https://www.cpdl.org/wiki/index.php?title=User:Andrew_Fysh&feed=atom&action=historyUser:Andrew Fysh - Revision history2024-03-29T07:44:13ZRevision history for this page on the wikiMediaWiki 1.39.4https://www.cpdl.org/wiki/index.php?title=User:Andrew_Fysh&diff=1057868&oldid=prevFysh: /* Background */2020-01-05T01:54:07Z<p><span dir="auto"><span class="autocomment">Background</span></span></p>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:Originally from Hobart, Tasmania, where he began his singing career over forty years ago as a treble at St David’s Cathedral, Andrew has considerable experience as both chorister and soloist throughout Australia. Church music has featured throughout Andrew’s career — he has been a member of the choirs of Trinity College (Melbourne), the Canterbury Fellowship (Melbourne), St George's Cathedral (Perth), Christ Church St Laurence (Sydney), and St James' Church (Sydney); in 2004–06, while living in London, he deputised regularly <del style="font-weight: bold; text-decoration: none;">in the Choir of </del>the [https://www.bromptonoratory.co.uk/#about London Oratory]<del style="font-weight: bold; text-decoration: none;">, England’s pre-eminent Catholic church choir</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:Originally from Hobart, Tasmania, where he began his singing career over forty years ago as a treble at St David’s Cathedral, Andrew has considerable experience as both chorister and soloist throughout Australia. Church music has featured throughout Andrew’s career — he has been a member of the choirs of Trinity College (Melbourne), the Canterbury Fellowship (Melbourne), St George's Cathedral (Perth), Christ Church St Laurence (Sydney), and St James' Church (Sydney); in 2004–06, while living in London, he deputised regularly <ins style="font-weight: bold; text-decoration: none;">as a lay clerk at </ins>the [https://www.bromptonoratory.co.uk/#about London Oratory] <ins style="font-weight: bold; text-decoration: none;">and [https://www.stmarylebone.org/index.php St Marylebone Parish Church]</ins>. </div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Now resident in Canberra, Andrew is a founding member of the [https://www.facebook.com/clarionensemble/ Clarion] vocal quartet, performing monthly at the National Portrait Gallery, and sings with [https://www.facebook.com/coro.canberra/ Coro]. Coro's program of Renaissance polyphony, 'Music by Numbers', which Andrew devised and co-directed, was named by the Canberra Times as one of the top five concerts of 2015. Andrew’s particular interest lies in Renaissance and Baroque music, nurtured through fourteen years as a permanent member of Melbourne’s acclaimed [http://www.ensemblegombert.com.au Ensemble Gombert], directed by John O’Donnell, with whom he has toured Europe (2004, 2006, 2015) and North America (2009).</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Now resident in Canberra, Andrew is a founding member of the [https://www.facebook.com/clarionensemble/ Clarion] vocal quartet, performing monthly at the National Portrait Gallery, and sings with [https://www.facebook.com/coro.canberra/ Coro]. Coro's program of Renaissance polyphony, 'Music by Numbers', which Andrew devised and co-directed, was named by the Canberra Times as one of the top five concerts of 2015. Andrew’s particular interest lies in Renaissance and Baroque music, nurtured through fourteen years as a permanent member of Melbourne’s acclaimed [http://www.ensemblegombert.com.au Ensemble Gombert], directed by John O’Donnell, with whom he has toured Europe (2004, 2006, 2015) and North America (2009).</div></td></tr>
</table>Fyshhttps://www.cpdl.org/wiki/index.php?title=User:Andrew_Fysh&diff=1057867&oldid=prevFysh: /* Background */ Updating bio2020-01-05T01:49:26Z<p><span dir="auto"><span class="autocomment">Background: </span> Updating bio</span></p>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:Originally from Hobart, Tasmania, where he began his singing career over forty years ago as a treble at St David’s Cathedral, Andrew has considerable experience as both chorister and soloist throughout Australia. Church music has featured throughout Andrew’s career<del style="font-weight: bold; text-decoration: none;">: </del>in 2004–06, while living in London, he <del style="font-weight: bold; text-decoration: none;">sang with </del>the Choir of the [https://www.bromptonoratory.co.uk/#about London Oratory], England’s pre-eminent Catholic church choir<del style="font-weight: bold; text-decoration: none;">, and on return to Australia he joined the [http://sjks.org.au/music/the-choir-of-st-james/ Choir of St James’ Church, Sydney], with whom he still sings on occasion</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:Originally from Hobart, Tasmania, where he began his singing career over forty years ago as a treble at St David’s Cathedral, Andrew has considerable experience as both chorister and soloist throughout Australia. Church music has featured throughout Andrew’s career <ins style="font-weight: bold; text-decoration: none;">— he has been a member of the choirs of Trinity College (Melbourne), the Canterbury Fellowship (Melbourne), St George's Cathedral (Perth), Christ Church St Laurence (Sydney), and St James' Church (Sydney); </ins>in 2004–06, while living in London, he <ins style="font-weight: bold; text-decoration: none;">deputised regularly in </ins>the Choir of the [https://www.bromptonoratory.co.uk/#about London Oratory], England’s pre-eminent Catholic church choir.