The Hesperian Harp (William Hauser)/List: Difference between revisions

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|1||1||[[Old Hundred (Louis Bourgeois)]]||Louis Bourgeois||1551||He reigns; the Lord, the Savior reigns||Isaac Watts||1719||A||L.M.||4
|1||1||[[Old Hundred (Louis Bourgeois)|Old Hundred]]||||1551||He reigns; the Lord, the Savior reigns||Isaac Watts||1719||A||L.M.||4
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|2||2a||Aylesbury||||1717||The Lord my shepherd is||Isaac Watts||1719||a||S.M.||4
|2||2a||Aylesbury||''Book of Psalmody''||1717||The Lord my shepherd is||Isaac Watts||1719||a||S.M.||4
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|3||2b||[[Windham (Daniel Read)]]||Daniel Read||1785||Broad is the road that leads to death||Isaac Watts||1709||f||L.M.||4
|3||2b||[[Windham (Daniel Read)|Windham]]||||1785||Broad is the road that leads to death||Isaac Watts||1709||f||L.M.||4
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|4||3||[[Primrose (Amzi Chapin)]]||Amzi Chapin||1812||Salvation, O the joyful sound||Isaac Watts||1709||A||C.M.||4
|4||3||[[Primrose (Amzi Chapin)|Primrose]]||||1812||Salvation, O the joyful sound||Isaac Watts||1709||A||C.M.||4
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|5||3b||[[Rochester (Israel Holdroyd)]]||Israel Holdroyd||1722||Come, let us join our cheerful songs||Isaac Watts||1707||A||C.M.||4
|5||3b||[[Rochester (Israel Holdroyd)|Rochester]]||||1722||Come, let us join our cheerful songs||Isaac Watts||1707||A||C.M.||4
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|6||4a||[[Rockbridge (Lucius Chapin)]]||Lucius Chapin||1812||Sweet is the work, my God, my King||Isaac Watts||1719||C||L.M.||4
|6||4a||[[Rockbridge (Lucius Chapin)|Rockbridge]]||||1812||Sweet is the work, my God, my King||Isaac Watts||1719||C||L.M.||4
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|7||4b||Mear||||1720||In God's own house pronounce his praise||Isaac Watts||1719||G||C.M.||4
|7||4b||Mear||''Set of Tunes''||1720||In God's own house pronounce his praise||Isaac Watts||1719||G||C.M.||4
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|8||5a||[[Wakefield (Samuel Wakefield)]]||Samuel Wakefield||1835||Come, weary souls, with sin distressed||Anne Steele||1760||F||L.M.||4
|8||5a||[[Wakefield (Samuel Wakefield)|Wakefield]]||||1835||Come, weary souls, with sin distressed||Anne Steele||1760||F||L.M.||4
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|9||5b||[[Supplication (Chapin)]]||Chapin||1810||Show pity, Lord! O Lord, forgive||Isaac Watts||1719||a||L.M.||4
|9||5b||[[Supplication (Chapin)|Supplication]]||||1810||Show pity, Lord! O Lord, forgive||Isaac Watts||1719||a||L.M.||4
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|10||6a||[[Solemnity (Ananias Davisson)]]||Ananias Davisson||1817||Twas on that dark and doleful night||Isaac Watts||1711||a||L.M.||4
|10||6a||[[Solemnity (Ananias Davisson)|Solemnity]]||||1817||Twas on that dark and doleful night||Isaac Watts||1711||a||L.M.||4
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|11||6b||[[Solemnity (Ananias Davisson)]]||Ananias Davisson||1817||He dies, the friend of sinners dies||Isaac Watts||1707||a||L.M.||3
|11||6b||[[Solemnity (Ananias Davisson)|Solemnity]]||||1817||He dies, the friend of sinners dies||Isaac Watts||1707||a||L.M.||3
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|12||7a||[[Devotion (Alexander Johnson)]]||Alexander Johnson||1818||Sweet is the work, my God, my King||Isaac Watts||1719||C||L.M.||4
|12||7a||[[Devotion (Alexander Johnson)|Devotion]]||||1818||Sweet is the work, my God, my King||Isaac Watts||1719||C||L.M.||4
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|13||7b||[[Devotion (Daniel Read)]]||Daniel Read||1787||Sweet is the day of sacred rest||Isaac Watts||1719||C||L.M.||4
|13||7b||[[Devotion (Daniel Read)|Devotion]]||||1787||Sweet is the day of sacred rest||Isaac Watts||1719||C||L.M.||4
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|14||8a||Bourbon||||1814||Twas on that dark and solemn night||Isaac Watts||1711||a||L.M.||3
|14||8a||Bourbon||''Beauties of Harmony''||1814||Twas on that dark and solemn night||Isaac Watts||1711||a||L.M.||3
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|15||8b||Dismission||||1814||I cannot bear thy absence, Lord||Isaac Watts||1709||a||L.M.||3
|15||8b||Dismission||''Beauties of Harmony''||1814||I cannot bear thy absence, Lord||Isaac Watts||1709||a||L.M.||3
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|16||9a||[[Wells (Israel Holdroyd)]]||Israel Holdroyd||1722||Ye nations round the earth, rejoice||Isaac Watts||1719||F||L.M.||4
|16||9a||[[Wells (Israel Holdroyd)|Wells]]||||1722||Ye nations round the earth, rejoice||Isaac Watts||1719||F||L.M.||4
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|17||9b||[[Paris (William Billings)]]||William Billings||1779||This spacious earth is all the Lord's||Isaac Watts||1719||A||L.M.||4
|17||9b||[[Paris (William Billings)|Paris]]||||1779||This spacious earth is all the Lord's||Isaac Watts||1719||A||L.M.||4
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|18||10a||[[Philippi (Peter Erben)]]||Peter Erben||1806||Praise God from whom all blessings flow||Thomas Ken||1674||C||L.M.||4
|18||10a||[[Philippi (Peter Erben)|Philippi]]||||1806||Praise God from whom all blessings flow||Thomas Ken||1674||C||L.M.||4
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|19||10b||Jehalah||||||He dies, the friend of sinners dies||Isaac Watts||1707||A||L.M.||4
|19||10b||Jehalah||||||He dies, the friend of sinners dies||Isaac Watts||1707||A||L.M.||4
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|20||11a||[[Tender Thought (Ananias Davisson)]]||Ananias Davisson||1816||Arise, my tender thoughts, arise||Philip Doddridge||1755||a||L.M.||4
|20||11a||[[Tender Thought (Ananias Davisson)|Tender Thought]]||||1816||Arise, my tender thoughts, arise||Philip Doddridge||1755||a||L.M.||4
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|21||11b||[[Angel's Hymn (Orlando Gibbons)]]||Orlando Gibbons||1623||The God of our salvation hears||Isaac Watts||1719||G||L.M.||4
|21||11b||[[Angel's Hymn (Orlando Gibbons)|Angel's Hymn]]||||1623||The God of our salvation hears||Isaac Watts||1719||G||L.M.||4
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|22||12a||[[Portugal (Thomas Thorley)]]||Thomas Thorley||1778||Praise to the Lord, of boundless might||Philip Doddridge||1755||G||L.M.||4
|22||12a||[[Portugal (Thomas Thorley)|Portugal]]||||1778||Praise to the Lord, of boundless might||Philip Doddridge||1755||G||L.M.||4
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|23||12b||[[Bridgewater (Lewis Edson)]]||Lewis Edson||1782||From all that dwell below the skies||Isaac Watts||1719||C||L.M.||4
|23||12b||[[Bridgewater (Lewis Edson)|Bridgewater]]||||1782||From all that dwell below the skies||Isaac Watts||1719||C||L.M.||4
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|24||13a||[[Chester (William Billings)]]||William Billings||1770||Let the high heavens your songs invite||Philip Doddridge||1755||F||L.M.||4
|24||13a||[[Chester (William Billings)|Chester]]||||1770||Let the high heavens your songs invite||Philip Doddridge||1755||F||L.M.||4
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|25||13b||[[Davisson's Retirement (Ananias Davisson)]]||Ananias Davisson||1820||Jesus! and shall it ever be||Joseph Grigg||1765||f#||L.M.||4
|25||13b||[[Davisson's Retirement (Ananias Davisson)|Davisson's Retirement]]||||1820||Jesus! and shall it ever be||Joseph Grigg||1765||f#||L.M.||4
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|26||14a||Williamstown||||1786||Show pity, Lord! O Lord, forgive||Isaac Watts||1719||a||L.M.||4
|26||14a||Williamstown||''Beauties of Psalmody''||1786||Show pity, Lord! O Lord, forgive||Isaac Watts||1719||a||L.M.||4
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|27||14b||Litchfield||||1793||How soft the words my Savior speaks||Samuel Stennett||1787||A||L.M.||4
|27||14b||Litchfield||''Musical Primer''||1793||How soft the words my Savior speaks||Samuel Stennett||1787||A||L.M.||4
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|28||15a||[[Gospel Armor (Ely Stansfield)]]||Ely Stansfield||1731||Stand up, my soul, shake off thy fears||Isaac Watts||1709||F||L.M.||4
|28||15a||[[Gospel Armor (Ely Stansfield)|Gospel Armor]]||||1731||Stand up, my soul, shake off thy fears||Isaac Watts||1709||F||L.M.||4
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|29||15b||[[Passover (James Carrell)]]||James Carrell||1821||Twas on that dark and doleful night||Isaac Watts||1711||a||L.M.||4
|29||15b||[[Passover (James Carrell)|Passover]]||||1821||Twas on that dark and doleful night||Isaac Watts||1711||a||L.M.||4
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|30||16a||[[Iredell (Samuel Wakely)]]||Samuel Wakely||1818||Oft have I turned my eyes within||Samuel Stennett||1787||C||L.M.||4
|30||16a||[[Iredell (Samuel Wakely)|Iredell]]||||1818||Oft have I turned my eyes within||Samuel Stennett||1787||C||L.M.||4
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|31||16b||[[The Humble Penitent (Ananias Davisson)]]||Ananias Davisson||1826||Stay, thou insulted spirit, stay||Charles Wesley||1749||C||L.M.||4
|31||16b||[[The Humble Penitent (Ananias Davisson)|The Humble Penitent]]||||1826||Stay, thou insulted spirit, stay||Charles Wesley||1749||C||L.M.||4
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|32||17a||[[Salem (Stephen Bovelle)]]||Stephen Bovelle||1817||He dies! the Friend of sinners dies||Isaac Watts||1707||b||L.M.||4
|32||17a||[[Salem (Stephen Bovelle)|Salem]]||||1817||He dies! the Friend of sinners dies||Isaac Watts||1707||b||L.M.||4
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|33||17b||[[Glasgow (Elkanah Dare)]]||Elkanah Dare||1813||This life's a dream, an empty show||Isaac Watts||1719||G||L.M.||4
|33||17b||[[Glasgow (Elkanah Dare)|Glasgow]]||||1813||This life's a dream, an empty show||Isaac Watts||1719||G||L.M.||4
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|34||18||Sweet Solitude||||1835||Sweet solitude, thou blessed queen||Hannah More||1782||A||L.M.||4
|34||18||Sweet Solitude||''Southern Harmony''||1835||Sweet solitude, thou blessed queen||Hannah More||1782||A||L.M.||4
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|35||19||[[Dover (Timothy Swan)]]||Timothy Swan||1792||My soul, the great Creator praise||Isaac Watts||1719||C||L. M. D.||4
|35||19||[[Dover (Timothy Swan)|Dover]]||||1792||My soul, the great Creator praise||Isaac Watts||1719||C||L. M. D.||4
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|36||20a||[[New Jersey (Ishmael Spicer)]]||Ishmael Spicer||1789||Lord, what was man when made at first||Isaac Watts||1719||e||L.M.||4
|36||20a||[[New Jersey (Ishmael Spicer)|New Jersey]]||||1789||Lord, what was man when made at first||Isaac Watts||1719||e||L.M.||4
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|37||20b||[[Duke Street (John Hatton)]]||John Hatton||1793||Lord, when thou didst ascend on high||Isaac Watts||1719||F||L.M.||4
|37||20b||[[Duke Street (John Hatton)|Duke Street]]||||1793||Lord, when thou didst ascend on high||Isaac Watts||1719||F||L.M.||4
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|38||21a||[[Park Street (Venua)]]||Venua||1815||Wake, O my soul, and hail the morn||Anonymous||1806||A||L.M.||4
|38||21a||[[Park Street (Venua)|Park Street]]||||1815||Wake, O my soul, and hail the morn||Anonymous||1806||A||L.M.||4
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|39||21b||[[Kedron (Amos Pilsbury)]]||Amos Pilsbury||1799||Thou man of griefs, remember me||Charles Wesley||1762||e||L.M.||4
|39||21b||[[Kedron (Amos Pilsbury)|Kedron]]||||1799||Thou man of griefs, remember me||Charles Wesley||1762||e||L.M.||4
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|40||22a||[[Melinda (Robert Boyd)]]||Robert Boyd||1816||In vain the wealthy mortals toil||Isaac Watts||1707||e||L. M. D.||4
|40||22a||[[Melinda (Robert Boyd)|Melinda]]||||1816||In vain the wealthy mortals toil||Isaac Watts||1707||e||L. M. D.||4
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|41||22b||[[Whitestown (Howd)]]||Howd||1800||Where nothing dwell but beasts of prey||Isaac Watts||1719||e||L.M.||4
|41||22b||[[Whitestown (Howd)|Whitestown]]||||1800||Where nothing dwell but beasts of prey||Isaac Watts||1719||e||L.M.||4
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|42||24||[[The Voice of Nature (Japhet Washburn)]]||Japhet Washburn||1793||The spacious firmament on high||Joseph Addison||1712||C||L.M.||4
|42||24||[[The Voice of Nature (Japhet Washburn)|The Voice of Nature]]||||1793||The spacious firmament on high||Joseph Addison||1712||C||L.M.||4
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|43||25||[[Ballstown (Nehemiah Shumway)]]||Nehemiah Shumway||1809||Great God, attend while Zion sings||Isaac Watts||1719||F||L.M.||4
|43||25||[[Ballstown (Nehemiah Shumway)|Ballstown]]||||1809||Great God, attend while Zion sings||Isaac Watts||1719||F||L.M.||4
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|44||26a||[[Russia (Daniel Read)]]||Daniel Read||1787||My spirit looks to God alone||Isaac Watts||1719||a||L.M.||4
|44||26a||[[Russia (Daniel Read)|Russia]]||||1787||My spirit looks to God alone||Isaac Watts||1719||a||L.M.||4
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|45||26b||[[Caldwell (William Little)]]||William Little||1801||Sweet is the work, my God, my King||Isaac Watts||1719||D||L.M.||4
|45||26b||[[Caldwell (William Little)|Caldwell]]||||1801||Sweet is the work, my God, my King||Isaac Watts||1719||D||L.M.||4
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|46||27a||[[Hallelujah (Harrison)]]||Harrison||1820||He come, he comes, the Judge severe||Charles Wesley||1758||G||86.86.87.||4
|46||27a||[[Hallelujah (Harrison)|Hallelujah]]||||1820||He come, he comes, the Judge severe||Charles Wesley||1758||G||86.86.87.||4
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|47||27b||[[Hebron (Lowell Mason)]]||Lowell Mason||1823||Thus far the Lord hath led me on||Isaac Watts||1707||B{{flat}}||L.M.||4
|47||27b||[[Hebron (Lowell Mason)|Hebron]]||||1823||Thus far the Lord hath led me on||Isaac Watts||1707||B{{flat}}||L.M.||4
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|48||28||Clamanda||||1805||Say now, ye lovely social band||Anonymous||1806||e||L.M.||4
|48||28||Clamanda||''Christian Harmony''||1805||Say now, ye lovely social band||Anonymous||1806||e||L.M.||4
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|49||29||[[Bonnie Doon (Scottish Traditional)]]||Scottish Traditional||1831||When marshalled on the nightly plain||Henry White||1812||G||L. M. D.||4
|49||29||[[Bonnie Doon (Scottish Traditional)|Bonnie Doon]]||||1831||When marshalled on the nightly plain||Henry White||1812||G||L. M. D.||4
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|50||30a||[[Arnheim (Samuel Holyoke)]]||Samuel Holyoke||1791||The Lord is come, the heavens proclaim||Isaac Watts||1719||D||L.M.||3
|50||30a||[[Arnheim (Samuel Holyoke)|Arnheim]]||||1791||The Lord is come, the heavens proclaim||Isaac Watts||1719||D||L.M.||3
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|51||30b||Vesperia||||||Soft be the gently breathing notes||William Collyer||1812||B{{flat}}||L.M.||3
|51||30b||Vesperia||||||Soft be the gently breathing notes||William Collyer||1812||B{{flat}}||L.M.||3
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|52||31a||[[Carvosso (William Hauser)]]||William Hauser||1848||Holy and true and righteous Lord||Charles Wesley||1742||C||L.M.||4
|52||31a||[[Carvosso (William Hauser)|Carvosso]]||||1848||Holy and true and righteous Lord||Charles Wesley||1742||C||L.M.||4
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|53||31b||[[Ortonville (Thomas Hastings)]]||Thomas Hastings||1837||Being of beings, God of love||Charles Wesley||1739||B{{flat}}||C.M.||4
|53||31b||[[Ortonville (Thomas Hastings)|Ortonville]]||||1837||Being of beings, God of love||Charles Wesley||1739||B{{flat}}||C.M.||4
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|54||32a||[[Immensity (Eliakim Doolittle)]]||Eliakim Doolittle||1806||Within thy circling power I stand||Isaac Watts||1719||a||L.M.||4
|54||32a||[[Immensity (Eliakim Doolittle)|Immensity]]||||1806||Within thy circling power I stand||Isaac Watts||1719||a||L.M.||4
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|55||32b||[[Garden (Newcomb)]]||Newcomb||1800||God, from his cloudy cistern, pours||Isaac Watts||1719||a||L.M.||4
|55||32b||[[Garden (Newcomb)|Garden]]||||1800||God, from his cloudy cistern, pours||Isaac Watts||1719||a||L.M.||4
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|56||33||[[Prospect (Graham)]]||Graham||1835||Why should we start and fear to die||Isaac Watts||1709||C||L.M.||3
|56||33||[[Prospect (Graham)|Prospect]]||||1835||Why should we start and fear to die||Isaac Watts||1709||C||L.M.||3
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|57||34a||[[Haines (William Hauser)]]||William Hauser||1848||Eternal power, whose high abode||Isaac Watts||1706||F||L.M.||4
|57||34a||[[Haines (William Hauser)|Haines]]||||1848||Eternal power, whose high abode||Isaac Watts||1706||F||L.M.||4
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|58||34b||[[Carlisle (Ishmael Spicer)]]||Ishmael Spicer||1789||Deep in our hearts, let us record||Isaac Watts||1719||a||L.M.||4
|58||34b||[[Carlisle (Ishmael Spicer)|Carlisle]]||||1789||Deep in our hearts, let us record||Isaac Watts||1719||a||L.M.||4
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|59||35||Isle of Wight||||1711||Lord, shall we part with gold for dross||Anonymous||1769||a||C.M.||4
|59||35||Isle of Wight||''Collection of Psalm Tunes in Four Parts''||1711||Lord, shall we part with gold for dross||Anonymous||1769||a||C.M.||4
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|60||36a||[[Jonesborough (P. A. Axton)]]||P. A. Axton||1825||Jesus, my all, to heaven is gone||John Cennick||1740||a||L.M.||3
|60||36a||[[Jonesborough (P. A. Axton)|Jonesborough]]||||1825||Jesus, my all, to heaven is gone||John Cennick||1740||a||L.M.||3
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|61||36b||[[Loving-Kindness (Deodatus Dutton)]]||Deodatus Dutton||1830||Awake, my soul, to joyful lays||Samuel Medley||1782||A||L.M.||3
|61||36b||[[Loving-Kindness (Deodatus Dutton)|Loving-Kindness]]||||1830||Awake, my soul, to joyful lays||Samuel Medley||1782||A||L.M.||3
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|62||37||Highbridge||||1820||Though every age, eternal God||Isaac Watts||1719||a||L.M.||4
|62||37||Highbridge||''Missouri Harmony''||1820||Though every age, eternal God||Isaac Watts||1719||a||L.M.||4
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|63||38a||[[Jackson (William Moore)]]||William Moore||1825||The spacious firmament on high||Joseph Addison||1712||f#||L. M. D.||3
|63||38a||[[Jackson (William Moore)|Jackson]]||||1825||The spacious firmament on high||Joseph Addison||1712||f#||L. M. D.||3
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|64||38b||[[Watchman's Call (William Walker)]]||William Walker||1835||The watchmen blow the trumpet round||Unattributed||1835||f#||L. M. D.||3
|64||38b||[[Watchman's Call (William Walker)|Watchman's Call]]||||1835||The watchmen blow the trumpet round||Unattributed||1835||f#||L. M. D.||3
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|65||39||Third Creek||||||Lift up your hands, Emmanuel's friends||Anonymous||1805||e||L.M.||4
|65||39||Third Creek||||||Lift up your hands, Emmanuel's friends||Anonymous||1805||e||L.M.||4
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|66||40a||[[Camden (William Bradshaw)]]||William Bradshaw||1826||When we, our weary limbs to rest||Tate and Brady||1696||a||L.M.||4
|66||40a||[[Camden (William Bradshaw)|Camden]]||||1826||When we, our weary limbs to rest||Tate and Brady||1696||a||L.M.||4
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|67||40b||[[Atlanta (Ananias Davisson)]]||Ananias Davisson||1826||Young people all attention give||Anonymous||1804||A||L. M. D.||4
|67||40b||[[Atlanta (Ananias Davisson)|Atlanta]]||||1826||Young people all attention give||Anonymous||1804||A||L. M. D.||4
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|68||41||[[Averet (Samuel Holyoke)]]||Samuel Holyoke||1803||Children of God, renounce your fears||John Fawcett||1789||G||L.M.||3
|68||41||[[Averet (Samuel Holyoke)|Averet]]||||1803||Children of God, renounce your fears||John Fawcett||1789||G||L.M.||3
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|69||42a||[[Frozen Heart (Elisha King)]]||Elisha King||1844||O! For a glance of heavenly day||Joseph Hart||1762||F||L.M.||4
|69||42a||[[Frozen Heart (Elisha King)|Frozen Heart]]||||1844||O! For a glance of heavenly day||Joseph Hart||1762||F||L.M.||4
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|70||42b||Sabbath Summons||||||Not by the brazen trumpet's voice||James Montgomery||1822||G||L.M.||4
|70||42b||Sabbath Summons||||||Not by the brazen trumpet's voice||James Montgomery||1822||G||L.M.||4
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|71||43||[[Corinth (John Massengale)]]||John Massengale||1844||Say, which of you would see the Lord||Charles Wesley||1742||G||L.M.||4
|71||43||[[Corinth (John Massengale)|Corinth]]||||1844||Say, which of you would see the Lord||Charles Wesley||1742||G||L.M.||4
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|72||44a||The Turtle Dove||||1835||Hark! Don't you hear the turtle dove||Anonymous||1839||C||L. M. D.||3
|72||44a||The Turtle Dove||''Southern Harmony''||1835||Hark! Don't you hear the turtle dove||Anonymous||1839||C||L. M. D.||3
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|73||44b||Bethel Street||||||O, who will come and go with me||Anonymous||1807||a||L.M.||3
|73||44b||Bethel Street||||||O, who will come and go with me||Anonymous||1807||a||L.M.||3
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|74||45||[[Lebanon New (James Carrell)]]||James Carrell||1831||Come, sinners, to the gospel feast||Charles Wesley||1747||F||L.M.||3
|74||45||[[Lebanon New (James Carrell)|Lebanon New]]||||1831||Come, sinners, to the gospel feast||Charles Wesley||1747||F||L.M.||3
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|75||46a||[[Departing Saint (Jeremiah Ingalls)]]||Jeremiah Ingalls||1805||Hark! Hark! She bids her friends adieu||Isaac Watts||1707||G||L.M.||4
|75||46a||[[Departing Saint (Jeremiah Ingalls)|Departing Saint]]||||1805||Hark! Hark! She bids her friends adieu||Isaac Watts||1707||G||L.M.||4
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|76||46b||[[Parting Hand (Jeremiah Ingalls)]]||Jeremiah Ingalls||1805||My Christian friends, in bonds of love||Anonymous||1823||G||L.M.||4
|76||46b||[[Parting Hand (Jeremiah Ingalls)|Parting Hand]]||||1805||My Christian friends, in bonds of love||Anonymous||1823||G||L.M.||4
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|77||47||Home||||||There is a land of pure delight||Isaac Watts||1709||A||86.86.76.||3
|77||47||Home||||||There is a land of pure delight||Isaac Watts||1709||A||86.86.76.||3
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|-
|78||48a||Peterborough||||1803||Once more, my soul, the rising day||Isaac Watts||1709||G||C.M.||4
|78||48a||Peterborough||''Musical Instructor''||1803||Once more, my soul, the rising day||Isaac Watts||1709||G||C.M.||4
|-
|-
|79||48b||[[Suffield (Oliver King)]]||Oliver King||1779||Teach me the measure of my days||Isaac Watts||1719||e||C.M.||4
|79||48b||[[Suffield (Oliver King)|Suffield]]||||1779||Teach me the measure of my days||Isaac Watts||1719||e||C.M.||4
|-
|-
|80||49||[[Duane Street (George Coles)]]||George Coles||1835||A poor, wayfaring man of grief||James Montgomery||1826||A||L. M. D.||3
|80||49||[[Duane Street (George Coles)|Duane Street]]||||1835||A poor, wayfaring man of grief||James Montgomery||1826||A||L. M. D.||3
|-
|-
|81||50a||Majesty New||||||Behold! A voice angelic sounds||Henry White||1812||F||L.M.||3
|81||50a||Majesty New||||||Behold! A voice angelic sounds||Henry White||1812||F||L.M.||3
|-
|-
|82||50b||[[Mutual Love (William Walker)]]||William Walker||1835||O, when shall I see Jesus||John Leland||1793||G||76.76.D.||3
|82||50b||[[Mutual Love (William Walker)|Mutual Love]]||||1835||O, when shall I see Jesus||John Leland||1793||G||76.76.D.||3
|-
|-
|83||51||[[Day of Worship (B. F. Davis)]]||B. F. Davis||1848||Dear people, we have met today||Unattributed||1848||G||L. M. D.||3
|83||51||[[Day of Worship (B. F. Davis)|Day of Worship]]||||1848||Dear people, we have met today||Unattributed||1848||G||L. M. D.||3
|-
|-
|84||52a||[[Winter (Daniel Read)]]||Daniel Read||1785||The hoary frost, the fleecy snow||Isaac Watts||1719||F||C.M.||4
|84||52a||[[Winter (Daniel Read)|Winter]]||||1785||The hoary frost, the fleecy snow||Isaac Watts||1719||F||C.M.||4
|-
|-
|85||52b||[[Arlington (Thomas Arne)]]||Thomas Arne||1762||Jesus, with all thy saints above||Isaac Watts||1709||G||C.M.||4
|85||52b||[[Arlington (Thomas Arne)|Arlington]]||||1762||Jesus, with all thy saints above||Isaac Watts||1709||G||C.M.||4
|-
|-
|86||53||[[Protection (P. Sherman)]]||P. Sherman||1808||God, my supporter and my hope||Isaac Watts||1719||F||C.M.||4
|86||53||[[Protection (P. Sherman)|Protection]]||||1808||God, my supporter and my hope||Isaac Watts||1719||F||C.M.||4
|-
|-
|87||54a||[[Oak's Creek (Nathaniel Billings)]]||Nathaniel Billings||1795||Bless, O my soul, the living God||Isaac Watts||1719||C||L.M.||4
|87||54a||[[Oak's Creek (Nathaniel Billings)|Oak's Creek]]||||1795||Bless, O my soul, the living God||Isaac Watts||1719||C||L.M.||4
|-
|-
|88||54b||[[Suffering Savior (Deodatus Dutton)]]||Deodatus Dutton||1830||Alas! And did my Savior bleed||Isaac Watts||1709||e||C.M.||4
|88||54b||[[Suffering Savior (Deodatus Dutton)|Suffering Savior]]||||1830||Alas! And did my Savior bleed||Isaac Watts||1709||e||C.M.||4
|-
|-
|89||55a||[[Rockingham (Amzi Chapin)]]||Amzi Chapin||1813||Thus saith the mercy of the Lord||Isaac Watts||1707||A||C.M.||4
|89||55a||[[Rockingham (Amzi Chapin)|Rockingham]]||||1813||Thus saith the mercy of the Lord||Isaac Watts||1707||A||C.M.||4
|-
|-
|90||55b||[[Tribulation (Amzi Chapin)]]||Amzi Chapin||1813||Death! 'Tis a melancholy day||Isaac Watts||1709||d||C.M.||4
|90||55b||[[Tribulation (Amzi Chapin)|Tribulation]]||||1813||Death! 'Tis a melancholy day||Isaac Watts||1709||d||C.M.||4
|-
|-
|91||56a||[[St. Martin's (William Tansur)]]||William Tansur||1748||With cheerful notes let all the earth||Tate and Brady||1696||A||C.M.||4
|91||56a||[[St. Martin's (William Tansur)|St. Martin's]]||||1748||With cheerful notes let all the earth||Tate and Brady||1696||A||C.M.||4
|-
|-
|92||56b||[[Liberty Hall (Lucius Chapin)]]||Lucius Chapin||1810||Death, what a solemn word to all||John Bulmer||1834||a||C.M.||4
|92||56b||[[Liberty Hall (Lucius Chapin)|Liberty Hall]]||||1810||Death, what a solemn word to all||John Bulmer||1834||a||C.M.||4
|-
|-
|93||57a||[[China (Timothy Swan)]]||Timothy Swan||1801||Why do we mourn departing friends||Isaac Watts||1709||C||C.M.||4
|93||57a||[[China (Timothy Swan)|China]]||||1801||Why do we mourn departing friends||Isaac Watts||1709||C||C.M.||4
|-
|-
|94||57b||[[Union (Alexander Gillet)]]||Alexander Gillet||1781||Lo! What an entertaining sight||Isaac Watts||1719||C||C.M.||4
|94||57b||[[Union (Alexander Gillet)|Union]]||||1781||Lo! What an entertaining sight||Isaac Watts||1719||C||C.M.||4
|-
|-
|95||58a||[[Consolation (Lucius Chapin)]]||Lucius Chapin||1812||Once more, my soul, the rising day||Isaac Watts||1709||a||C.M.||4
|95||58a||[[Consolation (Lucius Chapin)|Consolation]]||||1812||Once more, my soul, the rising day||Isaac Watts||1709||a||C.M.||4
|-
|-
|96||58b||Georgia||||1786||Return, O God of love, return||Isaac Watts||1719||e||C.M.||4
|96||58b||Georgia||''Rudiments of Music''||1786||Return, O God of love, return||Isaac Watts||1719||e||C.M.||4
|-
|-
|97||59a||[[Walsal (William Tansur)]]||William Tansur||1723||Alas! And did my Savior bleed||Isaac Watts||1709||a||C.M.||4
|97||59a||[[Walsal (William Tansur)|Walsal]]||||1723||Alas! And did my Savior bleed||Isaac Watts||1709||a||C.M.||4
|-
|-
|98||59b||[[Funeral Thought (Isaac Smith)]]||Isaac Smith||1763||Hark! From the tombs a doleful sound||Isaac Watts||1709||a||C.M.||4
|98||59b||[[Funeral Thought (Isaac Smith)|Funeral Thought]]||||1763||Hark! From the tombs a doleful sound||Isaac Watts||1709||a||C.M.||4
|-
|-
|99||60a||[[Ninety-Fifth (Amzi Chapin)]]||Amzi Chapin||1813||When I can read my title clear||Isaac Watts||1709||A||C.M.||4
|99||60a||[[Ninety-Fifth (Amzi Chapin)|Ninety-Fifth]]||||1813||When I can read my title clear||Isaac Watts||1709||A||C.M.||4
|-
|-
|100||60b||[[Northfield (Jeremiah Ingalls)]]||Jeremiah Ingalls||1800||O 'tis delight without alloy||Isaac Watts||1706||C||C.M.||4
|100||60b||[[Northfield (Jeremiah Ingalls)|Northfield]]||||1800||O 'tis delight without alloy||Isaac Watts||1706||C||C.M.||4
|-
|-
|101||61a||Blackburn||||1784||O why did I my Savior leave||Charles Wesley||1740||d||C.M.||4
|101||61a||Blackburn||''Sacred Harmony''||1784||O why did I my Savior leave||Charles Wesley||1740||d||C.M.||4
|-
|-
|102||61b||[[Bladensburg (Lewis Edson)]]||Lewis Edson||1801||Unite, my roving thoughts, unite||Philip Doddridge||1755||G||C.M.||4
|102||61b||[[Bladensburg (Lewis Edson)|Bladensburg]]||||1801||Unite, my roving thoughts, unite||Philip Doddridge||1755||G||C.M.||4
|-
|-
|103||62a||[[Fairfield (Hitchcock)]]||Hitchcock||1791||With reverence let the saints appear||Isaac Watts||1719||a||C.M.||4
|103||62a||[[Fairfield (Hitchcock)|Fairfield]]||||1791||With reverence let the saints appear||Isaac Watts||1719||a||C.M.||4
|-
|-
|104||62b||[[Fairfield (Hitchcock)]]||Hitchcock||1791||Come, humble sinner, in whose breast||Edmund Jones||1787||a||C.M.||3
|104||62b||[[Fairfield (Hitchcock)|Fairfield]]||||1791||Come, humble sinner, in whose breast||Edmund Jones||1787||a||C.M.||3
|-
|-
|105||63a||[[Condescension (Ananias Davisson)]]||Ananias Davisson||1816||How condescending and how kind||Isaac Watts||1711||C||C.M.||4
|105||63a||[[Condescension (Ananias Davisson)|Condescension]]||||1816||How condescending and how kind||Isaac Watts||1711||C||C.M.||4
|-
|-
|106||63b||[[Reflection (Ananias Davisson)]]||Ananias Davisson||1816||No sleep nor slumber to his eyes||Isaac Watts||1719||B{{flat}}||C.M.||4
|106||63b||[[Reflection (Ananias Davisson)|Reflection]]||||1816||No sleep nor slumber to his eyes||Isaac Watts||1719||B{{flat}}||C.M.||4
|-
|-
|107||64a||[[Bray (Nikolaus Herman)]]||Nikolaus Herman||1554||Awake, my heart, arise, my tongue||Isaac Watts||1707||G||C.M.||4
