-4 Wie lieblich sind.pdf|VS]]||[[Media:JB45-4 Wie lieblich sind.mid|MIDI]]||[[Media:JB45-4 Wie lieblich sind.sib|Sibelius 3]]|| ||Re-typeset after complete works ed. E. Mandyczewski
+|-
+|11829||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem, Op. 45|Johannes Brahms}}: 5. ''Ihr habt nun Traurigkeit''||[[Media:JB45-5 Ihr habt nun.pdf|VS]]||[[Media:JB45-5 Ihr habt nun.mid|MIDI]]||[[Media:JB45-5 Ihr habt nun.sib|Sibelius 3]]|| ||Re-typeset after complete works ed. E. Mandyczewski
+|-
+|11830||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem, Op. 45|Johannes Brahms}}: 6. ''Denn wir haben hie keine bleibende Statt''||[[Media:JB45-6 Denn wir haben.pdf|VS]]||[[Media:JB45-6 Denn wir haben.mid|MIDI]]||[[Media:JB45-6 Denn wir haben.sib|Sibelius 3]]|| ||Re-typeset after complete works ed. E. Mandyczewski
+|-
+|11831||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem, Op. 45|Johannes Brahms}}: 7. ''Selig sind die Toten''||[[Media:JB45-7 Selig sind die Toten.pdf|VS]]||[[Media:JB45-7 Selig sind die Toten.mid|MIDI]]||[[Media:JB45-7 Selig sind die Toten.sib|Sibelius 3]]|| ||Re-typeset after complete works ed. E. Mandyczewski
+|-
+|11832||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem, Op. 45|Johannes Brahms}} (complete)||[[Media:JB45-Ein deutsches Requiem.pdf|VS]]|| || || ||Re-typeset after complete works ed. E. Mandyczewski
 |-
 |11932||[[Josquin des Prez|Josquin]]||{{NoComp|Qui habitat|Josquin des Prez}}||[[Media:Josquin Qui habitat Px PML.pdf|Px]]|| ||[[philiplegge:josquin/qui_habitat.sib|Sibelius 3]]||[[philiplegge:josquin/24.html|Scorch 3]]||Individual canons derived from '''CPDL #5915''', edited by Sabine Cassola
 |-
 |13638||[[Henry Purcell|Purcell]]||{{NoComp|Come, ye Sons of Art, Z 323|Henry Purcell}}||[[Media:Z323 Come ye Sons FS PML.pdf|FS]]|| || || ||Re-edited from Shaw, Birthday Odes, Purcell Society (1926)
+|-
+|13665||[[Alexander Borodin|Borodin]]||{{NoComp|Polovetsian Dances|Alexander Borodin}} (from ''Prince Igor'')||[[Media:Borodin Polovetsian Dances PML.pdf|VS]]|| || || ||Re-edited from M.P. Belaieff
+|-
+|15250||[[Antoine Brumel|Brumel]]||{{NoComp|Missa Et ecce terræ motus|Antoine Brumel}}: complete||[[Media:Brumel Earthquake PML.pdf|VS]]|| || || ||Typeset from facsimile of Bayerische Staatsbibliothek Mus. MS 1
 |-
 |15467||[[Henry Purcell|Purcell]]||{{NoComp|Come, ye Sons of Art, Z 323|Henry Purcell}}||[[Media:Z323 Come ye Sons VS PML.pdf|VS]]|| || || ||Re-edited from Shaw, Birthday Odes, Purcell Society (1926)
@@ Line 180: / Line 210: @@
 |15527||[[Heinrich Biber|Biber]]||{{NoComp|Plaudite tympana|Heinrich Biber}}: Vocal score||[[Media:Biber Plaudite VS PML.pdf|VS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903)
 |-
-|15540||[[Heinrich Biber|Biber]]||{{NoComp|Plaudite tympana|Heinrich Biber}}: Full Score||[[Media:Biber Plaudite FS PML.pdf|FS]]|| ||[[Media:Biber Plaudite PML.sib|Sibelius 5]]|| ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903)
+|15540||[[Heinrich Biber|Biber]]||{{NoComp|Plaudite tympana|Heinrich Biber}}: Full score||[[Media:Biber Plaudite FS PML.pdf|FS]]|| ||[[Media:Biber Plaudite PML.sib|Sibelius 5]]|| ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903)
 |-