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Now resident in Canberra, Andrew is a founding member of the [https://www.facebook.com/clarionensemble/ Clarion] vocal quartet, performing monthly at the National Portrait Gallery, and sings with [https://www.facebook.com/coro.canberra/ Coro]. Coro's program of Renaissance polyphony, 'Music by Numbers', which Andrew devised and co-directed, was named by the Canberra Times as one of the top five concerts of 2015. Andrew’s particular interest lies in Renaissance and Baroque music, nurtured through fourteen years as a permanent member of Melbourne’s acclaimed [http://www.ensemblegombert.com.au Ensemble Gombert], directed by John O’Donnell, with whom he has toured Europe (2004, 2006, 2015) and North America (2009).</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Now resident in Canberra, Andrew is a founding member of the [https://www.facebook.com/clarionensemble/ Clarion] vocal quartet, performing monthly at the National Portrait Gallery, and sings with [https://www.facebook.com/coro.canberra/ Coro]. Coro's program of Renaissance polyphony, 'Music by Numbers', which Andrew devised and co-directed, was named by the Canberra Times as one of the top five concerts of 2015. Andrew’s particular interest lies in Renaissance and Baroque music, nurtured through fourteen years as a permanent member of Melbourne’s acclaimed [http://www.ensemblegombert.com.au Ensemble Gombert], directed by John O’Donnell, with whom he has toured Europe (2004, 2006, 2015) and North America (2009).</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Andrew has been engaged as a guest artist with the [http://song.company The Song Company], Australia’s only full-time professional vocal ensemble, on multiple occasions, most recently at the 2014 Canberra International Music Festival as bass soloist in Bach Cantata No.130 and Mozart ''Requiem''. Among three Song Company recordings in which Andrew appears, the 1996 world-premiere release of [https://itunes.apple.com/au/album/sch%C3%BCtz-der-schwanengesang-the-swan-song-swv-482-493/201391690 Schütz ''Der Schwanengesang''], recorded in the Sydney Opera House Concert Hall, received Soundscapes magazine’s ‘Editor's Choice’ award.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Andrew has been engaged as a guest artist with the [http://song.company The Song Company], Australia’s only full-time professional vocal ensemble, on multiple occasions, most recently at the 2014 Canberra International Music Festival as bass soloist in Bach Cantata No.130 and Mozart ''Requiem''. Among three Song Company recordings in which Andrew appears, the 1996 world-premiere release of [https://itunes.apple.com/au/album/sch%C3%BCtz-der-schwanengesang-the-swan-song-swv-482-493/201391690 Schütz ''Der Schwanengesang''], recorded in the Sydney Opera House Concert Hall, received Soundscapes magazine’s ‘Editor's Choice’ award.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:Andrew is a founding member of the [http://www.bachakademieaustralia.com.au Bach Akademie Australia (BAA)], which launched to critical acclaim in 2017 at sold-out performances in Sydney and at the [http://www.cimf.org.au Canberra International Music Festival]. He has been <del style="font-weight: bold; text-decoration: none;">the regular </del>bass soloist with the [http://www.canberrabachensemble.com Canberra Bach Ensemble (CBE)] since its relaunch in 2016, and will be performing with them at the BachFest in Leipzig in June 2020.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:Andrew is a founding member of the [http://www.bachakademieaustralia.com.au Bach Akademie Australia (BAA)], which launched to critical acclaim in 2017 at sold-out performances in Sydney and at the [http://www.cimf.org.au Canberra International Music Festival]. He has been bass soloist with the [http://www.canberrabachensemble.com Canberra Bach Ensemble (CBE)] since its relaunch in 2016, and will be performing with them at the BachFest in Leipzig in June 2020.</div></td></tr>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:In 2019, Andrew again joined BAA for performances of Lenten and Easter cantatas in Sydney, and appeared with both BAA and Clarion at the [http://www.cimf.org.au Canberra International Music Festival]. On Good Friday, he joined other soloists from the Choir of St James’ as the Evangelist Quartet in Arvo Pärt ''Passio'' at the Tapestry of Sacred Music festival in Singapore. In the latter part of the year, Andrew again appeared as bass soloist with CBE in a program that included Bach<del style="font-weight: bold; text-decoration: none;">'s </del>''Magnificat'', joined BAA in Sydney for a program of Christmas cantatas, performed Britten ''A Boy was Born'' with Ensemble Gombert, and presented a program of solo and trio Christmas cantatas by Stradella, Schütz and Charpentier with [https://www.facebook.com/AdhocBaroque/ Adhoc Baroque] in Canberra.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:In 2019, Andrew again joined BAA for performances of Lenten and Easter cantatas in Sydney, and appeared with both BAA and Clarion at the [http://www.cimf.org.au Canberra International Music Festival]. On Good Friday, he joined other soloists from the Choir of St James’ as the Evangelist Quartet in Arvo Pärt ''Passio'' at the Tapestry of Sacred Music festival in Singapore. In the latter part of the year, Andrew again appeared as bass soloist with CBE in a program that included Bach ''Magnificat'', joined BAA in Sydney for a program of Christmas cantatas, performed Britten ''A Boy was Born'' with Ensemble Gombert, and presented a program of solo and trio Christmas cantatas by Stradella, Schütz and Charpentier with [https://www.facebook.com/AdhocBaroque/ Adhoc Baroque] in Canberra.</div></td></tr>