|107||64a||[[Bray (Nikolaus Herman)|Bray]]||||1554||Awake, my heart, arise, my tongue||Isaac Watts||1707||G||C.M.||4
|-
|-
|108||64b||[[Virginia (Oliver Brownson)]]||Oliver Brownson||1782||Thy words the raging winds control||Isaac Watts||1719||e||C.M.||4
|108||64b||[[Virginia (Oliver Brownson)|Virginia]]||||1782||Thy words the raging winds control||Isaac Watts||1719||e||C.M.||4
|-
|-
|109||65||[[New Orleans (Robert Boyd)]]||Robert Boyd||1816||Why do we mourn departing friends||Isaac Watts||1709||e||C. M. D.||4
|109||65||[[New Orleans (Robert Boyd)|New Orleans]]||||1816||Why do we mourn departing friends||Isaac Watts||1709||e||C. M. D.||4
|-
|-
|110||66a||[[Wesley (William Moore)]]||William Moore||1810||With inward pain my heart-strings sound||Isaac Watts||1706||a||C.M.||4
|110||66a||[[Wesley (William Moore)|Wesley]]||||1810||With inward pain my heart-strings sound||Isaac Watts||1706||a||C.M.||4
|-
|-
|111||66b||[[Akron (F. A. Sheldon)]]||F. A. Sheldon||||Keep me, Savior, near thy side||Unattributed||1833||G||77.77.||4
|111||66b||[[Akron (F. A. Sheldon)|Akron]]||||||Keep me, Savior, near thy side||Unattributed||1833||G||77.77.||4
|-
|-
|112||67a||[[Fiducia (J. Robertson)]]||J. Robertson||1813||Father, I long, I fear to see||Isaac Watts||1709||a||C.M.||4
|112||67a||[[Fiducia (J. Robertson)|Fiducia]]||||1813||Father, I long, I fear to see||Isaac Watts||1709||a||C.M.||4
|-
|-
|113||67b||Abbey||||1615||Jesus, in thy transporting name||Anne Steele||1760||G||C.M.||4
|113||67b||Abbey||''Scottish Psalter''||1615||Jesus, in thy transporting name||Anne Steele||1760||G||C.M.||4
|-
|-
|114||68a||Farabee||||||Come, and taste along with me||John Leland||1798||a||77.77.78.98.||3
|114||68a||Farabee||||||Come, and taste along with me||John Leland||1798||a||77.77.78.98.||3
|-
|-
|115||68b||[[Calhoun (William Hauser)]]||William Hauser||1848||Lord, we come before thee now||William Hammond||1745||a||77.77.||4
|115||68b||[[Calhoun (William Hauser)|Calhoun]]||||1848||Lord, we come before thee now||William Hammond||1745||a||77.77.||4
|-
|-
|116||69a||[[Sutton (Joseph Stone)]]||Joseph Stone||1793||Behold the man, threescore and ten||Anonymous||1813||e||C.M.||4
|116||69a||[[Sutton (Joseph Stone)|Sutton]]||||1793||Behold the man, threescore and ten||Anonymous||1813||e||C.M.||4
|-
|-
|117||69b||[[Woodstock (Deodatus Dutton)]]||Deodatus Dutton||1830||O, for a closer walk with God||William Cowper||1779||A||C.M.||4
|117||69b||[[Woodstock (Deodatus Dutton)|Woodstock]]||||1830||O, for a closer walk with God||William Cowper||1779||A||C.M.||4
|-
|-
|118||70a||[[Sutton New (Joseph Stone)]]||Joseph Stone||||Save me, O God! The swelling floods||Isaac Watts||1719||f#||C.M.||4
|118||70a||[[Sutton New (Joseph Stone)|Sutton New]]||||||Save me, O God! The swelling floods||Isaac Watts||1719||f#||C.M.||4
|-
|-
|119||70b||[[Markham (Sarah Markham)]]||Sarah Markham||1848||O! For a heart to praise my God||Charles Wesley||1742||F||C. M. D.||4
|119||70b||[[Markham (Sarah Markham)|Markham]]||||1848||O! For a heart to praise my God||Charles Wesley||1742||F||C. M. D.||4
|-
|-
|120||71a||[[Warwick (Samuel Stanley)]]||Samuel Stanley||1800||Lord, in the morning thou shalt hear||Isaac Watts||1719||E||C.M.||4
|120||71a||[[Warwick (Samuel Stanley)|Warwick]]||||1800||Lord, in the morning thou shalt hear||Isaac Watts||1719||E||C.M.||4
|-
|-
|121||71b||[[Salvation (Robert Boyd)]]||Robert Boyd||1816||Come, humble sinner, in whose breast||Edmund Jones||1787||e||C. M. D.||4
|121||71b||[[Salvation (Robert Boyd)|Salvation]]||||1816||Come, humble sinner, in whose breast||Edmund Jones||1787||e||C. M. D.||4
|-
|-
|122||72||[[Enfield (Solomon Chandler)]]||Solomon Chandler||1785||Before the rosy dawn of day||Elizabeth Rowe||1739||E||C.M.||4
|122||72||[[Enfield (Solomon Chandler)|Enfield]]||||1785||Before the rosy dawn of day||Elizabeth Rowe||1739||E||C.M.||4
|-
|-
|123||73||[[Berne (Uri Hill)]]||Uri Hill||1801||Hear me, O Lord, nor hide thy face||Isaac Watts||1719||a||C.M.||4
|123||73||[[Berne (Uri Hill)|Berne]]||||1801||Hear me, O Lord, nor hide thy face||Isaac Watts||1719||a||C.M.||4
|-
|-
|124||74a||[[Calvary (Daniel Read)]]||Daniel Read||1785||My thoughts, that often mount the skies||Isaac Watts||1706||a||C.M.||4
|124||74a||[[Calvary (Daniel Read)|Calvary]]||||1785||My thoughts, that often mount the skies||Isaac Watts||1706||a||C.M.||4
|-
|-
|125||74b||[[Sherburne (Daniel Read)]]||Daniel Read||1785||While shepherds watched their flocks by night||Tate and Brady||1696||D||C.M.||4
|125||74b||[[Sherburne (Daniel Read)|Sherburne]]||||1785||While shepherds watched their flocks by night||Tate and Brady||1696||D||C.M.||4
|-
|-
|126||75||Patmos||||||Sing to the Lord, ye distant lands||Isaac Watts||1719||B{{flat}}||C.M.||4
|126||75||Patmos||||||Sing to the Lord, ye distant lands||Isaac Watts||1719||B{{flat}}||C.M.||4
|-
|-
|127||76||[[Ocean (Timothy Swan)]]||Timothy Swan||1789||Thy works of glory, mighty Lord||Isaac Watts||1719||F||C.M.||4
|127||76||[[Ocean (Timothy Swan)|Ocean]]||||1789||Thy works of glory, mighty Lord||Isaac Watts||1719||F||C.M.||4
|-
|-
|128||77||[[Edom (Elisha West)]]||Elisha West||1797||With songs and honors sounding loud||Isaac Watts||1719||F||C.M.||4
|128||77||[[Edom (Elisha West)|Edom]]||||1797||With songs and honors sounding loud||Isaac Watts||1719||F||C.M.||4
|-
|-
|129||78a||[[Messiah (James Carrell)]]||James Carrell||1821||He comes! He comes! To judge the world||Samuel Stennett||1787||f#||C.M.||4
|129||78a||[[Messiah (James Carrell)|Messiah]]||||1821||He comes! He comes! To judge the world||Samuel Stennett||1787||f#||C.M.||4
|-
|-
|130||78b||[[Hanover (Daniel Russ)]]||Daniel Russ||1791||Vain man, thy fond pursuits forbear||Joseph Hart||1759||a||C.M.||3
|130||78b||[[Hanover (Daniel Russ)|Hanover]]||||1791||Vain man, thy fond pursuits forbear||Joseph Hart||1759||a||C.M.||3
|-
|-
|131||79a||[[Liberty (Stephen Jenks)]]||Stephen Jenks||1800||No more beneath the oppressive hand||Unattributed||1800||F||C.M.||4
|131||79a||[[Liberty (Stephen Jenks)|Liberty]]||||1800||No more beneath the oppressive hand||Unattributed||1800||F||C.M.||4
|-
|-
|132||79b||[[Wilson (William Hauser)]]||William Hauser||1848||Death! 'Tis a melancholy day||Isaac Watts||1709||G||C.M.||3
|132||79b||[[Wilson (William Hauser)|Wilson]]||||1848||Death! 'Tis a melancholy day||Isaac Watts||1709||G||C.M.||3
|-
|-
|133||80||Never Part||||||Jerusalem, my happy home||Anonymous||1600||F||86.86.8 10.86.||4
|133||80||Never Part||||||Jerusalem, my happy home||Anonymous||1600||F||86.86.8 10.86.||4
|-
|-
|134||81||[[Mantua (Oliver Holden)]]||Oliver Holden||1800||A blooming paradise of joy||Isaac Watts||1709||G||C. M. D.||4
|134||81||[[Mantua (Oliver Holden)|Mantua]]||||1800||A blooming paradise of joy||Isaac Watts||1709||G||C. M. D.||4
|-
|-
|135||82a||London New||||1635||Let every tongue thy goodness speak||Isaac Watts||1719||D||C.M.||4
|135||82a||London New||''Psalmes of David in Verse and Meeter''||1635||Let every tongue thy goodness speak||Isaac Watts||1719||D||C.M.||4
|-
|-
|136||82b||Houston||||||On Jordan's stormy banks I stand||Samuel Stennett||1787||C||C.M.||3
|136||82b||Houston||||||On Jordan's stormy banks I stand||Samuel Stennett||1787||C||C.M.||3
|-
|-
|137||83a||[[Rindge (William Shrubsole)]]||William Shrubsole||1789||Let every mortal ear attend||Isaac Watts||1707||A||C.M.||4
|137||83a||[[Rindge (William Shrubsole)|Rindge]]||||1789||Let every mortal ear attend||Isaac Watts||1707||A||C.M.||4
|-
|-
|138||83b||Liverpool||||1818||My Savior, my almighty friend||Isaac Watts||1719||F||C.M.||4
|138||83b||Liverpool||''Virginia Sacred Musical Repository''||1818||My Savior, my almighty friend||Isaac Watts||1719||F||C.M.||4
|-
|-
|139||84||[[Montgomery (Justin Morgan)]]||Justin Morgan||1790||Early, my God, without delay||Isaac Watts||1719||C||C.M.||4
|139||84||[[Montgomery (Justin Morgan)|Montgomery]]||||1790||Early, my God, without delay||Isaac Watts||1719||C||C.M.||4
|-
|-
|140||85||[[Solitude New (Elisha West)]]||Elisha West||1798||My refuge is the God of love||Isaac Watts||1719||a||C.M.||4
|140||85||[[Solitude New (Elisha West)|Solitude New]]||||1798||My refuge is the God of love||Isaac Watts||1719||a||C.M.||4
|-
|-
|141||86a||[[Exhortation (Hibbard)]]||Hibbard||1796||Lord, in the morning thou shalt hear||Isaac Watts||1719||F||C.M.||4
|141||86a||[[Exhortation (Hibbard)|Exhortation]]||||1796||Lord, in the morning thou shalt hear||Isaac Watts||1719||F||C.M.||4
|-
|-
|142||86b||[[Eliza (Stephens)]]||Stephens||||O could I find from day to day||Benjamin Cleveland||1799||A||C.M.||4
|142||86b||[[Eliza (Stephens)|Eliza]]||||||O could I find from day to day||Benjamin Cleveland||1799||A||C.M.||4
|-
|-
|143||87||[[New Topia (Reubin Monday)]]||Reubin Monday||1816||Young people all attention give||Anonymous||1804||e||C.M.||4
|143||87||[[New Topia (Reubin Monday)|New Topia]]||||1816||Young people all attention give||Anonymous||1804||e||C.M.||4
|-
|-
|144||88||[[Tunbridge (Jacob Kimball)]]||Jacob Kimball||1793||Our sins, alas! How strong they be||Isaac Watts||1709||d||C.M.||4
|144||88||[[Tunbridge (Jacob Kimball)|Tunbridge]]||||1793||Our sins, alas! How strong they be||Isaac Watts||1709||d||C.M.||4
|-
|-
|145||89||[[Westminster (Nehemiah Shumway)]]||Nehemiah Shumway||1793||Thou great and sovereign Lord of all||||||F||C.M.||4
|145||89||[[Westminster (Nehemiah Shumway)|Westminster]]||||1793||Thou great and sovereign Lord of all||||||F||C.M.||4
|-
|-
|146||90||[[Majesty (William Billings)]]||William Billings||1778||The Lord descended from above||Thomas Sternhold||1561||F||C.M.||4
|146||90||[[Majesty (William Billings)|Majesty]]||||1778||The Lord descended from above||Thomas Sternhold||1561||F||C.M.||4
|-
|-
|147||91||[[Sardinia (Castle)]]||Castle||1804||Behold the love, the generous love||Isaac Watts||1719||e||C.M.||4
|147||91||[[Sardinia (Castle)|Sardinia]]||||1804||Behold the love, the generous love||Isaac Watts||1719||e||C.M.||4
|-
|-
|148||92||Pilgrim's Triumph||||||To see a pilgrim as he dies||John Granade||1794||A||C.M.||4
|148||92||Pilgrim's Triumph||||||To see a pilgrim as he dies||John Granade||1794||A||C.M.||4
|-
|-
|149||93||[[Rainbow (Timothy Swan)]]||Timothy Swan||1785||Tis by thy strength the mountains stand||Isaac Watts||1719||C||C.M.||4
|149||93||[[Rainbow (Timothy Swan)|Rainbow]]||||1785||Tis by thy strength the mountains stand||Isaac Watts||1719||C||C.M.||4
|-
|-
|150||94a||[[Retirement (Wiley Thomasson)]]||Wiley Thomasson||||Far from the world, O Lord, I flee||William Cowper||1779||C||C.M.||4
|150||94a||[[Retirement (Wiley Thomasson)|Retirement]]||||||Far from the world, O Lord, I flee||William Cowper||1779||C||C.M.||4
|-
|-
|151||94b||Christian Volunteers||||||Alas! And did my Savior bleed||Isaac Watts||1709||F||86.86.55.85.||3
|151||94b||Christian Volunteers||||||Alas! And did my Savior bleed||Isaac Watts||1709||F||86.86.55.85.||3
Line 317: Line 317:
|152||95a||Blake||||||I love to steal awhile away||Phoebe Brown||1818||B{{flat}}||C.M.||4
|152||95a||Blake||||||I love to steal awhile away||Phoebe Brown||1818||B{{flat}}||C.M.||4
|-
|-
|153||95b||[[Balerma (Scottish Air)]]||Scottish Air||1840||I love by faith to take a view||Phoebe Brown||1824||B{{flat}}||C.M.||4
|153||95b||[[Balerma (Scottish Air)|Balerma]]||||1840||I love by faith to take a view||Phoebe Brown||1824||B{{flat}}||C.M.||4
|-
|-
|154||96||Hamilton||||||Shepherds, rejoice, lift up your eyes||Isaac Watts||1706||A||C.M.||4
|154||96||Hamilton||||||Shepherds, rejoice, lift up your eyes||Isaac Watts||1706||A||C.M.||4
Line 325: Line 325:
|156||97b||Emory||||||Through all the downward tracks of time||Anonymous||1810||a||C. M. D.||3
|156||97b||Emory||||||Through all the downward tracks of time||Anonymous||1810||a||C. M. D.||3
|-
|-
|157||98||[[Jordan (William Billings)]]||William Billings||1786||There is a land of pure delight||Isaac Watts||1709||A||C. M. D.||4
|157||98||[[Jordan (William Billings)|Jordan]]||||1786||There is a land of pure delight||Isaac Watts||1709||A||C. M. D.||4
|-
|-
|158||99a||[[Cambridge (John Randall)]]||John Randall||1786||Jesus, I love thy glorious name||Philip Doddridge||1755||C||C.M.||4
|158||99a||[[Cambridge (John Randall)|Cambridge]]||||1786||Jesus, I love thy glorious name||Philip Doddridge||1755||C||C.M.||4
|-
|-
|159||99b||Buena Vista||||||Am I a soldier of the cross||Isaac Watts||1723||a||C.M.||3
|159||99b||Buena Vista||||||Am I a soldier of the cross||Isaac Watts||1723||a||C.M.||3
|-
|-
|160||100a||[[Asbury (Simeon Coan)]]||Simeon Coan||1787||Behold, the Savior of mankind||Samuel Wesley||1707||a||C.M.||3
|160||100a||[[Asbury (Simeon Coan)|Asbury]]||||1787||Behold, the Savior of mankind||Samuel Wesley||1707||a||C.M.||3
|-
|-
|161||100b||[[Dunlap's Creek (Samuel McFarland)]]||Samuel McFarland||1814||Sing to the Lord, ye heavenly hosts||Isaac Watts||1709||G||C.M.||4
|161||100b||[[Dunlap's Creek (Samuel McFarland)|Dunlap's Creek]]||||1814||Sing to the Lord, ye heavenly hosts||Isaac Watts||1709||G||C.M.||4
|-
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|162||101a||Toccoa||||1835||Happy the souls to Jesus joined||Charles Wesley||1745||C||C.M.||4
|162||101a||Toccoa||''Southern Harmony''||1835||Happy the souls to Jesus joined||Charles Wesley||1745||C||C.M.||4
|-
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|163||101b||Perkins||||||Father, I stretch my hands to thee||Charles Wesley||1741||A||C.M.||3
|163||101b||Perkins||||||Father, I stretch my hands to thee||Charles Wesley||1741||A||C.M.||3
|-
|-
|164||102a||[[Hallelujah (William Walker)]]||William Walker||1835||Amazing grace, how sweet the sound||John Newton||1779||B{{flat}}||C.M.||3
|164||102a||[[Hallelujah (William Walker)|Hallelujah]]||||1835||Amazing grace, how sweet the sound||John Newton||1779||B{{flat}}||C.M.||3
|-
|-
|165||102b||[[Missouri Mission (Thomas Carter)]]||Thomas Carter||1844||My span of life will soon be done||Frances Cowper||1792||e||C. M. D.||3
|165||102b||[[Missouri Mission (Thomas Carter)|Missouri Mission]]||||1844||My span of life will soon be done||Frances Cowper||1792||e||C. M. D.||3
|-
|-
|166||103a||[[Anticipation (Amos Pilsbury)]]||Amos Pilsbury||1799||How happy every child of grace||Charles Wesley||1759||a||C. M. D.||4
|166||103a||[[Anticipation (Amos Pilsbury)|Anticipation]]||||1799||How happy every child of grace||Charles Wesley||1759||a||C. M. D.||4
|-
|-
|167||103b||Watson||||||Father, I stretch my hands to thee||Charles Wesley||1741||a||C.M.||4
|167||103b||Watson||||||Father, I stretch my hands to thee||Charles Wesley||1741||a||C.M.||4
|-
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|168||104a||Heavenly Wisdom||||1760||O happy is the man who hears||Michael Bruce||1770||A||C.M.||4
|168||104a||Heavenly Wisdom||''London''||1760||O happy is the man who hears||Michael Bruce||1770||A||C.M.||4
|-
|-
|169||104b||New Britain||||1829||When languor and disease invade||Augustus Toplady||1759||C||C.M.||4
|169||104b||New Britain||''Columbian Harmony''||1829||When languor and disease invade||Augustus Toplady||1759||C||C.M.||4
|-
|-
|170||105||[[Pleyel's Hymn Second (Ignaz Pleyel)]]||Ignaz Pleyel||1786||While thee I seek, protecting Power||Helen Williams||1786||F||C. M. D.||4
|170||105||[[Pleyel's Hymn Second (Ignaz Pleyel)|Pleyel's Hymn Second]]||||1786||While thee I seek, protecting Power||Helen Williams||1786||F||C. M. D.||4
|-
|-
|171||106a||Minister's Farewell||||1813||Our cheerful voices let us raise||Unattributed||1835||G||C. M. D.||4
|171||106a||Minister's Farewell||''Wyeth's Repository, Part Second''||1813||Our cheerful voices let us raise||Unattributed||1835||G||C. M. D.||4
|-
|-
|172||106b||Minister's Farewell||||1813||Dear friends, farewell, I do you tell||Unattributed||1797||G||C.M.||4
|172||106b||Minister's Farewell||''Wyeth's Repository, Part Second''||1813||Dear friends, farewell, I do you tell||Unattributed||1797||G||C.M.||4
|-
|-
|173||107a||[[Tranquillity (Reubin Monday)]]||Reubin Monday||1816||My God, the spring of all my joys||Isaac Watts||1709||C||C.M.||4
|173||107a||[[Tranquillity (Reubin Monday)|Tranquillity]]||||1816||My God, the spring of all my joys||Isaac Watts||1709||C||C.M.||4
|-
|-
|174||107b||[[Chattanooga (Asahel Benham)]]||Asahel Benham||1790||How sweet the name of Jesus sounds||John Newton||1779||C||C.M.||4
|174||107b||[[Chattanooga (Asahel Benham)|Chattanooga]]||||1790||How sweet the name of Jesus sounds||John Newton||1779||C||C.M.||4
|-
|-
|175||108a||[[Mortality (Isaac Smith)]]||Isaac Smith||1796||Stoop down, my thoughts, that used to rise||Isaac Watts||1709||e||C.M.||4
|175||108a||[[Mortality (Isaac Smith)|Mortality]]||||1796||Stoop down, my thoughts, that used to rise||Isaac Watts||1709||e||C.M.||4
|-
|-
|176||108b||[[Alstead (Oliver Holden)]]||Oliver Holden||1788||Shepherds, rejoice, lift up your eyes||Isaac Watts||1706||D||C.M.||4
|176||108b||[[Alstead (Oliver Holden)|Alstead]]||||1788||Shepherds, rejoice, lift up your eyes||Isaac Watts||1706||D||C.M.||4
|-
|-
|177||109||Huntsville||||||O, for a closer walk with God||William Cowper||1779||b||C.M.||4
|177||109||Huntsville||||||O, for a closer walk with God||William Cowper||1779||b||C.M.||4
Line 371: Line 371:
|179||110b||Bethelsdorf||||||Tis done, the precious ransom's paid||Samuel Wesley||1700||f||C.M.||3
|179||110b||Bethelsdorf||||||Tis done, the precious ransom's paid||Samuel Wesley||1700||f||C.M.||3
|-
|-
|180||111a||[[Tempest (John Callcott)]]||John Callcott||1791||Let earth stand strembling on her base||Mather Byles||1744||E{{flat}}||C.M.||4
|180||111a||[[Tempest (John Callcott)|Tempest]]||||1791||Let earth stand strembling on her base||Mather Byles||1744||E{{flat}}||C.M.||4
|-
|-
|181||111b||Caroline||||||O for a closer walk with God||William Cowper||1772||A||C.M.||4
|181||111b||Caroline||||||O for a closer walk with God||William Cowper||1772||A||C.M.||4
|-
|-
|182||112||[[Pisgah (James Lowry)]]||James Lowry||1817||And let this feeble body fail||Charles Wesley||1759||B{{flat}}||C.M.||4
|182||112||[[Pisgah (James Lowry)|Pisgah]]||||1817||And let this feeble body fail||Charles Wesley||1759||B{{flat}}||C.M.||4
|-
|-
|183||113||Christian Triumph||||||O what has Jesus bought for me||Charles Wesley||1759||B{{flat}}||C.M.||4
|183||113||Christian Triumph||||||O what has Jesus bought for me||Charles Wesley||1759||B{{flat}}||C.M.||4
|-
|-
|184||114a||[[Garland (William Arnold)]]||William Arnold||1807||With songs and honors sounding loud||Isaac Watts||1719||G||C.M.||3
|184||114a||[[Garland (William Arnold)|Garland]]||||1807||With songs and honors sounding loud||Isaac Watts||1719||G||C.M.||3
|-
|-
|185||114b||North Carolina||||||O that I were as heretofore||Charles Wesley||1740||F||C.M.||4
|185||114b||North Carolina||||||O that I were as heretofore||Charles Wesley||1740||F||C.M.||4
|-
|-
|186||115||[[Newport (William Caldwell)]]||William Caldwell||||As on the cross the Savior hung||Samuel Stennett||1789||A||C.M.||4
|186||115||[[Newport (William Caldwell)|Newport]]||||||As on the cross the Savior hung||Samuel Stennett||1789||A||C.M.||4
|-
|-
|187||116a||[[Elevation (James Carrell)]]||James Carrell||1821||Talk with us, Lord, thyself reveal||Charles Wesley||1740||C||C.M.||4
|187||116a||[[Elevation (James Carrell)|Elevation]]||||1821||Talk with us, Lord, thyself reveal||Charles Wesley||1740||C||C.M.||4
|-
|-
|188||116b||[[Meditation (William Little)]]||William Little||1801||My soul, come meditate the day||Isaac Watts||1709||a||C.M.||4
|188||116b||[[Meditation (William Little)|Meditation]]||||1801||My soul, come meditate the day||Isaac Watts||1709||a||C.M.||4
|-
|-
|189||117||[[Findley (Ananias Davisson)]]||Ananias Davisson||1825||Jesus, I throw my arms around||Isaac Watts||1709||C||C.M.||4
|189||117||[[Findley (Ananias Davisson)|Findley]]||||1825||Jesus, I throw my arms around||Isaac Watts||1709||C||C.M.||4
|-
|-
|190||118||Penitence||||||Approach, my soul, the mercy seat||John Newton||1779||C||C.M.||4
|190||118||Penitence||||||Approach, my soul, the mercy seat||John Newton||1779||C||C.M.||4
|-
|-
|191||119a||[[Barby (William Tansur)]]||William Tansur||1742||When rising from the bed of death||Joseph Addison||1699||A||C.M.||4
|191||119a||[[Barby (William Tansur)|Barby]]||||1742||When rising from the bed of death||Joseph Addison||1699||A||C.M.||4
|-
|-
|192||119b||[[Jerusalem New (Benjamin White)]]||Benjamin White||1835||Jerusalem, my happy home||Anonymous||1600||a||C.M.||3
|192||119b||[[Jerusalem New (Benjamin White)|Jerusalem New]]||||1835||Jerusalem, my happy home||Anonymous||1600||a||C.M.||3
|-
|-
|193||120||[[New Jerusalem (Jeremiah Ingalls)]]||Jeremiah Ingalls||1796||Lo! What a glorious sight appears||Isaac Watts||1707||G||C.M.||4
|193||120||[[New Jerusalem (Jeremiah Ingalls)|New Jerusalem]]||||1796||Lo! What a glorious sight appears||Isaac Watts||1707||G||C.M.||4
|-
|-
|194||121a||[[Calvary New (James Carrell)]]||James Carrell||1821||Now let our lips, with holy fear||Isaac Watts||1719||g||C. M. D.||4
|194||121a||[[Calvary New (James Carrell)|Calvary New]]||||1821||Now let our lips, with holy fear||Isaac Watts||1719||g||C. M. D.||4
|-
|-
|195||121b||[[Canaan (Alexander Johnson)]]||Alexander Johnson||1818||On Jordan's stormy banks I stand||Samuel Stennett||1787||G||C. M. D.||3
|195||121b||[[Canaan (Alexander Johnson)|Canaan]]||||1818||On Jordan's stormy banks I stand||Samuel Stennett||1787||G||C. M. D.||3
|-
|-
|196||122a||Sweet Prospect||||1835||On Jordan's stormy banks I stand||Samuel Stennett||1787||e||C.M.||3
|196||122a||Sweet Prospect||''Southern Harmony''||1835||On Jordan's stormy banks I stand||Samuel Stennett||1787||e||C.M.||3
|-
|-
|197||122b||[[Gaines (William Hauser)]]||William Hauser||1848||O, for a thousand tongues to sing||Charles Wesley||1740||A||C.M.||4
|197||122b||[[Gaines (William Hauser)|Gaines]]||||1848||O, for a thousand tongues to sing||Charles Wesley||1740||A||C.M.||4
|-
|-
|198||123a||[[Thorn (William Hauser)]]||William Hauser||1848||Save me, O God! The swelling flood||Isaac Watts||1719||A||C.M.||4
|198||123a||[[Thorn (William Hauser)|Thorn]]||||1848||Save me, O God! The swelling flood||Isaac Watts||1719||A||C.M.||4
|-
|-
|199||123b||Glenroy||||||Beneath our feet, and o'er our head||Reginald Heber||1811||B{{flat}}||C.M.||4
|199||123b||Glenroy||||||Beneath our feet, and o'er our head||Reginald Heber||1811||B{{flat}}||C.M.||4
|-
|-
|200||124||[[Isle of Patmos (James Carrell)]]||James Carrell||1821||Hear what the voice from heaven proclaims||Isaac Watts||1707||A||C.M.||4
|200||124||[[Isle of Patmos (James Carrell)|Isle of Patmos]]||||1821||Hear what the voice from heaven proclaims||Isaac Watts||1707||A||C.M.||4
|-
|-
|201||125||[[Providence (C. Curtis)]]||C. Curtis||1820||What shall I render to my God||Isaac Watts||1719||A||C.M.||3
|201||125||[[Providence (C. Curtis)|Providence]]||||1820||What shall I render to my God||Isaac Watts||1719||A||C.M.||3
|-
|-
|202||126a||[[Surprise (Barnabas McKyes)]]||Barnabas McKyes||1798||Our life contains a thousand springs||Isaac Watts||1709||d||C.M.||4
|202||126a||[[Surprise (Barnabas McKyes)|Surprise]]||||1798||Our life contains a thousand springs||Isaac Watts||1709||d||C.M.||4
|-
|-
|203||126b||Dundee||||1615||The holy triumphs of my soul||Isaac Watts||1709||F||C.M.||4
|203||126b||Dundee||''Scottish Psalter''||1615||The holy triumphs of my soul||Isaac Watts||1709||F||C.M.||4
|-
|-
|204||127a||[[Dublin (William Daman)]]||William Daman||1591||Lord, what is man, poor feeble man||Isaac Watts||1719||a||C.M.||4
|204||127a||[[Dublin (William Daman)|Dublin]]||||1591||Lord, what is man, poor feeble man||Isaac Watts||1719||a||C.M.||4
|-
|-
|205||127b||[[Preston (J. H. Darket)]]||J. H. Darket||||When languor and disease invade||Augustus Toplady||1759||F||C.M.||4
|205||127b||[[Preston (J. H. Darket)|Preston]]||||||When languor and disease invade||Augustus Toplady||1759||F||C.M.||4
|-
|-
|206||128a||Columbus||||1829||O, once I had a glorious view||Anonymous||1823||f#||C.M.||3
|206||128a||Columbus||''Columbian Harmony''||1829||O, once I had a glorious view||Anonymous||1823||f#||C.M.||3
|-
|-
|207||128b||Immortality||||1829||Young people all attention give||Anonymous||1804||e||C. M. D.||3
|207||128b||Immortality||''Columbian Harmony''||1829||Young people all attention give||Anonymous||1804||e||C. M. D.||3
|-
|-
|208||129||[[Coronation (Oliver Holden)]]||Oliver Holden||1793||All hail the power of Jesus' name||Edward Perronet||1780||A||C.M.||4
|208||129||[[Coronation (Oliver Holden)|Coronation]]||||1793||All hail the power of Jesus' name||Edward Perronet||1780||A||C.M.||4
|-
|-
|209||130a||[[Devizes (James Tucker)]]||James Tucker||1792||Happy the souls to Jesus joined||Charles Wesley||1745||A||C.M.||4
|209||130a||[[Devizes (James Tucker)|Devizes]]||||1792||Happy the souls to Jesus joined||Charles Wesley||1745||A||C.M.||4
|-
|-
|210||130b||[[Clemmons (James Lowry)]]||James Lowry||1820||Jehovah, God the Father, bless||Charles Wesley||1767||a||C.M.||4
|210||130b||[[Clemmons (James Lowry)|Clemmons]]||||1820||Jehovah, God the Father, bless||Charles Wesley||1767||a||C.M.||4
|-
|-
|211||131||[[Milford (Joseph Stephenson)]]||Joseph Stephenson||1760||If angels sung a savior's birth||Anonymous||1803||A||C.M.||4
|211||131||[[Milford (Joseph Stephenson)|Milford]]||||1760||If angels sung a savior's birth||Anonymous||1803||A||C.M.||4
|-
|-
|212||132||[[Grafton (Joseph Stone)]]||Joseph Stone||1793||Jesus! The vision of thy face||Isaac Watts||1707||C||C.M.||4
|212||132||[[Grafton (Joseph Stone)|Grafton]]||||1793||Jesus! The vision of thy face||Isaac Watts||1707||C||C.M.||4
|-
|-
|213||133||[[Silver Spring (Asahel Benham)]]||Asahel Benham||1790||Were I in heaven without my God||Isaac Watts||1719||e||C.M.||4
|213||133||[[Silver Spring (Asahel Benham)|Silver Spring]]||||1790||Were I in heaven without my God||Isaac Watts||1719||e||C.M.||4
|-
|-
|214||134a||[[Augusta (P. Sherman)]]||P. Sherman||1808||O God, our help in ages past||Isaac Watts||1719||d||C.M.||4
|214||134a||[[Augusta (P. Sherman)|Augusta]]||||1808||O God, our help in ages past||Isaac Watts||1719||d||C.M.||4
|-
|-
|215||134b||True Riches||||1754||I am not concerned to know||Isaac Watts||1706||G||77.77.||4
|215||134b||True Riches||''Divine Musical Miscellany''||1754||I am not concerned to know||Isaac Watts||1706||G||77.77.||4
|-
|-
|216||135||[[One Hundred and Nineteenth Psalm (Isaac Smith)]]||Isaac Smith||1793||My soul lies cleaving to the dust||Isaac Watts||1719||e||C.M.||4
|216||135||[[One Hundred and Nineteenth Psalm (Isaac Smith)|One Hundred and Nineteenth Psalm]]||||1793||My soul lies cleaving to the dust||Isaac Watts||1719||e||C.M.||4
|-
|-
|217||136a||[[New Durham (B. Austin)]]||B. Austin||1803||Hark! From the tombs a doleful sound||Isaac Watts||1709||b||C.M.||4
|217||136a||[[New Durham (B. Austin)|New Durham]]||||1803||Hark! From the tombs a doleful sound||Isaac Watts||1709||b||C.M.||4
|-
|-
|218||136b||[[Trumbull (Asahel Benham)]]||Asahel Benham||1783||The promises of my Father's love||Isaac Watts||1711||a||C.M.||4
|218||136b||[[Trumbull (Asahel Benham)|Trumbull]]||||1783||The promises of my Father's love||Isaac Watts||1711||a||C.M.||4
|-
|-
|219||137||Namur||||1711||Come, happy souls, approach your God||Isaac Watts||1709||G||C.M.||4
|219||137||Namur||''Devout Singer's Guide''||1711||Come, happy souls, approach your God||Isaac Watts||1709||G||C.M.||4
|-
|-
|220||138||[[Repentance (John Rollo)]]||John Rollo||1796||O if my soul were formed for woe||Isaac Watts||1706||f#||C.M.||4
|220||138||[[Repentance (John Rollo)|Repentance]]||||1796||O if my soul were formed for woe||Isaac Watts||1706||f#||C.M.||4
|-
|-
|221||139a||[[Joyful Sound (Asahel Benham)]]||Asahel Benham||1790||O for a shout of sacred joy||Isaac Watts||1719||C||C.M.||4
|221||139a||[[Joyful Sound (Asahel Benham)|Joyful Sound]]||||1790||O for a shout of sacred joy||Isaac Watts||1719||C||C.M.||4
|-
|-
|222||139b||Winchester||||1794||Who is this that comes from far||Charles Wesley||1745||G||77.77.||4
|222||139b||Winchester||''Christian Harmony''||1794||Who is this that comes from far||Charles Wesley||1745||G||77.77.||4
|-
|-
|223||140a||[[Communion (Jeremiah Ingalls)]]||Jeremiah Ingalls||1805||How sweet and awful is the place||Isaac Watts||1711||E||C. M. D.||4
|223||140a||[[Communion (Jeremiah Ingalls)|Communion]]||||1805||How sweet and awful is the place||Isaac Watts||1711||E||C. M. D.||4
|-
|-
|224||140b||[[Tennessee (Jeremiah Ingalls)]]||Jeremiah Ingalls||1805||Afflictions, though they seem severe||John Newton||1779||F||C. M. D.||4
|224||140b||[[Tennessee (Jeremiah Ingalls)|Tennessee]]||||1805||Afflictions, though they seem severe||John Newton||1779||F||C. M. D.||4
|-
|-
|225||141||[[Conversion (Supply Belcher)]]||Supply Belcher||1794||When God revealed his gracious name||Isaac Watts||1719||C||C.M.||4
|225||141||[[Conversion (Supply Belcher)|Conversion]]||||1794||When God revealed his gracious name||Isaac Watts||1719||C||C.M.||4
|-
|-
|226||142||[[Vermont (William Billings)]]||William Billings||1778||In vain we lavish out our lives||Isaac Watts||1707||e||C. M. D.||4
|226||142||[[Vermont (William Billings)|Vermont]]||||1778||In vain we lavish out our lives||Isaac Watts||1707||e||C. M. D.||4
|-
|-
|227||143a||Williams||||||That glorious day is drawing nigh||John Leland||1790||a||C. M. D.||4
|227||143a||Williams||||||That glorious day is drawing nigh||John Leland||1790||a||C. M. D.||4
Line 471: Line 471:
|229||144a||Azmon||||||Joy is a fruit that will not grow||John Newton||1779||A||C.M.||3
|229||144a||Azmon||||||Joy is a fruit that will not grow||John Newton||1779||A||C.M.||3
|-
|-
|230||144b||[[Alton (William Hauser)]]||William Hauser||1848||Plunged in a gulf of dark despair||Isaac Watts||1709||A||C. M. D.||4
|230||144b||[[Alton (William Hauser)|Alton]]||||1848||Plunged in a gulf of dark despair||Isaac Watts||1709||A||C. M. D.||4
|-
|-
|231||145||[[Velasco (E. L. White)]]||E. L. White||||My earth thou waterest from on high||Charles Wesley||1742||B{{flat}}||C. M. D.||4
|231||145||[[Velasco (E. L. White)|Velasco]]||||||My earth thou waterest from on high||Charles Wesley||1742||B{{flat}}||C. M. D.||4
|-
|-
|232||146a||[[North Salem (Stephen Jenks)]]||Stephen Jenks||1799||My soul, come meditate the day||Isaac Watts||1709||e||C.M.||4
|232||146a||[[North Salem (Stephen Jenks)|North Salem]]||||1799||My soul, come meditate the day||Isaac Watts||1709||e||C.M.||4
|-
|-
|233||146b||[[Sunday (Davis)]]||Davis||1801||The Lord of Sabbath let us praise||Samuel Wesley||1736||A||C.M.||4
|233||146b||[[Sunday (Davis)|Sunday]]||||1801||The Lord of Sabbath let us praise||Samuel Wesley||1736||A||C.M.||4
|-
|-
|234||147||Ashville||||1831||Loving Jesus, gentle Lamb||Charles Wesley||1742||a||77.77.||3