 |15541||[[Heinrich Biber|Biber]]||{{NoComp|Plaudite tympana|Heinrich Biber}}||[[Media:Biber Plaudite Parts PML.pdf|Px]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903)
 |-
 |15737||[[Heinrich Biber|Biber]]||{{NoComp|Missa Salisburgensis|Heinrich Biber}}: ''Kyrie'', Vocal score||[[Media:Biber Salisburgensis VS PML.pdf|VS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903)
+|-
+|15742||[[Anonymous]]||{{NoComp|Sumer is Icumen In|Anonymous}}||[[Media:Anon Sumer is icumen in DG PML.pdf|VS]]|| || || ||Typeset from autograph facsimile
 |-
 |15750||[[Heinrich Biber|Biber]]||{{NoComp|Requiem in f|Heinrich Biber}}: ''Introïtus et Kyrie, Sequentia'', Vocal score||[[Media:Biber Requiem in f VS PML.pdf|VS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 59 (1923)
 |-
-|15751||[[Heinrich Biber|Biber]]||{{NoComp|Requiem in f|Heinrich Biber}}: ''Introïtus et Kyrie, Sequentia'', Full Score||[[Media:Biber Requiem in f FS PML.pdf|FS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 59 (1923)
+|15751||[[Heinrich Biber|Biber]]||{{NoComp|Requiem in f|Heinrich Biber}}: ''Introïtus et Kyrie, Sequentia'', Full score||[[Media:Biber Requiem in f FS PML.pdf|FS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 59 (1923)
+|-
+|15752||[[Philip Legge|Legge]]||{{NoComp|I hear the land|Philip Legge}}||[[Media:I hear the land.pdf|VS]]|| || || ||
+|-
+|15754||[[Michael Winikoff|Winikoff]]||{{NoComp|This is Australia|Michael Winikoff}}||[[Media:Winikoff This is Australia.pdf|VS]]|| || || ||
 |-
 |15804||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Choirs I and II||[[Media:Tallis Spem in alium 1-2 PML.pdf|VS]]|| || || ||Typeset from Tudor Church Music VI (1928)
@@ Line 198: / Line 234: @@
 |15807||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Choirs VII and VIII||[[Media:Tallis Spem in alium 7-8 PML.pdf|VS]]|| || || ||Typeset from Tudor Church Music VI (1928)
 |-
-|16368||[[Henry Purcell|Purcell]]||{{NoComp|Come, ye Sons of Art, Z 323|Henry Purcell}}||[[Media:Z323 Come ye Sons Px PML.pdf|Px]]|| || || ||Re-edited from Shaw, Birthday Odes, Purcell Society (1926)
+|16368||[[Henry Purcell|Purcell]]||{{NoComp|Come, ye Sons of Art, Z 323|Henry Purcell}}: Parts||[[Media:Z323 Come ye Sons Px PML.pdf|Px]]|| || || ||Re-edited from Shaw, Birthday Odes, Purcell Society (1926)
 |-
 |16369||[[Heinrich Biber|Biber]]||{{NoComp|Missa Salisburgensis|Heinrich Biber}}: ''Kyrie'', Parts||[[Media:Biber Salisburgensis Px PML.pdf|Px]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903)
 |-
-|16370||[[Heinrich Biber|Biber]]||{{NoComp|Missa Salisburgensis|Heinrich Biber}}: ''Kyrie'', Full Score||[[Media:Biber Salisburgensis PML.pdf|FS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903)
+|16370||[[Heinrich Biber|Biber]]||{{NoComp|Missa Salisburgensis|Heinrich Biber}}: ''Kyrie'', Full score||[[Media:Biber Salisburgensis PML.pdf|FS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903)
 |-
 |16491||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio}}: Choir 1||[[Media:Striggio Ecce beatam lucem Choir 1 PML.pdf|VS]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola
@@ Line 216: / Line 252: @@
 |16496||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio}}: Continuo||[[Media:Striggio Ecce beatam lucem Continuo PML.pdf|Px]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola
 |-