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</table>Fyshhttps://www.cpdl.org/wiki/index.php?title=User:Andrew_Fysh&diff=1055068&oldid=prevFysh: /* Background */ General update2019-12-21T12:52:35Z<p><span dir="auto"><span class="autocomment">Background: </span> General update</span></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Andrew is a founding member of the [http://www.bachakademieaustralia.com.au Bach Akademie Australia (BAA)], which launched to critical acclaim in 2017 at sold-out performances in Sydney and at the [http://www.cimf.org.au Canberra International Music Festival]. He has been the regular bass soloist with the [http://www.canberrabachensemble.com Canberra Bach Ensemble (CBE)] since its relaunch in 2016, and will be performing with them at the BachFest in Leipzig in June 2020.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Andrew is a founding member of the [http://www.bachakademieaustralia.com.au Bach Akademie Australia (BAA)], which launched to critical acclaim in 2017 at sold-out performances in Sydney and at the [http://www.cimf.org.au Canberra International Music Festival]. He has been the regular bass soloist with the [http://www.canberrabachensemble.com Canberra Bach Ensemble (CBE)] since its relaunch in 2016, and will be performing with them at the BachFest in Leipzig in June 2020.</div></td></tr>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:In 2019, Andrew again joined BAA for performances of Lenten and Easter cantatas in Sydney, and appeared with both BAA and Clarion at the [http://www.cimf.org.au Canberra International Music Festival]. On Good Friday, he joined other soloists from the Choir of St James’ as the Evangelist Quartet in Arvo Pärt ''Passio'' at the Tapestry of Sacred Music festival in Singapore. <del style="font-weight: bold; text-decoration: none;">Later this </del>year, Andrew again <del style="font-weight: bold; text-decoration: none;">appears </del>as bass soloist with CBE in a program that <del style="font-weight: bold; text-decoration: none;">includes </del>Bach's ''Magnificat'', <del style="font-weight: bold; text-decoration: none;">and joins </del>BAA in Sydney for a program of Christmas cantatas.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:In 2019, Andrew again joined BAA for performances of Lenten and Easter cantatas in Sydney, and appeared with both BAA and Clarion at the [http://www.cimf.org.au Canberra International Music Festival]. On Good Friday, he joined other soloists from the Choir of St James’ as the Evangelist Quartet in Arvo Pärt ''Passio'' at the Tapestry of Sacred Music festival in Singapore. <ins style="font-weight: bold; text-decoration: none;">In the latter part of the </ins>year, Andrew again <ins style="font-weight: bold; text-decoration: none;">appeared </ins>as bass soloist with CBE in a program that <ins style="font-weight: bold; text-decoration: none;">included </ins>Bach's ''Magnificat'', <ins style="font-weight: bold; text-decoration: none;">joined </ins>BAA in Sydney for a program of Christmas cantatas<ins style="font-weight: bold; text-decoration: none;">, performed Britten ''A Boy was Born'' with Ensemble Gombert, and presented a program of solo and trio Christmas cantatas by Stradella, Schütz and Charpentier with [https://www.facebook.com/AdhocBaroque/ Adhoc Baroque] in Canberra</ins>.</div></td></tr>
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</table>Fyshhttps://www.cpdl.org/wiki/index.php?title=User:Andrew_Fysh&diff=1006963&oldid=prevFysh: /* Background */2019-08-03T08:56:09Z<p><span dir="auto"><span class="autocomment">Background</span></span></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Andrew has been engaged as a guest artist with the [http://song.company The Song Company], Australia’s only full-time professional vocal ensemble, on multiple occasions, most recently at the 2014 Canberra International Music Festival as bass soloist in Bach Cantata No.130 and Mozart ''Requiem''. Among three Song Company recordings in which Andrew appears, the 1996 world-premiere release of [https://itunes.apple.com/au/album/sch%C3%BCtz-der-schwanengesang-the-swan-song-swv-482-493/201391690 Schütz ''Der Schwanengesang''], recorded in the Sydney Opera House Concert Hall, received Soundscapes magazine’s ‘Editor's Choice’ award.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Andrew has been engaged as a guest artist with the [http://song.company The Song Company], Australia’s only full-time professional vocal ensemble, on multiple occasions, most recently at the 2014 Canberra International Music Festival as bass soloist in Bach Cantata No.130 and Mozart ''Requiem''. Among three Song Company recordings in which Andrew appears, the 1996 world-premiere release of [https://itunes.apple.com/au/album/sch%C3%BCtz-der-schwanengesang-the-swan-song-swv-482-493/201391690 Schütz ''Der Schwanengesang''], recorded in the Sydney Opera House Concert Hall, received Soundscapes magazine’s ‘Editor's Choice’ award.