|234||147||Ashville||''Christian Lyre''||1831||Loving Jesus, gentle Lamb||Charles Wesley||1742||a||77.77.||3
|-
|-
|235||148a||[[Salem (William Moore)]]||William Moore||1825||How sweet the name of Jesus sounds||John Newton||1779||F||C.M.||4
|235||148a||[[Salem (William Moore)|Salem]]||||1825||How sweet the name of Jesus sounds||John Newton||1779||F||C.M.||4
|-
|-
|236||148b||[[Warren (William Billings)]]||William Billings||1778||Now begin the heavenly theme||Unattributed||1763||G||77.77.||3
|236||148b||[[Warren (William Billings)|Warren]]||||1778||Now begin the heavenly theme||Unattributed||1763||G||77.77.||3
|-
|-
|237||149a||[[Dove of Peace (William Walker)]]||William Walker||1835||O tell me where the Dove has flown||Unattributed||1835||G||C.M.||4
|237||149a||[[Dove of Peace (William Walker)|Dove of Peace]]||||1835||O tell me where the Dove has flown||Unattributed||1835||G||C.M.||4
|-
|-
|238||149b||[[Sweet Hope (William Hauser)]]||William Hauser||1848||O joyful sound of gospel grace||Charles Wesley||1742||D||C.M.||3
|238||149b||[[Sweet Hope (William Hauser)|Sweet Hope]]||||1848||O joyful sound of gospel grace||Charles Wesley||1742||D||C.M.||3
|-
|-
|239||150||[[The Prodigal (Alexander Johnson)]]||Alexander Johnson||1818||Afflictions, though they seem severe||John Newton||1779||e||C. M. D.||4
|239||150||[[The Prodigal (Alexander Johnson)|The Prodigal]]||||1818||Afflictions, though they seem severe||John Newton||1779||e||C. M. D.||4
|-
|-
|240||151||The Penitent Prodigal||||||Afflictions, though they seem severe||John Newton||1779||C||C.M.||3
|240||151||The Penitent Prodigal||||||Afflictions, though they seem severe||John Newton||1779||C||C.M.||3
|-
|-
|241||152a||[[The Converted Thief (William Moore)]]||William Moore||1825||As on the cross the Savior hung||Samuel Stennett||1789||C||C. M. D.||3
|241||152a||[[The Converted Thief (William Moore)|The Converted Thief]]||||1825||As on the cross the Savior hung||Samuel Stennett||1789||C||C. M. D.||3
|-
|-
|242||152b||[[Returning Prodigal (P. A. Axton)]]||P. A. Axton||1825||Behold the wretch whose lust and wine||Isaac Watts||1707||C||C.M.||3
|242||152b||[[Returning Prodigal (P. A. Axton)|Returning Prodigal]]||||1825||Behold the wretch whose lust and wine||Isaac Watts||1707||C||C.M.||3
|-
|-
|243||153a||Land of Pleasure||||||Come, thou fount of every blessing||Robert Robinson||1759||C||87.87.||4
|243||153a||Land of Pleasure||||||Come, thou fount of every blessing||Robert Robinson||1759||C||87.87.||4
Line 501: Line 501:
|244||153b||Vicksburg||||||Far above yon glorious ceiling||Anonymous||1803||a||87.87.||3
|244||153b||Vicksburg||||||Far above yon glorious ceiling||Anonymous||1803||a||87.87.||3
|-
|-
|245||154||The Promised Land||||1835||Come, let us join our friends above||Charles Wesley||1759||f#||C.M.||4
|245||154||The Promised Land||''Southern Harmony''||1835||Come, let us join our friends above||Charles Wesley||1759||f#||C.M.||4
|-
|-
|246||155a||The Promised Land||||1835||Our spirits, too, shall quickly join||Charles Wesley||1759||f#||C.M.||3
|246||155a||The Promised Land||''Southern Harmony''||1835||Our spirits, too, shall quickly join||Charles Wesley||1759||f#||C.M.||3
|-
|-
|247||155b||[[Masonic Dirge (William Walker)]]||William Walker||1848||Solemn strikes the funeral chime||David Vinton||1816||A||77.77.||3
|247||155b||[[Masonic Dirge (William Walker)|Masonic Dirge]]||||1848||Solemn strikes the funeral chime||David Vinton||1816||A||77.77.||3
|-
|-
|248||156||[[Washington (William Miller)]]||William Miller||1800||Our souls by love together knit||Anonymous||1803||G||C. M. D.||4
|248||156||[[Washington (William Miller)|Washington]]||||1800||Our souls by love together knit||Anonymous||1803||G||C. M. D.||4
|-
|-
|249||158a||[[Detroit (William Evans)]]||William Evans||1814||Do not I love thee, O my Lord||Philip Doddridge||1755||e||C.M.||4
|249||158a||[[Detroit (William Evans)|Detroit]]||||1814||Do not I love thee, O my Lord||Philip Doddridge||1755||e||C.M.||4
|-
|-
|250||158b||[[Latrobe (Melchior Teschner)]]||Melchior Teschner||1615||Hail to the Lord's anointed||James Montgomery||1821||D||76.76.D.||3
|250||158b||[[Latrobe (Melchior Teschner)|Latrobe]]||||1615||Hail to the Lord's anointed||James Montgomery||1821||D||76.76.D.||3
|-
|-
|251||159||Rusk||||1825||Hark! Listen to the trumpeters||John Granade||1794||G||C. M. D.||4
|251||159||Rusk||''Columbian Harmony''||1825||Hark! Listen to the trumpeters||John Granade||1794||G||C. M. D.||4
|-
|-
|252||160||[[The Martial Trumpet (J. G. Landrum)]]||J. G. Landrum||1835||Brethren, don't you hear the sound||Unattributed||1830||C||79.79.D.||4
|252||160||[[The Martial Trumpet (J. G. Landrum)|The Martial Trumpet]]||||1835||Brethren, don't you hear the sound||Unattributed||1830||C||79.79.D.||4
|-
|-
|253||161||[[Smyrna (Oliver Holden)]]||Oliver Holden||1796||Why should the children of a King||Isaac Watts||1707||A||C.M.||4
|253||161||[[Smyrna (Oliver Holden)|Smyrna]]||||1796||Why should the children of a King||Isaac Watts||1707||A||C.M.||4
|-
|-
|254||162a||[[Burdened Pilgrim (William Hauser)]]||William Hauser||1848||Pilgrim, burdened with thy sin||George Crabbe||1834||F||77.77.D.||4
|254||162a||[[Burdened Pilgrim (William Hauser)|Burdened Pilgrim]]||||1848||Pilgrim, burdened with thy sin||George Crabbe||1834||F||77.77.D.||4
|-
|-
|255||162b||Versailles||||1818||Thy mercy, my God, is the theme of my song||Attrib. John Stocker||1774||a||11 11.11 11.||3
|255||162b||Versailles||''Tennessee Harmony''||1818||Thy mercy, my God, is the theme of my song||Attrib. John Stocker||1774||a||11 11.11 11.||3
|-
|-
|256||163||[[Sweet Rivers (William Moore)]]||William Moore||1825||Sweet rivers of redeeming love||John Granade||1804||F||C.M.||4
|256||163||[[Sweet Rivers (William Moore)|Sweet Rivers]]||||1825||Sweet rivers of redeeming love||John Granade||1804||F||C.M.||4
|-
|-
|257||164a||[[Depravity (Daniel Read)]]||Daniel Read||1793||How sad our state by nature is||Isaac Watts||1709||d||C.M.||4
|257||164a||[[Depravity (Daniel Read)|Depravity]]||||1793||How sad our state by nature is||Isaac Watts||1709||d||C.M.||4
|-
|-
|258||164b||[[Golgotha (William Hauser)]]||William Hauser||1848||Let me dwell in Golgotha||John Newton||1779||C||77.77.||4
|258||164b||[[Golgotha (William Hauser)|Golgotha]]||||1848||Let me dwell in Golgotha||John Newton||1779||C||77.77.||4
|-
|-
|259||165a||The Lonesome Dove||||||Ye weary, heavy-laden souls||||||F||C. M. D.||3
|259||165a||The Lonesome Dove||||||Ye weary, heavy-laden souls||||||F||C. M. D.||3
|-
|-
|260||165b||Sovereign Grace||||1830||Sovereign grace has power alone||John Newton||1779||A||77.77.||4
|260||165b||Sovereign Grace||''Christian Lyre''||1830||Sovereign grace has power alone||John Newton||1779||A||77.77.||4
|-
|-
|261||166||[[Solitude in the Grove (Ananias Davisson)]]||Ananias Davisson||1817||My God, my refuge, hear my cries||Isaac Watts||1719||e||C. M. D.||4
|261||166||[[Solitude in the Grove (Ananias Davisson)|Solitude in the Grove]]||||1817||My God, my refuge, hear my cries||Isaac Watts||1719||e||C. M. D.||4
|-
|-
|262||167a||Cedar Bluff||||||Jerusalem, my happy home||Anonymous||1600||A||C.M.||3
|262||167a||Cedar Bluff||||||Jerusalem, my happy home||Anonymous||1600||A||C.M.||3
|-
|-
|263||167b||[[Pleyel's Hymn (Ignaz Pleyel)]]||Ignaz Pleyel||1790||Depth of mercy! Can there be||Charles Wesley||1740||A||77.77.||3
|263||167b||[[Pleyel's Hymn (Ignaz Pleyel)|Pleyel's Hymn]]||||1790||Depth of mercy! Can there be||Charles Wesley||1740||A||77.77.||3
|-
|-
|264||168a||Conway||||||O tis delight without alloy||Isaac Watts||1706||D||C.M.||4
|264||168a||Conway||||||O tis delight without alloy||Isaac Watts||1706||D||C.M.||4
Line 543: Line 543:
|265||168b||Tabor||||||Come and taste along with me||John Leland||1798||F||77.77.||4
|265||168b||Tabor||||||Come and taste along with me||John Leland||1798||F||77.77.||4
|-
|-
|266||169||[[Aiken (Jesse Aiken)]]||Jesse Aiken||1846||Thy gracious presence, O my God||Anne Steele||1760||F||C. M. D.||4
|266||169||[[Aiken (Jesse Aiken)|Aiken]]||||1846||Thy gracious presence, O my God||Anne Steele||1760||F||C. M. D.||4
|-
|-
|267||170a||[[Derrick (Thomas Carter)]]||Thomas Carter||1844||Hark! The glad sound, the Savior comes||Philip Doddridge||1755||F||C. M. D.||4
|267||170a||[[Derrick (Thomas Carter)|Derrick]]||||1844||Hark! The glad sound, the Savior comes||Philip Doddridge||1755||F||C. M. D.||4
|-
|-
|268||170b||Separation||||1818||Why do we mourn for dying friends||Isaac Watts||1709||f#||C. M. D.||3
|268||170b||Separation||''Tennessee Harmony''||1818||Why do we mourn for dying friends||Isaac Watts||1709||f#||C. M. D.||3
|-
|-
|269||171||[[Lovest Thou Me (James Carrell)]]||James Carrell||1821||Hark, my soul, it is the Lord||William Cowper||1768||G||77.77.||4
|269||171||[[Lovest Thou Me (James Carrell)|Lovest Thou Me]]||||1821||Hark, my soul, it is the Lord||William Cowper||1768||G||77.77.||4
|-
|-
|270||172a||[[Cincinnati (William Bradshaw)]]||William Bradshaw||1820||Father, how wide thy glories shine||Isaac Watts||1706||a||C.M.||4
|270||172a||[[Cincinnati (William Bradshaw)|Cincinnati]]||||1820||Father, how wide thy glories shine||Isaac Watts||1706||a||C.M.||4
|-
|-
|271||172b||Pilgrim Band||||||We're marching to the promised land||William Hunter||1845||G||C. M. D.||3
|271||172b||Pilgrim Band||||||We're marching to the promised land||William Hunter||1845||G||C. M. D.||3
|-
|-
|272||173a||[[Babel's Streams (Stephen Jenks)]]||Stephen Jenks||1811||By Babel's streams we sat and wept||Unattributed||1615||e||C. M. D.||4
|272||173a||[[Babel's Streams (Stephen Jenks)|Babel's Streams]]||||1811||By Babel's streams we sat and wept||Unattributed||1615||e||C. M. D.||4
|-
|-
|273||173b||Barbauld||||||Sweeter songs than music knows||John Newton||1779||A||77.77.||4
|273||173b||Barbauld||||||Sweeter songs than music knows||John Newton||1779||A||77.77.||4
|-
|-
|274||174a||[[Sussex (James Carrell)]]||James Carrell||1831||With glorious clouds encompassed round||Charles Wesley||1767||b||C. M. D.||3
|274||174a||[[Sussex (James Carrell)|Sussex]]||||1831||With glorious clouds encompassed round||Charles Wesley||1767||b||C. M. D.||3
|-
|-
|275||174b||[[Holly Springs (William Hauser)]]||William Hauser||1848||Why should the children of a King||Isaac Watts||1707||C||C.M.||3
|275||174b||[[Holly Springs (William Hauser)|Holly Springs]]||||1848||Why should the children of a King||Isaac Watts||1707||C||C.M.||3
|-
|-
|276||175||[[Maysville (E. Heritage)]]||E. Heritage||1848||When, my Savior, shall I be||Charles Wesley||1742||A||77.77.||4
|276||175||[[Maysville (E. Heritage)|Maysville]]||||1848||When, my Savior, shall I be||Charles Wesley||1742||A||77.77.||4
|-
|-
|277||176a||The Captive's Song||||1831||O! No, we cannot sing the song||Unattributed||1831||A||C. M. D.||3
|277||176a||The Captive's Song||''Christian Lyre''||1831||O! No, we cannot sing the song||Unattributed||1831||A||C. M. D.||3
|-
|-
|278||176b||[[Floyd (William Hauser)]]||William Hauser||1848||O thou who driest the mourner's tear||Thomas Moore||1816||A||C. M. D.||3
|278||176b||[[Floyd (William Hauser)|Floyd]]||||1848||O thou who driest the mourner's tear||Thomas Moore||1816||A||C. M. D.||3
|-
|-
|279||177a||[[Sark (William Miller)]]||William Miller||1803||Jesus, all-redeeming Lord||Charles Wesley||1763||G||77.77.||4
|279||177a||[[Sark (William Miller)|Sark]]||||1803||Jesus, all-redeeming Lord||Charles Wesley||1763||G||77.77.||4
|-
|-
|280||177b||Haven||||||Jesus, lover of my soul||Charles Wesley||1740||E||77.77.D.||4
|280||177b||Haven||||||Jesus, lover of my soul||Charles Wesley||1740||E||77.77.D.||4
|-
|-
|281||178a||[[Leander (B. Austin)]]||B. Austin||1818||My soul forbears her vain delights||Isaac Watts||1709||a||C. M. D.||4
|281||178a||[[Leander (B. Austin)|Leander]]||||1818||My soul forbears her vain delights||Isaac Watts||1709||a||C. M. D.||4
|-
|-
|282||178b||Easter Hymn||||1708||Christ the Lord has risen today||Charles Wesley||1739||D||74.74.D.||4
|282||178b||Easter Hymn||''Lyra Davidica''||1708||Christ the Lord has risen today||Charles Wesley||1739||D||74.74.D.||4
|-
|-
|283||179||Sunbury||||||O that I could revere||Charles Wesley||1749||d||S.M.||4
|283||179||Sunbury||||||O that I could revere||Charles Wesley||1749||d||S.M.||4
|-
|-
|284||180||[[Middletown (Amos Bull)]]||Amos Bull||1778||Hail the day that saw him rise||Charles Wesley||1739||A||77.77.D.||4
|284||180||[[Middletown (Amos Bull)|Middletown]]||||1778||Hail the day that saw him rise||Charles Wesley||1739||A||77.77.D.||4
|-
|-
|285||181a||[[Campbell (William Hauser)]]||William Hauser||1848||Lift up your hearts to things above||Charles Wesley||1749||C||C. M. D.||4
|285||181a||[[Campbell (William Hauser)|Campbell]]||||1848||Lift up your hearts to things above||Charles Wesley||1749||C||C. M. D.||4
|-
|-
|286||181b||[[Alabama (William Hauser)]]||William Hauser||1848||Depth of mercy! Can there be||Charles Wesley||1740||a||77.77.||4
|286||181b||[[Alabama (William Hauser)|Alabama]]||||1848||Depth of mercy! Can there be||Charles Wesley||1740||a||77.77.||4
|-
|-
|287||182a||[[Inspiration (R. Heritage)]]||R. Heritage||||Now shall my inward joys arise||Isaac Watts||1707||G||C.M.||4
|287||182a||[[Inspiration (R. Heritage)|Inspiration]]||||||Now shall my inward joys arise||Isaac Watts||1707||G||C.M.||4
|-
|-
|288||182b||Fancy's Vision||||1848||The faithless world promiscuous flows||Unattributed||1835||G||87.887.||3
|288||182b||Fancy's Vision||''Hesperian Harp''||1848||The faithless world promiscuous flows||Unattributed||1835||G||87.887.||3
|-
|-
|289||183a||[[The Faithless World (William Grambling)]]||William Grambling||1835||The faithless world promiscuous flows||Unattributed||1835||G||87.887.||3
|289||183a||[[The Faithless World (William Grambling)|The Faithless World]]||||1835||The faithless world promiscuous flows||Unattributed||1835||G||87.887.||3
|-
|-
|290||183b||Winburne||||||Great Redeemer, friend of sinners||William Williams||1745||F||87.87.D.||4
|290||183b||Winburne||||||Great Redeemer, friend of sinners||William Williams||1745||F||87.87.D.||4
|-
|-
|291||184||[[Come, ye disconsolate (Samuel Webbe)]]||Samuel Webbe||1820||Come, ye disconsolate||Thomas Moore||1816||D||11 10.11 10.11 10.||2
|291||184||[[Come, ye disconsolate (Samuel Webbe)|Come, ye disconsolate]]||||1820||Come, ye disconsolate||Thomas Moore||1816||D||11 10.11 10.11 10.||2
|-
|-
|292||185a||Christian Travelers||||1828||What poor, despised company||Unattributed||1759||F||C. M. D.||4
|292||185a||Christian Travelers||''Beauties of Harmony''||1828||What poor, despised company||Unattributed||1759||F||C. M. D.||4
|-
|-
|293||185b||La Grange||||||Savior, visit thy plantation||John Newton||1779||A||87.87.D.||3
|293||185b||La Grange||||||Savior, visit thy plantation||John Newton||1779||A||87.87.D.||3
|-
|-
|294||186a||[[Concordia (William Hauser)]]||William Hauser||1848||How happy every child of grace||Charles Wesley||1759||G||C.M.||4
|294||186a||[[Concordia (William Hauser)|Concordia]]||||1848||How happy every child of grace||Charles Wesley||1759||G||C.M.||4
|-
|-
|295||186b||[[Brownson (Ananias Davisson)]]||Ananias Davisson||1816||Blessing, honor, thanks, and praise||Charles Wesley||1742||a||77.77.D.||4
|295||186b||[[Brownson (Ananias Davisson)|Brownson]]||||1816||Blessing, honor, thanks, and praise||Charles Wesley||1742||a||77.77.D.||4
|-
|-
|296||187||[[New Hope (P. A. Axton)]]||P. A. Axton||1825||O how I have longed for the coming of God||Anonymous||1810||a||11 11.11 11.||3
|296||187||[[New Hope (P. A. Axton)|New Hope]]||||1825||O how I have longed for the coming of God||Anonymous||1810||a||11 11.11 11.||3
|-
|-
|297||188||[[Watchman! Tell us of the night (Benjamin White)]]||Benjamin White||1844||Watchman! Tell us of the night||John Bowring||1825||E||77.77.||3
|297||188||[[Watchman! Tell us of the night (Benjamin White)|Watchman! Tell us of the night]]||||1844||Watchman! Tell us of the night||John Bowring||1825||E||77.77.||3
|-
|-
|298||189a||Cumberland New||||1814||Come, thou fount of every blessing||Robert Robinson||1759||A||87.87.||4
|298||189a||Cumberland New||''Beauties of Harmony''||1814||Come, thou fount of every blessing||Robert Robinson||1759||A||87.87.||4
|-
|-
|299||189b||Kingston||||1799||Agonizing in the garden||Joseph Hart||1759||a||87.87.87.||4
|299||189b||Kingston||''United States Sacred Harmony''||1799||Agonizing in the garden||Joseph Hart||1759||a||87.87.87.||4
|-
|-
|300||190a||Burnsville||||||Far above yon glorious ceiling||Anonymous||1803||A||87.87.D.||3
|300||190a||Burnsville||||||Far above yon glorious ceiling||Anonymous||1803||A||87.87.D.||3
|-
|-
|301||190b||Alabama||||1835||Angels in shining order stand||Unattributed||1835||e||C. M. D.||4
|301||190b||Alabama||''Southern Harmony''||1835||Angels in shining order stand||Unattributed||1835||e||C. M. D.||4
|-
|-
|302||192a||Animation||||1835||What is there here to court my say||Charles Wesley||1759||G||C. M. D.||3
|302||192a||Animation||''Southern Harmony''||1835||What is there here to court my say||Charles Wesley||1759||G||C. M. D.||3
|-
|-
|303||192b||[[Heavenly March (William Walker)]]||William Walker||1840||On Jordan's stormy banks I stand||Samuel Stennett||1787||B{{flat}}||C.M.||3
|303||192b||[[Heavenly March (William Walker)|Heavenly March]]||||1840||On Jordan's stormy banks I stand||Samuel Stennett||1787||B{{flat}}||C.M.||3
|-
|-
|304||193||[[Edneyville (James Edney)]]||James Edney||||All hail! Ye heirs of grace||James Edney||1848||G||S.M.||4
|304||193||[[Edneyville (James Edney)|Edneyville]]||||||All hail! Ye heirs of grace||James Edney||1848||G||S.M.||4
|-
|-
|305||194a||[[Judgment (James Boyd)]]||James Boyd||1813||He comes, he comes, the Judge severe||Charles Wesley||1758||e||L. M. D.||4
|305||194a||[[Judgment (James Boyd)|Judgment]]||||1813||He comes, he comes, the Judge severe||Charles Wesley||1758||e||L. M. D.||4
|-
|-
|306||194b||[[Judgment (Nehemiah Shumway)]]||Nehemiah Shumway||1793||The Lord, the Judge, before his throne||Isaac Watts||1719||G||C. M. D.||4
|306||194b||[[Judgment (Nehemiah Shumway)|Judgment]]||||1793||The Lord, the Judge, before his throne||Isaac Watts||1719||G||C. M. D.||4
|-
|-
|307||196a||[[Concord (Oliver Holden)]]||Oliver Holden||1793||The men of grace have found||Isaac Watts||1709||C||S.M.||4
|307||196a||[[Concord (Oliver Holden)|Concord]]||||1793||The men of grace have found||Isaac Watts||1709||C||S.M.||4
|-
|-
|308||196b||[[Brentwood (Jacob Kimball)]]||Jacob Kimball||1800||Not all the blood of beasts||Isaac Watts||1709||E||S.M.||4
|308||196b||[[Brentwood (Jacob Kimball)|Brentwood]]||||1800||Not all the blood of beasts||Isaac Watts||1709||E||S.M.||4
|-
|-
|309||197a||[[Baldwin (John Massengale)]]||John Massengale||1848||And let our bodies part||Charles Wesley||1749||a||S. M. D.||4
|309||197a||[[Baldwin (John Massengale)|Baldwin]]||||1848||And let our bodies part||Charles Wesley||1749||a||S. M. D.||4
|-
|-
|310||197b||[[Backslider (Moss)]]||Moss||1820||Ah! Where am I now||Charles Wesley||1749||a||559.669.||3
|310||197b||[[Backslider (Moss)|Backslider]]||||1820||Ah! Where am I now||Charles Wesley||1749||a||559.669.||3
|-
|-
|311||198||[[Concert (Jeremiah Clarke)]]||Jeremiah Clarke||1707||Come, thou everlasting Spirit||Charles Wesley||1745||a||87.87.D.||4
|311||198||[[Concert (Jeremiah Clarke)|Concert]]||||1707||Come, thou everlasting Spirit||Charles Wesley||1745||a||87.87.D.||4
|-
|-
|312||199a||[[Evening Shade (Stephen Jenks)]]||Stephen Jenks||1805||The day is past and gone||John Leland||1790||e||S.M.||4
|312||199a||[[Evening Shade (Stephen Jenks)|Evening Shade]]||||1805||The day is past and gone||John Leland||1790||e||S.M.||4
|-
|-
|313||199b||New Dover||||1772||Grace, tis a charming sound||Philip Doddridge||1755||F||S.M.||4
|313||199b||New Dover||''Short and Easy Introduction''||1772||Grace, tis a charming sound||Philip Doddridge||1755||F||S.M.||4
|-
|-
|314||200||[[Williamsburg (Hebrew Traditional)]]||Hebrew Traditional||1500||The God of Abraham praise||Thomas Olivers||1772||F||66.86.D.||4
|314||200||[[Williamsburg (Hebrew Traditional)|Williamsburg]]||||1500||The God of Abraham praise||Thomas Olivers||1772||F||66.86.D.||4
|-
|-
|315||201a||[[Albion (Robert Boyd)]]||Robert Boyd||1816||Come, ye that love the Lord||Isaac Watts||1709||G||S.M.||4
|315||201a||[[Albion (Robert Boyd)|Albion]]||||1816||Come, ye that love the Lord||Isaac Watts||1709||G||S.M.||4
|-
|-
|316||201b||[[Norwich (Oliver Brownson)]]||Oliver Brownson||1779||My sorrows, like a flood||Isaac Watts||1706||a||S.M.||4
|316||201b||[[Norwich (Oliver Brownson)|Norwich]]||||1779||My sorrows, like a flood||Isaac Watts||1706||a||S.M.||4
|-
|-
|317||202a||Jefferson||||1818||Glorious things of thee are spoken||John Newton||1779||a||87.87.D.||4
|317||202a||Jefferson||''Tennessee Harmony''||1818||Glorious things of thee are spoken||John Newton||1779||a||87.87.D.||4
|-
|-
|318||202b||[[New Monmouth (Lucius Chapin)]]||Lucius Chapin||1812||Come, thou fount of every blessing||Robert Robinson||1759||a||87.87.||4
|318||202b||[[New Monmouth (Lucius Chapin)|New Monmouth]]||||1812||Come, thou fount of every blessing||Robert Robinson||1759||a||87.87.||4
|-
|-
|319||203||Marcellus||||||Soldiers of Christ! Arise||Charles Wesley||1742||G||S. M. D.||4
|319||203||Marcellus||||||Soldiers of Christ! Arise||Charles Wesley||1742||G||S. M. D.||4
|-
|-
|320||204a||[[St. Thomas (Aaron Williams)]]||Aaron Williams||1763||Hark! It is wisdom's voice||Philip Doddridge||1755||A||S.M.||4
|320||204a||[[St. Thomas (Aaron Williams)|St. Thomas]]||||1763||Hark! It is wisdom's voice||Philip Doddridge||1755||A||S.M.||4
|-
|-
|321||204b||Brimner||||||Give to the winds thy fears||Paul Gerhardt||1656||C||S.M.||4
|321||204b||Brimner||||||Give to the winds thy fears||Paul Gerhardt||1656||C||S.M.||4
|-
|-
|322||205||[[Sterling (James Merrick)]]||James Merrick||1793||Come, ye that love the Lord||Isaac Watts||1709||E||S. M. D.||4
|322||205||[[Sterling (James Merrick)|Sterling]]||||1793||Come, ye that love the Lord||Isaac Watts||1709||E||S. M. D.||4
|-
|-
|323||206a||[[Martyn (S. B. Ma_)]]||S. B. Ma_||||Hark! A voice divides the sky||Charles Wesley||1742||F||77.77.D.||4
|323||206a||[[Martyn (S. B. Ma_)|Martyn]]||||||Hark! A voice divides the sky||Charles Wesley||1742||F||77.77.D.||4
|-
|-
|324||206b||Religious Contentment||||1812||Give me but some humble spot||William Hunter||1845||C||77.77.D.||3
|324||206b||Religious Contentment||''Divine Amusement''||1812||Give me but some humble spot||William Hunter||1845||C||77.77.D.||3
|-
|-
|325||207||Good Shepherd||||1813||Let thy kingdom, blessed Savior||John Granade||1794||F||87.87.D.||3
|325||207||Good Shepherd||''Wyeth's Repository, Part Second''||1813||Let thy kingdom, blessed Savior||John Granade||1794||F||87.87.D.||3
|-
|-
|326||208a||[[Sounding Joy (Justin Morgan)]]||Justin Morgan||1790||Come, sound his praise abroad||Isaac Watts||1719||E{{flat}}||S.M.||4
|326||208a||[[Sounding Joy (Justin Morgan)|Sounding Joy]]||||1790||Come, sound his praise abroad||Isaac Watts||1719||E{{flat}}||S.M.||4
|-
|-
|327||208b||[[Mocksville (William Hauser)]]||William Hauser||1848||Glory to God on high||Isaac Watts||1707||C||S.M.||4
|327||208b||[[Mocksville (William Hauser)|Mocksville]]||||1848||Glory to God on high||Isaac Watts||1707||C||S.M.||4
|-
|-
|328||209a||[[Backslider's Sorrow (William Hauser)]]||William Hauser||1848||Ah! Where am I now||Charles Wesley||1749||G||559.669.||3
|328||209a||[[Backslider's Sorrow (William Hauser)|Backslider's Sorrow]]||||1848||Ah! Where am I now||Charles Wesley||1749||G||559.669.||3
|-
|-
|329||209b||Malette||||1817||Tis religion that can give||Mary Masters||1733||G||77.77.D.||3
|329||209b||Malette||''Beauties of Sacred Harmony''||1817||Tis religion that can give||Mary Masters||1733||G||77.77.D.||3
|-
|-
|330||210a||[[America (Truman Wetmore)]]||Truman Wetmore||1798||My soul, repeat his praise||Isaac Watts||1719||a||S.M.||4
|330||210a||[[America (Truman Wetmore)|America]]||||1798||My soul, repeat his praise||Isaac Watts||1719||a||S.M.||4
|-
|-
|331||210b||[[Wheeling (William Hauser)]]||William Hauser||1848||And wilt thou yet be found||Charles Wesley||1739||a||S.M.||3
|331||210b||[[Wheeling (William Hauser)|Wheeling]]||||1848||And wilt thou yet be found||Charles Wesley||1739||a||S.M.||3
|-
|-
|332||211a||[[Golden Hill (Abraham Wood)]]||Abraham Wood||1778||With joy the people stand||Isaac Watts||1719||G||S.M.||4
|332||211a||[[Golden Hill (Abraham Wood)|Golden Hill]]||||1778||With joy the people stand||Isaac Watts||1719||G||S.M.||4
|-
|-
|333||211b||[[Golden Hill (Abraham Wood)]]||Abraham Wood||1778||Give to the winds thy fears||Paul Gerhardt||1656||G||S.M.||4
|333||211b||[[Golden Hill (Abraham Wood)|Golden Hill]]||||1778||Give to the winds thy fears||Paul Gerhardt||1656||G||S.M.||4
|-
|-
|334||212||[[Rome (Timothy Swan)]]||Timothy Swan||1801||Wandering pilgrims, mourning Christians||John Leland||1794||e||87.87.D.||4
|334||212||[[Rome (Timothy Swan)|Rome]]||||1801||Wandering pilgrims, mourning Christians||John Leland||1794||e||87.87.D.||4
|-
|-
|335||213a||The Soldier's Return||||1818||O! That I had some secret place||Unattributed||1823||C||87.87.D.||3
|335||213a||The Soldier's Return||''Virginia Sacred Musical Repository''||1818||O! That I had some secret place||Unattributed||1823||C||87.87.D.||3
|-
|-
|336||213b||Louisiana||||||I have my bitters and my sweets||Unattributed||1823||C||87.87.D.||3
|336||213b||Louisiana||||||I have my bitters and my sweets||Unattributed||1823||C||87.87.D.||3
|-
|-
|337||214a||[[Shirland (Samuel Stanley)]]||Samuel Stanley||1799||My God, my life, my love||Isaac Watts||1709||A||S.M.||4
|337||214a||[[Shirland (Samuel Stanley)|Shirland]]||||1799||My God, my life, my love||Isaac Watts||1709||A||S.M.||4
|-
|-
|338||214b||[[Bridgetown (Elkanah Dare)]]||Elkanah Dare||1813||Grace! tis a charming sound||Philip Doddridge||1755||G||S.M.||4
|338||214b||[[Bridgetown (Elkanah Dare)|Bridgetown]]||||1813||Grace! tis a charming sound||Philip Doddridge||1755||G||S.M.||4
|-
|-
|339||215||[[Newburg (Amos Munson)]]||Amos Munson||1798||Let every creature join||Isaac Watts||1719||C||S. M. D.||4
|339||215||[[Newburg (Amos Munson)|Newburg]]||||1798||Let every creature join||Isaac Watts||1719||C||S. M. D.||4
|-
|-
|340||216a||[[Texas (William Hauser)]]||William Hauser||1848||Firm and unmoved are they||Isaac Watts||1719||C||S.M.||4
|340||216a||[[Texas (William Hauser)|Texas]]||||1848||Firm and unmoved are they||Isaac Watts||1719||C||S.M.||4
|-
|-
|341||216b||[[Austin (P. A. Axton)]]||P. A. Axton||1825||How happy are they||Charles Wesley||1749||a||569.569.||3
|341||216b||[[Austin (P. A. Axton)|Austin]]||||1825||How happy are they||Charles Wesley||1749||a||569.569.||3
|-
|-
|342||217a||[[Brownsville (James Carrell)]]||James Carrell||1821||Don't you see my Jesus coming||Caleb Taylor||1810||a||87.87.||3
|342||217a||[[Brownsville (James Carrell)|Brownsville]]||||1821||Don't you see my Jesus coming||Caleb Taylor||1810||a||87.87.||3
|-
|-
|343||217b||[[Restoration (James Carrell)]]||James Carrell||1821||Jordan's stream shall ne'er o'erflow me||Anonymous||1833||a||87.87.||4
|343||217b||[[Restoration (James Carrell)|Restoration]]||||1821||Jordan's stream shall ne'er o'erflow me||Anonymous||1833||a||87.87.||4
|-
|-
|344||218a||[[Dauphin (Jacob French)]]||Jacob French||1793||For life without thy love||Isaac Watts||1719||a||S.M.||4
|344||218a||[[Dauphin (Jacob French)|Dauphin]]||||1793||For life without thy love||Isaac Watts||1719||a||S.M.||4
|-
|-
|345||218b||[[Doomsday (Abraham Wood)]]||Abraham Wood||1789||Behold! With awful pomp||Joseph Hart||1759||C||S.M.||4
|345||218b||[[Doomsday (Abraham Wood)|Doomsday]]||||1789||Behold! With awful pomp||Joseph Hart||1759||C||S.M.||4
|-
|-
|346||219||Saints Bound For Heaven||||1840||Our bondage it shall end, by and by||Unattributed||1828||C||12 9.13 13 10.||4
|346||219||Saints Bound For Heaven||''Southern Harmony''||1840||Our bondage it shall end, by and by||Unattributed||1828||C||12 9.13 13 10.||4
|-
|-
|347||220||[[Parsons (Jonas King)]]||Jonas King||1831||Brother, thou art gone before us||Henry Milman||1822||e||87.86.77.87.||4
|347||220||[[Parsons (Jonas King)|Parsons]]||||1831||Brother, thou art gone before us||Henry Milman||1822||e||87.86.77.87.||4
|-
|-
|348||221||[[The Mouldering Vine (James Carrell)]]||James Carrell||1821||Hail! Ye sighing sons of sorrow||Anonymous||1795||f||87.87.D.||4
|348||221||[[The Mouldering Vine (James Carrell)|The Mouldering Vine]]||||1821||Hail! Ye sighing sons of sorrow||Anonymous||1795||f||87.87.D.||4
|-
|-
|349||222||[[Disciple (Deodatus Dutton)]]||Deodatus Dutton||1831||Jesus, I my cross have taken||Henry Lyte||1824||A||87.87.D.||4
|349||222||[[Disciple (Deodatus Dutton)|Disciple]]||||1831||Jesus, I my cross have taken||Henry Lyte||1824||A||87.87.D.||4
|-
|-
|350||223||Jubilee||||1820||Hark! The jubilee is sounding||Anonymous||1801||A||87.87.D.||4
|350||223||Jubilee||''Supplement to the Kentucky Harmony''||1820||Hark! The jubilee is sounding||Anonymous||1801||A||87.87.D.||4
|-
|-
|351||224a||Mansfield||||1780||Let every creature join||Isaac Watts||1719||C||S.M.||4
|351||224a||Mansfield||''Collection of Psalm Tunes''||1780||Let every creature join||Isaac Watts||1719||C||S.M.||4
|-
|-
|352||224b||[[Idumea (Ananias Davisson)]]||Ananias Davisson||1816||O come and dwell in me||Charles Wesley||1762||a||S.M.||4
|352||224b||[[Idumea (Ananias Davisson)|Idumea]]||||1816||O come and dwell in me||Charles Wesley||1762||a||S.M.||4
|-
|-
|353||225||[[Solemn Thought (James Carrell)]]||James Carrell||1821||Remember, sinful youth, you must die||Anonymous||1807||a||12 9.12 12 9.||4
|353||225||[[Solemn Thought (James Carrell)|Solemn Thought]]||||1821||Remember, sinful youth, you must die||Anonymous||1807||a||12 9.12 12 9.||4
|-
|-
|354||226||[[Geneva (James Carrell)]]||James Carrell||1821||Come, my friends, and taste with me||Unattributed||1821||F||776.77.76.||4
|354||226||[[Geneva (James Carrell)|Geneva]]||||1821||Come, my friends, and taste with me||Unattributed||1821||F||776.77.76.||4
|-
|-
|355||227a||New Concord||||||How happy are they||Charles Wesley||1749||C||569.569.||4
|355||227a||New Concord||||||How happy are they||Charles Wesley||1749||C||569.569.||4
|-
|-
|356||227b||[[Iantha (William Caldwell)]]||William Caldwell||1848||Hark! The herald angels sing||Charles Wesley||1739||G||77.77.||4
|356||227b||[[Iantha (William Caldwell)|Iantha]]||||1848||Hark! The herald angels sing||Charles Wesley||1739||G||77.77.||4
|-
|-
|357||228a||[[Zion's Hill (Abraham Wood)]]||Abraham Wood||1778||How beauteous are their feet||Isaac Watts||1707||F||S.M.||4
