Tota pulchra a 4 (Heinrich Isaac): Difference between revisions
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*{{PostedDate|2018-02-05}} {{CPDLno|48712}} [[Media:Tota_pulchra_es_a_4_Isaac.pdf|{{pdf}}]] [[Media:Tota_pulchra_es_a_4_Isaac.mid|{{mid}}]] [[Media:Tota_pulchra_es_a_4_Isaac.mxl|{{XML}}]] [[Media:Tota_pulchra_es_a_4_Isaac.capx|{{Capx}}]] | *{{PostedDate|2018-02-05}} {{CPDLno|48712}} [[Media:Tota_pulchra_es_a_4_Isaac.pdf|{{pdf}}]] [[Media:Tota_pulchra_es_a_4_Isaac.mid|{{mid}}]] [[Media:Tota_pulchra_es_a_4_Isaac.mxl|{{XML}}]] [[Media:Tota_pulchra_es_a_4_Isaac.capx|{{Capx}}]] | ||
{{Editor|James Gibb|2018-02-05}}{{ScoreInfo|A4|7|111}}{{Copy|CPDL}} | {{Editor|James Gibb|2018-02-05}}{{ScoreInfo|A4|7|111}}{{Copy|CPDL}} | ||
:'''Edition notes:''' Reformatting of #23083. Transposed up a major 3rd, for SATB. Minor corrections to the underlay. | :'''Edition notes:''' Reformatting of #23083. Transposed up a major 3rd, for SATB. Minor corrections to the underlay. | ||
*{{PostedDate|2011-12-28}} {{CPDLno|24398}} [http://www.davidfplace.info/pdf/tpe_parts_c_f.pdf {{extpdf}}] | *{{PostedDate|2011-12-28}} {{CPDLno|24398}} [http://www.davidfplace.info/pdf/tpe_parts_c_f.pdf {{extpdf}}] | ||
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*{{PostedDate|2011-02-02}} {{CPDLno|23083}} [[Media:Isaac_-_Tota_Pulchra_Es_à_4.pdf|{{pdf}}]] [[Media:Isaac_-_Tota_Pulchra_Es_à_4.mid|{{mid}}]] [[Media:Isaac_-_Tota_Pulchra_Es_à_4.mxl|{{XML}}]] [[Media:Isaac_-_Tota_Pulchra_Es_à_4.sib|{{sib}}]] (Sibelius 6) | *{{PostedDate|2011-02-02}} {{CPDLno|23083}} [[Media:Isaac_-_Tota_Pulchra_Es_à_4.pdf|{{pdf}}]] [[Media:Isaac_-_Tota_Pulchra_Es_à_4.mid|{{mid}}]] [[Media:Isaac_-_Tota_Pulchra_Es_à_4.mxl|{{XML}}]] [[Media:Isaac_-_Tota_Pulchra_Es_à_4.sib|{{sib}}]] (Sibelius 6) | ||
{{Editor|David Mackay|2011-02-02}}{{ScoreInfo|A4|10|173}}{{Copy|CPDL}} | {{Editor|David Mackay|2011-02-02}}{{ScoreInfo|A4|10|173}}{{Copy|CPDL}} | ||
:'''Edition notes:''' This arrangement is for four male voices (alto/countertenor, two tenors, and a bass) and is transposed up a semitone. | :'''Edition notes:''' This arrangement is for four male voices (alto/countertenor, two tenors, and a bass) and is transposed up a semitone. | ||
*{{PostedDate|2006-03-07}} {{CPDLno|11186}} [[Media:Isaac_Tota_pulchra_a_4.pdf|{{pdf}}]] [[Media:Isaac_Tota_pulchra_a_4.mid|{{mid}}]] | *{{PostedDate|2006-03-07}} {{CPDLno|11186}} [[Media:Isaac_Tota_pulchra_a_4.pdf|{{pdf}}]] [[Media:Isaac_Tota_pulchra_a_4.mid|{{mid}}]] |
Revision as of 05:02, 18 June 2020
Music files
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- Editor: James Gibb (submitted 2018-02-05). Score information: A4, 7 pages, 111 kB Copyright: CPDL
- Edition notes: Reformatting of #23083. Transposed up a major 3rd, for SATB. Minor corrections to the underlay.
- Editor: David Placecreate page (submitted 2011-09-08). Score information: Letter, 9 pages, 116.86 kB Copyright: CPDL
- Edition notes: This is a set of parts which are unbarred and use petrucci-style notes and rests. It is transposed up a fourth which is useful for playing it with a consort of renaissance flutes or recorders.
- Editor: David Mackay (submitted 2011-02-02). Score information: A4, 10 pages, 173 kB Copyright: CPDL
- Edition notes: This arrangement is for four male voices (alto/countertenor, two tenors, and a bass) and is transposed up a semitone.
- Editor: Sabine Cassola (submitted 2006-03-07). Score information: A4, 8 pages, 192 kB Copyright: CPDL
- Edition notes:
General Information
Title: Tota pulchra a 4
Composer: Heinrich Isaac
Number of voices: 4vv Voicings: ATTB or SATB
Genre: Sacred, Motet
Language: Latin
Instruments: A cappella
First published:
Description:
External websites:
Original text and translations
Original text and translations may be found at Tota pulchra es, amica mea.