</div></td></tr>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:Andrew is a founding member of the [http://www.bachakademieaustralia.com.au Bach Akademie Australia], which launched to critical acclaim in 2017 at sold-out performances in Sydney and at the [http://www.cimf.org.au Canberra International Music Festival]. He has been the regular bass soloist with the [http://www.canberrabachensemble.com Canberra Bach Ensemble] since its relaunch in 2016, and will be performing with them at the BachFest in Leipzig in June 2020.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:Andrew is a founding member of the [http://www.bachakademieaustralia.com.au Bach Akademie Australia <ins style="font-weight: bold; text-decoration: none;">(BAA)</ins>], which launched to critical acclaim in 2017 at sold-out performances in Sydney and at the [http://www.cimf.org.au Canberra International Music Festival]. He has been the regular bass soloist with the [http://www.canberrabachensemble.com Canberra Bach Ensemble <ins style="font-weight: bold; text-decoration: none;">(CBE)</ins>] since its relaunch in 2016, and will be performing with them at the BachFest in Leipzig in June 2020.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:In 2019, Andrew again <del style="font-weight: bold; text-decoration: none;">joins the Bach Akademie Australia </del>for performances in Sydney, and <del style="font-weight: bold; text-decoration: none;">appears </del>with both BAA and Clarion at the [http://www.cimf.org.au Canberra International Music Festival]. On Good Friday, he <del style="font-weight: bold; text-decoration: none;">joins </del>other soloists from the Choir of St James’ in <del style="font-weight: bold; text-decoration: none;">a performance of </del>Arvo Pärt ''Passio'' at the Tapestry of Sacred Music festival in Singapore.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:In 2019, Andrew again <ins style="font-weight: bold; text-decoration: none;">joined BAA </ins>for performances <ins style="font-weight: bold; text-decoration: none;">of Lenten and Easter cantatas </ins>in Sydney, and <ins style="font-weight: bold; text-decoration: none;">appeared </ins>with both BAA and Clarion at the [http://www.cimf.org.au Canberra International Music Festival]. On Good Friday, he <ins style="font-weight: bold; text-decoration: none;">joined </ins>other soloists from the Choir of St James’ <ins style="font-weight: bold; text-decoration: none;">as the Evangelist Quartet </ins>in Arvo Pärt ''Passio'' at the Tapestry of Sacred Music festival in Singapore<ins style="font-weight: bold; text-decoration: none;">. Later this year, Andrew again appears as bass soloist with CBE in a program that includes Bach's ''Magnificat'', and joins BAA in Sydney for a program of Christmas cantatas</ins>.</div></td></tr>
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</table>Fyshhttps://www.cpdl.org/wiki/index.php?title=User:Andrew_Fysh&diff=959377&oldid=prevFysh: /* Background */2019-03-17T10:41:06Z<p><span dir="auto"><span class="autocomment">Background</span></span></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Originally from Hobart, Tasmania, where he began his singing career over forty years ago as a treble at St David’s Cathedral, Andrew has considerable experience as both chorister and soloist throughout Australia. Church music has featured throughout Andrew’s career: in 2004–06, while living in London, he sang with the Choir of the [https://www.bromptonoratory.co.uk/#about London Oratory], England’s pre-eminent Catholic church choir, and on return to Australia he joined the [http://sjks.org.au/music/the-choir-of-st-james/ Choir of St James’ Church, Sydney], with whom he still sings on occasion.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Originally from Hobart, Tasmania, where he began his singing career over forty years ago as a treble at St David’s Cathedral, Andrew has considerable experience as both chorister and soloist throughout Australia. Church music has featured throughout Andrew’s career: in 2004–06, while living in London, he sang with the Choir of the [https://www.bromptonoratory.co.uk/#about London Oratory], England’s pre-eminent Catholic church choir, and on return to Australia he joined the [http://sjks.org.au/music/the-choir-of-st-james/ Choir of St James’ Church, Sydney], with whom he still sings on occasion.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:Now resident in Canberra, Andrew is a founding member of the [https://www.facebook.com/clarionensemble/ Clarion] vocal quartet <del style="font-weight: bold; text-decoration: none;">with Tobias Cole</del>, performing monthly at the National Portrait Gallery, and sings with [https://www.facebook.com/coro.canberra/ Coro]. Coro's program of Renaissance polyphony, 'Music by Numbers', which Andrew devised and co-directed, was named by the Canberra Times as one of the top five concerts of 2015. Andrew’s particular interest lies in Renaissance and Baroque music, nurtured through fourteen years as a permanent member of Melbourne’s acclaimed [http://www.ensemblegombert.com.au Ensemble Gombert], directed by John O’Donnell, with whom he has toured Europe (2004, 2006, 2015) and North America (2009).