|357||228a||[[Zion's Hill (Abraham Wood)|Zion's Hill]]||||1778||How beauteous are their feet||Isaac Watts||1707||F||S.M.||4
|-
|-
|358||228b||Mount Helicon||||||How blessed are our eyes||Isaac Watts||1707||F||S.M.||4
|358||228b||Mount Helicon||||||How blessed are our eyes||Isaac Watts||1707||F||S.M.||4
|-
|-
|359||229a||[[Ingratitude (James Lowry)]]||James Lowry||1820||Is this the kind return||Isaac Watts||1709||a||S.M.||4
|359||229a||[[Ingratitude (James Lowry)|Ingratitude]]||||1820||Is this the kind return||Isaac Watts||1709||a||S.M.||4
|-
|-
|360||229b||[[Swedesboro' (E. Heritage)]]||E. Heritage||||Welcome, sweet day of rest||Isaac Watts||1709||A||S.M.||4
|360||229b||[[Swedesboro' (E. Heritage)|Swedesboro']]||||||Welcome, sweet day of rest||Isaac Watts||1709||A||S.M.||4
|-
|-
|361||230a||[[Lisbon (Daniel Read)]]||Daniel Read||1785||The Savior's glorious name||||||B{{flat}}||S.M.||4
|361||230a||[[Lisbon (Daniel Read)|Lisbon]]||||1785||The Savior's glorious name||||||B{{flat}}||S.M.||4
|-
|-
|362||230b||Mount Cumberland||||1825||Come, all ye happy race||Unattributed||1839||a||669.669.||3
|362||230b||Mount Cumberland||''Columbian Harmony''||1825||Come, all ye happy race||Unattributed||1839||a||669.669.||3
|-
|-
|363||231||[[Creation (Elijah Griswold)]]||Elijah Griswold||1793||Let every creature join||Isaac Watts||1719||A||S. M. D.||4
|363||231||[[Creation (Elijah Griswold)|Creation]]||||1793||Let every creature join||Isaac Watts||1719||A||S. M. D.||4
|-
|-
|364||232||[[Knoxville (Reubin Monday)]]||Reubin Monday||1820||Rejoice, my friends, the Lord is King||Anonymous||1813||e||88.887.||4
|364||232||[[Knoxville (Reubin Monday)|Knoxville]]||||1820||Rejoice, my friends, the Lord is King||Anonymous||1813||e||88.887.||4
|-
|-
|365||233||[[Heavenly Union (Jeremiah Ingalls)]]||Jeremiah Ingalls||1805||Come saints and sinners, hear me tell||Unattributed||1811||G||88.887.||4
|365||233||[[Heavenly Union (Jeremiah Ingalls)|Heavenly Union]]||||1805||Come saints and sinners, hear me tell||Unattributed||1811||G||88.887.||4
|-
|-
|366||234||[[Wondrous Love (James Christopher)]]||James Christopher||1840||What wondrous love is this, O my soul||Anonymous||1812||g||12 9.12 12 9.||3
|366||234||[[Wondrous Love (James Christopher)|Wondrous Love]]||||1840||What wondrous love is this, O my soul||Anonymous||1812||g||12 9.12 12 9.||3
|-
|-
|367||235||[[Thorny Desert (William Walker)]]||William Walker||1835||Dark and thorny is the desert||Unattributed||1810||G||87.87.D.||3
|367||235||[[Thorny Desert (William Walker)|Thorny Desert]]||||1835||Dark and thorny is the desert||Unattributed||1810||G||87.87.D.||3
|-
|-
|368||236||[[Silver Street (Isaac Smith)]]||Isaac Smith||1780||Come sound his praise abroad||Isaac Watts||1719||C||S.M.||4
|368||236||[[Silver Street (Isaac Smith)|Silver Street]]||||1780||Come sound his praise abroad||Isaac Watts||1719||C||S.M.||4
|-
|-
|369||237a||[[Longstreet (Thomas Haweis)]]||Thomas Haweis||1791||Some sweet savor of thy favor||Anonymous||1811||B{{flat}}||87.77.84.||4
|369||237a||[[Longstreet (Thomas Haweis)|Longstreet]]||||1791||Some sweet savor of thy favor||Anonymous||1811||B{{flat}}||87.77.84.||4
|-
|-
|370||237b||Pilgrim's Prayer||||||Guide me, O thou great Jehovah||William Williams||1745||F||87.87.47.||4
|370||237b||Pilgrim's Prayer||||||Guide me, O thou great Jehovah||William Williams||1745||F||87.87.47.||4
|-
|-
|371||238||[[Rock of Salvation (William Hauser)]]||William Hauser||1848||If life's pleasures charm thee||Francis Key||1815||G||65.65.87.87.||4
|371||238||[[Rock of Salvation (William Hauser)|Rock of Salvation]]||||1848||If life's pleasures charm thee||Francis Key||1815||G||65.65.87.87.||4
|-
|-
|372||239a||[[Zell (Eyer)]]||Eyer||||Praise to God the great Creator||John Taylor||1795||F||87.87.||4
|372||239a||[[Zell (Eyer)|Zell]]||||||Praise to God the great Creator||John Taylor||1795||F||87.87.||4
|-
|-
|373||239b||[[Cheerful Hope (Wolfgang Mozart)]]||Wolfgang Mozart||1791||Though hard the winds are blowing||Unattributed||1831||G||76.76.||3
|373||239b||[[Cheerful Hope (Wolfgang Mozart)|Cheerful Hope]]||||1791||Though hard the winds are blowing||Unattributed||1831||G||76.76.||3
|-
|-
|374||240||[[Mixture (William Golightly)]]||William Golightly||1835||Mixtures of joy and sorrow||Levi Hathaway||1820||A||76.76.D.||4
|374||240||[[Mixture (William Golightly)|Mixture]]||||1835||Mixtures of joy and sorrow||Levi Hathaway||1820||A||76.76.D.||4
|-
|-
|375||241||Glorious Prospect||||||My soul's full of glory||John Granade||1804||E||65.65.D.||3
|375||241||Glorious Prospect||||||My soul's full of glory||John Granade||1804||E||65.65.D.||3
Line 765: Line 765:
|376||242a||Way to Zion||||||Farewell, my Christian brethren||John Leland||1793||C||76.76.76.||4
|376||242a||Way to Zion||||||Farewell, my Christian brethren||John Leland||1793||C||76.76.76.||4
|-
|-
|377||242b||[[New Hope (Ananias Davisson)]]||Ananias Davisson||1820||Come, ye that love the Lord||Isaac Watts||1709||F||S.M.||4
|377||242b||[[New Hope (Ananias Davisson)|New Hope]]||||1820||Come, ye that love the Lord||Isaac Watts||1709||F||S.M.||4
|-
|-
|378||243a||Hope||||1802||My God, my life, my love||Isaac Watts||1709||G||S.M.||4
|378||243a||Hope||''Collection of Psalm and Hymn Tunes''||1802||My God, my life, my love||Isaac Watts||1709||G||S.M.||4
|-
|-
|379||243b||Blairsville||||||Did Christ o'er sinners weep||Benjamin Beddome||1769||f#||S.M.||3
|379||243b||Blairsville||||||Did Christ o'er sinners weep||Benjamin Beddome||1769||f#||S.M.||3
|-
|-
|380||244a||[[Holy Manna (William Moore)]]||William Moore||1825||Brethren, we have met to worship||George Atkins||1819||C||87.87.D.||4
|380||244a||[[Holy Manna (William Moore)|Holy Manna]]||||1825||Brethren, we have met to worship||George Atkins||1819||C||87.87.D.||4
|-
|-
|381||244b||[[Holy Manna (William Moore)]]||William Moore||1825||Brethren, see poor sinners round you||George Atkins||1819||C||87.87.D.||4
|381||244b||[[Holy Manna (William Moore)|Holy Manna]]||||1825||Brethren, see poor sinners round you||George Atkins||1819||C||87.87.D.||4
|-
|-
|382||245a||[[Dalston (Aaron Williams)]]||Aaron Williams||1763||How pleased and blessed was I||Isaac Watts||1719||B{{flat}}||668.668.||4
|382||245a||[[Dalston (Aaron Williams)|Dalston]]||||1763||How pleased and blessed was I||Isaac Watts||1719||B{{flat}}||668.668.||4
|-
|-
|383||245b||Volusia||||||O! Cease, my wandering soul||William Muhlenberg||1826||G||S.M.||4
|383||245b||Volusia||||||O! Cease, my wandering soul||William Muhlenberg||1826||G||S.M.||4
|-
|-
|384||246a||[[Amity (Daniel Read)]]||Daniel Read||1785||My tongue repeats her vows||Isaac Watts||1719||A||668.668.||4
|384||246a||[[Amity (Daniel Read)|Amity]]||||1785||My tongue repeats her vows||Isaac Watts||1719||A||668.668.||4
|-
|-
|385||246b||[[Boylston (Lowell Mason)]]||Lowell Mason||1832||Our days are as the grass||Isaac Watts||1719||C||S.M.||4
|385||246b||[[Boylston (Lowell Mason)|Boylston]]||||1832||Our days are as the grass||Isaac Watts||1719||C||S.M.||4
|-
|-
|386||247a||Nuremburg||||||Once I thought my mountain strong||John Newton||1779||B{{flat}}||77.77.77.||4
|386||247a||Nuremburg||||||Once I thought my mountain strong||John Newton||1779||B{{flat}}||77.77.77.||4
|-
|-
|387||247b||[[Bounding Billows (Deodatus Dutton)]]||Deodatus Dutton||1831||Light of those whose dreary dwelling||Charles Wesley||1745||A||87.87.||3
|387||247b||[[Bounding Billows (Deodatus Dutton)|Bounding Billows]]||||1831||Light of those whose dreary dwelling||Charles Wesley||1745||A||87.87.||3
|-
|-
|388||248||[[Palestine (William Hauser)]]||William Hauser||1848||Blest land of Judea, thrice hallowed of song||John Whittier||1843||C||11 12.12 12.||3
|388||248||[[Palestine (William Hauser)|Palestine]]||||1848||Blest land of Judea, thrice hallowed of song||John Whittier||1843||C||11 12.12 12.||3
|-
|-
|389||249||Wandering Sinner||||||Come tell me, wandering sinner||Unattributed||1827||D||76.76.T||3
|389||249||Wandering Sinner||||||Come tell me, wandering sinner||Unattributed||1827||D||76.76.T||3
|-
|-
|390||250a||[[The Dying Pilgrim (H. Bingham)]]||H. Bingham||||Farewell, beloved companions||H. Bingham||1840||d||76.76.D.||3
|390||250a||[[The Dying Pilgrim (H. Bingham)|The Dying Pilgrim]]||||||Farewell, beloved companions||H. Bingham||1840||d||76.76.D.||3
|-
|-
|391||250b||[[Dependence (Findlay)]]||Findlay||1813||But I, with all my cares||Isaac Watts||1719||a||S.M.||3
|391||250b||[[Dependence (Findlay)|Dependence]]||||1813||But I, with all my cares||Isaac Watts||1719||a||S.M.||3
|-
|-
|392||251||Pennsville||||||Along where murmuring waters||Unattributed||1848||D||76.76.D.||4
|392||251||Pennsville||||||Along where murmuring waters||Unattributed||1848||D||76.76.D.||4
|-
|-
|393||252||[[The Trumpet (J. Williams)]]||J. Williams||1830||The chariot, the chariot, its wheels roll in fire||Henry Milman||1827||D||11 12.12 12.||4
|393||252||[[The Trumpet (J. Williams)|The Trumpet]]||||1830||The chariot, the chariot, its wheels roll in fire||Henry Milman||1827||D||11 12.12 12.||4
|-
|-
|394||253a||[[Lamberton (Nehemiah Shumway)]]||Nehemiah Shumway||1793||Is this the kind return||Isaac Watts||1709||a||S.M.||4
|394||253a||[[Lamberton (Nehemiah Shumway)|Lamberton]]||||1793||Is this the kind return||Isaac Watts||1709||a||S.M.||4
|-
|-
|395||253b||[[Warren (Isaac Lane)]]||Isaac Lane||1802||Let all our tongues be one||Isaac Watts||1711||A||S.M.||4
|395||253b||[[Warren (Isaac Lane)|Warren]]||||1802||Let all our tongues be one||Isaac Watts||1711||A||S.M.||4
|-
|-
|396||254||[[Douglass (Dr. Lacy)]]||Dr. Lacy||1831||Holy Ghost! Dispel our sadness||Paul Gerhardt||1650||F||87.87.77.87.||4
|396||254||[[Douglass (Dr. Lacy)|Douglass]]||||1831||Holy Ghost! Dispel our sadness||Paul Gerhardt||1650||F||87.87.77.87.||4
|-
|-
|397||255a||Importunity||||||Savior, visit thy plantation||John Newton||1779||F||87.87.D.||4
|397||255a||Importunity||||||Savior, visit thy plantation||John Newton||1779||F||87.87.D.||4
Line 809: Line 809:
|398||255b||Greenville||||||Surely once thy garden flourished||John Newton||1779||F||87.87.D.||4
|398||255b||Greenville||||||Surely once thy garden flourished||John Newton||1779||F||87.87.D.||4
|-
|-
|399||256||[[Darley (Elisha King)]]||Elisha King||1844||Come brethren and sisters, who love one another||Unattributed||1840||a||12 8.12 8.D.||3
|399||256||[[Darley (Elisha King)|Darley]]||||1844||Come brethren and sisters, who love one another||Unattributed||1840||a||12 8.12 8.D.||3
|-
|-
|400||257||The Romish Lady||||1835||There was a Romish lady||Unattributed||1835||A||76.76.D.||3
|400||257||The Romish Lady||''Southern Harmony''||1835||There was a Romish lady||Unattributed||1835||A||76.76.D.||3
|-
|-
|401||258||[[Christian's Delight (E. F. Davis)]]||E. F. Davis||||Young people all, now at the ball||||||G||87.87.D.||3
|401||258||[[Christian's Delight (E. F. Davis)|Christian's Delight]]||||||Young people all, now at the ball||||||G||87.87.D.||3
|-
|-
|402||259||[[Mecklenburg (James Lowry)]]||James Lowry||1820||Bright scenes of glory strike my sense||Unattributed||1820||g||87.87.D.||4
|402||259||[[Mecklenburg (James Lowry)|Mecklenburg]]||||1820||Bright scenes of glory strike my sense||Unattributed||1820||g||87.87.D.||4
|-
|-
|403||260a||[[Tamworth (Charles Lockhart)]]||Charles Lockhart||1792||Feed me with the heavenly manna||William Williams||1745||F||87.87.D.||4
|403||260a||[[Tamworth (Charles Lockhart)|Tamworth]]||||1792||Feed me with the heavenly manna||William Williams||1745||F||87.87.D.||4
|-
|-
|404||260b||Spring Place||||||O Zion, afflicted with wave after wave||James Grant||1784||a||11 11.11 11.||3
|404||260b||Spring Place||||||O Zion, afflicted with wave after wave||James Grant||1784||a||11 11.11 11.||3
|-
|-
|405||261||[[Young Ladies' Farewell (William Hauser)]]||William Hauser||1848||Like yon bright cloud new forms assuming||Miss J. W. Guding||1848||A||98.98.D.||4
|405||261||[[Young Ladies' Farewell (William Hauser)|Young Ladies' Farewell]]||||1848||Like yon bright cloud new forms assuming||Miss J. W. Guding||1848||A||98.98.D.||4
|-
|-
|406||262||Redeeming Grace||||1813||Come all who love my Lord and Master||Unattributed||1813||G||98.98.D.||4
|406||262||Redeeming Grace||''Wyeth's Repository, Part Second''||1813||Come all who love my Lord and Master||Unattributed||1813||G||98.98.D.||4
|-
|-
|407||263a||[[Florida (Truman Wetmore)]]||Truman Wetmore||1803||Let sinners take their course||Isaac Watts||1719||e||S.M.||4
|407||263a||[[Florida (Truman Wetmore)|Florida]]||||1803||Let sinners take their course||Isaac Watts||1719||e||S.M.||4
|-
|-
|408||263b||[[Newingham (William Billings)]]||William Billings||1770||Death! O the awful sound||William Billings||1770||a||S.M.||4
|408||263b||[[Newingham (William Billings)|Newingham]]||||1770||Death! O the awful sound||William Billings||1770||a||S.M.||4
|-
|-
|409||264||Morality||||1803||While beauty and youth are in their full prime||Unattributed||1835||G||10 11.11 12.||3
|409||264||Morality||''David's Harp''||1803||While beauty and youth are in their full prime||Unattributed||1835||G||10 11.11 12.||3
|-
|-
|410||265a||Morality||||1803||While beauty and youth are in their full prime||Unattributed||1835||G||10 11.11 12.||4
|410||265a||Morality||''David's Harp''||1803||While beauty and youth are in their full prime||Unattributed||1835||G||10 11.11 12.||4
|-
|-
|411||265b||Raleigh||||||To go from my home, and from kindred to part||Parley Pratt||1840||A||12 11.12 11.||3
|411||265b||Raleigh||||||To go from my home, and from kindred to part||Parley Pratt||1840||A||12 11.12 11.||3
|-
|-
|412||266||[[Babylonian Captivity (Elkanah Dare)]]||Elkanah Dare||1813||Along the banks where Babel's current flows||Joel Barlow||1785||f#||10 10.10 10.||4
|412||266||[[Babylonian Captivity (Elkanah Dare)|Babylonian Captivity]]||||1813||Along the banks where Babel's current flows||Joel Barlow||1785||f#||10 10.10 10.||4
|-
|-
|413||267a||Happy Land||||1848||There is a happy land||Andrew Young||1838||E||64.64.67.64.||4
|413||267a||Happy Land||''Hesperian Harp''||1848||There is a happy land||Andrew Young||1838||E||64.64.67.64.||4
|-
|-
|414||267b||[[Cornelia (Miss Breckenridge)]]||Miss Breckenridge||||O Jesus, my Savior, to thee I submit||Anonymous||1810||F||11 11.11 11.||3
|414||267b||[[Cornelia (Miss Breckenridge)|Cornelia]]||||||O Jesus, my Savior, to thee I submit||Anonymous||1810||F||11 11.11 11.||3
|-
|-
|415||268a||[[O Tell Me No More (William Walker)]]||William Walker||1835||O tell me no more of this world's vain store||John Gambold||1742||G||10 11.10 11.||4
|415||268a||[[O Tell Me No More (William Walker)|O Tell Me No More]]||||1835||O tell me no more of this world's vain store||John Gambold||1742||G||10 11.10 11.||4
|-
|-
|416||268b||Kingsley||||||Who, who would like alway away from his God||||||F||11 11.11 11.||3
|416||268b||Kingsley||||||Who, who would like alway away from his God||||||F||11 11.11 11.||3
|-
|-
|417||269a||[[Unitia (Lucius Chapin)]]||Lucius Chapin||1812||But this I do find, we two are so joined||John Gambold||1742||G||10 11.10 11.||4
|417||269a||[[Unitia (Lucius Chapin)|Unitia]]||||1812||But this I do find, we two are so joined||John Gambold||1742||G||10 11.10 11.||4
|-
|-
|418||269b||[[Taladega (J. W. Davis)]]||J. W. Davis||1844||Come, thou fount of every blessing||Robert Robinson||1759||A||87.87.D.||3
|418||269b||[[Taladega (J. W. Davis)|Taladega]]||||1844||Come, thou fount of every blessing||Robert Robinson||1759||A||87.87.D.||3
|-
|-
|419||270a||Davis||||1813||O thou in whose presence my soul takes delight||Joseph Swain||1791||G||11 8.11 8.||3
|419||270a||Davis||''Wyeth's Repository, Part Second''||1813||O thou in whose presence my soul takes delight||Joseph Swain||1791||G||11 8.11 8.||3
|-
|-
|420||270b||[[Mount Bether (Freeman Lewis)]]||Freeman Lewis||||Where dost thou at noon-tide resort with thy sheep||Joseph Swain||1791||F||11 8.11 8.||4
|420||270b||[[Mount Bether (Freeman Lewis)|Mount Bether]]||||||Where dost thou at noon-tide resort with thy sheep||Joseph Swain||1791||F||11 8.11 8.||4
|-
|-
|421||271||Samantha||||1821||O why should I wander an alien from thee||Joseph Swain||1791||a||11 8.11 8.D.||4
|421||271||Samantha||''Franklin Harmonie''||1821||O why should I wander an alien from thee||Joseph Swain||1791||a||11 8.11 8.D.||4
|-
|-
|422||272||The Hermit||||||At the close of the day, when the hamlet is still||James Beattie||1765||C||11 11.11 11.D.||4
|422||272||The Hermit||||||At the close of the day, when the hamlet is still||James Beattie||1765||C||11 11.11 11.D.||4
|-
|-
|423||273||[[Crucifixion (Ananias Davisson)]]||Ananias Davisson||1820||Saw ye my Savior! Saw ye my Savior!||Anonymous||1819||F||10 7.779.||4
|423||273||[[Crucifixion (Ananias Davisson)|Crucifixion]]||||1820||Saw ye my Savior! Saw ye my Savior!||Anonymous||1819||F||10 7.779.||4
|-
|-
|424||274||[[Behold the Lamb of God (T. K. Collins)]]||T. K. Collins||||Behold, behold the Lamb of God||Joseph Hoskins||1789||a||86.86.88.86.||4
|424||274||[[Behold the Lamb of God (T. K. Collins)|Behold the Lamb of God]]||||||Behold, behold the Lamb of God||Joseph Hoskins||1789||a||86.86.88.86.||4
|-
|-
|425||275a||Restoration||||1813||Ye captives restored and saints of the Lord||Unattributed||1804||A||10 11.11 11.||4
|425||275a||Restoration||''Wyeth's Repository, Part Second''||1813||Ye captives restored and saints of the Lord||Unattributed||1804||A||10 11.11 11.||4
|-
|-
|426||275b||[[Christmas Hymn (William Knapp)]]||William Knapp||1743||A virgin unspotted, the prophets foretold||Unattributed||1800||G||11 11.11 11.||4
|426||275b||[[Christmas Hymn (William Knapp)|Christmas Hymn]]||||1743||A virgin unspotted, the prophets foretold||Unattributed||1800||G||11 11.11 11.||4
|-
|-
|427||276||De Kalb||||||Sweet the moments, rich in blessing||James Allen||1757||C||87.87.D.||4
|427||276||De Kalb||||||Sweet the moments, rich in blessing||James Allen||1757||C||87.87.D.||4
|-
|-
|428||277a||[[Road's Town (Elkanah Dare)]]||Elkanah Dare||1813||Daniel's wisdm may I know||Anonymous||1827||a||77.77.77.||4
|428||277a||[[Road's Town (Elkanah Dare)|Road's Town]]||||1813||Daniel's wisdm may I know||Anonymous||1827||a||77.77.77.||4
|-
|-
|429||277b||War Department||||1835||No more shall the sound of the war-whoop be heard||Unattributed||1835||e||11 11.11 11.||3
|429||277b||War Department||''Southern Harmony''||1835||No more shall the sound of the war-whoop be heard||Unattributed||1835||e||11 11.11 11.||3
|-
|-
|430||278||[[Melody (James Carrell)]]||James Carrell||1821||O how I have longed for the coming of God||Anonymous||1810||C||11 11.11 11.D.||4
|430||278||[[Melody (James Carrell)|Melody]]||||1821||O how I have longed for the coming of God||Anonymous||1810||C||11 11.11 11.D.||4
|-
|-
|431||279||Day-Spring||||||Christian, see! The orient morning||John Leland||1790||G||87.87.87.||4
|431||279||Day-Spring||||||Christian, see! The orient morning||John Leland||1790||G||87.87.87.||4
|-
|-
|432||280||[[Missionary Hymn (Lowell Mason)]]||Lowell Mason||1824||From Greenland's icy mountains||Reginald Heber||1811||F||76.76.D.||4
|432||280||[[Missionary Hymn (Lowell Mason)|Missionary Hymn]]||||1824||From Greenland's icy mountains||Reginald Heber||1811||F||76.76.D.||4
|-
|-
|433||281||[[The Gospel Among the Indians (William Hauser)]]||William Hauser||1848||From realms where the day its first dawning extends||Anonymous||1805||C||11 11.11 11.||4
|433||281||[[The Gospel Among the Indians (William Hauser)|The Gospel Among the Indians]]||||1848||From realms where the day its first dawning extends||Anonymous||1805||C||11 11.11 11.||4
|-
|-
|434||282||[[Missionary Song (S. B. Pond)]]||S. B. Pond||1841||O'er the gloomy hills of darkness||William Pantycelyn||1772||D||87.87.87.||4
|434||282||[[Missionary Song (S. B. Pond)|Missionary Song]]||||1841||O'er the gloomy hills of darkness||William Pantycelyn||1772||D||87.87.87.||4
|-
|-
|435||283||[[Missionaries in Palestine (Thomas Hastings)]]||Thomas Hastings||1832||They have gone to the land where the patriarchs rest||Thomas Hastings||1832||C||12 9.12 9.D.||4
|435||283||[[Missionaries in Palestine (Thomas Hastings)|Missionaries in Palestine]]||||1832||They have gone to the land where the patriarchs rest||Thomas Hastings||1832||C||12 9.12 9.D.||4
|-
|-
|436||284||[[Isles of the South (William Hauser)]]||William Hauser||1848||Wake, isles of the south! Your redemption is near||William Tappan||1822||E||11 11.11 11 11.||4
|436||284||[[Isles of the South (William Hauser)|Isles of the South]]||||1848||Wake, isles of the south! Your redemption is near||William Tappan||1822||E||11 11.11 11 11.||4
|-
|-
|437||285||Missionary's Farewell||||||Yes, my native land, I love thee||||||A||87.87.D.||4
|437||285||Missionary's Farewell||||||Yes, my native land, I love thee||||||A||87.87.D.||4
Line 889: Line 889:
|438||286||Missionary Call||||||On Thibet's snow-capped mountains||Deodatus Dutton||1831||C||76.76.D.||3
|438||286||Missionary Call||||||On Thibet's snow-capped mountains||Deodatus Dutton||1831||C||76.76.D.||3
|-
|-
|439||287||[[Monroe (Isaac Smith)]]||Isaac Smith||1820||Jesus, my all, to heaven is gone||John Cennick||1740||G||L. M. D.||4
|439||287||[[Monroe (Isaac Smith)|Monroe]]||||1820||Jesus, my all, to heaven is gone||John Cennick||1740||G||L. M. D.||4
|-
|-
|440||288||[[Gospel Morning (George Webb)]]||George Webb||1831||The morning light is breaking||Samuel Smith||1832||C||76.76.D.||4
|440||288||[[Gospel Morning (George Webb)|Gospel Morning]]||||1831||The morning light is breaking||Samuel Smith||1832||C||76.76.D.||4
|-
|-
|441||289||[[Drummond (Samuel Wakefield)]]||Samuel Wakefield||1845||Away from his home and the friends of his youth||Unattributed||1835||A||11 11.12 12.||4
|441||289||[[Drummond (Samuel Wakefield)|Drummond]]||||1845||Away from his home and the friends of his youth||Unattributed||1835||A||11 11.12 12.||4
|-
|-
|442||290||[[The Chariot of Mercy (Traditional Irish)]]||Traditional Irish||1841||The chariot of mercy is speeding its way||Mary Dana||1841||F||11 8.11 8.D.||3
|442||290||[[The Chariot of Mercy (Traditional Irish)|The Chariot of Mercy]]||||1841||The chariot of mercy is speeding its way||Mary Dana||1841||F||11 8.11 8.D.||3
|-
|-
|443||291||Babylon is Fallen||||||Hail the day so long expected||Richard McNemar||1813||G||87.87.87.12 10.||4
|443||291||Babylon is Fallen||||||Hail the day so long expected||Richard McNemar||1813||G||87.87.87.12 10.||4
|-
|-
|444||292a||[[Yarmouth (Charles Banister)]]||Charles Banister||1792||When shall the voice of singing||James Edmeston||1822||G||76.76.D.||4
|444||292a||[[Yarmouth (Charles Banister)|Yarmouth]]||||1792||When shall the voice of singing||James Edmeston||1822||G||76.76.D.||4
|-
|-
|445||292b||[[Palmyra (William Bradshaw)]]||William Bradshaw||1820||Come, thou long-expected Jesus||Charles Wesley||1745||a||87.87.D.||4
|445||292b||[[Palmyra (William Bradshaw)|Palmyra]]||||1820||Come, thou long-expected Jesus||Charles Wesley||1745||a||87.87.D.||4
|-
|-
|446||293||[[Rock of Ages (Thomas Hastings)]]||Thomas Hastings||1831||Rock of ages, cleft for me||Augustus Toplady||1775||D||77.77.77.||4
|446||293||[[Rock of Ages (Thomas Hastings)|Rock of Ages]]||||1831||Rock of ages, cleft for me||Augustus Toplady||1775||D||77.77.77.||4
|-
|-
|447||294a||Ohio||||1835||Come, my soul, and let us try||Joseph Hart||1759||A||76.76.D.||4
|447||294a||Ohio||''Compilation of Genuine Church Music''||1835||Come, my soul, and let us try||Joseph Hart||1759||A||76.76.D.||4
|-
|-
|448||294b||[[Exultation (R. D. Humphreys)]]||R. D. Humphreys||1820||Come, away to the skies, my beloved, arise||Charles Wesley||1767||a||11.9.11.9.||4
|448||294b||[[Exultation (R. D. Humphreys)|Exultation]]||||1820||Come, away to the skies, my beloved, arise||Charles Wesley||1767||a||11.9.11.9.||4
|-
|-
|449||295||[[Redemption (Jeremiah Ingalls)]]||Jeremiah Ingalls||1805||Come friends and relations, let's join heart and hand||Unattributed||1803||A||11 11.11 11.||4
|449||295||[[Redemption (Jeremiah Ingalls)|Redemption]]||||1805||Come friends and relations, let's join heart and hand||Unattributed||1803||A||11 11.11 11.||4
|-
|-
|450||296||Home, Sweet Home||||||An alien to God, and a stranger to grace||Anonymous||1830||F||11 11.11 11.5 11.||4
|450||296||Home, Sweet Home||||||An alien to God, and a stranger to grace||Anonymous||1830||F||11 11.11 11.5 11.||4
|-
|-
|451||297||Expostulation||||1830||O turn ye, O turn ye, for why will ye die||Josiah Hopkins||1830||A||11 11.11 11.||4
|451||297||Expostulation||''Christian Lyre''||1830||O turn ye, O turn ye, for why will ye die||Josiah Hopkins||1830||A||11 11.11 11.||4
|-
|-
|452||298a||The Spiritual Sailor||||||The people called Christians||||||a||76.76.D.||4
|452||298a||The Spiritual Sailor||||||The people called Christians||||||a||76.76.D.||4
|-
|-
|453||298b||The Resolve||||1831||I'll try to prove faithful||Unattributed||1831||F||66.10 7.||4
|453||298b||The Resolve||''Christian Lyre''||1831||I'll try to prove faithful||Unattributed||1831||F||66.10 7.||4
|-
|-
|454||299a||[[The Spiritual Sailor (I. Neighbors)]]||I. Neighbors||1835||Many have been impatient||Anonymous||1810||a||76.76.D.||3
|454||299a||[[The Spiritual Sailor (I. Neighbors)|The Spiritual Sailor]]||||1835||Many have been impatient||Anonymous||1810||a||76.76.D.||3
|-
|-
|455||299b||[[Grateful Tears (Samuel Wakefield)]]||Samuel Wakefield||||Who shall forbid our grateful woe||William Hunter||1845||G||C.M.||3
|455||299b||[[Grateful Tears (Samuel Wakefield)|Grateful Tears]]||||||Who shall forbid our grateful woe||William Hunter||1845||G||C.M.||3
|-
|-
|456||300||The Lord Will Provide||||||Though troubles assail, and dangers affright||John Newton||1779||G||10 10.11 11.10 11.||4
|456||300||The Lord Will Provide||||||Though troubles assail, and dangers affright||John Newton||1779||G||10 10.11 11.10 11.||4
|-
|-
|457||301a||[[Good Physician (Oliver Holden)]]||Oliver Holden||1806||How lost was my condition||John Newton||1779||e||76.76.D.||3
|457||301a||[[Good Physician (Oliver Holden)|Good Physician]]||||1806||How lost was my condition||John Newton||1779||e||76.76.D.||3
|-
|-
|458||301b||[[Harrison (William Walker)]]||William Walker||1835||The worst of all diseases||John Newton||1779||e||76.76.D.||3
|458||301b||[[Harrison (William Walker)|Harrison]]||||1835||The worst of all diseases||John Newton||1779||e||76.76.D.||3
|-
|-
|459||302||Cumberland||||||Come, children of Zion, and help me to sing||Unattributed||1832||C||11 11.11 11.||4
|459||302||Cumberland||||||Come, children of Zion, and help me to sing||Unattributed||1832||C||11 11.11 11.||4
Line 933: Line 933:
|460||303||Begone Unbelief||||||Begone unbelief, my Savior is near||John Newton||1779||f#||10 10.11 11.||3
|460||303||Begone Unbelief||||||Begone unbelief, my Savior is near||John Newton||1779||f#||10 10.11 11.||3
|-
|-
|461||304a||[[Indiana (William Hauser)]]||William Hauser||1848||Now with singing we praise||Charles Wesley||1767||C||669.669.||4
|461||304a||[[Indiana (William Hauser)|Indiana]]||||1848||Now with singing we praise||Charles Wesley||1767||C||669.669.||4
|-
|-
|462||304b||[[Solicitation (P. A. Axton)]]||P. A. Axton||||How happy are they||Charles Wesley||1749||a||569.569.||4
|462||304b||[[Solicitation (P. A. Axton)|Solicitation]]||||||How happy are they||Charles Wesley||1749||a||569.569.||4
|-
|-
|463||305a||[[Sweet Gliding Kedron (William Hauser)]]||William Hauser||1848||Thou sweet gliding Kedron, by thy silver stream||Maria De Fleury||1791||G||11 11.11 11.||4
|463||305a||[[Sweet Gliding Kedron (William Hauser)|Sweet Gliding Kedron]]||||1848||Thou sweet gliding Kedron, by thy silver stream||Maria De Fleury||1791||G||11 11.11 11.||4
|-
|-
|464||305b||Morning's Sweetness||||||Awake with the sound of the bell||Unattributed||1848||e||L. M. D.||4
|464||305b||Morning's Sweetness||||||Awake with the sound of the bell||Unattributed||1848||e||L. M. D.||4
|-
|-
|465||306a||[[Star in the East (Deodatus Dutton)]]||Deodatus Dutton||1831||Hail the blest morn, when the great Mediator||Reginald Heber||1811||a||11 10.11 10.D.||4
|465||306a||[[Star in the East (Deodatus Dutton)|Star in the East]]||||1831||Hail the blest morn, when the great Mediator||Reginald Heber||1811||a||11 10.11 10.D.||4
|-
|-
|466||306b||[[Star in the East (Deodatus Dutton)]]||Deodatus Dutton||1831||Cold on his cradle the dew-drops are shining||Reginald Heber||1811||a||11 10.11 10.D.||4
|466||306b||[[Star in the East (Deodatus Dutton)|Star in the East]]||||1831||Cold on his cradle the dew-drops are shining||Reginald Heber||1811||a||11 10.11 10.D.||4
|-
|-
|467||307a||Star of Glory||||||He is our friend in the midst of temptation||Reginald Heber||1811||C||11 10.11 10.||4
|467||307a||Star of Glory||||||He is our friend in the midst of temptation||Reginald Heber||1811||C||11 10.11 10.||4
|-
|-
|468||307b||[[Edgefield (Jesse White)]]||Jesse White||||How tedious and tasteless the hours||John Newton||1779||f#||L.M.||4
|468||307b||[[Edgefield (Jesse White)|Edgefield]]||||||How tedious and tasteless the hours||John Newton||1779||f#||L.M.||4
|-
|-
|469||308||[[The Wanderer (William Hauser)]]||William Hauser||1848||Mid scenes of confusion and creature complaints||David Denham||1837||a||11 11.11 11.5 11.||4
|469||308||[[The Wanderer (William Hauser)|The Wanderer]]||||1848||Mid scenes of confusion and creature complaints||David Denham||1837||a||11 11.11 11.5 11.||4
|-
|-
|470||309||[[Lena (Daniel Belknap)]]||Daniel Belknap||1795||See the Lord of glory dying||Joseph Hart||1759||f#||887.887.||4
|470||309||[[Lena (Daniel Belknap)|Lena]]||||1795||See the Lord of glory dying||Joseph Hart||1759||f#||887.887.||4
|-
|-
|471||310||The Family Bible||||1835||How painfully pleasing the fond recollection||Unattributed||1818||C||12 11.12 11.D.||4
|471||310||The Family Bible||''Southern Harmony''||1835||How painfully pleasing the fond recollection||Unattributed||1818||C||12 11.12 11.D.||4
|-
|-
|472||311||Ellison||||||Agonizing in the garden||Joseph Hart||1759||A||87.87.87.||3
|472||311||Ellison||||||Agonizing in the garden||Joseph Hart||1759||A||87.87.87.||3
Line 961: Line 961:
|474||313a||Impressive Hour||||||In this calm, impressive hour||Thomas Hastings||1820||E||77.77.77.||4
|474||313a||Impressive Hour||||||In this calm, impressive hour||Thomas Hastings||1820||E||77.77.77.||4
|-
|-
|475||313b||[[Kingswood (James Peck)]]||James Peck||1799||Children of the heavenly King||John Cennick||1740||A||77.77.||4
|475||313b||[[Kingswood (James Peck)|Kingswood]]||||1799||Children of the heavenly King||John Cennick||1740||A||77.77.||4
|-
|-
|476||314a||[[Bartimeus (Amos Pilsbury)]]||Amos Pilsbury||1799||Mercy, O thou Son of David||John Newton||1779||F||87.87.||4