-|16497||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio}}: Full Score||[[Media:Striggio Ecce beatam lucem FS PML.pdf|FS]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola
+|16497||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio}}: Full score||[[Media:Striggio Ecce beatam lucem FS PML.pdf|FS]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola
 |-
 |19156||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: [B1] Agnus Dei – [B2] Dona nobis pacem||[[Media:Mozart 427-B1 Agnus Dei VS PML.pdf|VS]]|| ||[[philiplegge:mozart/great_mass/agnus.sib|Sibelius 3]]<br>[[philiplegge:mozart/great_mass/dona.sib|Sibelius 3]]||[[philiplegge:mozart/great_mass/agnus.html|Scorch 3]]<br>[[philiplegge:mozart/great_mass/dona.html|Scorch 3]]||Editorial completion from Ph. Spitta, W.A.M. 337, B&H (1878)
+|-
+|19592||[[Philip Legge|Legge]]||{{NoComp|Ite, missa est|Philip Legge}}||[[Media:Ite missa est, Op6-FS,VS,Px-PML.pdf|FS+VS+Px]]|| || || ||
 |}
 PDF versions: (v = vocal score; f = full score; p = parts available; [&nbsp;] = work in progress)
-* after G. Allegri: [[Miserere mei (Gregorio Allegri)|''Miserere mei, Deus'']] (v, "top C version")
-* Anonymous: [[Sumer is Icumen In (Anonymous)|''Sumer is icumen in'']] (v)
 * A. Borodin: [[Polovetsian Dances (Alexander Borodin)|''Polovetsian Dances'']] from ''Prince Igor'' (v)
-* J. Brahms: [[Ein deutsches Requiem, Op. 45 (Johannes Brahms)|''Ein deutsches Requiem'']], Op. 45 (v)
 * R. Carver arr. Legge: [[O bone Jesu (Robert Carver)|''O bone Jesu'' 19vv]] (v)
 * M.-A. Charpentier: H 1 [[Messe, H 1 (Marc-Antoine Charpentier)|Mass for double choir, ''Kyrie'' &amp; ''Gloria'']] (f)
@@ Line 234: / Line 269: @@
 * [C. Gesualdo: Tenebræ responses for Holy Saturday]
 * Orlande de Lassus: [[Missa Quand'io pens'al martire (Orlando di Lasso)|''Missa Quand'io pens'al martire'']] (v)
-* P.M. Legge: [[Ave atque vale (Philip Legge)|''Ave atque vale'']] (v), [[I hear the land (Philip Legge)|''I hear the land'']] (v), [[Kubla Khan (Philip Legge)|''Kubla Khan'']] (v only, but f+p available on hire)
 * C. Monteverdi: [[L'Orfeo, Favola in Musica (Claudio Monteverdi)|''Orfeo'' &ndash; Toccata, Prologue, &amp; Act One]] (f)
 * [C. Monteverdi: ''Missa In illo tempore'' (1610) (v)]
 * C. Monteverdi: [[Domine ad adiuvandum (Claudio Monteverdi)|''Domine ad adiuvandum'']] (1610) (v, f, p)
-* W.A. Mozart: KV 618 [[Ave verum corpus, KV 618 (Wolfgang Amadeus Mozart)|''Ave verum corpus'']] (v), KV 626 [[Requiem, KV 626 (Wolfgang Amadeus Mozart)|''Requiem'' in D minor (urtext)]] (f)
 * J. de Okeghem: [[Deo Gratias (36 part canon) (Johannes Ockeghem)|''Deo gratia'' 36vv]] (v/p, f)
 * G.P. da Palestrina: [[Missa Iste Confessor (Giovanni Pierluigi da Palestrina)|''Missa Iste confessor'']], [[Missa O Rex gloriae (Giovanni Pierluigi da Palestrina)|''Missa O Rex gloriæ'']] (v); editions do not contain ''Credo''.

User:Philip Legge: Difference between revisions

Revision as of 09:42, 7 June 2009

Contents

May 2009 update

General information

Contact information

Education

Background

Scores

Publications

Navigation menu

User:Philip Legge: Difference between revisions

Revision as of 09:42, 7 June 2009

May 2009 update

General information

Contact information

Education

Background

Scores

Publications

Navigation menu

Search