</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:Now resident in Canberra, Andrew is a founding member of the [https://www.facebook.com/clarionensemble/ Clarion] vocal quartet, performing monthly at the National Portrait Gallery, and sings with [https://www.facebook.com/coro.canberra/ Coro]. Coro's program of Renaissance polyphony, 'Music by Numbers', which Andrew devised and co-directed, was named by the Canberra Times as one of the top five concerts of 2015. Andrew’s particular interest lies in Renaissance and Baroque music, nurtured through fourteen years as a permanent member of Melbourne’s acclaimed [http://www.ensemblegombert.com.au Ensemble Gombert], directed by John O’Donnell, with whom he has toured Europe (2004, 2006, 2015) and North America (2009).</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Andrew has been engaged as a guest artist with the [http://song.company The Song Company], Australia’s only full-time professional vocal ensemble, on multiple occasions, most recently at the 2014 Canberra International Music Festival as bass soloist in Bach Cantata No.130 and Mozart ''Requiem''. Among three Song Company recordings in which Andrew appears, the 1996 world-premiere release of [https://itunes.apple.com/au/album/sch%C3%BCtz-der-schwanengesang-the-swan-song-swv-482-493/201391690 Schütz ''Der Schwanengesang''], recorded in the Sydney Opera House Concert Hall, received Soundscapes magazine’s ‘Editor's Choice’ award.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Andrew has been engaged as a guest artist with the [http://song.company The Song Company], Australia’s only full-time professional vocal ensemble, on multiple occasions, most recently at the 2014 Canberra International Music Festival as bass soloist in Bach Cantata No.130 and Mozart ''Requiem''. Among three Song Company recordings in which Andrew appears, the 1996 world-premiere release of [https://itunes.apple.com/au/album/sch%C3%BCtz-der-schwanengesang-the-swan-song-swv-482-493/201391690 Schütz ''Der Schwanengesang''], recorded in the Sydney Opera House Concert Hall, received Soundscapes magazine’s ‘Editor's Choice’ award.</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Andrew is a founding member of the [http://www.bachakademieaustralia.com.au Bach Akademie Australia], which launched to critical acclaim in 2017 at sold-out performances in Sydney and at the [http://www.cimf.org.au Canberra International Music Festival]. He has been the regular bass soloist with the [http://www.canberrabachensemble.com Canberra Bach Ensemble] since its relaunch in 2016, and will be performing with them at the BachFest in Leipzig in June 2020.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Andrew is a founding member of the [http://www.bachakademieaustralia.com.au Bach Akademie Australia], which launched to critical acclaim in 2017 at sold-out performances in Sydney and at the [http://www.cimf.org.au Canberra International Music Festival]. He has been the regular bass soloist with the [http://www.canberrabachensemble.com Canberra Bach Ensemble] since its relaunch in 2016, and will be performing with them at the BachFest in Leipzig in June 2020.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:In 2019, Andrew again joins the Bach Akademie Australia for performances in Sydney, and appears with both BAA and Clarion at the Canberra International Music Festival. On Good Friday, he joins other soloists from the Choir of St James’ in a performance of Arvo Pärt ''Passio'' at the Tapestry of Sacred Music festival in Singapore.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:In 2019, Andrew again joins the Bach Akademie Australia for performances in Sydney, and appears with both BAA and Clarion at the <ins style="font-weight: bold; text-decoration: none;">[http://www.cimf.org.au </ins>Canberra International Music Festival<ins style="font-weight: bold; text-decoration: none;">]</ins>. On Good Friday, he joins other soloists from the Choir of St James’ in a performance of Arvo Pärt ''Passio'' at the Tapestry of Sacred Music festival in Singapore.</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{DEFAULTSORT:{{NameSorter}}}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{DEFAULTSORT:{{NameSorter}}}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:CPDL Editors]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:CPDL Editors]]</div></td></tr>
</table>Fyshhttps://www.cpdl.org/wiki/index.php?title=User:Andrew_Fysh&diff=959376&oldid=prevFysh: /* Background */2019-03-17T10:38:01Z<p><span dir="auto"><span class="autocomment">Background</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 10:38, 17 March 2019</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>As a long-time devotee of High-Renaissance polyphony, dissatisfied with the range (and, sometimes, quality) of available editions, I decided a couple of years ago it was time to start creating my own. I gravitated towards LilyPond as a starting point, but am so impressed with the quality of its output that I’ve stuck with it! I am very keen to make lesser-known works available for modern performance through high-quality modern editions...indeed, that is my primary motivation. Nothing would please me more than to hear from performers who have decided to use these editions in liturgical or concert presentation. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>As a long-time devotee of High-Renaissance polyphony, dissatisfied with the range (and, sometimes, quality) of available editions, I decided a couple of years ago it was time to start creating my own. I gravitated towards LilyPond as a starting point, but am so impressed with the quality of its output that I’ve stuck with it! I am very keen to make lesser-known works available for modern performance through high-quality modern editions...indeed, that is my primary motivation. Nothing would please me more than to hear from performers who have decided to use these editions in liturgical or concert presentation. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>I am particularly indebted to John O’Donnell (founder and director of Melbourne’s Ensemble Gombert and eminent scholar of High-Renaissance polyphony performance practice) and Simon Biazeck (fellow former member of Ensemble Gombert, talented composer and singer, and regular contributor here) for their advice and guidance, especially in relation to the application of ''musica ficta''.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>I am particularly indebted to <ins style="font-weight: bold; text-decoration: none;">[https://www.ensemblegombert.com.au/who-we-are </ins>John O’Donnell<ins style="font-weight: bold; text-decoration: none;">] </ins>(founder and director of Melbourne’s Ensemble Gombert and eminent scholar of High-Renaissance polyphony performance practice) and <ins style="font-weight: bold; text-decoration: none;">[[</ins>Simon Biazeck<ins style="font-weight: bold; text-decoration: none;">]] </ins>(fellow former member of Ensemble Gombert, talented composer and singer, and regular contributor here) for their advice and guidance, especially in relation to the application of ''musica ficta''.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>You can read more about my musical background in my bio below:</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>You can read more about my musical background in my bio below:</div></td></tr>
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</table>Fyshhttps://www.cpdl.org/wiki/index.php?title=User:Andrew_Fysh&diff=959277&oldid=prevFysh: /* Background */2019-03-17T02:43:32Z<p><span dir="auto"><span class="autocomment">Background</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 02:43, 17 March 2019</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l14">Line 14:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>As a long-time devotee of High-Renaissance polyphony, dissatisfied with the range (and, sometimes, quality) of available editions, I decided a couple of years ago it was time to start creating my own. I gravitated towards LilyPond as a starting point, but am so impressed with the quality of its output that I’ve stuck with it! I am very keen to make lesser-known works available for modern performance through high-quality modern editions...indeed, that is my primary motivation. Nothing would please me more than to hear from performers who have decided to use these editions in liturgical or concert presentation. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>As a long-time devotee of High-Renaissance polyphony, dissatisfied with the range (and, sometimes, quality) of available editions, I decided a couple of years ago it was time to start creating my own. I gravitated towards LilyPond as a starting point, but am so impressed with the quality of its output that I’ve stuck with it! I am very keen to make lesser-known works available for modern performance through high-quality modern editions...indeed, that is my primary motivation. Nothing would please me more than to hear from performers who have decided to use these editions in liturgical or concert presentation. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>I am particularly indebted to John O’Donnell (founder and director of Melbourne’s Ensemble Gombert and eminent scholar of High-Renaissance polyphony performance practice) and Simon Biazeck (fellow former member of Ensemble Gombert, talented composer and singer, and regular contributor here) for their advice and guidance.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>I am particularly indebted to John O’Donnell (founder and director of Melbourne’s Ensemble Gombert and eminent scholar of High-Renaissance polyphony performance practice) and Simon Biazeck (fellow former member of Ensemble Gombert, talented composer and singer, and regular contributor here) for their advice and guidance<ins style="font-weight: bold; text-decoration: none;">, especially in relation to the application of ''musica ficta''</ins>.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>You can read more about my musical background in my bio below:</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>You can read more about my musical background in my bio below:</div></td></tr>