|476||314a||[[Bartimeus (Amos Pilsbury)|Bartimeus]]||||1799||Mercy, O thou Son of David||John Newton||1779||F||87.87.||4
|-
|-
|477||314b||[[Pentonville (Francis Linley)]]||Francis Linley||1795||To bless thy chosen race||Tate and Brady||1696||A||S.M.||3
|477||314b||[[Pentonville (Francis Linley)|Pentonville]]||||1795||To bless thy chosen race||Tate and Brady||1696||A||S.M.||3
|-
|-
|478||315a||Conquering Soldier||||1805||O, when shall I see Jesus||John Leland||17933||e||76.76.D.||4
|478||315a||Conquering Soldier||''Christian Harmony''||1805||O, when shall I see Jesus||John Leland||17933||e||76.76.D.||4
|-
|-
|479||315b||McAnally||||||Haste, my dull soul, arise||Anonymous||1843||B{{flat}}||64.64.66.64.||4
|479||315b||McAnally||||||Haste, my dull soul, arise||Anonymous||1843||B{{flat}}||64.64.66.64.||4
|-
|-
|480||316||[[Imandra (Ananias Davisson)]]||Ananias Davisson||1820||O Jesus, my Savior, I know thou art mine||Attrib. Caleb Taylor||1810||a||11 11.11 11.||4
|480||316||[[Imandra (Ananias Davisson)|Imandra]]||||1820||O Jesus, my Savior, I know thou art mine||Attrib. Caleb Taylor||1810||a||11 11.11 11.||4
|-
|-
|481||317||[[The Faithful Soldier (William Walker)]]||William Walker||1835||O, when shall I see Jesus||John Leland||1793||A||77.77.D.||4
|481||317||[[The Faithful Soldier (William Walker)|The Faithful Soldier]]||||1835||O, when shall I see Jesus||John Leland||1793||A||77.77.D.||4
|-
|-
|482||318a||Parting Friends||||1831||When shall we all meet again||Unattributed||1835||e||77.77.77.||4
|482||318a||Parting Friends||''Christian Lyre''||1831||When shall we all meet again||Unattributed||1835||e||77.77.77.||4
|-
|-
|483||318b||Indian's Farewell||||1835||When our burnished locks are gray||Unattributed||1835||e||77.77.77.||3
|483||318b||Indian's Farewell||''Southern Harmony''||1835||When our burnished locks are gray||Unattributed||1835||e||77.77.77.||3
|-
|-
|484||319a||[[Mitylene (Malan)]]||Malan||||Come, ye weary, heavy-laden||Joseph Hart||1759||C||87.87.87.||4
|484||319a||[[Mitylene (Malan)|Mitylene]]||||||Come, ye weary, heavy-laden||Joseph Hart||1759||C||87.87.87.||4
|-
|-
|485||319b||How Charming is Jesus||||||There we shall reign with Jesus||Anonymous||1822||E||76.76.D.||3
|485||319b||How Charming is Jesus||||||There we shall reign with Jesus||Anonymous||1822||E||76.76.D.||3
|-
|-
|486||320||[[Morning Star (James Lowry)]]||James Lowry||1820||How splendid shines the morning star||Philip Nicolai||1697||a||887.887.888.||4
|486||320||[[Morning Star (James Lowry)|Morning Star]]||||1820||How splendid shines the morning star||Philip Nicolai||1697||a||887.887.888.||4
|-
|-
|487||321||[[Zion's Call (William Caldwell)]]||William Caldwell||||My brethren all, on you I call||Anonymous||1805||B{{flat}}||87.87.D.||4
|487||321||[[Zion's Call (William Caldwell)|Zion's Call]]||||||My brethren all, on you I call||Anonymous||1805||B{{flat}}||87.87.D.||4
|-
|-
|488||322||Lucas||||||Come, let us anew||Charles Wesley||1749||B{{flat}}||66.6 11.D.||4
|488||322||Lucas||||||Come, let us anew||Charles Wesley||1749||B{{flat}}||66.6 11.D.||4
Line 995: Line 995:
|491||325||Invitation New||||||Come ye sinners, poor and wretched||Joseph Hart||1759||G||87.87.D.||3
|491||325||Invitation New||||||Come ye sinners, poor and wretched||Joseph Hart||1759||G||87.87.D.||3
|-
|-
|492||326a||Kershaw||||1813||Lift your heads, ye friends of Jesus||Charles Wesley||1758||a||87.87.12 7.||4
|492||326a||Kershaw||''David's Harp''||1813||Lift your heads, ye friends of Jesus||Charles Wesley||1758||a||87.87.12 7.||4
|-
|-
|493||326b||[[Richmond (William Billings)]]||William Billings||1778||My beloved, haste away||James Relly||1779||a||78.78.78.||4
|493||326b||[[Richmond (William Billings)|Richmond]]||||1778||My beloved, haste away||James Relly||1779||a||78.78.78.||4
|-
|-
|494||327||The Bower of Prayer||||||To go from my home, and from kindred to part||Parley Pratt||1840||A||11 11.10 12.||3
|494||327||The Bower of Prayer||||||To go from my home, and from kindred to part||Parley Pratt||1840||A||11 11.10 12.||3
|-
|-
|495||328||[[Montague (Timothy Swan)]]||Timothy Swan||1783||Now let our mournful songs record||Isaac Watts||1719||d||L.M.||4
|495||328||[[Montague (Timothy Swan)|Montague]]||||1783||Now let our mournful songs record||Isaac Watts||1719||d||L.M.||4
|-
|-
|496||329||[[Walworth (John Wainwright)]]||John Wainwright||1761||The Lord, the Sovereign, sends his summons forth||Isaac Watts||1719||D||10 10.10 10.10 10.||3
|496||329||[[Walworth (John Wainwright)|Walworth]]||||1761||The Lord, the Sovereign, sends his summons forth||Isaac Watts||1719||D||10 10.10 10.10 10.||3
|-
|-
|497||330||[[Gospel Trumpet (John Cole)]]||John Cole||1799||Hark! How the gospel trumpet sounds||Anonymous||1810||A||88.88.84.||4
|497||330||[[Gospel Trumpet (John Cole)|Gospel Trumpet]]||||1799||Hark! How the gospel trumpet sounds||Anonymous||1810||A||88.88.84.||4
|-
|-
|498||331a||[[North Cove (Anonymous)]]||Anonymous||1830||There we shall in full chorus join||Unattributed||1830||G||88.88.84.||3
|498||331a||[[North Cove (Anonymous)|North Cove]]||||1830||There we shall in full chorus join||Unattributed||1830||G||88.88.84.||3
|-
|-
|499||331b||[[Amsterdam (Johann Hille)]]||Johann Hille||1730||Rise, my soul, and stretch thy wings||Robert Seagrave||1742||G||76.76.77.76.||4
|499||331b||[[Amsterdam (Johann Hille)|Amsterdam]]||||1730||Rise, my soul, and stretch thy wings||Robert Seagrave||1742||G||76.76.77.76.||4
|-
|-
|500||332||Light Street||||1813||What now is my object, my object and aim||Charles Wesley||1762||G||11 8.11 8.D.||3
|500||332||Light Street||''David's Harp''||1813||What now is my object, my object and aim||Charles Wesley||1762||G||11 8.11 8.D.||3
|-
|-
|501||333||Scriptures Fulfilling||||||See how the scriptures are fufilling||John Granade||1804||A||98.98.D.||4
|501||333||Scriptures Fulfilling||||||See how the scriptures are fufilling||John Granade||1804||A||98.98.D.||4
|-
|-
|502||334||[[Stratfield (Ezra Goff)]]||Ezra Goff||1786||Through every age, eternal God||Isaac Watts||1719||f#||L.M.||4
|502||334||[[Stratfield (Ezra Goff)|Stratfield]]||||1786||Through every age, eternal God||Isaac Watts||1719||f#||L.M.||4
|-
|-
|503||335||[[Schenectady (Nehemiah Shumway)]]||Nehemiah Shumway||1805||From all that dwell below the skies||Isaac Watts||1719||E{{flat}}||L. M. D.||4
|503||335||[[Schenectady (Nehemiah Shumway)|Schenectady]]||||1805||From all that dwell below the skies||Isaac Watts||1719||E{{flat}}||L. M. D.||4
|-
|-
|504||336||[[Mount Moro (William Moore)]]||William Moore||1825||Come, Christians, be valiant, our Jesus is near us||William Moore||1825||f#||12 11.12 11.||3
|504||336||[[Mount Moro (William Moore)|Mount Moro]]||||1825||Come, Christians, be valiant, our Jesus is near us||William Moore||1825||f#||12 11.12 11.||3
|-
|-
|505||337||[[Spring (Hilsberry)]]||Hilsberry||1817||Gently he draws my heart along||Isaac Watts||1707||g||L. M. D.||4
|505||337||[[Spring (Hilsberry)|Spring]]||||1817||Gently he draws my heart along||Isaac Watts||1707||g||L. M. D.||4
|-
|-
|506||338a||[[Emerald Gates (Ananias Davisson)]]||Ananias Davisson||1820||Burst, ye emerald gates, and bring||Richard Kempenfelt||1777||B{{flat}}||76.76.777.||4
|506||338a||[[Emerald Gates (Ananias Davisson)|Emerald Gates]]||||1820||Burst, ye emerald gates, and bring||Richard Kempenfelt||1777||B{{flat}}||76.76.777.||4
|-
|-
|507||338b||[[Elysian (James Carrell)]]||James Carrell||1821||Four and twenty elders rise||Richard Kempenfelt||1779||G||76.76.77.77.||4
|507||338b||[[Elysian (James Carrell)|Elysian]]||||1821||Four and twenty elders rise||Richard Kempenfelt||1779||G||76.76.77.77.||4
|-
|-
|508||339||Shields||||1813||When quiet in my house I sit||Charles Wesley||1762||A||88.88.88.||4
|508||339||Shields||''Wyeth's Repository, Part Second''||1813||When quiet in my house I sit||Charles Wesley||1762||A||88.88.88.||4
|-
|-
|509||340||[[Ebenezer (James Carrell)]]||James Carrell||1831||Love divine, all loves excelling||Charles Wesley||1747||C||87.87.D.||4
|509||340||[[Ebenezer (James Carrell)|Ebenezer]]||||1831||Love divine, all loves excelling||Charles Wesley||1747||C||87.87.D.||4
|-
|-
|510||341a||[[Sons of Sorrow (James Carrell)]]||James Carrell||1821||Hail! Ye sighing sons of sorrow||Anonymous||1795||Em||87.87.D.||3
|510||341a||[[Sons of Sorrow (James Carrell)|Sons of Sorrow]]||||1821||Hail! Ye sighing sons of sorrow||Anonymous||1795||Em||87.87.D.||3
|-
|-
|511||341b||Roby||||1848||Tempest-tossed, troubled spirit||Anonymous||1839||a||87.87.D.||3
|511||341b||Roby||''Hesperian Harp''||1848||Tempest-tossed, troubled spirit||Anonymous||1839||a||87.87.D.||3
|-
|-
|512||342||[[Probation (William Walker)]]||William Walker||1835||I find myself placed in a state of probation||Unattributed||1835||C||12 11.12 11.D.||3
|512||342||[[Probation (William Walker)|Probation]]||||1835||I find myself placed in a state of probation||Unattributed||1835||C||12 11.12 11.D.||3
|-
|-
|513||343||[[Exhortation (Eliakim Doolittle)]]||Eliakim Doolittle||1800||Now in the heat of yoithful blood||Isaac Watts||1707||a||L.M.||4
|513||343||[[Exhortation (Eliakim Doolittle)|Exhortation]]||||1800||Now in the heat of yoithful blood||Isaac Watts||1707||a||L.M.||4
|-
|-
|514||344||Livonia||||1800||I'll praise my Maker with my breath||Isaac Watts||1719||e||88.88.88.||4
|514||344||Livonia||''American Musical Magazine''||1800||I'll praise my Maker with my breath||Isaac Watts||1719||e||88.88.88.||4
|-
|-
|515||345||Greenfields||||1820||How tedious and tasteless the hours||John Newton||1779||A||L. M. D.||4
|515||345||Greenfields||''Kentucky Harmonist''||1820||How tedious and tasteless the hours||John Newton||1779||A||L. M. D.||4
|-
|-
|516||346||[[Welsh (Welsh Traditional)]]||Welsh Traditional||1750||There's a friend above all others||Marianne Nunn||1817||A||84.84.88.84.||3
|516||346||[[Welsh (Welsh Traditional)|Welsh]]||||1750||There's a friend above all others||Marianne Nunn||1817||A||84.84.88.84.||3
|-
|-
|517||347a||[[Prescott (George Onler)]]||George Onler||||I would not live alway; I ask not to stay||William Muhlenberg||1826||F||11 11.11 12.||4
|517||347a||[[Prescott (George Onler)|Prescott]]||||||I would not live alway; I ask not to stay||William Muhlenberg||1826||F||11 11.11 12.||4
|-
|-
|518||347b||[[Oregon (Carl von Weber)]]||Carl von Weber||||Heavenly Father, sovereign Lord||Charles Wesley||1740||C||77.77.||4
|518||347b||[[Oregon (Carl von Weber)|Oregon]]||||||Heavenly Father, sovereign Lord||Charles Wesley||1740||C||77.77.||4
|-
|-
|519||348||[[The Landscape (William Hauser)]]||William Hauser||1848||Tis night, and the landscape is lovely no more||James Beattie||1770||C||11 11.11 11.D.||4
|519||348||[[The Landscape (William Hauser)|The Landscape]]||||1848||Tis night, and the landscape is lovely no more||James Beattie||1770||C||11 11.11 11.D.||4
|-
|-
|520||349||Confidence||||1826||Arise, my soul, arise||Charles Wesley||1739||a||66.66.88.||4
|520||349||Confidence||''Supplement to the Kentucky Harmony''||1826||Arise, my soul, arise||Charles Wesley||1739||a||66.66.88.||4
|-
|-
|521||350||Eighty-Ninth Psalm||||1786||Think, mighty God, on feeble man||Isaac Watts||1719||d||888.888.||4
|521||350||Eighty-Ninth Psalm||''Beauties of Psalmody''||1786||Think, mighty God, on feeble man||Isaac Watts||1719||d||888.888.||4
|-
|-
|522||351||[[Gethsemane (William Hauser)]]||William Hauser||1848||Go to dark Gethsemane||James Montgomery||1825||G||77.77.77.||4
|522||351||[[Gethsemane (William Hauser)|Gethsemane]]||||1848||Go to dark Gethsemane||James Montgomery||1825||G||77.77.77.||4
|-
|-
|523||352||[[Vernon (Jeremiah Ingalls)]]||Jeremiah Ingalls||1805||Come, O thou traveller unknown||Charles Wesley||1742||e||88.88.88.||4
|523||352||[[Vernon (Jeremiah Ingalls)|Vernon]]||||1805||Come, O thou traveller unknown||Charles Wesley||1742||e||88.88.88.||4
|-
|-
|524||353||Cincinnati||||||Sinner, hear thy Savior's call||John Newton||1779||A||76.76.77.76.||4
|524||353||Cincinnati||||||Sinner, hear thy Savior's call||John Newton||1779||A||76.76.77.76.||4
|-
|-
|525||354||[[Christian's Hope (William Walker)]]||William Walker||1835||A few more days on earth to spend||Anonymous||1822||A||88.86.D.||3
|525||354||[[Christian's Hope (William Walker)|Christian's Hope]]||||1835||A few more days on earth to spend||Anonymous||1822||A||88.86.D.||3
|-
|-
|526||355||The Old Ship of Zion||||||Come along, come along, and let us go home||Unattributed||1810||A||11 7.11 11.||3
|526||355||The Old Ship of Zion||||||Come along, come along, and let us go home||Unattributed||1810||A||11 7.11 11.||3
|-
|-
|527||356||[[Spring Hill (Jeremiah Ingalls)]]||Jeremiah Ingalls||1805||The Lord into his garden comes||Anonymous||1801||G||886.886.||4
|527||356||[[Spring Hill (Jeremiah Ingalls)|Spring Hill]]||||1805||The Lord into his garden comes||Anonymous||1801||G||886.886.||4
|-
|-
|528||357||[[Garden Hymn (Jeremiah Ingalls)]]||Jeremiah Ingalls||1805||The glorious time is coming on||Anonymous||1801||G||886.886.||3
|528||357||[[Garden Hymn (Jeremiah Ingalls)|Garden Hymn]]||||1805||The glorious time is coming on||Anonymous||1801||G||886.886.||3
|-
|-
|529||358||Pilgrim's Farewell||||1793||Farewell, my friends, I must be gone||Samuel Crossman||1664||G||L. M. D.||4
|529||358||Pilgrim's Farewell||''Psalmodist's Companion''||1793||Farewell, my friends, I must be gone||Samuel Crossman||1664||G||L. M. D.||4
|-
|-
|530||359||[[Angels' Song (James Carrell)]]||James Carrell||1821||He comes, he comes, the Judge severe||Charles Wesley||1758||G||L.M.||4
|530||359||[[Angels' Song (James Carrell)|Angels' Song]]||||1821||He comes, he comes, the Judge severe||Charles Wesley||1758||G||L.M.||4
|-
|-
|531||360a||Hamburgh||||||O Spirit of the living God||James Montgomery||1823||G||L.M.||4
|531||360a||Hamburgh||||||O Spirit of the living God||James Montgomery||1823||G||L.M.||4
|-
|-
|532||360b||[[World, Adieu (Abijah Forbush)]]||Abijah Forbush||1831||World, adieu! Thou real cheat||Abijah Forbush||1831||a||77.77.77.||4
|532||360b||[[World, Adieu (Abijah Forbush)|World, Adieu]]||||1831||World, adieu! Thou real cheat||Abijah Forbush||1831||a||77.77.77.||4
|-
|-
|533||361||[[Eustacy (Alexander Ely)]]||Alexander Ely||||Now let me rise and join their song||Isaac Watts||1706||A||C.M.||3
|533||361||[[Eustacy (Alexander Ely)|Eustacy]]||||||Now let me rise and join their song||Isaac Watts||1706||A||C.M.||3
|-
|-
|534||362||[[Carnsville (Elisha King)]]||Elisha King||1844||I love my blessed Savior||Anonymous||1829||B{{flat}}||77.76.D.||4
|534||362||[[Carnsville (Elisha King)|Carnsville]]||||1844||I love my blessed Savior||Anonymous||1829||B{{flat}}||77.76.D.||4
|-
|-
|535||363||[[Hope Hull (William Hauser)]]||William Hauser||1848||Ye souls that are now bound for heaven||Anonymous||1807||G||98.98.D.||4
|535||363||[[Hope Hull (William Hauser)|Hope Hull]]||||1848||Ye souls that are now bound for heaven||Anonymous||1807||G||98.98.D.||4
|-
|-
|536||364a||Knight||||||When thou, my righteous Judge, shall come||Selina, Countess Huntingdon||1774||C||886.886.||3
|536||364a||Knight||||||When thou, my righteous Judge, shall come||Selina, Countess Huntingdon||1774||C||886.886.||3
|-
|-
|537||364b||[[New Preston (Thomas Carter)]]||Thomas Carter||1844||The Savior meets his flock today||Anonymous||1794||G||88.88.88.||3
|537||364b||[[New Preston (Thomas Carter)|New Preston]]||||1844||The Savior meets his flock today||Anonymous||1794||G||88.88.88.||3
|-
|-
|538||365||Invocation||||1835||Rise, my soul, and stretch thy wings||Robert Seagrave||1742||G||76.76.77.76.||4
|538||365||Invocation||''Southern Harmony''||1835||Rise, my soul, and stretch thy wings||Robert Seagrave||1742||G||76.76.77.76.||4
|-
|-
|539||366a||Fidelity||||||Cast on the fidelity||Charles Wesley||1767||A||76.76.78.76.||3
|539||366a||Fidelity||||||Cast on the fidelity||Charles Wesley||1767||A||76.76.78.76.||3
|-
|-
|540||366b||Mount Olive||||1826||The King of saints, how fair his face||Isaac Watts||1719||G||L. M. D.||3
|540||366b||Mount Olive||''Supplement to the Kentucky Harmony''||1826||The King of saints, how fair his face||Isaac Watts||1719||G||L. M. D.||3
|-
|-
|541||368a||[[Sudbury (William Billings)]]||William Billings||1794||What if the saint must die||John Peck||1773||C||S. M. D.||4
|541||368a||[[Sudbury (William Billings)|Sudbury]]||||1794||What if the saint must die||John Peck||1773||C||S. M. D.||4
|-
|-
|542||368b||Spring Valley||||1803||I'll praise my Maker with my breath||Isaac Watts||1719||D||L. M. D.||4
|542||368b||Spring Valley||''Easy Instructor''||1803||I'll praise my Maker with my breath||Isaac Watts||1719||D||L. M. D.||4
|-
|-
|543||369||[[Flower of Calvary (William Hauser)]]||William Hauser||1848||The finest flower that ever blowed||Joseph Swain||1791||F||C.M.||4
|543||369||[[Flower of Calvary (William Hauser)|Flower of Calvary]]||||1848||The finest flower that ever blowed||Joseph Swain||1791||F||C.M.||4
|-
|-
|544||370||[[Nashville (R. D. Humphreys)]]||R. D. Humphreys||1820||The Lord into his garden comes||Anonymous||1801||A||886.886.||4
|544||370||[[Nashville (R. D. Humphreys)|Nashville]]||||1820||The Lord into his garden comes||Anonymous||1801||A||886.886.||4
|-
|-
|545||371||[[Kingwood (R. D. Humphreys)]]||R. D. Humphreys||1820||My days, my weeks, my months, my years||Thomas Greene||1780||A||886.886.||4
|545||371||[[Kingwood (R. D. Humphreys)|Kingwood]]||||1820||My days, my weeks, my months, my years||Thomas Greene||1780||A||886.886.||4
|-
|-
|546||372||[[Christian Dirge (John Clarke)]]||John Clarke||||Thou art gone to the grave, but we will not deplore thee||Reginald Heber||1818||B{{flat}}||13 11.12 12.||3
|546||372||[[Christian Dirge (John Clarke)|Christian Dirge]]||||||Thou art gone to the grave, but we will not deplore thee||Reginald Heber||1818||B{{flat}}||13 11.12 12.||3
|-
|-
|547||373||[[Caldwell's Funeral Thought (William Caldwell)]]||William Caldwell||1837||Thou art gone to the grave, but twere wrong to deplore thee||Reginald Heber||1818||F||13 11.12 11.||4
|547||373||[[Caldwell's Funeral Thought (William Caldwell)|Caldwell's Funeral Thought]]||||1837||Thou art gone to the grave, but twere wrong to deplore thee||Reginald Heber||1818||F||13 11.12 11.||4
|-
|-
|548||374||Holy City||||1825||There is a holy city||Anonymous||1811||A||76.76.D.||4
|548||374||Holy City||''Columbian Harmony''||1825||There is a holy city||Anonymous||1811||A||76.76.D.||4
|-
|-
|549||375||[[Dominion (Daniel Read)]]||Daniel Read||1798||Jesus shall reign where-e'er the sun||Isaac Watts||1719||E||L.M.||4
|549||375||[[Dominion (Daniel Read)|Dominion]]||||1798||Jesus shall reign where-e'er the sun||Isaac Watts||1719||E||L.M.||4
|-
|-
|550||376||[[Rhode Island (Amos Pilsbury)]]||Amos Pilsbury||1799||Thou great mysterious God unknown||Charles Wesley||1747||c||886.886.||3
|550||376||[[Rhode Island (Amos Pilsbury)|Rhode Island]]||||1799||Thou great mysterious God unknown||Charles Wesley||1747||c||886.886.||3
|-
|-
|551||377||New Canaan||||1813||Ye children of Jesus, who're bound for the kingdom||John Granade||1804||C||12 11.12 11.D.||3
|551||377||New Canaan||''Wyeth's Repository, Part Second''||1813||Ye children of Jesus, who're bound for the kingdom||John Granade||1804||C||12 11.12 11.D.||3
|-
|-
|552||378a||Olney||||1818||Come, thou fount of every blessing||Robert Robinson||1759||G||87.87.D.||4
|552||378a||Olney||''Virginia Sacred Musical Repository''||1818||Come, thou fount of every blessing||Robert Robinson||1759||G||87.87.D.||4
|-
|-
|553||378b||[[Portuguese Hymn (John Wade)]]||John Wade||1799||Hither, ye faithful, haste with songs of triumph||John Wade||1730||A||11 11.11 10.||3
|553||378b||[[Portuguese Hymn (John Wade)|Portuguese Hymn]]||||1799||Hither, ye faithful, haste with songs of triumph||John Wade||1730||A||11 11.11 10.||3
|-
|-
|554||379||True Love||||||Come away to the skies||Charles Wesley||1767||A||669.669.||4
|554||379||True Love||||||Come away to the skies||Charles Wesley||1767||A||669.669.||4
|-
|-
|555||380||[[Bristol (Timothy Swan)]]||Timothy Swan||1785||The spacious firmament on high||Joseph Addison||1712||F||L. M. D.||4
|555||380||[[Bristol (Timothy Swan)|Bristol]]||||1785||The spacious firmament on high||Joseph Addison||1712||F||L. M. D.||4
|-
|-
|556||381||[[Delight (Simeon Coan)]]||Simeon Coan||1798||Upward I lift mine eyes||Isaac Watts||1711||e||66.66.88.||4
|556||381||[[Delight (Simeon Coan)|Delight]]||||1798||Upward I lift mine eyes||Isaac Watts||1711||e||66.66.88.||4
|-
|-
|557||382a||[[Complaint (Ezra Parmenter)]]||Ezra Parmenter||1790||Save us, O Lord! Aloud we pray||Isaac Watts||1719||e||L.M.||4
|557||382a||[[Complaint (Ezra Parmenter)|Complaint]]||||1790||Save us, O Lord! Aloud we pray||Isaac Watts||1719||e||L.M.||4
|-
|-
|558||382b||[[Greenfield (Lewis Edson)]]||Lewis Edson||1782||God is our refuge in distress||Tate and Brady||1696||a||888.888.||4
|558||382b||[[Greenfield (Lewis Edson)|Greenfield]]||||1782||God is our refuge in distress||Tate and Brady||1696||a||888.888.||4
|-
|-
|559||383||Woodland||||1835||There is an hour of peaceful rest||William Tappan||1819||G||86.886.||4
|559||383||Woodland||''Southern Harmony''||1835||There is an hour of peaceful rest||William Tappan||1819||G||86.886.||4
|-
|-
|560||384||[[Green Hills of Canaan (William Caldwell)]]||William Caldwell||1837||Ye objects of sense, and enjoyments of time||Benjamin Fraancis||1795||C||11 8.11 8.||4
|560||384||[[Green Hills of Canaan (William Caldwell)|Green Hills of Canaan]]||||1837||Ye objects of sense, and enjoyments of time||Benjamin Fraancis||1795||C||11 8.11 8.||4
|-
|-
|561||385||Joyful Spring||||1818||The voice of my beloved sounds||Isaac Watts||1707||G||88.88.77.||3
|561||385||Joyful Spring||''Virginia Sacred Musical Repository''||1818||The voice of my beloved sounds||Isaac Watts||1707||G||88.88.77.||3
|-
|-
|562||386||[[Warwick (Benjamin Milgrove)]]||Benjamin Milgrove||1768||The voice of my beloved sounds||Isaac Watts||1707||A||88.88.77.||4
|562||386||[[Warwick (Benjamin Milgrove)|Warwick]]||||1768||The voice of my beloved sounds||Isaac Watts||1707||A||88.88.77.||4
|-
|-
|563||387||Salutation||||1824||Good morning, brother pilgrim||Caleb Taylor||1810||d||76.86.76.76.||3
|563||387||Salutation||''Western Harmony''||1824||Good morning, brother pilgrim||Caleb Taylor||1810||d||76.86.76.76.||3
|-
|-
|564||388||[[Lenox (Lewis Edson)]]||Lewis Edson||1782||Blow ye the trumpet, blow||Charles Wesley||1749||C||66.66.88.||4
|564||388||[[Lenox (Lewis Edson)|Lenox]]||||1782||Blow ye the trumpet, blow||Charles Wesley||1749||C||66.66.88.||4
|-
|-
|565||389||[[Sharon (Elisha West)]]||Elisha West||1793||How pleasant 'tis to see||Isaac Watts||1719||D||668.668.||4
|565||389||[[Sharon (Elisha West)|Sharon]]||||1793||How pleasant 'tis to see||Isaac Watts||1719||D||668.668.||4
|-
|-
|566||390||[[The Jubilee Trump (William Moore)]]||William Moore||1825||What sound is this salutes my ear||John Granade||1804||A||886.886.||3
|566||390||[[The Jubilee Trump (William Moore)|The Jubilee Trump]]||||1825||What sound is this salutes my ear||John Granade||1804||A||886.886.||3
|-
|-
|567||391||[[Friendship (George Handel)]]||George Handel||1735||Friendship, in every willing mind||Unattributed||1786||G||87.87.88.87.||4
|567||391||[[Friendship (George Handel)|Friendship]]||||1735||Friendship, in every willing mind||Unattributed||1786||G||87.87.88.87.||4
|-
|-
|568||392||[[Pilgrim (Jeremiah Ingalls)]]||Jeremiah Ingalls||1805||Come, all ye mourning pilgrims dear||John Granade||1794||f#||86.86.76.86.||4
|568||392||[[Pilgrim (Jeremiah Ingalls)|Pilgrim]]||||1805||Come, all ye mourning pilgrims dear||John Granade||1794||f#||86.86.76.86.||4
|-
|-
|569||393||Jesus Crucified||||1835||Vain, delusive world, adieu||Charles Wesley||1742||a||76.76.78.76.||4
|569||393||Jesus Crucified||''Southern Harmony''||1835||Vain, delusive world, adieu||Charles Wesley||1742||a||76.76.78.76.||4
|-
|-
|570||394||Carmarthen||||1778||Rejoice, the Lord is King||Charles Wesley||1746||G||66.66.88.||4
|570||394||Carmarthen||''Musica Sacra''||1778||Rejoice, the Lord is King||Charles Wesley||1746||G||66.66.88.||4
|-
|-
|571||395||Lovely Story||||1844||A story most lovely to tell||Unattributed||1810||A||L. M. D.||4
|571||395||Lovely Story||''Sacred Harp''||1844||A story most lovely to tell||Unattributed||1810||A||L. M. D.||4
|-
|-
|572||396||[[Southwell (Elihu Carpenter)]]||Elihu Carpenter||1786||Tis finished, the Redeemer said||Joseph Stennett||1769||E||886.886.||4
|572||396||[[Southwell (Elihu Carpenter)|Southwell]]||||1786||Tis finished, the Redeemer said||Joseph Stennett||1769||E||886.886.||4
|-
|-
|573||397||[[Lovely Vine (Jeremiah Ingalls)]]||Jeremiah Ingalls||1805||Behold, a lovely vine||Unattributed||1800||C||S.M.||4
|573||397||[[Lovely Vine (Jeremiah Ingalls)|Lovely Vine]]||||1805||Behold, a lovely vine||Unattributed||1800||C||S.M.||4
|-
|-
|574||398||[[New Jordan (Nehemiah Shumway)]]||Nehemiah Shumway||1815||On Jordan's stormy banks I stand||Samuel Stennett||1787||c#||C. M. D.||4
|574||398||[[New Jordan (Nehemiah Shumway)|New Jordan]]||||1815||On Jordan's stormy banks I stand||Samuel Stennett||1787||c#||C. M. D.||4
|-
|-
|575||399||[[The Rose Tree (Ananias Davisson)]]||Ananias Davisson||1820||There is a land of pleasure||Anonymous||1815||A||78.78.D.||3
|575||399||[[The Rose Tree (Ananias Davisson)|The Rose Tree]]||||1820||There is a land of pleasure||Anonymous||1815||A||78.78.D.||3
|-
|-
|576||400||[[Paradise (Oliver Holden)]]||Oliver Holden||1796||Now to the shinign realms above||Isaac Watts||1709||D||L. M. D.||4
|576||400||[[Paradise (Oliver Holden)|Paradise]]||||1796||Now to the shinign realms above||Isaac Watts||1709||D||L. M. D.||4
|-
|-
|577||401||[[Bellevue (Elkanah Dare)]]||Elkanah Dare||1813||Ye tribes of Adam, join||Isaac Watts||1719||F||66.66.88.||4
|577||401||[[Bellevue (Elkanah Dare)|Bellevue]]||||1813||Ye tribes of Adam, join||Isaac Watts||1719||F||66.66.88.||4
|-
|-
|578||402||[[Few Happy Matches (Crane)]]||Crane||1788||Say, mighty love, and teach my song||Isaac Watts||1706||A||886.886.||4
|578||402||[[Few Happy Matches (Crane)|Few Happy Matches]]||||1788||Say, mighty love, and teach my song||Isaac Watts||1706||A||886.886.||4
|-
|-
|579||403||[[Eden (James Carrell)]]||James Carrell||1821||The Lord is the fountain of goodness and love||Anonymous||1811||G||11 11.11 11.||4
|579||403||[[Eden (James Carrell)|Eden]]||||1821||The Lord is the fountain of goodness and love||Anonymous||1811||G||11 11.11 11.||4
|-
|-
|580||404||[[Melodia (James Merrick)]]||James Merrick||1793||The Lord of glory sends his summons forth||Isaac Watts||1719||E{{flat}}||10 10.10 10.10 10.||4
|580||404||[[Melodia (James Merrick)|Melodia]]||||1793||The Lord of glory sends his summons forth||Isaac Watts||1719||E{{flat}}||10 10.10 10.10 10.||4
|-
|-
|581||405||[[Symphony (Justin Morgan)]]||Justin Morgan||1790||Behold, the Judge descends, his guards are nigh||Isaac Watts||1719||E{{flat}}||10 10.10 10.10 10.||4
|581||405||[[Symphony (Justin Morgan)|Symphony]]||||1790||Behold, the Judge descends, his guards are nigh||Isaac Watts||1719||E{{flat}}||10 10.10 10.10 10.||4
|-
|-
|582||406||[[Judgment (Daniel Read)]]||Daniel Read||1785||Behold, my covenant stands forever good||Isaac Watts||1719||C||10 10.10 10.10 10.||4
|582||406||[[Judgment (Daniel Read)|Judgment]]||||1785||Behold, my covenant stands forever good||Isaac Watts||1719||C||10 10.10 10.10 10.||4
|-
|-
|583||407||[[Justice (Solomon Chandler)]]||Solomon Chandler||1786||The God of glory sends his summonsforth||Isaac Watts||1719||C||10 10.10 10.10 10.||4
|583||407||[[Justice (Solomon Chandler)|Justice]]||||1786||The God of glory sends his summonsforth||Isaac Watts||1719||C||10 10.10 10.10 10.||4
|-
|-
|584||408a||Solicitude||||1818||How firm a foundation, ye saints of the Lord||Robert Keen||1787||C||11 11.11 11.||4
|584||408a||Solicitude||''Virginia Sacred Musical Repository''||1818||How firm a foundation, ye saints of the Lord||Robert Keen||1787||C||11 11.11 11.||4
|-
|-
|585||408b||New Jerusalem||||1818||My gracious Redeemer I love||Benjamin Francis||1787||a||L. M. D.||4
|585||408b||New Jerusalem||''Tennessee Harmony''||1818||My gracious Redeemer I love||Benjamin Francis||1787||a||L. M. D.||4
|-
|-
|586||409||[[Amherst (William Billings)]]||William Billings||1770||Lord of the worlds above||Isaac Watts||1719||G||66.66.88.||4
|586||409||[[Amherst (William Billings)|Amherst]]||||1770||Lord of the worlds above||Isaac Watts||1719||G||66.66.88.||4
|-
|-
|587||410||Fading, Still Fading||||||Fading, still fading, the last beam is shining||Unattributed||1830||E{{flat}}||Irregular||4
|587||410||Fading, Still Fading||||||Fading, still fading, the last beam is shining||Unattributed||1830||E{{flat}}||Irregular||4
|-
|-
|588||411||Watts' Harp||||1820||Say, mighty love, and teach my song||Isaac Watts||1706||G||886.886.||4
|588||411||Watts' Harp||''Supplement to the Kentucky Harmony''||1820||Say, mighty love, and teach my song||Isaac Watts||1706||G||886.886.||4
|-
|-
|589||412||[[Thou Art Passing Away (Henry Russell)]]||Henry Russell||1848||Thou art passing away, thou art passing away||Unattributed||1848||G||12 11.11 12.||4
|589||412||[[Thou Art Passing Away (Henry Russell)|Thou Art Passing Away]]||||1848||Thou art passing away, thou art passing away||Unattributed||1848||G||12 11.11 12.||4
|-
|-
|590||413||[[Lebanon (William Moore)]]||William Moore||1825||Drooping souls, no longer grieve||Anonymous||1823||a||76.76.D.||4
|590||413||[[Lebanon (William Moore)|Lebanon]]||||1825||Drooping souls, no longer grieve||Anonymous||1823||a||76.76.D.||4
|-
|-
|591||414||[[Mourner (James Carrell)]]||James Carrell||1821||Still out of the deepest abyss||Charles Wesley||1747||C||L. M. D.||4
|591||414||[[Mourner (James Carrell)|Mourner]]||||1821||Still out of the deepest abyss||Charles Wesley||1747||C||L. M. D.||4
|-
|-
|592||415||Liberty||||1813||Prisoners of hope, lift up your heads||Charles Wesley||1742||A||88.88.88.||4
|592||415||Liberty||''David's Harp''||1813||Prisoners of hope, lift up your heads||Charles Wesley||1742||A||88.88.88.||4
|-
|-
|593||416||[[Complainer (William Walker)]]||William Walker||1835||I am a great complainer||Unattributed||1835||G||76.76.D.||4
|593||416||[[Complainer (William Walker)|Complainer]]||||1835||I am a great complainer||Unattributed||1835||G||76.76.D.||4
|-
|-
|594||417||[[Witham (J. Fawcett)]]||J. Fawcett||||Master, I own thy lawful claim||Charles Wesley||1749||F||88.88.88.||4
|594||417||[[Witham (J. Fawcett)|Witham]]||||||Master, I own thy lawful claim||Charles Wesley||1749||F||88.88.88.||4
|-
|-
