The First Set of English Madrigals to 3-6 voices (Thomas Bateson): Difference between revisions
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==General information== | ==General information== | ||
{{PubDatePlace|1598|by Thomas Este in Venice.}} | {{PubDatePlace|1598|by Thomas Este in Venice.| }} | ||
'''Composer:''' [[Thomas Bateson]] | '''Composer:''' [[Thomas Bateson]]<br> | ||
'''Facsimile:''' [http://imslp.org/wiki/The_First_Set_of_English_Madrigales_to_3,_4,_5_and_6_Voices_%28Bateson,_Thomas%29 Reprint: London: Musical Antiquarian Society Publications, n.d. (ca.1840). Plate No. 2] [IMSLP] | '''Facsimile:''' [http://imslp.org/wiki/The_First_Set_of_English_Madrigales_to_3,_4,_5_and_6_Voices_%28Bateson,_Thomas%29 Reprint: London: Musical Antiquarian Society Publications, n.d. (ca.1840). Plate No. 2] [IMSLP] | ||
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|align="right"|11. || {{NoComp|If Love be blind|Thomas Bateson}} || 4 | |align="right"|11. || {{NoComp|If Love be blind|Thomas Bateson}} || 4 | ||
|- | |- | ||
|align="right"|12. || {{NoComp|Phyllis, farewell|Thomas Bateson}} || 4 | |align="right"|12. || {{NoComp|Phyllis, farewell a 4|Thomas Bateson}} || 4 | ||
|- | |- | ||
|align="right"|13. || {{NoComp|Those sweet, delightful lilies|Thomas Bateson}} || 5 | |align="right"|13. || {{NoComp|Those sweet, delightful lilies|Thomas Bateson}} || 5 | ||
| Line 71: | Line 71: | ||
|align="right"|29. || {{NoComp|When Oriana walk'd|Thomas Bateson}} || 6 | |align="right"|29. || {{NoComp|When Oriana walk'd|Thomas Bateson}} || 6 | ||
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==Works at CPDL== | |||
{{MultiPubList|yr,seq,gen,subg,vo,voices|1598}} | |||
{{DEFAULTSORT:{{WorkSorter}}}} | {{DEFAULTSORT:{{WorkSorter}}}} | ||
[[Category:Music publications]] | [[Category:Music publications]] | ||
[[Category:Music facsimiles]] | [[Category:Music facsimiles]] | ||
Revision as of 06:48, 17 June 2019
General information
Publication date and place: 1598 by Thomas Este in Venice.
Composer: Thomas Bateson
Facsimile: Reprint: London: Musical Antiquarian Society Publications, n.d. (ca.1840). Plate No. 2 [IMSLP]
List of works
| # | Title | Voices |
|---|---|---|
| 1. | Beauty is a lovely sweet | 3 |
| 2. | Love would discharge the duty | 3 |
| 3. | The nightingale | 3 |
| 4. | Ah me! my mistress scorns my love | 3 |
| 5. | Come follow me, fair nymphs | 3 |
| 6. | Your shining eyes | 3 |
| 7. | Whither so fast | 4 |
| 8. | Dame Venus hence to Paphos go | 4 |
| 9. | Down from above | 4 |
| 10. | Adieu! sweet love, adieu | 4 |
| 11. | If Love be blind | 4 |
| 12. | Phyllis, farewell a 4 | 4 |
| 13. | Those sweet, delightful lilies | 5 |
| 14. | And must I needs depart then? | 5 |
| 15. | Sweet Gemma (first part) | 5 |
| 16. | Yet stay alway (second part) | 5 |
| 17. | Strange were the life | 5 |
| 18. | Alas, alas! where is my love | 5 |
| 19. | O fly not love | 5 |
| 20. | Who prostrate lies | 5 |
| 21. | Sister awake! | 5 |
| 22. | Hark, hear you not? (Oriana's Epitaph) | 5 |
| 23. | Dear, if you wish | 6 |
| 24. | Fair Hebe, when dame Flora meets | 6 |
| 25. | Phyllis, farewell a 6 | 6 |
| 26. | Thirsis, on his fair Phyllis' breast reposing | 6 |
| 27. | Merrily my love and I | 6 |
| 28. | Music, some think, no music is | 6 |
| 29. | When Oriana walk'd | 6 |
Works at CPDL
- No works at CPDL