</table>Fyshhttps://www.cpdl.org/wiki/index.php?title=User:Andrew_Fysh&diff=959093&oldid=prevFysh: /* Background */2019-03-16T07:32:57Z<p><span dir="auto"><span class="autocomment">Background</span></span></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Originally from Hobart, Tasmania, where he began his singing career over forty years ago as a treble at St David’s Cathedral, Andrew has considerable experience as both chorister and soloist throughout Australia. Church music has featured throughout Andrew’s career: in 2004–06, while living in London, he sang with the Choir of the [https://www.bromptonoratory.co.uk/#about London Oratory], England’s pre-eminent Catholic church choir, and on return to Australia he joined the [http://sjks.org.au/music/the-choir-of-st-james/ Choir of St James’ Church, Sydney], with whom he still sings on occasion.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Originally from Hobart, Tasmania, where he began his singing career over forty years ago as a treble at St David’s Cathedral, Andrew has considerable experience as both chorister and soloist throughout Australia. Church music has featured throughout Andrew’s career: in 2004–06, while living in London, he sang with the Choir of the [https://www.bromptonoratory.co.uk/#about London Oratory], England’s pre-eminent Catholic church choir, and on return to Australia he joined the [http://sjks.org.au/music/the-choir-of-st-james/ Choir of St James’ Church, Sydney], with whom he still sings on occasion.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:Now resident in Canberra, Andrew is a founding member of the [https://www.facebook.com/clarionensemble/ Clarion] vocal quartet with Tobias Cole, performing monthly at the National Portrait Gallery, and sings with Coro. Coro's program of Renaissance polyphony, 'Music by Numbers', which Andrew devised and co-directed, was named by the Canberra Times as one of the top five concerts of 2015. Andrew’s particular interest lies in Renaissance and Baroque music, nurtured through fourteen years as a permanent member of Melbourne’s acclaimed [http://www.ensemblegombert.com.au Ensemble Gombert], directed by John O’Donnell, with whom he has toured Europe (2004, 2006, 2015) and North America (2009).</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:Now resident in Canberra, Andrew is a founding member of the [https://www.facebook.com/clarionensemble/ Clarion] vocal quartet with Tobias Cole, performing monthly at the National Portrait Gallery, and sings with <ins style="font-weight: bold; text-decoration: none;">[https://www.facebook.com/coro.canberra/ </ins>Coro<ins style="font-weight: bold; text-decoration: none;">]</ins>. Coro's program of Renaissance polyphony, 'Music by Numbers', which Andrew devised and co-directed, was named by the Canberra Times as one of the top five concerts of 2015. Andrew’s particular interest lies in Renaissance and Baroque music, nurtured through fourteen years as a permanent member of Melbourne’s acclaimed [http://www.ensemblegombert.com.au Ensemble Gombert], directed by John O’Donnell, with whom he has toured Europe (2004, 2006, 2015) and North America (2009).</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Andrew has been engaged as a guest artist with the [http://song.company The Song Company], Australia’s only full-time professional vocal ensemble, on multiple occasions, most recently at the 2014 Canberra International Music Festival as bass soloist in Bach Cantata No.130 and Mozart ''Requiem''. Among three Song Company recordings in which Andrew appears, the 1996 world-premiere release of [https://itunes.apple.com/au/album/sch%C3%BCtz-der-schwanengesang-the-swan-song-swv-482-493/201391690 Schütz ''Der Schwanengesang''], recorded in the Sydney Opera House Concert Hall, received Soundscapes magazine’s ‘Editor's Choice’ award.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Andrew has been engaged as a guest artist with the [http://song.company The Song Company], Australia’s only full-time professional vocal ensemble, on multiple occasions, most recently at the 2014 Canberra International Music Festival as bass soloist in Bach Cantata No.130 and Mozart ''Requiem''. Among three Song Company recordings in which Andrew appears, the 1996 world-premiere release of [https://itunes.apple.com/au/album/sch%C3%BCtz-der-schwanengesang-the-swan-song-swv-482-493/201391690 Schütz ''Der Schwanengesang''], recorded in the Sydney Opera House Concert Hall, received Soundscapes magazine’s ‘Editor's Choice’ award.</div></td></tr>
</table>Fyshhttps://www.cpdl.org/wiki/index.php?title=User:Andrew_Fysh&diff=959092&oldid=prevFysh: /* Background */2019-03-16T07:31:19Z<p><span dir="auto"><span class="autocomment">Background</span></span></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Background==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Background==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>As a long-time devotee of High-Renaissance polyphony, I decided a couple of years ago it was time to start <del style="font-weight: bold; text-decoration: none;">making </del>my own <del style="font-weight: bold; text-decoration: none;">editions</del>. I gravitated towards LilyPond as a starting point, but am so impressed with the quality of its output that I’ve stuck with it! I am very keen to make lesser-known works available for modern performance through high-quality editions...indeed, that is my primary motivation. Nothing would please me more than to hear from performers who have decided to use these editions in liturgical or concert presentation. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>As a long-time devotee of High-Renaissance polyphony<ins style="font-weight: bold; text-decoration: none;">, dissatisfied with the range (and, sometimes, quality) of available editions</ins>, I decided a couple of years ago it was time to start <ins style="font-weight: bold; text-decoration: none;">creating </ins>my own. I gravitated towards LilyPond as a starting point, but am so impressed with the quality of its output that I’ve stuck with it! I am very keen to make lesser-known works available for modern performance through high-quality <ins style="font-weight: bold; text-decoration: none;">modern </ins>editions...indeed, that is my primary motivation. Nothing would please me more than to hear from performers who have decided to use these editions in liturgical or concert presentation. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>I am particularly indebted to John O’Donnell (founder and director of Melbourne’s Ensemble Gombert and eminent scholar of High-Renaissance polyphony performance practice) and Simon Biazeck (fellow former member of Ensemble Gombert, talented composer and singer, and regular contributor here) for their advice and guidance.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>I am particularly indebted to John O’Donnell (founder and director of Melbourne’s Ensemble Gombert and eminent scholar of High-Renaissance polyphony performance practice) and Simon Biazeck (fellow former member of Ensemble Gombert, talented composer and singer, and regular contributor here) for their advice and guidance.</div></td></tr>
</table>Fyshhttps://www.cpdl.org/wiki/index.php?title=User:Andrew_Fysh&diff=959091&oldid=prevFysh: /* Background */2019-03-16T07:28:30Z<p><span dir="auto"><span class="autocomment">Background</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 07:28, 16 March 2019</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Now resident in Canberra, Andrew is a founding member of the [https://www.facebook.com/clarionensemble/ Clarion] vocal quartet with Tobias Cole, performing monthly at the National Portrait Gallery, and sings with Coro. Coro's program of Renaissance polyphony, 'Music by Numbers', which Andrew devised and co-directed, was named by the Canberra Times as one of the top five concerts of 2015. Andrew’s particular interest lies in Renaissance and Baroque music, nurtured through fourteen years as a permanent member of Melbourne’s acclaimed [http://www.ensemblegombert.com.au Ensemble Gombert], directed by John O’Donnell, with whom he has toured Europe (2004, 2006, 2015) and North America (2009).</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Now resident in Canberra, Andrew is a founding member of the [https://www.facebook.com/clarionensemble/ Clarion] vocal quartet with Tobias Cole, performing monthly at the National Portrait Gallery, and sings with Coro. Coro's program of Renaissance polyphony, 'Music by Numbers', which Andrew devised and co-directed, was named by the Canberra Times as one of the top five concerts of 2015. Andrew’s particular interest lies in Renaissance and Baroque music, nurtured through fourteen years as a permanent member of Melbourne’s acclaimed [http://www.ensemblegombert.com.au Ensemble Gombert], directed by John O’Donnell, with whom he has toured Europe (2004, 2006, 2015) and North America (2009).</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>:Andrew has been engaged as a guest artist with the [http://song.company The Song Company], Australia’s only full-time professional vocal ensemble, on multiple occasions, most recently at the 2014 Canberra International Music Festival as bass soloist in Bach Cantata No.130 and Mozart ''Requiem''. Among three Song Company recordings in which Andrew appears, the 1996 world-premiere release of Schütz ''Der Schwanengesang'', recorded in the Sydney Opera House Concert Hall, received Soundscapes magazine’s ‘Editor's Choice’ award.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>:Andrew has been engaged as a guest artist with the [http://song.company The Song Company], Australia’s only full-time professional vocal ensemble, on multiple occasions, most recently at the 2014 Canberra International Music Festival as bass soloist in Bach Cantata No.130 and Mozart ''Requiem''. Among three Song Company recordings in which Andrew appears, the 1996 world-premiere release of <ins style="font-weight: bold; text-decoration: none;">[https://itunes.apple.com/au/album/sch%C3%BCtz-der-schwanengesang-the-swan-song-swv-482-493/201391690 </ins>Schütz ''Der Schwanengesang''<ins style="font-weight: bold; text-decoration: none;">]</ins>, recorded in the Sydney Opera House Concert Hall, received Soundscapes magazine’s ‘Editor's Choice’ award.</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Andrew is a founding member of the [http://www.bachakademieaustralia.com.au Bach Akademie Australia], which launched to critical acclaim in 2017 at sold-out performances in Sydney and at the [http://www.cimf.org.au Canberra International Music Festival]. He has been the regular bass soloist with the [http://www.canberrabachensemble.com Canberra Bach Ensemble] since its relaunch in 2016, and will be performing with them at the BachFest in Leipzig in June 2020.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>:Andrew is a founding member of the [http://www.bachakademieaustralia.com.au Bach Akademie Australia], which launched to critical acclaim in 2017 at sold-out performances in Sydney and at the [http://www.cimf.org.au Canberra International Music Festival]. He has been the regular bass soloist with the [http://www.canberrabachensemble.com Canberra Bach Ensemble] since its relaunch in 2016, and will be performing with them at the BachFest in Leipzig in June 2020.</div></td></tr>
</table>Fysh