|595||418||Morgan||||1803||With songs and honors sounding loud||Isaac Watts||1719||E||C. M. D.||4
|595||418||Morgan||''Easy Instructor''||1803||With songs and honors sounding loud||Isaac Watts||1719||E||C. M. D.||4
|-
|-
|596||420||[[Lenox New (William Hauser)]]||William Hauser||1848||Through tribulation deep||Anonymous||1804||a||66.66.88.||4
|596||420||[[Lenox New (William Hauser)|Lenox New]]||||1848||Through tribulation deep||Anonymous||1804||a||66.66.88.||4
|-
|-
|597||421||Miss Hataway's Experience||||||Young women all, I pray draw near||||||A||L. M. D.||3
|597||421||Miss Hataway's Experience||||||Young women all, I pray draw near||||||A||L. M. D.||3
|-
|-
|598||422a||Ganges||||1802||Awaked by Sinai's awful sound||Samson Occum||1774||D||886.886.||4
|598||422a||Ganges||''Columbian and European Harmony''||1802||Awaked by Sinai's awful sound||Samson Occum||1774||D||886.886.||4
|-
|-
|599||422b||[[Ninety-Third (Jeremiah Ingalls)]]||Jeremiah Ingalls||1805||We lift our hearts to thee||Charles Wesley||1741||C||S.M.||4
|599||422b||[[Ninety-Third (Jeremiah Ingalls)|Ninety-Third]]||||1805||We lift our hearts to thee||Charles Wesley||1741||C||S.M.||4
|-
|-
|600||423||[[Psalm Forty-Sixth (Pierre Davantès)]]||Pierre Davantès||1565||I'll praise my Maker with my breath||Isaac Watts||1719||F||88.88.88.||4
|600||423||[[Psalm Forty-Sixth (Pierre Davantès)|Psalm Forty-Sixth]]||||1565||I'll praise my Maker with my breath||Isaac Watts||1719||F||88.88.88.||4
|-
|-
|601||424a||[[Anticipation (Jeremiah Ingalls)]]||Jeremiah Ingalls||1805||When thou, my righteous Judge, shall come||Selina, Countess Huntingdon||1774||e||886.886.||4
|601||424a||[[Anticipation (Jeremiah Ingalls)|Anticipation]]||||1805||When thou, my righteous Judge, shall come||Selina, Countess Huntingdon||1774||e||886.886.||4
|-
|-
|602||424b||[[Saint's Repose (Amariah Hall)]]||Amariah Hall||1790||Death is a calm and sweet repose||Ralph Erskine||1740||E||L. M. D.||4
|602||424b||[[Saint's Repose (Amariah Hall)|Saint's Repose]]||||1790||Death is a calm and sweet repose||Ralph Erskine||1740||E||L. M. D.||4
|-
|-
|603||425||Olivet||||1803||On the cold ground, methinks I see||Anonymous||1772||d||886.886.||4
|603||425||Olivet||''Easy Instructor''||1803||On the cold ground, methinks I see||Anonymous||1772||d||886.886.||4
|-
|-
|604||426||[[De Beza (Pierre Davantès)]]||Pierre Davantès||1565||Shout to Jehovah, all the earth||Henry Ainsworth||1612||F||L.M.||4
|604||426||[[De Beza (Pierre Davantès)|De Beza]]||||1565||Shout to Jehovah, all the earth||Henry Ainsworth||1612||F||L.M.||4
|-
|-
|605||427||[[Break of Day (William Hauser)]]||William Hauser||1848||Let me go, the day is breaking||James Montgomery||1825||F||87.87.77.||4
|605||427||[[Break of Day (William Hauser)|Break of Day]]||||1848||Let me go, the day is breaking||James Montgomery||1825||F||87.87.77.||4
|-
|-
|606||428||[[Buckfield (Abraham Maxim)]]||Abraham Maxim||1802||When strangers stand and hear me tell||Isaac Watts||1707||C||L.M.||4
|606||428||[[Buckfield (Abraham Maxim)|Buckfield]]||||1802||When strangers stand and hear me tell||Isaac Watts||1707||C||L.M.||4
|-
|-
|607||429||[[The Blue Bird (P. A. Axton)]]||P. A. Axton||1825||O how charming are the radiant bands||James Denson ||1844||a||Anthem||3
|607||429||[[The Blue Bird (P. A. Axton)|The Blue Bird]]||||1825||O how charming are the radiant bands||James Denson ||1844||a||Anthem||3
|-
|-
|608||430||Bruce's Address||||1831||Soldiers of the cross, arise||Jared Waterbury||1831||A||77.76.78.86.||4
|608||430||Bruce's Address||''Christian Lyre''||1831||Soldiers of the cross, arise||Jared Waterbury||1831||A||77.76.78.86.||4
|-
|-
|609||431||[[Mount Sion (Bartholomew Brown)]]||Bartholomew Brown||1791||The hill of Zion yields||Isaac Watts||1709||C||S. M. D.||4
|609||431||[[Mount Sion (Bartholomew Brown)|Mount Sion]]||||1791||The hill of Zion yields||Isaac Watts||1709||C||S. M. D.||4
|-
|-
|610||432a||Bannockburn||||||Lord of mercy and of might||Reginald Heber||1827||C||77.75.D.||3
|610||432a||Bannockburn||||||Lord of mercy and of might||Reginald Heber||1827||C||77.75.D.||3
|-
|-
|611||432b||[[Horeb (Wolfe)]]||Wolfe||||Hail to the Lord's anointed||James Montgomery||1821||D||76.76.D.||3
|611||432b||[[Horeb (Wolfe)|Horeb]]||||||Hail to the Lord's anointed||James Montgomery||1821||D||76.76.D.||3
|-
|-
|612||433||Mount Hor||||1835||The day of the Lord||Anonymous||1823||D||11 11.66.76.||3
|612||433||Mount Hor||''Southern Harmony''||1835||The day of the Lord||Anonymous||1823||D||11 11.66.76.||3
|-
|-
|613||434||[[Mount Pleasant (Deolph)]]||Deolph||1793||There is a house not made with hands||Isaac Watts||1707||F||C.M.||4
|613||434||[[Mount Pleasant (Deolph)|Mount Pleasant]]||||1793||There is a house not made with hands||Isaac Watts||1707||F||C.M.||4
|-
|-
|614||435||[[Midnight Cry (William Walker)]]||William Walker||1835||When the midnight cry began||Unattributed||1832||A||76.76.D.||4
|614||435||[[Midnight Cry (William Walker)|Midnight Cry]]||||1835||When the midnight cry began||Unattributed||1832||A||76.76.D.||4
|-
|-
|615||436||[[Huntington (Justin Morgan)]]||Justin Morgan||1790||Lord, what a thoughtless wretch was I||Isaac Watts||1719||A||L. M. D.||4
|615||436||[[Huntington (Justin Morgan)|Huntington]]||||1790||Lord, what a thoughtless wretch was I||Isaac Watts||1719||A||L. M. D.||4
|-
|-
|616||437||[[Portsmouth (James Carrell)]]||James Carrell||1821||Come, sinners, to the gospel feast||Charles Wesley||1747||C||L.M.||4
|616||437||[[Portsmouth (James Carrell)|Portsmouth]]||||1821||Come, sinners, to the gospel feast||Charles Wesley||1747||C||L.M.||4
|-
|-
|617||438||[[Invitation (Jacob Kimball)]]||Jacob Kimball||1784||Hark! The Redeemer from on high||Isaac Watts||1707||D||L. M. D.||4
|617||438||[[Invitation (Jacob Kimball)|Invitation]]||||1784||Hark! The Redeemer from on high||Isaac Watts||1707||D||L. M. D.||4
|-
|-
|618||439||[[North Orange (Julius Caswell)]]||Julius Caswell||1801||Jesus, the holy child, shall sit||Isaac Watts||1707||E||L. M. D.||4
|618||439||[[North Orange (Julius Caswell)|North Orange]]||||1801||Jesus, the holy child, shall sit||Isaac Watts||1707||E||L. M. D.||4
|-
|-
|619||440||[[St. Helen's (J Jennings)]]||J Jennings||1750||How lovely are thy tents, O Lord||Charles Wesley||1742||C||88.88.88.||4
|619||440||[[St. Helen's (J Jennings)|St. Helen's]]||||1750||How lovely are thy tents, O Lord||Charles Wesley||1742||C||88.88.88.||4
|-
|-
|620||441||Davis' Experience||||||Come all ye young people, of every relation||Unattributed||1835||A||12 11.12 11.D.||4
|620||441||Davis' Experience||||||Come all ye young people, of every relation||Unattributed||1835||A||12 11.12 11.D.||4
|-
|-
|621||442a||[[David's Victory (Robert Boyd)]]||Robert Boyd||1825||Now your festal rites prepare||Unattributed||1825||C||77.77.10 10.||4
|621||442a||[[David's Victory (Robert Boyd)|David's Victory]]||||1825||Now your festal rites prepare||Unattributed||1825||C||77.77.10 10.||4
|-
|-
|622||442b||[[Connecticut (Lyman Ives)]]||Lyman Ives||1792||Join all the glorious names||Isaac Watts||1707||D||66.66.88.||4
|622||442b||[[Connecticut (Lyman Ives)|Connecticut]]||||1792||Join all the glorious names||Isaac Watts||1707||D||66.66.88.||4
|-
|-
|623||443||[[Warrenton (J. Williams)]]||J. Williams||1822||Whither goest thou, pilgrim stranger||Anonymous||1822||G||87.87.789.||3
|623||443||[[Warrenton (J. Williams)|Warrenton]]||||1822||Whither goest thou, pilgrim stranger||Anonymous||1822||G||87.87.789.||3
|-
|-
|624||444||[[Washington (Reubin Monday)]]||Reubin Monday||1813||Dismiss us with thy blessing, Lord||Joseph Hart||1759||a||L. M. D.||4
|624||444||[[Washington (Reubin Monday)|Washington]]||||1813||Dismiss us with thy blessing, Lord||Joseph Hart||1759||a||L. M. D.||4
|-
|-
|625||445||[[Petersburg (William Billings)]]||William Billings||1786||Thus saith the high and lofty one||Isaac Watts||1707||D||L. M. D.||3
|625||445||[[Petersburg (William Billings)|Petersburg]]||||1786||Thus saith the high and lofty one||Isaac Watts||1707||D||L. M. D.||3
|-
|-
|626||446||[[Scotland (Nehemiah Shumway)]]||Nehemiah Shumway||1793||Awake our souls, away our fears||Isaac Watts||1707||E||L. M. D.||4
|626||446||[[Scotland (Nehemiah Shumway)|Scotland]]||||1793||Awake our souls, away our fears||Isaac Watts||1707||E||L. M. D.||4
|-
|-
|627||447||[[All Saints New (Amariah Hall)]]||Amariah Hall||1791||O, if my Lord would come and meet||Isaac Watts||1709||d||L. M. D.||4
|627||447||[[All Saints New (Amariah Hall)|All Saints New]]||||1791||O, if my Lord would come and meet||Isaac Watts||1709||d||L. M. D.||4
|-
|-
|628||449a||Social Meeting||||||Draw nigh to us, Jehovah||Anonymous||1835||C||77.76.D.||4
|628||449a||Social Meeting||||||Draw nigh to us, Jehovah||Anonymous||1835||C||77.76.D.||4
Line 1,271: Line 1,271:
|629||449b||Spanish Hymn||||||Through thy protecting care||Anonymous||1820||B{{flat}}||65.65.66.65.65.||4
|629||449b||Spanish Hymn||||||Through thy protecting care||Anonymous||1820||B{{flat}}||65.65.66.65.65.||4
|-
|-
|630||450a||[[Annapolis (Alexander Ely)]]||Alexander Ely||1825||Ah, lovely appearance of death||Charles Wesley||1746||D||L. M. D.||3
|630||450a||[[Annapolis (Alexander Ely)|Annapolis]]||||1825||Ah, lovely appearance of death||Charles Wesley||1746||D||L. M. D.||3
|-
|-
|631||450b||Consolation New||||1813||Come on, my partners in distress||Charles Wesley||1749||a||886.886.||3
|631||450b||Consolation New||''Wyeth's Repository, Part Second''||1813||Come on, my partners in distress||Charles Wesley||1749||a||886.886.||3
|-
|-
|632||451||O How Pleasant||||1817||O how pleasant 'tis to see||Isaac Watts||1719||F||77.77.||4
|632||451||O How Pleasant||''Musical Reader''||1817||O how pleasant 'tis to see||Isaac Watts||1719||F||77.77.||4
|-
|-
|633||452||[[Pastoral Elegy (A. Knapp)]]||A. Knapp||1810||What sorrowful sounds do I hear||Timothy Dwight||1798||e||L. M. D.||4
|633||452||[[Pastoral Elegy (A. Knapp)|Pastoral Elegy]]||||1810||What sorrowful sounds do I hear||Timothy Dwight||1798||e||L. M. D.||4
|-
|-
|634||453||[[Hartford (Elihu Carpenter)]]||Elihu Carpenter||1779||This spacious earth is all the Lord's||Isaac Watts||1719||d||L. M. D.||4
|634||453||[[Hartford (Elihu Carpenter)|Hartford]]||||1779||This spacious earth is all the Lord's||Isaac Watts||1719||d||L. M. D.||4
|-
|-
|635||454||Methodist and Formalist||||||Good morning, brother pilgrim||Caleb Taylor||1810||G||12 12.12 12.D.||3
|635||454||Methodist and Formalist||||||Good morning, brother pilgrim||Caleb Taylor||1810||G||12 12.12 12.D.||3
|-
|-
|636||456||[[Sinai (Merit Woodruff)]]||Merit Woodruff||1801||Lord, when thou didst ascend on high||Isaac Watts||1719||C||L. M. D.||4
|636||456||[[Sinai (Merit Woodruff)|Sinai]]||||1801||Lord, when thou didst ascend on high||Isaac Watts||1719||C||L. M. D.||4
|-
|-
|637||457||[[Middlebury (R. D. Humphreys)]]||R. D. Humphreys||1823||We have laid up our love||Charles Wesley||1767||A||669.669.||4
|637||457||[[Middlebury (R. D. Humphreys)|Middlebury]]||||1823||We have laid up our love||Charles Wesley||1767||A||669.669.||4
|-
|-
|638||458||[[Cumberland (Elijah Griswold)]]||Elijah Griswold||1796||The God of glory sends his summons forth||Isaac Watts||1719||E||10 10.11 11.||4
|638||458||[[Cumberland (Elijah Griswold)|Cumberland]]||||1796||The God of glory sends his summons forth||Isaac Watts||1719||E||10 10.11 11.||4
|-
|-
|639||459||[[Devotion (Amariah Hall)]]||Amariah Hall||1793||Fly, fly me riches, fly me cares||Robert Seagrave||1742||F||Anthem||4
|639||459||[[Devotion (Amariah Hall)|Devotion]]||||1793||Fly, fly me riches, fly me cares||Robert Seagrave||1742||F||Anthem||4
|-
|-
|640||461a||[[Shepherd (George Handel)]]||George Handel||1742||Ours is the Sabbath school||Anonymous||1845||A||S.M.||4
|640||461a||[[Shepherd (George Handel)|Shepherd]]||||1742||Ours is the Sabbath school||Anonymous||1845||A||S.M.||4
|-
|-
|641||461b||How Kind the Saviour's Love||||||How kind the Savior's love||Anonymous||1836||G||66.66.88.||3
|641||461b||How Kind the Saviour's Love||||||How kind the Savior's love||Anonymous||1836||G||66.66.88.||3
Line 1,297: Line 1,297:
|642||462a||Reneau||||||Children redeemed in every place||Unattributed||1848||A||86.86.88.||4
|642||462a||Reneau||||||Children redeemed in every place||Unattributed||1848||A||86.86.88.||4
|-
|-
|643||462b||[[Abingdon (Jones)]]||Jones||1820||There is an hour when I must die||Isaac Watts||1720||A||L.M.||4
|643||462b||[[Abingdon (Jones)|Abingdon]]||||1820||There is an hour when I must die||Isaac Watts||1720||A||L.M.||4
|-
|-
|644||463||[[Indian's Petition (I. B. Woodbury)]]||I. B. Woodbury||1846||Let me go to my home in the far distant west||John Perry||1833||B{{flat}}||12 12.12 12.||4
|644||463||[[Indian's Petition (I. B. Woodbury)|Indian's Petition]]||||1846||Let me go to my home in the far distant west||John Perry||1833||B{{flat}}||12 12.12 12.||4
|-
|-
|645||464||[[Mary's Lamb (Justin Morgan)]]||Justin Morgan||||Mary had a little lamb||Sarah Hale||1830||A||76.86.86.86.||4
|645||464||[[Mary's Lamb (Justin Morgan)|Mary's Lamb]]||||||Mary had a little lamb||Sarah Hale||1830||A||76.86.86.86.||4
|-
|-
|646||465||Sabbath School||||||All the week we spend||Thomas White||1830||E||55.55.77.||4
|646||465||Sabbath School||||||All the week we spend||Thomas White||1830||E||55.55.77.||4
Line 1,309: Line 1,309:
|648||467||Children's Hosannah||||||When his salvation bringing||John King||1830||G||76.76.D.||4
|648||467||Children's Hosannah||||||When his salvation bringing||John King||1830||G||76.76.D.||4
|-
|-
|649||468||Royal Proclamation||||1835||Hear the royal proclamation||Anonymous||1820||F||88.88.88.||4
|649||468||Royal Proclamation||''Southern Harmony''||1835||Hear the royal proclamation||Anonymous||1820||F||88.88.88.||4
|-
|-
|650||469a||Royal Proclamation||||1835||Hear the royal proclamation||Anonymous||1820||F||88.88.88.||4
|650||469a||Royal Proclamation||''Southern Harmony''||1835||Hear the royal proclamation||Anonymous||1820||F||88.88.88.||4
|-
|-
|651||469b||Tippett||||||I saw a little child at play||Jemima Luke||1842||G||C.M.||4
|651||469b||Tippett||||||I saw a little child at play||Jemima Luke||1842||G||C.M.||4
|-
|-
|652||470||[[Autumn Leaves (Irish Air)]]||Irish Air||1820||See the leaves around us falling||George Horne||1795||G||87.87.D.||4
|652||470||[[Autumn Leaves (Irish Air)|Autumn Leaves]]||||1820||See the leaves around us falling||George Horne||1795||G||87.87.D.||4
|-
|-
|653||471||Sweet Spring||||||I have seen in the sweet spring time||Mary Schindler||1842||C||11 9.11 9.88.11 9.||4
|653||471||Sweet Spring||||||I have seen in the sweet spring time||Mary Schindler||1842||C||11 9.11 9.88.11 9.||4
|-
|-
|654||472a||[[Erie (Justin Morgan)]]||Justin Morgan||1790||Ye tribes of Adam, join||Isaac Watts||1719||F||66.66.88.||4
|654||472a||[[Erie (Justin Morgan)|Erie]]||||1790||Ye tribes of Adam, join||Isaac Watts||1719||F||66.66.88.||4
|-
|-
|655||472b||[[O come, come away (German Traditional)]]||German Traditional||1848||O come, come away||Unattributed||1848||D||11 14.88.65.||4
|655||472b||[[O come, come away (German Traditional)|O come, come away]]||||1848||O come, come away||Unattributed||1848||D||11 14.88.65.||4
|-
|-
|656||473||Atkinson||||1835||E'en down to old age all my people shall prove||Isaac Watts||1706||F||11 11.11 11.||3
|656||473||Atkinson||''Southern Harmony''||1835||E'en down to old age all my people shall prove||Isaac Watts||1706||F||11 11.11 11.||3
|-
|-
|657||474||Alexander||||1818||Thou, my God, art good and wise||Charles Wesley||1763||A||76.76.77.76.||4
|657||474||Alexander||''Virginia Sacred Musical Repository''||1818||Thou, my God, art good and wise||Charles Wesley||1763||A||76.76.77.76.||4
|-
|-
|658||475a||New Farewell||||1835||Farewell, my loving friends, farewell||Unattributed||1793||a||87.87.D.||4
|658||475a||New Farewell||''Southern Harmony''||1835||Farewell, my loving friends, farewell||Unattributed||1793||a||87.87.D.||4
|-
|-
|659||475b||Dwight||||||As crushed by sudden storms||Lydia Sigourney||1815||A||C.M.||4
|659||475b||Dwight||||||As crushed by sudden storms||Lydia Sigourney||1815||A||C.M.||4
|-
|-
|660||476a||[[Chalmers (Hugh Wilson)]]||Hugh Wilson||||Happy the child whose tender years||Isaac Watts||1720||B{{flat}}||C.M.||4
|660||476a||[[Chalmers (Hugh Wilson)|Chalmers]]||||||Happy the child whose tender years||Isaac Watts||1720||B{{flat}}||C.M.||4
|-
|-
|661||476b||[[Laban (Lowell Mason)]]||Lowell Mason||1830||There is beyond the sky||Isaac Watts||1720||D||S.M.||4
|661||476b||[[Laban (Lowell Mason)|Laban]]||||1830||There is beyond the sky||Isaac Watts||1720||D||S.M.||4
|-
|-
|662||477||[[Vesper Hymn (Deodatus Dutton)]]||Deodatus Dutton||1830||Hark! The vesper hymn is stealing||Thomas Moore||1816||F||87.87.86.87.||3
|662||477||[[Vesper Hymn (Deodatus Dutton)|Vesper Hymn]]||||1830||Hark! The vesper hymn is stealing||Thomas Moore||1816||F||87.87.86.87.||3
|-
|-
|663||478||[[Shed Not a Tear (Thomas Bayly)]]||Thomas Bayly||1833||Shed not a tear o'er your friend's early bier||Mary Schindler||1841||F||10 8.10 7.10 10.10 7.||3
|663||478||[[Shed Not a Tear (Thomas Bayly)|Shed Not a Tear]]||||1833||Shed not a tear o'er your friend's early bier||Mary Schindler||1841||F||10 8.10 7.10 10.10 7.||3
|-
|-
|664||479||Jeshurun||||||None is like Jeshurun's God||Charles Wesley||1742||A||76.76.77.76.||4
|664||479||Jeshurun||||||None is like Jeshurun's God||Charles Wesley||1742||A||76.76.77.76.||4
|-
|-
|665||480a||[[There's not a tint (W. W. Brigham)]]||W. W. Brigham||1835||There's not a tint||John Wallace||1825||E||C.M.||4
|665||480a||[[There's not a tint (W. W. Brigham)|There's not a tint]]||||1835||There's not a tint||John Wallace||1825||E||C.M.||4
|-
|-
|666||480b||American Gratitude||||||Up to thee, almighty Father||Attrib. Lovell||1842||C||87.87.D.||4
|666||480b||American Gratitude||||||Up to thee, almighty Father||Attrib. Lovell||1842||C||87.87.D.||4
Line 1,347: Line 1,347:
|667||481||Sunday School Farewell||||||Farewell, dear friend! A long farewell||George Coles||1827||G||C. M. D.||4
|667||481||Sunday School Farewell||||||Farewell, dear friend! A long farewell||George Coles||1827||G||C. M. D.||4
|-
|-
|668||482a||[[Hinton (William Gawler)]]||William Gawler||1792||O Zion, afflicted with wave upon wave||James Grant||1784||A||11 11.11 11.||3
|668||482a||[[Hinton (William Gawler)|Hinton]]||||1792||O Zion, afflicted with wave upon wave||James Grant||1784||A||11 11.11 11.||3
|-
|-
|669||482b||Heavenly Welcome||||||O when shall I see Jesus||John Leland||1793||A||76.76.D.||3
|669||482b||Heavenly Welcome||||||O when shall I see Jesus||John Leland||1793||A||76.76.D.||3
|-
|-
|670||483||The Last Rose of Summer||||1819||Tis the last rose of summer||Traditional||1830||F||12 12.11 12.||4
|670||483||The Last Rose of Summer||''Seraph''||1819||Tis the last rose of summer||Traditional||1830||F||12 12.11 12.||4
|-
|-
|671||484||When Shall We Meet Again||||||When shall we meet again||Anonymous||1829||F||65.65.66.65.||4
|671||484||When Shall We Meet Again||||||When shall we meet again||Anonymous||1829||F||65.65.66.65.||4
Line 1,357: Line 1,357:
|672||485a||Cheering Thought||||||How charming the thought, that the spirits of bliss||Anonymous||1845||A||11 11.11 11.||4
|672||485a||Cheering Thought||||||How charming the thought, that the spirits of bliss||Anonymous||1845||A||11 11.11 11.||4
|-
|-
|673||485b||Joyful News||||1787||That Jesus hears when children pray||Anonymous||1842||F||C.M.||3
|673||485b||Joyful News||''Compilation of the Litanies''||1787||That Jesus hears when children pray||Anonymous||1842||F||C.M.||3
|-
|-
|674||486a||All is Well||||1844||What's this that steals, that steals upon my frame||Anonymous||1836||A||10 6.10 6.88.86.||3
|674||486a||All is Well||''Sacred Harp''||1844||What's this that steals, that steals upon my frame||Anonymous||1836||A||10 6.10 6.88.86.||3
|-
|-
|675||486b||All is Well||||1844||Hark, hark, my Lord, my Lord and Master's voice||Anonymous||1836||A||10 6.10 6.88.86.||3
|675||486b||All is Well||''Sacred Harp''||1844||Hark, hark, my Lord, my Lord and Master's voice||Anonymous||1836||A||10 6.10 6.88.86.||3
|-
|-
|676||487||The light of Sabbath eve||||||The light of Sabbath eve||James Edmeston||1821||G||66.66.D.||3
|676||487||The light of Sabbath eve||||||The light of Sabbath eve||James Edmeston||1821||G||66.66.D.||3
|-
|-
|677||488a||[[The Scale (Thomas Hastings)]]||Thomas Hastings||1835||Come, let us learn to sing||Thomas Hastings||1835||G||68.68.778.||3
|677||488a||[[The Scale (Thomas Hastings)|The Scale]]||||1835||Come, let us learn to sing||Thomas Hastings||1835||G||68.68.778.||3
|-
|-
|678||488b||Childhood's Gladness||||||We come in childhood's gladness||Anonymous||1832||F||76.76.D.||3
|678||488b||Childhood's Gladness||||||We come in childhood's gladness||Anonymous||1832||F||76.76.D.||3
|-
|-
|679||489||America||||1744||My country, 'tis of thee||Samuel Smith||1831||F||664.6664.||4
|679||489||America||''Harmonia Anglicana''||1744||My country, 'tis of thee||Samuel Smith||1831||F||664.6664.||4
|-
|-
|680||490||[[Ode on Science (Jazaniah Sumner)]]||Jazaniah Sumner||1798||The morning sun shines from the east||Jazaniah Sumner||1798||G||L.M.D.D.||4
|680||490||[[Ode on Science (Jazaniah Sumner)|Ode on Science]]||||1798||The morning sun shines from the east||Jazaniah Sumner||1798||G||L.M.D.D.||4
|-
|-
|681||492||[[Claremont (Temple and Merill)]]||Temple and Merill||1799||Vital spark of heavenly flame||Alexander Pope||1720||C||Anthem||4
|681||492||[[Claremont (Temple and Merill)|Claremont]]||||1799||Vital spark of heavenly flame||Alexander Pope||1720||C||Anthem||4
|-
|-
|682||496||[[The Prodigal Son (Josiah Moore)]]||Josiah Moore||1816||Behold the wretch whose lust and wine||Isaac Watts||1707||b||Anthem||4
|682||496||[[The Prodigal Son (Josiah Moore)|The Prodigal Son]]||||1816||Behold the wretch whose lust and wine||Isaac Watts||1707||b||Anthem||4
|-
|-
|683||499||[[John the Baptist (Benjamin White)]]||Benjamin White||1844||In those days came John the Baptist||Matthew 3:1||0||C||Anthem||4
|683||499||[[John the Baptist (Benjamin White)|John the Baptist]]||||1844||In those days came John the Baptist||Matthew 3:1||0||C||Anthem||4
|-
|-
|684||501||[[Danid's Lamentation (William Billings)]]||William Billings||1778||David the King was grieved and moved||2 Samuel 18:33||0||a||Anthem||4
|684||501||[[Danid's Lamentation (William Billings)|Danid's Lamentation]]||||1778||David the King was grieved and moved||2 Samuel 18:33||0||a||Anthem||4
|-
|-
|685||502||[[Heavenly Vision (Jacob French)]]||Jacob French||1786||I beheld, and lo! A great multitude||Revelation 7:9||0||G||Anthem||4
|685||502||[[Heavenly Vision (Jacob French)|Heavenly Vision]]||||1786||I beheld, and lo! A great multitude||Revelation 7:9||0||G||Anthem||4
|-
|-
|686||506||[[Judgment Anthem (Justin Morgan)]]||Justin Morgan||1790||Hark ye mortals, hear the trumpet||Anonymous||1789||e||Anthem||4
|686||506||[[Judgment Anthem (Justin Morgan)|Judgment Anthem]]||||1790||Hark ye mortals, hear the trumpet||Anonymous||1789||e||Anthem||4
|-
|-
|687||514||[[Easter Anthem (William Billings)]]||William Billings||1787||The Lord is risen indeed||Edward Young||1742||A||Anthem||4
|687||514||[[Easter Anthem (William Billings)|Easter Anthem]]||||1787||The Lord is risen indeed||Edward Young||1742||A||Anthem||4
|-
|-
|688||517||[[Reverential Anthem (Elisha King)]]||Elisha King||1844||Give unto the Lord the glory||||||C||Anthem||3
|688||517||[[Reverential Anthem (Elisha King)|Reverential Anthem]]||||1844||Give unto the Lord the glory||||||C||Anthem||3
|-
|-
|689||518||[[Rose of Sharon (William Billings)]]||William Billings||1778||I am the rose of Sharon||Song of Solomon 2:1||0||A||Anthem||4
|689||518||[[Rose of Sharon (William Billings)|Rose of Sharon]]||||1778||I am the rose of Sharon||Song of Solomon 2:1||0||A||Anthem||4
|-
|-
|690||524||[[Funeral Anthem (William Billings)]]||William Billings||1778||I heard a great voice from heaven||Revelation 11:12||0||f#||Anthem||4
|690||524||[[Funeral Anthem (William Billings)|Funeral Anthem]]||||1778||I heard a great voice from heaven||Revelation 11:12||0||f#||Anthem||4
|-
|-
|691||525||Anthem of Praise||||||O! Praise God in his holiness||||||F||Anthem||4
|691||525||Anthem of Praise||||||O! Praise God in his holiness||||||F||Anthem||4
|-
|-
|692||527||[[Farewell Anthem (Jacob French)]]||Jacob French||1783||My friends, I am going a long and tedious journey||Unattributed||1789||a||Anthem||4
|692||527||[[Farewell Anthem (Jacob French)|Farewell Anthem]]||||1783||My friends, I am going a long and tedious journey||Unattributed||1789||a||Anthem||4
|-
|-
|693||530||[[The Drunkard's Burial (William Hauser)]]||William Hauser||1848||Not a sigh was heard nor a wailing note||Unattributed||1848||G||10 10.10 10.10 8.98.||3
|693||530||[[The Drunkard's Burial (William Hauser)|The Drunkard's Burial]]||||1848||Not a sigh was heard nor a wailing note||Unattributed||1848||G||10 10.10 10.10 8.98.||3
|-
|-
|694||531||[[Meeting of the Waters (William Palmer)]]||William Palmer||1848||O soft sleep the hills in their sunny repose||Unattributed||1841||A||11 12.11 12.||3
|694||531||[[Meeting of the Waters (William Palmer)|Meeting of the Waters]]||||1848||O soft sleep the hills in their sunny repose||Unattributed||1841||A||11 12.11 12.||3
|-
|-
|695||532||The Drink||||||The drink that's in the drunkard's bowl||John Marsh||1841||F||86.86.88.66.||4
|695||532||The Drink||||||The drink that's in the drunkard's bowl||John Marsh||1841||F||86.86.88.66.||4
|-
|-
|696||533||[[Ecstasy (Abijah Forbush)]]||Abijah Forbush||1806||O that I could now adore him||Anonymous||1794||C||87.87.44.47||4
|696||533||[[Ecstasy (Abijah Forbush)|Ecstasy]]||||1806||O that I could now adore him||Anonymous||1794||C||87.87.44.47||4
|-
|-
|697||534||[[Hail to the Cause (Scottish Traditional)]]||Scottish Traditional||1710||Hail to the cause that in triumph advances||Miss Julia A. P_||1848||D||11 11.12 10.||4
|697||534||[[Hail to the Cause (Scottish Traditional)|Hail to the Cause]]||||1710||Hail to the cause that in triumph advances||Miss Julia A. P_||1848||D||11 11.12 10.||4
|-
|-
|698||536||Washington Badge||||1848||Come, join our temperance army||Folk song||1700||G||98.98.D.||3
|698||536||Washington Badge||''Hesperian Harp''||1848||Come, join our temperance army||Folk song||1700||G||98.98.D.||3
|-
|-
|699||537||Auld Lang Syne||||1700||Be days of drinking wine forgot||Unattributed||1848||G||C. M. D.||4
|699||537||Auld Lang Syne||''Scottish Traditional''||1700||Be days of drinking wine forgot||Unattributed||1848||G||C. M. D.||4
|-
|-
|700||538||The Last Distiller||||||Twas the last sad distiller||||||A||75.75.76.65.||4
|700||538||The Last Distiller||||||Twas the last sad distiller||||||A||75.75.76.65.||4
|-
|-
|701||539||[[Naxos (H. R. Bishop)]]||H. R. Bishop||1848||Onward! onward! Band victorious||Unattributed||1842||F||87.87.D.||4
|701||539||[[Naxos (H. R. Bishop)|Naxos]]||||1848||Onward! onward! Band victorious||Unattributed||1842||F||87.87.D.||4
|-
|-
|702||540||[[Maltese Boatman's Song (Maltese Traditional)]]||Maltese Traditional||1650||Hail, brothers Hail! We have met once more||E. M. Pendleton||1848||G||Irregular||3
|702||540||[[Maltese Boatman's Song (Maltese Traditional)|Maltese Boatman's Song]]||||1650||Hail, brothers Hail! We have met once more||E. M. Pendleton||1848||G||Irregular||3
|-
|-
|703||541||[[Away the Bowl (Anonymous)]]||Anonymous||1842||Our youthful hearts with temperance burn||Anonymous||1842||C||86.86.886.||4
|703||541||[[Away the Bowl (Anonymous)|Away the Bowl]]||||1842||Our youthful hearts with temperance burn||Anonymous||1842||C||86.86.886.||4
|-
|-
|704||542||Sparkling and Bright||||||Sparking and bright in its liquid light||||||B{{flat}}||88.88.87.87.||3
|704||542||Sparkling and Bright||||||Sparking and bright in its liquid light||||||B{{flat}}||88.88.87.87.||3
|-
|-
|705||543a||[[Sign of the Sons of Temperance (Stephen Foster)]]||Stephen Foster||1840||O, sweet the strains are swelling||Peter Walker||1848||G||C. M. D.||3
|705||543a||[[Sign of the Sons of Temperance (Stephen Foster)|Sign of the Sons of Temperance]]||||1840||O, sweet the strains are swelling||Peter Walker||1848||G||C. M. D.||3
|-
|-
|706||543b||Drunkard's Wife||||||Sadly and hopelessly mourning her lot||||||E{{flat}}||10 10.10 10.||4
|706||543b||Drunkard's Wife||||||Sadly and hopelessly mourning her lot||||||E{{flat}}||10 10.10 10.||4
Line 1,427: Line 1,427:
|707||544||Angels' Whisper||||||A baby was sleeping||Unattributed||1848||C||66 12.77 12.||4
|707||544||Angels' Whisper||||||A baby was sleeping||Unattributed||1848||C||66 12.77 12.||4
|-
|-
|708||545||One Glass More||||1800||Stay, mortal, stay, Nor heedless thus||John Marsh||1841||B{{flat}}||C. M. D.D.||4
|708||545||One Glass More||''''||1800||Stay, mortal, stay, Nor heedless thus||John Marsh||1841||B{{flat}}||C. M. D.D.||4
|-
|-
|709||546||[[Afflicted Zion (William Hauser)]]||William Hauser||1848||Sitting by the streams that glide||Anonymous||1840||F||77.777.||3
|709||546||[[Afflicted Zion (William Hauser)|Afflicted Zion]]||||1848||Sitting by the streams that glide||Anonymous||1840||F||77.777.||3
|-
|-
|710||547||[[Hail Columbia (Philip Phile)]]||Philip Phile||1789||Hail, Columbia! Happy land||Joseph Hopkinson||1789||C||77.88.88.||3
|710||547||[[Hail Columbia (Philip Phile)|Hail Columbia]]||||1789||Hail, Columbia! Happy land||Joseph Hopkinson||1789||C||77.88.88.||3
|-
|-
|711||548||The Inebriate's Lament||||||Farewell, farewell, ye blest scenes of my childhood||||||C||11 11.12 11.||3
|711||548||The Inebriate's Lament||||||Farewell, farewell, ye blest scenes of my childhood||||||C||11 11.12 11.||3
|-
|-
|712||549||The Star-Spangled Banner||||1814||O say can you see by the dawn's early light||Francis Key||1815||C||11 13.12 13.||3
|712||549||The Star-Spangled Banner||''''||1814||O say can you see by the dawn's early light||Francis Key||1815||C||11 13.12 13.||3
|-
|-
|713||550||[[The American Star (William McCarty)]]||William McCarty||1842||Come, strike the bold anthem, the war-dogs are howling||Unknown||1770||F||12 11.12 11.D.||3
|713||550||[[The American Star (William McCarty)|The American Star]]||||1842||Come, strike the bold anthem, the war-dogs are howling||Unknown||1770||F||12 11.12 11.D.||3
|-
|-
|714||551||[[Pilgrim Fathers (Augusta Brown)]]||Augusta Brown||1848||The breaking waves dashed high||Felicia Hemans||1828||D||Irregular||4
|714||551||[[Pilgrim Fathers (Augusta Brown)|Pilgrim Fathers]]||||1848||The breaking waves dashed high||Felicia Hemans||1828||D||Irregular||4
|-
|-
|}
|}

Revision as of 19:23, 20 January 2020

List of Works

No. Pg. Title Composer Year First Line Author AYR Key Meter Vo.
