The Moldering Vine (James P. Carrell): Difference between revisions
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==Music files== | ==Music files== | ||
{{Legend}} | {{#Legend:}} | ||
*{{PostedDate|2017-01-30}} {{CPDLno|42892}} [[Media:MolderingVineCarrell1822bpr.pdf|{{pdf}}]] [[Media:MolderingVineCarrell1822bpr.mid|{{mid}}]] [[Media:MolderingVineCarrell1822bpr.mxl|{{XML}}]] | *{{PostedDate|2017-01-30}} {{CPDLno|42892}} [[Media:MolderingVineCarrell1822bpr.pdf|{{pdf}}]] [[Media:MolderingVineCarrell1822bpr.mid|{{mid}}]] [[Media:MolderingVineCarrell1822bpr.mxl|{{XML}}]] | ||
{{Editor|Barry Johnston|2017-01-30}}{{ScoreInfo|Letter|1|79}}{{Copy|Public Domain}} | {{Editor|Barry Johnston|2017-01-30}}{{ScoreInfo|Letter|1|79}}{{Copy|Public Domain}} | ||
:'''Edition notes:''' As originally written by Carrell and published in 1821. Note heads converted to oval shape. Stanzas 1-3 from ''Songs of Zion'', 1821; stanzas 4-5 from ''Social and Camp-Meeting Songs'', 1822. | :'''Edition notes:''' As originally written by Carrell and published in 1821. Note heads converted to oval shape. Stanzas 1-3 from ''Songs of Zion'', 1821; stanzas 4-5 from ''Social and Camp-Meeting Songs'', 1822. | ||
*{{PostedDate|2017-01-30}} {{CPDLno|42888}} [[Media:MolderingVineCarrell1822a.pdf|{{pdf}}]] | *{{PostedDate|2017-01-30}} {{CPDLno|42888}} [[Media:MolderingVineCarrell1822a.pdf|{{pdf}}]] | ||
{{Editor|Barry Johnston|2017-01-30}}{{ScoreInfo|7 x 10 inches (landscape)|1|63}}{{Copy|Public Domain}} | {{Editor|Barry Johnston|2017-01-30}}{{ScoreInfo|7 x 10 inches (landscape)|1|63}}{{Copy|Public Domain}} | ||
:'''Edition notes:''' As originally written by Carrell and published in 1821. Note heads in shape-note format (4-shape), as originally published. Stanzas 1-3 from ''Songs of Zion'', 1821; stanzas 4-5 from ''Social and Camp-Meeting Songs'', 1822. | :'''Edition notes:''' As originally written by Carrell and published in 1821. Note heads in shape-note format (4-shape), as originally published. Stanzas 1-3 from ''Songs of Zion'', 1821; stanzas 4-5 from ''Social and Camp-Meeting Songs'', 1822. | ||
==General Information== | ==General Information== | ||
{{Title|''The Moldering Vine''}} | |||
{{FirstLine|Hail, ye sighing sons of sorrow}} | {{FirstLine|Hail, ye sighing sons of sorrow}} | ||
{{Composer|James P. Carrell}} | {{Composer|James P. Carrell}} | ||
Line 16: | Line 16: | ||
{{Voicing|4|SATB}}<br> | {{Voicing|4|SATB}}<br> | ||
{{Genre|Sacred|}} {{ | {{Genre|Sacred|}} {{Meter|87. 87. D}} | ||
{{Language|English}} | {{Language|English}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{ | {{Pub|1|1821|in {{NoComp|Songs of Zion|James P. Carrell}}, p. 54.}} | ||
{{Descr|Words by Selah Gridley, apparently first published in 1795 in a newspaper, reprinted in a collection of his poems in 1828. This tune modified by William Hauser in The Hesperian Harp, 1848, and retitled ''Sons of Sorrow'', in three parts. The modified version appears in ''The Sacred Harp'', no. 332 from 1860 on; Alto part was written by S. M. Denson for the 1911 edition.}} | |||
'''References:''' | '''References:''' | ||
*Anonymous. 1826. ''Gloom of Autumn''. ''The Casket'' (magazine) 1(12):388, December 1826. | *Anonymous. 1826. ''Gloom of Autumn''. ''The Casket'' (magazine) 1(12):388, December 1826. | ||
*Gridley, Selah. 1828. ''The Mill of the Muses''. Exeter, New Hampshire: T. Gridley. (Selah Gridley died in 1826, according to | *Gridley, Selah. 1828. ''The Mill of the Muses''. Exeter, New Hampshire: T. Gridley. (Selah Gridley died in 1826, according to Warren Steel). | ||
*Harrod, John J., Editor. 1822. ''Social and Camp-Meeting Songs for the Pious'', Fourth Edition. Baltimore, Maryland: Armstrong and Plaskitt. 216 pp. | *Harrod, John J., Editor. 1822. ''Social and Camp-Meeting Songs for the Pious'', Fourth Edition. Baltimore, Maryland: Armstrong and Plaskitt. 216 pp. | ||
{{#ExtWeb: | |||
*[http://home.olemiss.edu/~mudws/texts/Gloom.txt Warren Steel's commentary on words]}} | |||
==Original text and translations== | ==Original text and translations== | ||
{{top}} | {{top}} | ||
{{Text|English| | {{Text|English| | ||