1 1 Old Hundred 1551 He reigns; the Lord, the Savior reigns Isaac Watts 1719 A L.M. 4
2 2a Aylesbury Book of Psalmody 1717 The Lord my shepherd is Isaac Watts 1719 a S.M. 4
3 2b Windham 1785 Broad is the road that leads to death Isaac Watts 1709 f L.M. 4
4 3 Primrose 1812 Salvation, O the joyful sound Isaac Watts 1709 A C.M. 4
5 3b Rochester 1722 Come, let us join our cheerful songs Isaac Watts 1707 A C.M. 4
6 4a Rockbridge 1812 Sweet is the work, my God, my King Isaac Watts 1719 C L.M. 4
7 4b Mear Set of Tunes 1720 In God's own house pronounce his praise Isaac Watts 1719 G C.M. 4
8 5a Wakefield 1835 Come, weary souls, with sin distressed Anne Steele 1760 F L.M. 4
9 5b Supplication 1810 Show pity, Lord! O Lord, forgive Isaac Watts 1719 a L.M. 4
10 6a Solemnity 1817 Twas on that dark and doleful night Isaac Watts 1711 a L.M. 4
11 6b Solemnity 1817 He dies, the friend of sinners dies Isaac Watts 1707 a L.M. 3
12 7a Devotion 1818 Sweet is the work, my God, my King Isaac Watts 1719 C L.M. 4
13 7b Devotion 1787 Sweet is the day of sacred rest Isaac Watts 1719 C L.M. 4
14 8a Bourbon Beauties of Harmony 1814 Twas on that dark and solemn night Isaac Watts 1711 a L.M. 3
15 8b Dismission Beauties of Harmony 1814 I cannot bear thy absence, Lord Isaac Watts 1709 a L.M. 3
16 9a Wells 1722 Ye nations round the earth, rejoice Isaac Watts 1719 F L.M. 4
17 9b Paris 1779 This spacious earth is all the Lord's Isaac Watts 1719 A L.M. 4
18 10a Philippi 1806 Praise God from whom all blessings flow Thomas Ken 1674 C L.M. 4
19 10b Jehalah He dies, the friend of sinners dies Isaac Watts 1707 A L.M. 4
20 11a Tender Thought 1816 Arise, my tender thoughts, arise Philip Doddridge 1755 a L.M. 4
21 11b Angel's Hymn 1623 The God of our salvation hears Isaac Watts 1719 G L.M. 4
22 12a Portugal 1778 Praise to the Lord, of boundless might Philip Doddridge 1755 G L.M. 4
23 12b Bridgewater 1782 From all that dwell below the skies Isaac Watts 1719 C L.M. 4
24 13a Chester 1770 Let the high heavens your songs invite Philip Doddridge 1755 F L.M. 4
25 13b Davisson's Retirement 1820 Jesus! and shall it ever be Joseph Grigg 1765 f# L.M. 4
26 14a Williamstown Beauties of Psalmody 1786 Show pity, Lord! O Lord, forgive Isaac Watts 1719 a L.M. 4
27 14b Litchfield Musical Primer 1793 How soft the words my Savior speaks Samuel Stennett 1787 A L.M. 4
28 15a Gospel Armor 1731 Stand up, my soul, shake off thy fears Isaac Watts 1709 F L.M. 4
29 15b Passover 1821 Twas on that dark and doleful night Isaac Watts 1711 a L.M. 4
30 16a Iredell 1818 Oft have I turned my eyes within Samuel Stennett 1787 C L.M. 4
31 16b The Humble Penitent 1826 Stay, thou insulted spirit, stay Charles Wesley 1749 C L.M. 4
32 17a Salem 1817 He dies! the Friend of sinners dies Isaac Watts 1707 b L.M. 4
33 17b Glasgow 1813 This life's a dream, an empty show Isaac Watts 1719 G L.M. 4
34 18 Sweet Solitude Southern Harmony 1835 Sweet solitude, thou blessed queen Hannah More 1782 A L.M. 4
35 19 Dover 1792 My soul, the great Creator praise Isaac Watts 1719 C L. M. D. 4
36 20a New Jersey 1789 Lord, what was man when made at first Isaac Watts 1719 e L.M. 4
37 20b Duke Street 1793 Lord, when thou didst ascend on high Isaac Watts 1719 F L.M. 4
38 21a Park Street 1815 Wake, O my soul, and hail the morn Anonymous 1806 A L.M. 4
39 21b Kedron 1799 Thou man of griefs, remember me Charles Wesley 1762 e L.M. 4
40 22a Melinda 1816 In vain the wealthy mortals toil Isaac Watts 1707 e L. M. D. 4
41 22b Whitestown 1800 Where nothing dwell but beasts of prey Isaac Watts 1719 e L.M. 4
42 24 The Voice of Nature 1793 The spacious firmament on high Joseph Addison 1712 C L.M. 4
43 25 Ballstown 1809 Great God, attend while Zion sings Isaac Watts 1719 F L.M. 4
44 26a Russia 1787 My spirit looks to God alone Isaac Watts 1719 a L.M. 4
45 26b Caldwell 1801 Sweet is the work, my God, my King Isaac Watts 1719 D L.M. 4
46 27a Hallelujah 1820 He come, he comes, the Judge severe Charles Wesley 1758 G 86.86.87. 4
47 27b Hebron 1823 Thus far the Lord hath led me on Isaac Watts 1707 B L.M. 4
48 28 Clamanda Christian Harmony 1805 Say now, ye lovely social band Anonymous 1806 e L.M. 4
49 29 Bonnie Doon 1831 When marshalled on the nightly plain Henry White 1812 G L. M. D. 4
50 30a Arnheim 1791 The Lord is come, the heavens proclaim Isaac Watts 1719 D L.M. 3
51 30b Vesperia Soft be the gently breathing notes William Collyer 1812 B L.M. 3
52 31a Carvosso 1848 Holy and true and righteous Lord Charles Wesley 1742 C L.M. 4
53 31b Ortonville 1837 Being of beings, God of love Charles Wesley 1739 B C.M. 4
54 32a Immensity 1806 Within thy circling power I stand Isaac Watts 1719 a L.M. 4
55 32b Garden 1800 God, from his cloudy cistern, pours Isaac Watts 1719 a L.M. 4
56 33 Prospect 1835 Why should we start and fear to die Isaac Watts 1709 C L.M. 3
57 34a Haines 1848 Eternal power, whose high abode Isaac Watts 1706 F L.M. 4
58 34b Carlisle 1789 Deep in our hearts, let us record Isaac Watts 1719 a L.M. 4
59 35 Isle of Wight Collection of Psalm Tunes in Four Parts 1711 Lord, shall we part with gold for dross Anonymous 1769 a C.M. 4
60 36a Jonesborough 1825 Jesus, my all, to heaven is gone John Cennick 1740 a L.M. 3
61 36b Loving-Kindness 1830 Awake, my soul, to joyful lays Samuel Medley 1782 A L.M. 3
62 37 Highbridge Missouri Harmony 1820 Though every age, eternal God Isaac Watts 1719 a L.M. 4
63 38a Jackson 1825 The spacious firmament on high Joseph Addison 1712 f# L. M. D. 3
64 38b Watchman's Call 1835 The watchmen blow the trumpet round Unattributed 1835 f# L. M. D. 3
65 39 Third Creek Lift up your hands, Emmanuel's friends Anonymous 1805 e L.M. 4
66 40a Camden 1826 When we, our weary limbs to rest Tate and Brady 1696 a L.M. 4
67 40b Atlanta 1826 Young people all attention give Anonymous 1804 A L. M. D. 4
68 41 Averet 1803 Children of God, renounce your fears John Fawcett 1789 G L.M. 3
69 42a Frozen Heart 1844 O! For a glance of heavenly day Joseph Hart 1762 F L.M. 4
70 42b Sabbath Summons Not by the brazen trumpet's voice James Montgomery 1822 G L.M. 4
71 43 Corinth 1844 Say, which of you would see the Lord Charles Wesley 1742 G L.M. 4
72 44a The Turtle Dove Southern Harmony 1835 Hark! Don't you hear the turtle dove Anonymous 1839 C L. M. D. 3
73 44b Bethel Street O, who will come and go with me Anonymous 1807 a L.M. 3
74 45 Lebanon New 1831 Come, sinners, to the gospel feast Charles Wesley 1747 F L.M. 3
75 46a Departing Saint 1805 Hark! Hark! She bids her friends adieu Isaac Watts 1707 G L.M. 4
76 46b Parting Hand 1805 My Christian friends, in bonds of love Anonymous 1823 G L.M. 4
77 47 Home There is a land of pure delight Isaac Watts 1709 A 86.86.76. 3
78 48a Peterborough Musical Instructor 1803 Once more, my soul, the rising day Isaac Watts 1709 G C.M. 4
79 48b Suffield 1779 Teach me the measure of my days Isaac Watts 1719 e C.M. 4
80 49 Duane Street 1835 A poor, wayfaring man of grief James Montgomery 1826 A L. M. D. 3
81 50a Majesty New Behold! A voice angelic sounds Henry White 1812 F L.M. 3
82 50b Mutual Love 1835 O, when shall I see Jesus John Leland 1793 G 76.76.D. 3
83 51 Day of Worship 1848 Dear people, we have met today Unattributed 1848 G L. M. D. 3
84 52a Winter 1785 The hoary frost, the fleecy snow Isaac Watts 1719 F C.M. 4
85 52b Arlington 1762 Jesus, with all thy saints above Isaac Watts 1709 G C.M. 4
86 53 Protection 1808 God, my supporter and my hope Isaac Watts 1719 F C.M. 4
87 54a Oak's Creek 1795 Bless, O my soul, the living God Isaac Watts 1719 C L.M. 4
88 54b Suffering Savior 1830 Alas! And did my Savior bleed Isaac Watts 1709 e C.M. 4
89 55a Rockingham 1813 Thus saith the mercy of the Lord Isaac Watts 1707 A C.M. 4
90 55b Tribulation 1813 Death! 'Tis a melancholy day Isaac Watts 1709 d C.M. 4
91 56a St. Martin's 1748 With cheerful notes let all the earth Tate and Brady 1696 A C.M. 4
92 56b Liberty Hall 1810 Death, what a solemn word to all John Bulmer 1834 a C.M. 4
93 57a China 1801 Why do we mourn departing friends Isaac Watts 1709 C C.M. 4
94 57b Union 1781 Lo! What an entertaining sight Isaac Watts 1719 C C.M. 4
95 58a Consolation 1812 Once more, my soul, the rising day Isaac Watts 1709 a C.M. 4
96 58b Georgia Rudiments of Music 1786 Return, O God of love, return Isaac Watts 1719 e C.M. 4
97 59a Walsal 1723 Alas! And did my Savior bleed Isaac Watts 1709 a C.M. 4
98 59b Funeral Thought 1763 Hark! From the tombs a doleful sound Isaac Watts 1709 a C.M. 4
99 60a Ninety-Fifth 1813 When I can read my title clear Isaac Watts 1709 A C.M. 4
100 60b Northfield 1800 O 'tis delight without alloy Isaac Watts 1706 C C.M. 4
101 61a Blackburn Sacred Harmony 1784 O why did I my Savior leave Charles Wesley 1740 d C.M. 4
102 61b Bladensburg 1801 Unite, my roving thoughts, unite Philip Doddridge 1755 G C.M. 4
103 62a Fairfield 1791 With reverence let the saints appear Isaac Watts 1719 a C.M. 4
104 62b Fairfield 1791 Come, humble sinner, in whose breast Edmund Jones 1787 a C.M. 3
105 63a Condescension 1816 How condescending and how kind Isaac Watts 1711 C C.M. 4
106 63b Reflection 1816 No sleep nor slumber to his eyes Isaac Watts 1719 B C.M. 4
107 64a Bray 1554 Awake, my heart, arise, my tongue Isaac Watts 1707 G C.M. 4
108 64b Virginia 1782 Thy words the raging winds control Isaac Watts 1719 e C.M. 4
109 65 New Orleans 1816 Why do we mourn departing friends Isaac Watts 1709 e C. M. D. 4
110 66a Wesley 1810 With inward pain my heart-strings sound Isaac Watts 1706 a C.M. 4
111 66b Akron Keep me, Savior, near thy side Unattributed 1833 G 77.77. 4
112 67a Fiducia 1813 Father, I long, I fear to see Isaac Watts 1709 a C.M. 4
113 67b Abbey Scottish Psalter 1615 Jesus, in thy transporting name Anne Steele 1760 G C.M. 4
114 68a Farabee Come, and taste along with me John Leland 1798 a 77.77.78.98. 3
115 68b Calhoun 1848 Lord, we come before thee now William Hammond 1745 a 77.77. 4
116 69a Sutton 1793 Behold the man, threescore and ten Anonymous 1813 e C.M. 4
117 69b Woodstock 1830 O, for a closer walk with God William Cowper 1779 A C.M. 4
118 70a Sutton New Save me, O God! The swelling floods Isaac Watts 1719 f# C.M. 4
119 70b Markham 1848 O! For a heart to praise my God Charles Wesley 1742 F C. M. D. 4
120 71a Warwick 1800 Lord, in the morning thou shalt hear Isaac Watts 1719 E C.M. 4
121 71b Salvation 1816 Come, humble sinner, in whose breast Edmund Jones 1787 e C. M. D. 4
122 72 Enfield 1785 Before the rosy dawn of day Elizabeth Rowe 1739 E C.M. 4
123 73 Berne 1801 Hear me, O Lord, nor hide thy face Isaac Watts 1719 a C.M. 4
124 74a Calvary 1785 My thoughts, that often mount the skies Isaac Watts 1706 a C.M. 4
125 74b Sherburne 1785 While shepherds watched their flocks by night Tate and Brady 1696 D C.M. 4
126 75 Patmos Sing to the Lord, ye distant lands Isaac Watts 1719 B C.M. 4
127 76 Ocean 1789 Thy works of glory, mighty Lord Isaac Watts 1719 F C.M. 4
128 77 Edom 1797 With songs and honors sounding loud Isaac Watts 1719 F C.M. 4
129 78a Messiah 1821 He comes! He comes! To judge the world Samuel Stennett 1787 f# C.M. 4
130 78b Hanover 1791 Vain man, thy fond pursuits forbear Joseph Hart 1759 a C.M. 3
131 79a Liberty 1800 No more beneath the oppressive hand Unattributed 1800 F C.M. 4
132 79b Wilson 1848 Death! 'Tis a melancholy day Isaac Watts 1709 G C.M. 3
133 80 Never Part Jerusalem, my happy home Anonymous 1600 F 86.86.8 10.86. 4
134 81 Mantua 1800 A blooming paradise of joy Isaac Watts 1709 G C. M. D. 4
135 82a London New Psalmes of David in Verse and Meeter 1635 Let every tongue thy goodness speak Isaac Watts 1719 D C.M. 4
136 82b Houston On Jordan's stormy banks I stand Samuel Stennett 1787 C C.M. 3
137 83a Rindge 1789 Let every mortal ear attend Isaac Watts 1707 A C.M. 4
138 83b Liverpool Virginia Sacred Musical Repository 1818 My Savior, my almighty friend Isaac Watts 1719 F C.M. 4
139 84 Montgomery 1790 Early, my God, without delay Isaac Watts 1719 C C.M. 4
140 85 Solitude New 1798 My refuge is the God of love Isaac Watts 1719 a C.M. 4
141 86a Exhortation 1796 Lord, in the morning thou shalt hear Isaac Watts 1719 F C.M. 4
142 86b Eliza O could I find from day to day Benjamin Cleveland 1799 A C.M. 4
143 87 New Topia 1816 Young people all attention give Anonymous 1804 e C.M. 4
144 88 Tunbridge 1793 Our sins, alas! How strong they be Isaac Watts 1709 d C.M. 4
145 89 Westminster 1793 Thou great and sovereign Lord of all F C.M. 4
146 90 Majesty 1778 The Lord descended from above Thomas Sternhold 1561 F C.M. 4
147 91 Sardinia 1804 Behold the love, the generous love Isaac Watts 1719 e C.M. 4
148 92 Pilgrim's Triumph To see a pilgrim as he dies John Granade 1794 A C.M. 4
149 93 Rainbow 1785 Tis by thy strength the mountains stand Isaac Watts 1719 C C.M. 4
150 94a Retirement Far from the world, O Lord, I flee William Cowper 1779 C C.M. 4
151 94b Christian Volunteers Alas! And did my Savior bleed Isaac Watts 1709 F 86.86.55.85. 3
152 95a Blake I love to steal awhile away Phoebe Brown 1818 B C.M. 4
153 95b Balerma 1840 I love by faith to take a view Phoebe Brown 1824 B C.M. 4
154 96 Hamilton Shepherds, rejoice, lift up your eyes Isaac Watts 1706 A C.M. 4
155 97a Solemn Warning Young people all attention give Anonymous 1804 a C.M. 4
156 97b Emory Through all the downward tracks of time Anonymous 1810 a C. M. D. 3
157 98 Jordan 1786 There is a land of pure delight Isaac Watts 1709 A C. M. D. 4
158 99a Cambridge 1786 Jesus, I love thy glorious name Philip Doddridge 1755 C C.M. 4
159 99b Buena Vista Am I a soldier of the cross Isaac Watts 1723 a C.M. 3
160 100a Asbury 1787 Behold, the Savior of mankind Samuel Wesley 1707 a C.M. 3
161 100b Dunlap's Creek 1814 Sing to the Lord, ye heavenly hosts Isaac Watts 1709 G C.M. 4
162 101a Toccoa Southern Harmony 1835 Happy the souls to Jesus joined Charles Wesley 1745 C C.M. 4
163 101b Perkins Father, I stretch my hands to thee Charles Wesley 1741 A C.M. 3
164 102a Hallelujah 1835 Amazing grace, how sweet the sound John Newton 1779 B C.M. 3
165 102b Missouri Mission 1844 My span of life will soon be done Frances Cowper 1792 e C. M. D. 3
166 103a Anticipation 1799 How happy every child of grace Charles Wesley 1759 a C. M. D. 4
167 103b Watson Father, I stretch my hands to thee Charles Wesley 1741 a C.M. 4
168 104a Heavenly Wisdom London 1760 O happy is the man who hears Michael Bruce 1770 A C.M. 4
169 104b New Britain Columbian Harmony 1829 When languor and disease invade Augustus Toplady 1759 C C.M. 4
170 105 Pleyel's Hymn Second 1786 While thee I seek, protecting Power Helen Williams 1786 F C. M. D. 4
171 106a Minister's Farewell Wyeth's Repository, Part Second 1813 Our cheerful voices let us raise Unattributed 1835 G C. M. D. 4
172 106b Minister's Farewell Wyeth's Repository, Part Second 1813 Dear friends, farewell, I do you tell Unattributed 1797 G C.M. 4
173 107a Tranquillity 1816 My God, the spring of all my joys Isaac Watts 1709 C C.M. 4
174 107b Chattanooga 1790 How sweet the name of Jesus sounds John Newton 1779 C C.M. 4
175 108a Mortality 1796 Stoop down, my thoughts, that used to rise Isaac Watts 1709 e C.M. 4
176 108b Alstead 1788 Shepherds, rejoice, lift up your eyes Isaac Watts 1706 D C.M. 4
177 109 Huntsville O, for a closer walk with God William Cowper 1779 b C.M. 4
178 110a Red Hill Behold, the Savior of mankind Samuel Wesley 1707 f# C.M. 3
179 110b Bethelsdorf Tis done, the precious ransom's paid Samuel Wesley 1700 f C.M. 3
180 111a Tempest 1791 Let earth stand strembling on her base Mather Byles 1744 E C.M. 4
181 111b Caroline O for a closer walk with God William Cowper 1772 A C.M. 4
182 112 Pisgah 1817 And let this feeble body fail Charles Wesley 1759 B C.M. 4
183 113 Christian Triumph O what has Jesus bought for me Charles Wesley 1759 B C.M. 4
184 114a Garland 1807 With songs and honors sounding loud Isaac Watts 1719 G C.M. 3
185 114b North Carolina O that I were as heretofore Charles Wesley 1740 F C.M. 4
186 115 Newport As on the cross the Savior hung Samuel Stennett 1789 A C.M. 4
187 116a Elevation 1821 Talk with us, Lord, thyself reveal Charles Wesley 1740 C C.M. 4
188 116b Meditation 1801 My soul, come meditate the day Isaac Watts 1709 a C.M. 4
189 117 Findley 1825 Jesus, I throw my arms around Isaac Watts 1709 C C.M. 4
190 118 Penitence Approach, my soul, the mercy seat John Newton 1779 C C.M. 4
191 119a Barby 1742 When rising from the bed of death Joseph Addison 1699 A C.M. 4
192 119b Jerusalem New 1835 Jerusalem, my happy home Anonymous 1600 a C.M. 3
193 120 New Jerusalem 1796 Lo! What a glorious sight appears Isaac Watts 1707 G C.M. 4
194 121a Calvary New 1821 Now let our lips, with holy fear Isaac Watts 1719 g C. M. D. 4
195 121b Canaan 1818 On Jordan's stormy banks I stand Samuel Stennett 1787 G C. M. D. 3
196 122a Sweet Prospect Southern Harmony 1835 On Jordan's stormy banks I stand Samuel Stennett 1787 e C.M. 3
197 122b Gaines 1848 O, for a thousand tongues to sing Charles Wesley 1740 A C.M. 4
198 123a Thorn 1848 Save me, O God! The swelling flood Isaac Watts 1719 A C.M. 4
199 123b Glenroy Beneath our feet, and o'er our head Reginald Heber 1811 B C.M. 4
200 124 Isle of Patmos 1821 Hear what the voice from heaven proclaims Isaac Watts 1707 A C.M. 4
201 125 Providence 1820 What shall I render to my God Isaac Watts 1719 A C.M. 3
202 126a Surprise 1798 Our life contains a thousand springs Isaac Watts 1709 d C.M. 4
203 126b Dundee Scottish Psalter 1615 The holy triumphs of my soul Isaac Watts 1709 F C.M. 4
204 127a Dublin 1591 Lord, what is man, poor feeble man Isaac Watts 1719 a C.M. 4
205 127b Preston When languor and disease invade Augustus Toplady 1759 F C.M. 4
206 128a Columbus Columbian Harmony 1829 O, once I had a glorious view Anonymous 1823 f# C.M. 3
207 128b Immortality Columbian Harmony 1829 Young people all attention give Anonymous 1804 e C. M. D. 3
208 129 Coronation 1793 All hail the power of Jesus' name Edward Perronet 1780 A C.M. 4
209 130a Devizes 1792 Happy the souls to Jesus joined Charles Wesley 1745 A C.M. 4
210 130b Clemmons 1820 Jehovah, God the Father, bless Charles Wesley 1767 a C.M. 4
211 131 Milford 1760 If angels sung a savior's birth Anonymous 1803 A C.M. 4
212 132 Grafton 1793 Jesus! The vision of thy face Isaac Watts 1707 C C.M. 4
213 133 Silver Spring 1790 Were I in heaven without my God Isaac Watts 1719 e C.M. 4
214 134a Augusta 1808 O God, our help in ages past Isaac Watts 1719 d C.M. 4
215 134b True Riches Divine Musical Miscellany 1754 I am not concerned to know Isaac Watts 1706 G 77.77. 4
216 135 One Hundred and Nineteenth Psalm 1793 My soul lies cleaving to the dust Isaac Watts 1719 e C.M. 4
217 136a New Durham 1803 Hark! From the tombs a doleful sound Isaac Watts 1709 b C.M. 4
218 136b Trumbull 1783 The promises of my Father's love Isaac Watts 1711 a C.M. 4
219 137 Namur Devout Singer's Guide 1711 Come, happy souls, approach your God Isaac Watts 1709 G C.M. 4
220 138 Repentance 1796 O if my soul were formed for woe Isaac Watts 1706 f# C.M. 4
221 139a Joyful Sound 1790 O for a shout of sacred joy Isaac Watts 1719 C C.M. 4
222 139b Winchester Christian Harmony 1794 Who is this that comes from far Charles Wesley 1745 G 77.77. 4
223 140a Communion 1805 How sweet and awful is the place Isaac Watts 1711 E C. M. D. 4
224 140b Tennessee 1805 Afflictions, though they seem severe John Newton 1779 F C. M. D. 4
225 141 Conversion 1794 When God revealed his gracious name Isaac Watts 1719 C C.M. 4
226 142 Vermont 1778 In vain we lavish out our lives Isaac Watts 1707 e C. M. D. 4
227 143a Williams That glorious day is drawing nigh John Leland 1790 a C. M. D. 4
228 143b Irwin O for a thousand tongues to sing Charles Wesley 1740 G C. M. D. 3
229 144a Azmon Joy is a fruit that will not grow John Newton 1779 A C.M. 3
230 144b Alton 1848 Plunged in a gulf of dark despair Isaac Watts 1709 A C. M. D. 4
231 145 Velasco My earth thou waterest from on high Charles Wesley 1742 B C. M. D. 4
232 146a North Salem 1799 My soul, come meditate the day Isaac Watts 1709 e C.M. 4
233 146b Sunday 1801 The Lord of Sabbath let us praise Samuel Wesley 1736 A C.M. 4
234 147 Ashville Christian Lyre 1831 Loving Jesus, gentle Lamb Charles Wesley 1742 a 77.77. 3
235 148a Salem 1825 How sweet the name of Jesus sounds John Newton 1779 F C.M. 4
236 148b Warren 1778 Now begin the heavenly theme Unattributed 1763 G 77.77. 3
237 149a Dove of Peace 1835 O tell me where the Dove has flown Unattributed 1835 G C.M. 4
238 149b Sweet Hope 1848 O joyful sound of gospel grace Charles Wesley 1742 D C.M. 3
239 150 The Prodigal 1818 Afflictions, though they seem severe John Newton 1779 e C. M. D. 4
240 151 The Penitent Prodigal Afflictions, though they seem severe John Newton 1779 C C.M. 3
241 152a The Converted Thief 1825 As on the cross the Savior hung Samuel Stennett 1789 C C. M. D. 3
242 152b Returning Prodigal 1825 Behold the wretch whose lust and wine Isaac Watts 1707 C C.M. 3
243 153a Land of Pleasure Come, thou fount of every blessing Robert Robinson 1759 C 87.87. 4
244 153b Vicksburg Far above yon glorious ceiling Anonymous 1803 a 87.87. 3
245 154 The Promised Land Southern Harmony 1835 Come, let us join our friends above Charles Wesley 1759 f# C.M. 4
246 155a The Promised Land Southern Harmony 1835 Our spirits, too, shall quickly join Charles Wesley 1759 f# C.M. 3
247 155b Masonic Dirge 1848 Solemn strikes the funeral chime David Vinton 1816 A 77.77. 3
248 156 Washington 1800 Our souls by love together knit Anonymous 1803 G C. M. D. 4
249 158a Detroit 1814 Do not I love thee, O my Lord Philip Doddridge 1755 e C.M. 4
250 158b Latrobe 1615 Hail to the Lord's anointed James Montgomery 1821 D 76.76.D. 3
251 159 Rusk Columbian Harmony 1825 Hark! Listen to the trumpeters John Granade 1794 G C. M. D. 4
252 160 The Martial Trumpet 1835 Brethren, don't you hear the sound Unattributed 1830 C 79.79.D. 4
253 161 Smyrna 1796 Why should the children of a King Isaac Watts 1707 A C.M. 4
254 162a Burdened Pilgrim 1848 Pilgrim, burdened with thy sin George Crabbe 1834 F 77.77.D. 4
255 162b Versailles Tennessee Harmony 1818 Thy mercy, my God, is the theme of my song Attrib. John Stocker 1774 a 11 11.11 11. 3
256 163 Sweet Rivers 1825 Sweet rivers of redeeming love John Granade 1804 F C.M. 4
257 164a Depravity 1793 How sad our state by nature is Isaac Watts 1709 d C.M. 4
258 164b Golgotha 1848 Let me dwell in Golgotha John Newton 1779 C 77.77. 4
259 165a The Lonesome Dove Ye weary, heavy-laden souls F C. M. D. 3
260 165b Sovereign Grace Christian Lyre 1830 Sovereign grace has power alone John Newton 1779 A 77.77. 4
261 166 Solitude in the Grove 1817 My God, my refuge, hear my cries Isaac Watts 1719 e C. M. D. 4
262 167a Cedar Bluff Jerusalem, my happy home Anonymous 1600 A C.M. 3
263 167b Pleyel's Hymn 1790 Depth of mercy! Can there be Charles Wesley 1740 A 77.77. 3
264 168a Conway O tis delight without alloy Isaac Watts 1706 D C.M. 4
265 168b Tabor Come and taste along with me John Leland 1798 F 77.77. 4
266 169 Aiken 1846 Thy gracious presence, O my God Anne Steele 1760 F C. M. D. 4
267 170a Derrick 1844 Hark! The glad sound, the Savior comes Philip Doddridge 1755 F C. M. D. 4
268 170b Separation Tennessee Harmony 1818 Why do we mourn for dying friends Isaac Watts 1709 f# C. M. D. 3
269 171 Lovest Thou Me 1821 Hark, my soul, it is the Lord William Cowper 1768 G 77.77. 4
270 172a Cincinnati 1820 Father, how wide thy glories shine Isaac Watts 1706 a C.M. 4
271 172b Pilgrim Band We're marching to the promised land William Hunter 1845 G C. M. D. 3
272 173a Babel's Streams 1811 By Babel's streams we sat and wept Unattributed 1615 e C. M. D. 4
273 173b Barbauld Sweeter songs than music knows John Newton 1779 A 77.77. 4
274 174a Sussex 1831 With glorious clouds encompassed round Charles Wesley 1767 b C. M. D. 3
275 174b Holly Springs 1848 Why should the children of a King Isaac Watts 1707 C C.M. 3
276 175 Maysville 1848 When, my Savior, shall I be Charles Wesley 1742 A 77.77. 4
277 176a The Captive's Song Christian Lyre 1831 O! No, we cannot sing the song Unattributed 1831 A C. M. D. 3
278 176b Floyd 1848 O thou who driest the mourner's tear Thomas Moore 1816 A C. M. D. 3
279 177a Sark 1803 Jesus, all-redeeming Lord Charles Wesley 1763 G 77.77. 4
280 177b Haven Jesus, lover of my soul Charles Wesley 1740 E 77.77.D. 4
281 178a Leander 1818 My soul forbears her vain delights Isaac Watts 1709 a C. M. D. 4
282 178b Easter Hymn Lyra Davidica 1708 Christ the Lord has risen today Charles Wesley 1739 D 74.74.D. 4
283 179 Sunbury O that I could revere Charles Wesley 1749 d S.M. 4
284 180 Middletown 1778 Hail the day that saw him rise Charles Wesley 1739 A 77.77.D. 4
285 181a Campbell 1848 Lift up your hearts to things above Charles Wesley 1749 C C. M. D. 4
286 181b Alabama 1848 Depth of mercy! Can there be Charles Wesley 1740 a 77.77. 4
287 182a Inspiration Now shall my inward joys arise Isaac Watts 1707 G C.M. 4
288 182b Fancy's Vision Hesperian Harp 1848 The faithless world promiscuous flows Unattributed 1835 G 87.887. 3
289 183a The Faithless World 1835 The faithless world promiscuous flows Unattributed 1835 G 87.887. 3
290 183b Winburne Great Redeemer, friend of sinners William Williams 1745 F 87.87.D. 4
291 184 Come, ye disconsolate 1820 Come, ye disconsolate Thomas Moore 1816 D 11 10.11 10.11 10. 2
292 185a Christian Travelers Beauties of Harmony 1828 What poor, despised company Unattributed 1759 F C. M. D. 4
293 185b La Grange Savior, visit thy plantation John Newton 1779 A 87.87.D. 3
294 186a Concordia 1848 How happy every child of grace Charles Wesley 1759 G C.M. 4
295 186b Brownson 1816 Blessing, honor, thanks, and praise Charles Wesley 1742 a 77.77.D. 4
296 187 New Hope 1825 O how I have longed for the coming of God Anonymous 1810 a 11 11.11 11. 3
297 188 Watchman! Tell us of the night 1844 Watchman! Tell us of the night John Bowring 1825 E 77.77. 3
298 189a Cumberland New Beauties of Harmony 1814 Come, thou fount of every blessing Robert Robinson 1759 A 87.87. 4
299 189b Kingston United States Sacred Harmony 1799 Agonizing in the garden Joseph Hart 1759 a 87.87.87. 4
300 190a Burnsville Far above yon glorious ceiling Anonymous 1803 A 87.87.D. 3
301 190b Alabama Southern Harmony 1835 Angels in shining order stand Unattributed 1835 e C. M. D. 4
302 192a Animation Southern Harmony 1835 What is there here to court my say Charles Wesley 1759 G C. M. D. 3
303 192b Heavenly March 1840 On Jordan's stormy banks I stand Samuel Stennett 1787 B C.M. 3
304 193 Edneyville All hail! Ye heirs of grace James Edney 1848 G S.M. 4
305 194a Judgment 1813 He comes, he comes, the Judge severe Charles Wesley 1758 e L. M. D. 4
306 194b Judgment 1793 The Lord, the Judge, before his throne Isaac Watts 1719 G C. M. D. 4
307 196a Concord 1793 The men of grace have found Isaac Watts 1709 C S.M. 4
308 196b Brentwood 1800 Not all the blood of beasts Isaac Watts 1709 E S.M. 4
309 197a Baldwin 1848 And let our bodies part Charles Wesley 1749 a S. M. D. 4
310 197b Backslider 1820 Ah! Where am I now Charles Wesley 1749 a 559.669. 3
311 198 Concert 1707 Come, thou everlasting Spirit Charles Wesley 1745 a 87.87.D. 4
312 199a Evening Shade 1805 The day is past and gone John Leland 1790 e S.M. 4
313 199b New Dover Short and Easy Introduction 1772 Grace, tis a charming sound Philip Doddridge 1755 F S.M. 4
314 200 Williamsburg 1500 The God of Abraham praise Thomas Olivers 1772 F 66.86.D. 4
315 201a Albion 1816 Come, ye that love the Lord Isaac Watts 1709 G S.M. 4
316 201b Norwich 1779 My sorrows, like a flood Isaac Watts 1706 a S.M. 4
317 202a Jefferson Tennessee Harmony 1818 Glorious things of thee are spoken John Newton 1779 a 87.87.D. 4
318 202b New Monmouth 1812 Come, thou fount of every blessing Robert Robinson 1759 a 87.87. 4
319 203 Marcellus Soldiers of Christ! Arise Charles Wesley 1742 G S. M. D. 4
320 204a St. Thomas 1763 Hark! It is wisdom's voice Philip Doddridge 1755 A S.M. 4
321 204b Brimner Give to the winds thy fears Paul Gerhardt 1656 C S.M. 4
322 205 Sterling 1793 Come, ye that love the Lord Isaac Watts 1709 E S. M. D. 4
323 206a Martyn Hark! A voice divides the sky Charles Wesley 1742 F 77.77.D. 4
324 206b Religious Contentment Divine Amusement 1812 Give me but some humble spot William Hunter 1845 C 77.77.D. 3
325 207 Good Shepherd Wyeth's Repository, Part Second 1813 Let thy kingdom, blessed Savior John Granade 1794 F 87.87.D. 3
326 208a Sounding Joy 1790 Come, sound his praise abroad Isaac Watts 1719 E S.M. 4
327 208b Mocksville 1848 Glory to God on high Isaac Watts 1707 C S.M. 4
328 209a Backslider's Sorrow 1848 Ah! Where am I now Charles Wesley 1749 G 559.669. 3
329 209b Malette Beauties of Sacred Harmony 1817 Tis religion that can give Mary Masters 1733 G 77.77.D. 3
330 210a America 1798 My soul, repeat his praise Isaac Watts 1719 a S.M. 4
331 210b Wheeling 1848 And wilt thou yet be found Charles Wesley 1739 a S.M. 3
332 211a Golden Hill 1778 With joy the people stand Isaac Watts 1719 G S.M. 4
333 211b Golden Hill 1778 Give to the winds thy fears Paul Gerhardt 1656 G S.M. 4
334 212 Rome 1801 Wandering pilgrims, mourning Christians John Leland 1794 e 87.87.D. 4
335 213a The Soldier's Return Virginia Sacred Musical Repository 1818 O! That I had some secret place Unattributed 1823 C 87.87.D. 3
336 213b Louisiana I have my bitters and my sweets Unattributed 1823 C 87.87.D. 3
337 214a Shirland 1799 My God, my life, my love Isaac Watts 1709 A S.M. 4
338 214b Bridgetown 1813 Grace! tis a charming sound Philip Doddridge 1755 G S.M. 4
339 215 Newburg 1798 Let every creature join Isaac Watts 1719 C S. M. D. 4
340 216a Texas 1848 Firm and unmoved are they Isaac Watts 1719 C S.M. 4
341 216b Austin 1825 How happy are they Charles Wesley 1749 a 569.569. 3
342 217a Brownsville 1821 Don't you see my Jesus coming Caleb Taylor 1810 a 87.87. 3
343 217b Restoration 1821 Jordan's stream shall ne'er o'erflow me Anonymous 1833 a 87.87. 4
344 218a Dauphin 1793 For life without thy love Isaac Watts 1719 a S.M. 4
345 218b Doomsday 1789 Behold! With awful pomp Joseph Hart 1759 C S.M. 4
346 219 Saints Bound For Heaven Southern Harmony 1840 Our bondage it shall end, by and by Unattributed 1828 C 12 9.13 13 10. 4
347 220 Parsons 1831 Brother, thou art gone before us Henry Milman 1822 e 87.86.77.87. 4
348 221 The Mouldering Vine 1821 Hail! Ye sighing sons of sorrow Anonymous 1795 f 87.87.D. 4
349 222 Disciple 1831 Jesus, I my cross have taken Henry Lyte 1824 A 87.87.D. 4
350 223 Jubilee Supplement to the Kentucky Harmony 1820 Hark! The jubilee is sounding Anonymous 1801 A 87.87.D. 4
351 224a Mansfield Collection of Psalm Tunes 1780 Let every creature join Isaac Watts 1719 C S.M. 4
352 224b Idumea 1816 O come and dwell in me Charles Wesley 1762 a S.M. 4
353 225 Solemn Thought 1821 Remember, sinful youth, you must die Anonymous 1807 a 12 9.12 12 9. 4
354 226 Geneva 1821 Come, my friends, and taste with me Unattributed 1821 F 776.77.76. 4
355 227a New Concord How happy are they Charles Wesley 1749 C 569.569. 4
356 227b Iantha 1848 Hark! The herald angels sing Charles Wesley 1739 G 77.77. 4
357 228a Zion's Hill 1778 How beauteous are their feet Isaac Watts 1707 F S.M. 4
358 228b Mount Helicon How blessed are our eyes Isaac Watts 1707 F S.M. 4
359 229a Ingratitude 1820 Is this the kind return Isaac Watts 1709 a S.M. 4
360 229b Swedesboro' Welcome, sweet day of rest Isaac Watts 1709 A S.M. 4
361 230a Lisbon 1785 The Savior's glorious name B S.M. 4
362 230b Mount Cumberland Columbian Harmony 1825 Come, all ye happy race Unattributed 1839 a 669.669. 3
363 231 Creation 1793 Let every creature join Isaac Watts 1719 A S. M. D. 4
364 232 Knoxville 1820 Rejoice, my friends, the Lord is King Anonymous 1813 e 88.887. 4
365 233 Heavenly Union 1805 Come saints and sinners, hear me tell Unattributed 1811 G 88.887. 4
366 234 Wondrous Love 1840 What wondrous love is this, O my soul Anonymous 1812 g 12 9.12 12 9. 3
367 235 Thorny Desert 1835 Dark and thorny is the desert Unattributed 1810 G 87.87.D. 3
368 236 Silver Street 1780 Come sound his praise abroad Isaac Watts 1719 C S.M. 4
369 237a Longstreet 1791 Some sweet savor of thy favor Anonymous 1811 B 87.77.84. 4
370 237b Pilgrim's Prayer Guide me, O thou great Jehovah William Williams 1745 F 87.87.47. 4
371 238 Rock of Salvation 1848 If life's pleasures charm thee Francis Key 1815 G 65.65.87.87. 4
372 239a Zell Praise to God the great Creator John Taylor 1795 F 87.87. 4
373 239b Cheerful Hope 1791 Though hard the winds are blowing Unattributed 1831 G 76.76. 3
374 240 Mixture 1835 Mixtures of joy and sorrow Levi Hathaway 1820 A 76.76.D. 4
375 241 Glorious Prospect My soul's full of glory John Granade 1804 E 65.65.D. 3
376 242a Way to Zion Farewell, my Christian brethren John Leland 1793 C 76.76.76. 4
377 242b New Hope 1820 Come, ye that love the Lord Isaac Watts 1709 F S.M. 4
378 243a Hope Collection of Psalm and Hymn Tunes 1802 My God, my life, my love Isaac Watts 1709 G S.M. 4
379 243b Blairsville Did Christ o'er sinners weep Benjamin Beddome 1769 f# S.M. 3
380 244a Holy Manna 1825 Brethren, we have met to worship George Atkins 1819 C 87.87.D. 4
381 244b Holy Manna 1825 Brethren, see poor sinners round you George Atkins 1819 C 87.87.D. 4
382 245a Dalston 1763 How pleased and blessed was I Isaac Watts 1719 B 668.668. 4
383 245b Volusia O! Cease, my wandering soul William Muhlenberg 1826 G S.M. 4
384 246a Amity 1785 My tongue repeats her vows Isaac Watts 1719 A 668.668. 4
385 246b Boylston 1832 Our days are as the grass Isaac Watts 1719 C S.M. 4
386 247a Nuremburg Once I thought my mountain strong John Newton 1779 B 77.77.77. 4
387 247b Bounding Billows 1831 Light of those whose dreary dwelling Charles Wesley 1745 A 87.87. 3
388 248 Palestine 1848 Blest land of Judea, thrice hallowed of song John Whittier 1843 C 11 12.12 12. 3
389 249 Wandering Sinner Come tell me, wandering sinner Unattributed 1827 D 76.76.T 3
390 250a The Dying Pilgrim Farewell, beloved companions H. Bingham 1840 d 76.76.D. 3
391 250b Dependence 1813 But I, with all my cares Isaac Watts 1719 a S.M. 3
392 251 Pennsville Along where murmuring waters Unattributed 1848 D 76.76.D. 4
393 252 The Trumpet 1830 The chariot, the chariot, its wheels roll in fire Henry Milman 1827 D 11 12.12 12. 4
394 253a Lamberton 1793 Is this the kind return Isaac Watts 1709 a S.M. 4
395 253b Warren 1802 Let all our tongues be one Isaac Watts 1711 A S.M. 4
396 254 Douglass 1831 Holy Ghost! Dispel our sadness Paul Gerhardt 1650 F 87.87.77.87. 4
397 255a Importunity Savior, visit thy plantation John Newton 1779 F 87.87.D. 4
398 255b Greenville Surely once thy garden flourished John Newton 1779 F 87.87.D. 4
399 256 Darley 1844 Come brethren and sisters, who love one another Unattributed 1840 a 12 8.12 8.D. 3
400 257 The Romish Lady Southern Harmony 1835 There was a Romish lady Unattributed 1835 A 76.76.D. 3
401 258 Christian's Delight Young people all, now at the ball G 87.87.D. 3
402 259 Mecklenburg 1820 Bright scenes of glory strike my sense Unattributed 1820 g 87.87.D. 4
403 260a Tamworth 1792 Feed me with the heavenly manna William Williams 1745 F 87.87.D. 4
404 260b Spring Place O Zion, afflicted with wave after wave James Grant 1784 a 11 11.11 11. 3
405 261 Young Ladies' Farewell 1848 Like yon bright cloud new forms assuming Miss J. W. Guding 1848 A 98.98.D. 4
406 262 Redeeming Grace Wyeth's Repository, Part Second 1813 Come all who love my Lord and Master Unattributed 1813 G 98.98.D. 4
407 263a Florida 1803 Let sinners take their course Isaac Watts 1719 e S.M. 4
408 263b Newingham 1770 Death! O the awful sound William Billings 1770 a S.M. 4
409 264 Morality David's Harp 1803 While beauty and youth are in their full prime Unattributed 1835 G 10 11.11 12. 3
410 265a Morality David's Harp 1803 While beauty and youth are in their full prime Unattributed 1835 G 10 11.11 12. 4
411 265b Raleigh To go from my home, and from kindred to part Parley Pratt 1840 A 12 11.12 11. 3
412 266 Babylonian Captivity 1813 Along the banks where Babel's current flows Joel Barlow 1785 f# 10 10.10 10. 4
413 267a Happy Land Hesperian Harp 1848 There is a happy land Andrew Young 1838 E 64.64.67.64. 4
414 267b Cornelia O Jesus, my Savior, to thee I submit Anonymous 1810 F 11 11.11 11. 3
415 268a O Tell Me No More 1835 O tell me no more of this world's vain store John Gambold 1742 G 10 11.10 11. 4
416 268b Kingsley Who, who would like alway away from his God F 11 11.11 11. 3
417 269a Unitia 1812 But this I do find, we two are so joined John Gambold 1742 G 10 11.10 11. 4
418 269b Taladega 1844 Come, thou fount of every blessing Robert Robinson 1759 A 87.87.D. 3
419 270a Davis Wyeth's Repository, Part Second 1813 O thou in whose presence my soul takes delight Joseph Swain 1791 G 11 8.11 8. 3
420 270b Mount Bether Where dost thou at noon-tide resort with thy sheep Joseph Swain 1791 F 11 8.11 8. 4
421 271 Samantha Franklin Harmonie 1821 O why should I wander an alien from thee Joseph Swain 1791 a 11 8.11 8.D. 4
422 272 The Hermit At the close of the day, when the hamlet is still James Beattie 1765 C 11 11.11 11.D. 4
423 273 Crucifixion 1820 Saw ye my Savior! Saw ye my Savior! Anonymous 1819 F 10 7.779. 4
424 274 Behold the Lamb of God Behold, behold the Lamb of God Joseph Hoskins 1789 a 86.86.88.86. 4
425 275a Restoration Wyeth's Repository, Part Second 1813 Ye captives restored and saints of the Lord Unattributed 1804 A 10 11.11 11. 4
426 275b Christmas Hymn 1743 A virgin unspotted, the prophets foretold Unattributed 1800 G 11 11.11 11. 4
427 276 De Kalb Sweet the moments, rich in blessing James Allen 1757 C 87.87.D. 4
428 277a Road's Town 1813 Daniel's wisdm may I know Anonymous 1827 a 77.77.77. 4
429 277b War Department Southern Harmony 1835 No more shall the sound of the war-whoop be heard Unattributed 1835 e 11 11.11 11. 3
430 278 Melody 1821 O how I have longed for the coming of God Anonymous 1810 C 11 11.11 11.D. 4
431 279 Day-Spring Christian, see! The orient morning John Leland 1790 G 87.87.87. 4
432 280 Missionary Hymn 1824 From Greenland's icy mountains Reginald Heber 1811 F 76.76.D. 4
433 281 The Gospel Among the Indians 1848 From realms where the day its first dawning extends Anonymous 1805 C 11 11.11 11. 4
434 282 Missionary Song 1841 O'er the gloomy hills of darkness William Pantycelyn 1772 D 87.87.87. 4
435 283 Missionaries in Palestine 1832 They have gone to the land where the patriarchs rest Thomas Hastings 1832 C 12 9.12 9.D. 4
436 284 Isles of the South 1848 Wake, isles of the south! Your redemption is near William Tappan 1822 E 11 11.11 11 11. 4
437 285 Missionary's Farewell Yes, my native land, I love thee A 87.87.D. 4
438 286 Missionary Call On Thibet's snow-capped mountains Deodatus Dutton 1831 C 76.76.D. 3
439 287 Monroe 1820 Jesus, my all, to heaven is gone John Cennick 1740 G L. M. D. 4
440 288 Gospel Morning 1831 The morning light is breaking Samuel Smith 1832 C 76.76.D. 4
441 289 Drummond 1845 Away from his home and the friends of his youth Unattributed 1835 A 11 11.12 12. 4
442 290 The Chariot of Mercy 1841 The chariot of mercy is speeding its way Mary Dana 1841 F 11 8.11 8.D. 3
443 291 Babylon is Fallen Hail the day so long expected Richard McNemar 1813 G 87.87.87.12 10. 4
444 292a Yarmouth 1792 When shall the voice of singing James Edmeston 1822 G 76.76.D. 4
445 292b Palmyra 1820 Come, thou long-expected Jesus Charles Wesley 1745 a 87.87.D. 4
446 293 Rock of Ages 1831 Rock of ages, cleft for me Augustus Toplady 1775 D 77.77.77. 4
447 294a Ohio Compilation of Genuine Church Music 1835 Come, my soul, and let us try Joseph Hart 1759 A 76.76.D. 4
448 294b Exultation 1820 Come, away to the skies, my beloved, arise Charles Wesley 1767 a 11.9.11.9. 4
449 295 Redemption 1805 Come friends and relations, let's join heart and hand Unattributed 1803 A 11 11.11 11. 4
450 296 Home, Sweet Home An alien to God, and a stranger to grace Anonymous 1830 F 11 11.11 11.5 11. 4
451 297 Expostulation Christian Lyre 1830 O turn ye, O turn ye, for why will ye die Josiah Hopkins 1830 A 11 11.11 11. 4
452 298a The Spiritual Sailor The people called Christians a 76.76.D. 4
453 298b The Resolve Christian Lyre 1831 I'll try to prove faithful Unattributed 1831 F 66.10 7. 4
454 299a The Spiritual Sailor 1835 Many have been impatient Anonymous 1810 a 76.76.D. 3
455 299b Grateful Tears Who shall forbid our grateful woe William Hunter 1845 G C.M. 3
456 300 The Lord Will Provide Though troubles assail, and dangers affright John Newton 1779 G 10 10.11 11.10 11. 4
457 301a Good Physician 1806 How lost was my condition John Newton 1779 e 76.76.D. 3
458 301b Harrison 1835 The worst of all diseases John Newton 1779 e 76.76.D. 3
459 302 Cumberland Come, children of Zion, and help me to sing Unattributed 1832 C 11 11.11 11. 4
460 303 Begone Unbelief Begone unbelief, my Savior is near John Newton 1779 f# 10 10.11 11. 3
461 304a Indiana 1848 Now with singing we praise Charles Wesley 1767 C 669.669. 4
462 304b Solicitation How happy are they Charles Wesley 1749 a 569.569. 4
463 305a Sweet Gliding Kedron 1848 Thou sweet gliding Kedron, by thy silver stream Maria De Fleury 1791 G 11 11.11 11. 4
464 305b Morning's Sweetness Awake with the sound of the bell Unattributed 1848 e L. M. D. 4
465 306a Star in the East 1831 Hail the blest morn, when the great Mediator Reginald Heber 1811 a 11 10.11 10.D. 4
466 306b Star in the East 1831 Cold on his cradle the dew-drops are shining Reginald Heber 1811 a 11 10.11 10.D. 4
467 307a Star of Glory He is our friend in the midst of temptation Reginald Heber 1811 C 11 10.11 10. 4
468 307b Edgefield How tedious and tasteless the hours John Newton 1779 f# L.M. 4
469 308 The Wanderer 1848 Mid scenes of confusion and creature complaints David Denham 1837 a 11 11.11 11.5 11. 4
470 309 Lena 1795 See the Lord of glory dying Joseph Hart 1759 f# 887.887. 4
471 310 The Family Bible Southern Harmony 1835 How painfully pleasing the fond recollection Unattributed 1818 C 12 11.12 11.D. 4
472 311 Ellison Agonizing in the garden Joseph Hart 1759 A 87.87.87. 3
473 312 The Rock In seasons of grief to my God I'll repair William Hunter 1842 A 11 12.12 11.8 11. 3
474 313a Impressive Hour In this calm, impressive hour Thomas Hastings 1820 E 77.77.77. 4
475 313b Kingswood 1799 Children of the heavenly King John Cennick 1740 A 77.77. 4
476 314a Bartimeus 1799 Mercy, O thou Son of David John Newton 1779 F 87.87. 4
477 314b Pentonville 1795 To bless thy chosen race Tate and Brady 1696 A S.M. 3
478 315a Conquering Soldier Christian Harmony 1805 O, when shall I see Jesus John Leland 17933 e 76.76.D. 4
479 315b McAnally Haste, my dull soul, arise Anonymous 1843 B 64.64.66.64. 4
480 316 Imandra 1820 O Jesus, my Savior, I know thou art mine Attrib. Caleb Taylor 1810 a 11 11.11 11. 4
481 317 The Faithful Soldier 1835 O, when shall I see Jesus John Leland 1793 A 77.77.D. 4
482 318a Parting Friends Christian Lyre 1831 When shall we all meet again Unattributed 1835 e 77.77.77. 4
483 318b Indian's Farewell Southern Harmony 1835 When our burnished locks are gray Unattributed 1835 e 77.77.77. 3
484 319a Mitylene Come, ye weary, heavy-laden Joseph Hart 1759 C 87.87.87. 4
485 319b How Charming is Jesus There we shall reign with Jesus Anonymous 1822 E 76.76.D. 3
486 320 Morning Star 1820 How splendid shines the morning star Philip Nicolai 1697 a 887.887.888. 4
487 321 Zion's Call My brethren all, on you I call Anonymous 1805 B 87.87.D. 4
488 322 Lucas Come, let us anew Charles Wesley 1749 B 66.6 11.D. 4
489 323 Collins O, hearken sinners, we have cause Attrib. George Askins 1817 G 87.87.77.77. 3
490 324 South Union Hosanna to Jesus! I'm filled with his praises Anonymous 1805 A 12 11.12 11.D. 3
491 325 Invitation New Come ye sinners, poor and wretched Joseph Hart 1759 G 87.87.D. 3
492 326a Kershaw David's Harp 1813 Lift your heads, ye friends of Jesus Charles Wesley 1758 a 87.87.12 7. 4
493 326b Richmond 1778 My beloved, haste away James Relly 1779 a 78.78.78. 4
494 327 The Bower of Prayer To go from my home, and from kindred to part Parley Pratt 1840 A 11 11.10 12. 3
495 328 Montague 1783 Now let our mournful songs record Isaac Watts 1719 d L.M. 4
496 329 Walworth 1761 The Lord, the Sovereign, sends his summons forth Isaac Watts 1719 D 10 10.10 10.10 10. 3
497 330 Gospel Trumpet 1799 Hark! How the gospel trumpet sounds Anonymous 1810 A 88.88.84. 4
498 331a North Cove 1830 There we shall in full chorus join Unattributed 1830 G 88.88.84. 3
499 331b Amsterdam 1730 Rise, my soul, and stretch thy wings Robert Seagrave 1742 G 76.76.77.76. 4
500 332 Light Street David's Harp 1813 What now is my object, my object and aim Charles Wesley 1762 G 11 8.11 8.D. 3
501 333 Scriptures Fulfilling See how the scriptures are fufilling John Granade 1804 A 98.98.D. 4
502 334 Stratfield 1786 Through every age, eternal God Isaac Watts 1719 f# L.M. 4
503 335 Schenectady 1805 From all that dwell below the skies Isaac Watts 1719 E L. M. D. 4
504 336 Mount Moro 1825 Come, Christians, be valiant, our Jesus is near us William Moore 1825 f# 12 11.12 11. 3
505 337 Spring 1817 Gently he draws my heart along Isaac Watts 1707 g L. M. D. 4
506 338a Emerald Gates 1820 Burst, ye emerald gates, and bring Richard Kempenfelt 1777 B 76.76.777. 4
507 338b Elysian 1821 Four and twenty elders rise Richard Kempenfelt 1779 G 76.76.77.77. 4
508 339 Shields Wyeth's Repository, Part Second 1813 When quiet in my house I sit Charles Wesley 1762 A 88.88.88. 4
509 340 Ebenezer 1831 Love divine, all loves excelling Charles Wesley 1747 C 87.87.D. 4
510 341a Sons of Sorrow 1821 Hail! Ye sighing sons of sorrow Anonymous 1795 Em 87.87.D. 3
511 341b Roby Hesperian Harp 1848 Tempest-tossed, troubled spirit Anonymous 1839 a 87.87.D. 3
512 342 Probation 1835 I find myself placed in a state of probation Unattributed 1835 C 12 11.12 11.D. 3
513 343 Exhortation 1800 Now in the heat of yoithful blood Isaac Watts 1707 a L.M. 4
514 344 Livonia American Musical Magazine 1800 I'll praise my Maker with my breath Isaac Watts 1719 e 88.88.88. 4
515 345 Greenfields Kentucky Harmonist 1820 How tedious and tasteless the hours John Newton 1779 A L. M. D. 4
516 346 Welsh 1750 There's a friend above all others Marianne Nunn 1817 A 84.84.88.84. 3
517 347a Prescott I would not live alway; I ask not to stay William Muhlenberg 1826 F 11 11.11 12. 4
518 347b Oregon Heavenly Father, sovereign Lord Charles Wesley 1740 C 77.77. 4
519 348 The Landscape 1848 Tis night, and the landscape is lovely no more James Beattie 1770 C 11 11.11 11.D. 4
520 349 Confidence Supplement to the Kentucky Harmony 1826 Arise, my soul, arise Charles Wesley 1739 a 66.66.88. 4
521 350 Eighty-Ninth Psalm Beauties of Psalmody 1786 Think, mighty God, on feeble man Isaac Watts 1719 d 888.888. 4
522 351 Gethsemane 1848 Go to dark Gethsemane James Montgomery 1825 G 77.77.77. 4
523 352 Vernon 1805 Come, O thou traveller unknown Charles Wesley 1742 e 88.88.88. 4
524 353 Cincinnati Sinner, hear thy Savior's call John Newton 1779 A 76.76.77.76. 4
525 354 Christian's Hope 1835 A few more days on earth to spend Anonymous 1822 A 88.86.D. 3
526 355 The Old Ship of Zion Come along, come along, and let us go home Unattributed 1810 A 11 7.11 11. 3
527 356 Spring Hill 1805 The Lord into his garden comes Anonymous 1801 G 886.886. 4
528 357 Garden Hymn 1805 The glorious time is coming on Anonymous 1801 G 886.886. 3
529 358 Pilgrim's Farewell Psalmodist's Companion 1793 Farewell, my friends, I must be gone Samuel Crossman 1664 G L. M. D. 4
530 359 Angels' Song 1821 He comes, he comes, the Judge severe Charles Wesley 1758 G L.M. 4
531 360a Hamburgh O Spirit of the living God James Montgomery 1823 G L.M. 4
532 360b World, Adieu 1831 World, adieu! Thou real cheat Abijah Forbush 1831 a 77.77.77. 4
533 361 Eustacy Now let me rise and join their song Isaac Watts 1706 A C.M. 3
534 362 Carnsville 1844 I love my blessed Savior Anonymous 1829 B 77.76.D. 4
535 363 Hope Hull 1848 Ye souls that are now bound for heaven Anonymous 1807 G 98.98.D. 4
536 364a Knight When thou, my righteous Judge, shall come Selina, Countess Huntingdon 1774 C 886.886. 3
537 364b New Preston 1844 The Savior meets his flock today Anonymous 1794 G 88.88.88. 3
538 365 Invocation Southern Harmony 1835 Rise, my soul, and stretch thy wings Robert Seagrave 1742 G 76.76.77.76. 4
539 366a Fidelity Cast on the fidelity Charles Wesley 1767 A 76.76.78.76. 3
540 366b Mount Olive Supplement to the Kentucky Harmony 1826 The King of saints, how fair his face Isaac Watts 1719 G L. M. D. 3
541 368a Sudbury 1794 What if the saint must die John Peck 1773 C S. M. D. 4
542 368b Spring Valley Easy Instructor 1803 I'll praise my Maker with my breath Isaac Watts 1719 D L. M. D. 4
543 369 Flower of Calvary 1848 The finest flower that ever blowed Joseph Swain 1791 F C.M. 4
544 370 Nashville 1820 The Lord into his garden comes Anonymous 1801 A 886.886. 4
545 371 Kingwood 1820 My days, my weeks, my months, my years Thomas Greene 1780 A 886.886. 4
546 372 Christian Dirge Thou art gone to the grave, but we will not deplore thee Reginald Heber 1818 B 13 11.12 12. 3
547 373 Caldwell's Funeral Thought 1837 Thou art gone to the grave, but twere wrong to deplore thee Reginald Heber 1818 F 13 11.12 11. 4
548 374 Holy City Columbian Harmony 1825 There is a holy city Anonymous 1811 A 76.76.D. 4
549 375 Dominion 1798 Jesus shall reign where-e'er the sun Isaac Watts 1719 E L.M. 4
550 376 Rhode Island 1799 Thou great mysterious God unknown Charles Wesley 1747 c 886.886. 3
551 377 New Canaan Wyeth's Repository, Part Second 1813 Ye children of Jesus, who're bound for the kingdom John Granade 1804 C 12 11.12 11.D. 3
552 378a Olney Virginia Sacred Musical Repository 1818 Come, thou fount of every blessing Robert Robinson 1759 G 87.87.D. 4
553 378b Portuguese Hymn 1799 Hither, ye faithful, haste with songs of triumph John Wade 1730 A 11 11.11 10. 3
554 379 True Love Come away to the skies Charles Wesley 1767 A 669.669. 4
555 380 Bristol 1785 The spacious firmament on high Joseph Addison 1712 F L. M. D. 4
556 381 Delight 1798 Upward I lift mine eyes Isaac Watts 1711 e 66.66.88. 4
557 382a Complaint 1790 Save us, O Lord! Aloud we pray Isaac Watts 1719 e L.M. 4
558 382b Greenfield 1782 God is our refuge in distress Tate and Brady 1696 a 888.888. 4
559 383 Woodland Southern Harmony 1835 There is an hour of peaceful rest William Tappan 1819 G 86.886. 4
560 384 Green Hills of Canaan 1837 Ye objects of sense, and enjoyments of time Benjamin Fraancis 1795 C 11 8.11 8. 4
561 385 Joyful Spring Virginia Sacred Musical Repository 1818 The voice of my beloved sounds Isaac Watts 1707 G 88.88.77. 3
562 386 Warwick 1768 The voice of my beloved sounds Isaac Watts 1707 A 88.88.77. 4
563 387 Salutation Western Harmony 1824 Good morning, brother pilgrim Caleb Taylor 1810 d 76.86.76.76. 3
564 388 Lenox 1782 Blow ye the trumpet, blow Charles Wesley 1749 C 66.66.88. 4
565 389 Sharon 1793 How pleasant 'tis to see Isaac Watts 1719 D 668.668. 4
566 390 The Jubilee Trump 1825 What sound is this salutes my ear John Granade 1804 A 886.886. 3
567 391 Friendship 1735 Friendship, in every willing mind Unattributed 1786 G 87.87.88.87. 4
568 392 Pilgrim 1805 Come, all ye mourning pilgrims dear John Granade 1794 f# 86.86.76.86. 4
569 393 Jesus Crucified Southern Harmony 1835 Vain, delusive world, adieu Charles Wesley 1742 a 76.76.78.76. 4
570 394 Carmarthen Musica Sacra 1778 Rejoice, the Lord is King Charles Wesley 1746 G 66.66.88. 4
571 395 Lovely Story Sacred Harp 1844 A story most lovely to tell Unattributed 1810 A L. M. D. 4
572 396 Southwell 1786 Tis finished, the Redeemer said Joseph Stennett 1769 E 886.886. 4
573 397 Lovely Vine 1805 Behold, a lovely vine Unattributed 1800 C S.M. 4
574 398 New Jordan 1815 On Jordan's stormy banks I stand Samuel Stennett 1787 c# C. M. D. 4
575 399 The Rose Tree 1820 There is a land of pleasure Anonymous 1815 A 78.78.D. 3
576 400 Paradise 1796 Now to the shinign realms above Isaac Watts 1709 D L. M. D. 4
577 401 Bellevue 1813 Ye tribes of Adam, join Isaac Watts 1719 F 66.66.88. 4
578 402 Few Happy Matches 1788 Say, mighty love, and teach my song Isaac Watts 1706 A 886.886. 4
579 403 Eden 1821 The Lord is the fountain of goodness and love Anonymous 1811 G 11 11.11 11. 4
580 404 Melodia 1793 The Lord of glory sends his summons forth Isaac Watts 1719 E 10 10.10 10.10 10. 4
581 405 Symphony 1790 Behold, the Judge descends, his guards are nigh Isaac Watts 1719 E 10 10.10 10.10 10. 4
582 406 Judgment 1785 Behold, my covenant stands forever good Isaac Watts 1719 C 10 10.10 10.10 10. 4
583 407 Justice 1786 The God of glory sends his summonsforth Isaac Watts 1719 C 10 10.10 10.10 10. 4
584 408a Solicitude Virginia Sacred Musical Repository 1818 How firm a foundation, ye saints of the Lord Robert Keen 1787 C 11 11.11 11. 4
585 408b New Jerusalem Tennessee Harmony 1818 My gracious Redeemer I love Benjamin Francis 1787 a L. M. D. 4
586 409 Amherst 1770 Lord of the worlds above Isaac Watts 1719 G 66.66.88. 4
587 410 Fading, Still Fading Fading, still fading, the last beam is shining Unattributed 1830 E Irregular 4
588 411 Watts' Harp Supplement to the Kentucky Harmony 1820 Say, mighty love, and teach my song Isaac Watts 1706 G 886.886. 4
589 412 Thou Art Passing Away 1848 Thou art passing away, thou art passing away Unattributed 1848 G 12 11.11 12. 4
590 413 Lebanon 1825 Drooping souls, no longer grieve Anonymous 1823 a 76.76.D. 4
591 414 Mourner 1821 Still out of the deepest abyss Charles Wesley 1747 C L. M. D. 4
592 415 Liberty David's Harp 1813 Prisoners of hope, lift up your heads Charles Wesley 1742 A 88.88.88. 4
593 416 Complainer 1835 I am a great complainer Unattributed 1835 G 76.76.D. 4
594 417 Witham Master, I own thy lawful claim Charles Wesley 1749 F 88.88.88. 4
595 418 Morgan Easy Instructor 1803 With songs and honors sounding loud Isaac Watts 1719 E C. M. D. 4
596 420 Lenox New 1848 Through tribulation deep Anonymous 1804 a 66.66.88. 4
597 421 Miss Hataway's Experience Young women all, I pray draw near A L. M. D. 3
598 422a Ganges Columbian and European Harmony 1802 Awaked by Sinai's awful sound Samson Occum 1774 D 886.886. 4
599 422b Ninety-Third 1805 We lift our hearts to thee Charles Wesley 1741 C S.M. 4
600 423 Psalm Forty-Sixth 1565 I'll praise my Maker with my breath Isaac Watts 1719 F 88.88.88. 4
601 424a Anticipation 1805 When thou, my righteous Judge, shall come Selina, Countess Huntingdon 1774 e 886.886. 4
602 424b Saint's Repose 1790 Death is a calm and sweet repose Ralph Erskine 1740 E L. M. D. 4
603 425 Olivet Easy Instructor 1803 On the cold ground, methinks I see Anonymous 1772 d 886.886. 4
604 426 De Beza 1565 Shout to Jehovah, all the earth Henry Ainsworth 1612 F L.M. 4
605 427 Break of Day 1848 Let me go, the day is breaking James Montgomery 1825 F 87.87.77. 4
606 428 Buckfield 1802 When strangers stand and hear me tell Isaac Watts 1707 C L.M. 4
607 429 The Blue Bird 1825 O how charming are the radiant bands James Denson 1844 a Anthem 3
608 430 Bruce's Address Christian Lyre 1831 Soldiers of the cross, arise Jared Waterbury 1831 A 77.76.78.86. 4
609 431 Mount Sion 1791 The hill of Zion yields Isaac Watts 1709 C S. M. D. 4
610 432a Bannockburn Lord of mercy and of might Reginald Heber 1827 C 77.75.D. 3
611 432b Horeb Hail to the Lord's anointed James Montgomery 1821 D 76.76.D. 3
612 433 Mount Hor Southern Harmony 1835 The day of the Lord Anonymous 1823 D 11 11.66.76. 3
613 434 Mount Pleasant 1793 There is a house not made with hands Isaac Watts 1707 F C.M. 4
614 435 Midnight Cry 1835 When the midnight cry began Unattributed 1832 A 76.76.D. 4
615 436 Huntington 1790 Lord, what a thoughtless wretch was I Isaac Watts 1719 A L. M. D. 4
616 437 Portsmouth 1821 Come, sinners, to the gospel feast Charles Wesley 1747 C L.M. 4
617 438 Invitation 1784 Hark! The Redeemer from on high Isaac Watts 1707 D L. M. D. 4
618 439 North Orange 1801 Jesus, the holy child, shall sit Isaac Watts 1707 E L. M. D. 4
619 440 St. Helen's 1750 How lovely are thy tents, O Lord Charles Wesley 1742 C 88.88.88. 4
620 441 Davis' Experience Come all ye young people, of every relation Unattributed 1835 A 12 11.12 11.D. 4
621 442a David's Victory 1825 Now your festal rites prepare Unattributed 1825 C 77.77.10 10. 4
622 442b Connecticut 1792 Join all the glorious names Isaac Watts 1707 D 66.66.88. 4
623 443 Warrenton 1822 Whither goest thou, pilgrim stranger Anonymous 1822 G 87.87.789. 3
624 444 Washington 1813 Dismiss us with thy blessing, Lord Joseph Hart 1759 a L. M. D. 4
625 445 Petersburg 1786 Thus saith the high and lofty one Isaac Watts 1707 D L. M. D. 3
626 446 Scotland 1793 Awake our souls, away our fears Isaac Watts 1707 E L. M. D. 4
627 447 All Saints New 1791 O, if my Lord would come and meet Isaac Watts 1709 d L. M. D. 4
628 449a Social Meeting Draw nigh to us, Jehovah Anonymous 1835 C 77.76.D. 4
629 449b Spanish Hymn Through thy protecting care Anonymous 1820 B 65.65.66.65.65. 4
630 450a Annapolis 1825 Ah, lovely appearance of death Charles Wesley 1746 D L. M. D. 3
631 450b Consolation New Wyeth's Repository, Part Second 1813 Come on, my partners in distress Charles Wesley 1749 a 886.886. 3
632 451 O How Pleasant Musical Reader 1817 O how pleasant 'tis to see Isaac Watts 1719 F 77.77. 4
633 452 Pastoral Elegy 1810 What sorrowful sounds do I hear Timothy Dwight 1798 e L. M. D. 4
634 453 Hartford 1779 This spacious earth is all the Lord's Isaac Watts 1719 d L. M. D. 4
635 454 Methodist and Formalist Good morning, brother pilgrim Caleb Taylor 1810 G 12 12.12 12.D. 3
636 456 Sinai 1801 Lord, when thou didst ascend on high Isaac Watts 1719 C L. M. D. 4
637 457 Middlebury 1823 We have laid up our love Charles Wesley 1767 A 669.669. 4
638 458 Cumberland 1796 The God of glory sends his summons forth Isaac Watts 1719 E 10 10.11 11. 4
639 459 Devotion 1793 Fly, fly me riches, fly me cares Robert Seagrave 1742 F Anthem 4
640 461a Shepherd 1742 Ours is the Sabbath school Anonymous 1845 A S.M. 4
641 461b How Kind the Saviour's Love How kind the Savior's love Anonymous 1836 G 66.66.88. 3
642 462a Reneau Children redeemed in every place Unattributed 1848 A 86.86.88. 4
643 462b Abingdon 1820 There is an hour when I must die Isaac Watts 1720 A L.M. 4
644 463 Indian's Petition 1846 Let me go to my home in the far distant west John Perry 1833 B 12 12.12 12. 4
645 464 Mary's Lamb Mary had a little lamb Sarah Hale 1830 A 76.86.86.86. 4
646 465 Sabbath School All the week we spend Thomas White 1830 E 55.55.77. 4
647 466 Kidder Come children young and lowly W. Fraser 1844 A 76.76.D. 4
648 467 Children's Hosannah When his salvation bringing John King 1830 G 76.76.D. 4
649 468 Royal Proclamation Southern Harmony 1835 Hear the royal proclamation Anonymous 1820 F 88.88.88. 4
650 469a Royal Proclamation Southern Harmony 1835 Hear the royal proclamation Anonymous 1820 F 88.88.88. 4
651 469b Tippett I saw a little child at play Jemima Luke 1842 G C.M. 4
652 470 Autumn Leaves 1820 See the leaves around us falling George Horne 1795 G 87.87.D. 4
653 471 Sweet Spring I have seen in the sweet spring time Mary Schindler 1842 C 11 9.11 9.88.11 9. 4
654 472a Erie 1790 Ye tribes of Adam, join Isaac Watts 1719 F 66.66.88. 4
655 472b O come, come away 1848 O come, come away Unattributed 1848 D 11 14.88.65. 4
656 473 Atkinson Southern Harmony 1835 E'en down to old age all my people shall prove Isaac Watts 1706 F 11 11.11 11. 3
657 474 Alexander Virginia Sacred Musical Repository 1818 Thou, my God, art good and wise Charles Wesley 1763 A 76.76.77.76. 4
658 475a New Farewell Southern Harmony 1835 Farewell, my loving friends, farewell Unattributed 1793 a 87.87.D. 4
659 475b Dwight As crushed by sudden storms Lydia Sigourney 1815 A C.M. 4
660 476a Chalmers Happy the child whose tender years Isaac Watts 1720 B C.M. 4
661 476b Laban 1830 There is beyond the sky Isaac Watts 1720 D S.M. 4
662 477 Vesper Hymn 1830 Hark! The vesper hymn is stealing Thomas Moore 1816 F 87.87.86.87. 3
663 478 Shed Not a Tear 1833 Shed not a tear o'er your friend's early bier Mary Schindler 1841 F 10 8.10 7.10 10.10 7. 3
664 479 Jeshurun None is like Jeshurun's God Charles Wesley 1742 A 76.76.77.76. 4
665 480a There's not a tint 1835 There's not a tint John Wallace 1825 E C.M. 4
666 480b American Gratitude Up to thee, almighty Father Attrib. Lovell 1842 C 87.87.D. 4
667 481 Sunday School Farewell Farewell, dear friend! A long farewell George Coles 1827 G C. M. D. 4
668 482a Hinton 1792 O Zion, afflicted with wave upon wave James Grant 1784 A 11 11.11 11. 3
669 482b Heavenly Welcome O when shall I see Jesus John Leland 1793 A 76.76.D. 3
670 483 The Last Rose of Summer Seraph 1819 Tis the last rose of summer Traditional 1830 F 12 12.11 12. 4
671 484 When Shall We Meet Again When shall we meet again Anonymous 1829 F 65.65.66.65. 4
672 485a Cheering Thought How charming the thought, that the spirits of bliss Anonymous 1845 A 11 11.11 11. 4
673 485b Joyful News Compilation of the Litanies 1787 That Jesus hears when children pray Anonymous 1842 F C.M. 3
674 486a All is Well Sacred Harp 1844 What's this that steals, that steals upon my frame Anonymous 1836 A 10 6.10 6.88.86. 3
675 486b All is Well Sacred Harp 1844 Hark, hark, my Lord, my Lord and Master's voice Anonymous 1836 A 10 6.10 6.88.86. 3
676 487 The light of Sabbath eve The light of Sabbath eve James Edmeston 1821 G 66.66.D. 3
677 488a The Scale 1835 Come, let us learn to sing Thomas Hastings 1835 G 68.68.778. 3
678 488b Childhood's Gladness We come in childhood's gladness Anonymous 1832 F 76.76.D. 3
679 489 America Harmonia Anglicana 1744 My country, 'tis of thee Samuel Smith 1831 F 664.6664. 4
680 490 Ode on Science 1798 The morning sun shines from the east Jazaniah Sumner 1798 G L.M.D.D. 4
681 492 Claremont 1799 Vital spark of heavenly flame Alexander Pope 1720 C Anthem 4
682 496 The Prodigal Son 1816 Behold the wretch whose lust and wine Isaac Watts 1707 b Anthem 4
683 499 John the Baptist 1844 In those days came John the Baptist Matthew 3:1 0 C Anthem 4
684 501 Danid's Lamentation 1778 David the King was grieved and moved 2 Samuel 18:33 0 a Anthem 4
685 502 Heavenly Vision 1786 I beheld, and lo! A great multitude Revelation 7:9 0 G Anthem 4
686 506 Judgment Anthem 1790 Hark ye mortals, hear the trumpet Anonymous 1789 e Anthem 4
687 514 Easter Anthem 1787 The Lord is risen indeed Edward Young 1742 A Anthem 4
688 517 Reverential Anthem 1844 Give unto the Lord the glory C Anthem 3
689 518 Rose of Sharon 1778 I am the rose of Sharon Song of Solomon 2:1 0 A Anthem 4
690 524 Funeral Anthem 1778 I heard a great voice from heaven Revelation 11:12 0 f# Anthem 4
691 525 Anthem of Praise O! Praise God in his holiness F Anthem 4
692 527 Farewell Anthem 1783 My friends, I am going a long and tedious journey Unattributed 1789 a Anthem 4
693 530 The Drunkard's Burial 1848 Not a sigh was heard nor a wailing note Unattributed 1848 G 10 10.10 10.10 8.98. 3
694 531 Meeting of the Waters 1848 O soft sleep the hills in their sunny repose Unattributed 1841 A 11 12.11 12. 3
695 532 The Drink The drink that's in the drunkard's bowl John Marsh 1841 F 86.86.88.66. 4
696 533 Ecstasy 1806 O that I could now adore him Anonymous 1794 C 87.87.44.47 4
697 534 Hail to the Cause 1710 Hail to the cause that in triumph advances Miss Julia A. P_ 1848 D 11 11.12 10. 4
698 536 Washington Badge Hesperian Harp 1848 Come, join our temperance army Folk song 1700 G 98.98.D. 3
699 537 Auld Lang Syne Scottish Traditional 1700 Be days of drinking wine forgot Unattributed 1848 G C. M. D. 4
700 538 The Last Distiller Twas the last sad distiller A 75.75.76.65. 4
701 539 Naxos 1848 Onward! onward! Band victorious Unattributed 1842 F 87.87.D. 4
702 540 Maltese Boatman's Song 1650 Hail, brothers Hail! We have met once more E. M. Pendleton 1848 G Irregular 3
703 541 Away the Bowl 1842 Our youthful hearts with temperance burn Anonymous 1842 C 86.86.886. 4
704 542 Sparkling and Bright Sparking and bright in its liquid light B 88.88.87.87. 3
705 543a Sign of the Sons of Temperance 1840 O, sweet the strains are swelling Peter Walker 1848 G C. M. D. 3
706 543b Drunkard's Wife Sadly and hopelessly mourning her lot E 10 10.10 10. 4
707 544 Angels' Whisper A baby was sleeping Unattributed 1848 C 66 12.77 12. 4
708 545 One Glass More ' 1800 Stay, mortal, stay, Nor heedless thus John Marsh 1841 B C. M. D.D. 4
709 546 Afflicted Zion 1848 Sitting by the streams that glide Anonymous 1840 F 77.777. 3
710 547 Hail Columbia 1789 Hail, Columbia! Happy land Joseph Hopkinson 1789 C 77.88.88. 3
711 548 The Inebriate's Lament Farewell, farewell, ye blest scenes of my childhood C 11 11.12 11. 3
712 549 The Star-Spangled Banner ' 1814 O say can you see by the dawn's early light Francis Key 1815 C 11 13.12 13. 3
713 550 The American Star 1842 Come, strike the bold anthem, the war-dogs are howling Unknown 1770 F 12 11.12 11.D. 3
714 551 Pilgrim Fathers 1848 The breaking waves dashed high Felicia Hemans 1828 D Irregular 4