<u>Social & Camp-Meeting Songs, 1822</u> | |||
1. Hail, ye sighing sons of sorrow, | 1. Hail, ye sighing sons of sorrow, | ||
Line 84: | Line 81: | ||
{{middle|4}} | {{middle|4}} | ||
{{Text|Simple| | {{Text|Simple| | ||
<u>Songs of Zion, 1821</u> | |||
1. Hail! ye sighing sons of sorrow, | 1. Hail! ye sighing sons of sorrow, | ||
Line 117: | Line 114: | ||
{{middle|4}} | {{middle|4}} | ||
{{Text|Simple| | {{Text|Simple| | ||
<u>The Casket (mag.), 1(12):388, Dec. 1826</u> | |||
1. Hail ye sighing sons of sorrow! | 1. Hail ye sighing sons of sorrow! | ||
Line 195: | Line 192: | ||
{{middle|4}} | {{middle|4}} | ||
{{Text|Simple| | {{Text|Simple| | ||
<u>The Mill of the Muses, 1828</u> | |||
1. Hail ye sighing sons of sorrow; | 1. Hail ye sighing sons of sorrow; | ||
Line 217: | Line 214: | ||
3. Nations die by dread Bellona, | 3. Nations die by dread Bellona, | ||
Through enraged tyrannic Kings; | Through enraged tyrannic Kings; | ||
Just as plants by pale Pomona | Just as plants by pale Pomona | ||
Fall, to rise in future springs. | Fall, to rise in future springs. | ||
Mournful scene when vegetation, | Mournful scene when vegetation, | ||
Line 255: | Line 252: | ||
Quivering age with youth contrasted, | Quivering age with youth contrasted, | ||
Oh! how short our glories seem! | Oh! how short our glories seem! | ||
As the annual frosts are cropping | As the annual frosts are cropping | ||
Leaves and tendrils from the trees; | Leaves and tendrils from the trees; | ||
So my friends are yearly dropping, | So my friends are yearly dropping, | ||
Line 279: | Line 276: | ||
________________________________________________ | ________________________________________________ | ||
By Selah Gridley (1770-1826). | By Selah Gridley (1770-1826). Published by Timothy Gridley, Exeter, New Hampshire.}} | ||
{{bottom}} | {{bottom}} | ||
[[Category: | [[Category:Four-shape note editions]] | ||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Classical music]] | [[Category:Classical music]] | ||
{{DEFAULTSORT:{{WorkSorter}}}} | {{DEFAULTSORT:{{WorkSorter}}}} |
Revision as of 13:35, 13 April 2021
Music files
ICON | SOURCE |
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Midi | |
MusicXML | |
File details | |
Help |
- Editor: Barry Johnston (submitted 2017-01-30). Score information: Letter, 1 page, 79 kB Copyright: Public Domain
- Edition notes: As originally written by Carrell and published in 1821. Note heads converted to oval shape. Stanzas 1-3 from Songs of Zion, 1821; stanzas 4-5 from Social and Camp-Meeting Songs, 1822.
- Editor: Barry Johnston (submitted 2017-01-30). Score information: 7 x 10 inches (landscape), 1 page, 63 kB Copyright: Public Domain
- Edition notes: As originally written by Carrell and published in 1821. Note heads in shape-note format (4-shape), as originally published. Stanzas 1-3 from Songs of Zion, 1821; stanzas 4-5 from Social and Camp-Meeting Songs, 1822.
General Information
Title: The Moldering Vine
First Line: Hail, ye sighing sons of sorrow
Composer: James P. Carrell
Lyricist: Selah Gridley
Number of voices: 4vv Voicing: SATB
Genre: Sacred Meter: 87. 87. D
Language: English
Instruments: A cappella
First published: 1821 in Songs of Zion, p. 54
Description: Words by Selah Gridley, apparently first published in 1795 in a newspaper, reprinted in a collection of his poems in 1828. This tune modified by William Hauser in The Hesperian Harp, 1848, and retitled Sons of Sorrow, in three parts. The modified version appears in The Sacred Harp, no. 332 from 1860 on; Alto part was written by S. M. Denson for the 1911 edition.
References:
- Anonymous. 1826. Gloom of Autumn. The Casket (magazine) 1(12):388, December 1826.
- Gridley, Selah. 1828. The Mill of the Muses. Exeter, New Hampshire: T. Gridley. (Selah Gridley died in 1826, according to Warren Steel).
- Harrod, John J., Editor. 1822. Social and Camp-Meeting Songs for the Pious, Fourth Edition. Baltimore, Maryland: Armstrong and Plaskitt. 216 pp.
External websites:
Original text and translations
English text Social & Camp-Meeting Songs, 1822 |
Songs of Zion, 1821 |
The Casket (mag.), 1(12):388, Dec. 1826 |
The Mill of the Muses, 1828 |