The First Set of English Madrigals to 3-6 voices (Thomas Bateson): Difference between revisions
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==General information== | ==General information== | ||
{{PubDatePlace|1598|by Thomas Este in Venice.| }} | |||
'''Composer:''' [[Thomas Bateson]] | '''Composer:''' [[Thomas Bateson]]<br> | ||
'''Facsimile:''' [http://imslp.org/wiki/The_First_Set_of_English_Madrigales_to_3,_4,_5_and_6_Voices_%28Bateson,_Thomas%29 Reprint: London: Musical Antiquarian Society Publications, n.d. (ca.1840). Plate No.2] [IMSLP] | '''Facsimile:''' [http://imslp.org/wiki/The_First_Set_of_English_Madrigales_to_3,_4,_5_and_6_Voices_%28Bateson,_Thomas%29 Reprint: London: Musical Antiquarian Society Publications, n.d. (ca.1840). Plate No. 2] [IMSLP] | ||
==List of works== | ==List of works== | ||
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!width=75 style="border-bottom: 1px solid"|Voices | !width=75 style="border-bottom: 1px solid"|Voices | ||
|- | |- | ||
|align="right"|1. || {{NoComp|Beauty is lovely sweet|Thomas Bateson}} || 3 | |align="right"|1. || {{NoComp|Beauty is a lovely sweet|Thomas Bateson}} || 3 | ||
|- | |- | ||
|align="right"|2. || {{NoComp|Love would discharge the duty|Thomas Bateson}} || 3 | |align="right"|2. || {{NoComp|Love would discharge the duty|Thomas Bateson}} || 3 | ||
|- | |- | ||
|align="right"|3. || {{NoComp|The nightingale | |align="right"|3. || {{NoComp|The nightingale|Thomas Bateson}} || 3 | ||
|- | |- | ||
|align="right"|4. || {{NoComp|Ah me | |align="right"|4. || {{NoComp|Ah me! my mistress scorns my love|Thomas Bateson}} || 3 | ||
|- | |- | ||
|align="right"|5. || {{NoComp|Come follow me, fair nymphs|Thomas Bateson}} || 3 | |align="right"|5. || {{NoComp|Come follow me, fair nymphs|Thomas Bateson}} || 3 | ||
|- | |- | ||
|align="right"|6. || {{NoComp|Your | |align="right"|6. || {{NoComp|Your shining eyes|Thomas Bateson}} || 3 | ||
|- | |- | ||
|align="right"|7. || {{NoComp|Whither so fast|Thomas Bateson}} || 4 | |align="right"|7. || {{NoComp|Whither so fast|Thomas Bateson}} || 4 | ||
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|align="right"|9. || {{NoComp|Down from above|Thomas Bateson}} || 4 | |align="right"|9. || {{NoComp|Down from above|Thomas Bateson}} || 4 | ||
|- | |- | ||
|align="right"|10. || {{NoComp|Adieu | |align="right"|10. || {{NoComp|Adieu! sweet love, adieu|Thomas Bateson}} || 4 | ||
|- | |- | ||
|align="right"|11. || {{NoComp|If Love be blind|Thomas Bateson}} || 4 | |align="right"|11. || {{NoComp|If Love be blind|Thomas Bateson}} || 4 | ||
|- | |- | ||
|align="right"|12. || {{NoComp|Phyllis, farewell|Thomas Bateson}} || 4 | |align="right"|12. || {{NoComp|Phyllis, farewell a 4|Thomas Bateson}} || 4 | ||
|- | |- | ||
|align="right"|13. || {{NoComp|Those sweet, delightful lilies|Thomas Bateson}} || 5 | |align="right"|13. || {{NoComp|Those sweet, delightful lilies|Thomas Bateson}} || 5 | ||
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|align="right"|17. || {{NoComp|Strange were the life|Thomas Bateson}} || 5 | |align="right"|17. || {{NoComp|Strange were the life|Thomas Bateson}} || 5 | ||
|- | |- | ||
|align="right"|18. || {{NoComp|Alas, alas | |align="right"|18. || {{NoComp|Alas, alas! where is my love|Thomas Bateson}} || 5 | ||
|- | |- | ||
|align="right"|19. || {{NoComp|O fly not | |align="right"|19. || {{NoComp|O fly not love|Thomas Bateson}} || 5 | ||
|- | |- | ||
|align="right"|20. || {{NoComp|Who prostrate lies|Thomas Bateson}} || 5 | |align="right"|20. || {{NoComp|Who prostrate lies|Thomas Bateson}} || 5 | ||
|- | |- | ||
|align="right"|21. || {{NoComp|Sister | |align="right"|21. || {{NoComp|Sister awake!|Thomas Bateson}} || 5 | ||
|- | |- | ||
|align="right"|22. || {{NoComp|Hark | |align="right"|22. || {{NoComp|Hark, hear you not? (Oriana's Epitaph)|Thomas Bateson}} || 5 | ||
|- | |- | ||
|align="right"|23. || {{NoComp|Dear, if you wish | |align="right"|23. || {{NoComp|Dear, if you wish|Thomas Bateson}} || 6 | ||
|- | |- | ||
|align="right"|24. || {{NoComp|Fair Hebe, when dame Flora meets|Thomas Bateson}} || 6 | |align="right"|24. || {{NoComp|Fair Hebe, when dame Flora meets|Thomas Bateson}} || 6 | ||
|- | |- | ||
|align="right"|25. || {{NoComp|Phyllis, farewell | |align="right"|25. || {{NoComp|Phyllis, farewell a 6|Thomas Bateson}} || 6 | ||
|- | |- | ||
|align="right"|26. || {{NoComp|Thirsis, on his fair Phyllis'breast reposing|Thomas Bateson}} || 6 | |align="right"|26. || {{NoComp|Thirsis, on his fair Phyllis' breast reposing|Thomas Bateson}} || 6 | ||
|- | |- | ||
|align="right"|27. || {{NoComp|Merrily my love and I|Thomas Bateson}} || 6 | |align="right"|27. || {{NoComp|Merrily my love and I|Thomas Bateson}} || 6 | ||
|- | |- | ||
|align="right"|28. || {{NoComp|Music, some think no music is|Thomas Bateson}} || 6 | |align="right"|28. || {{NoComp|Music, some think, no music is|Thomas Bateson}} || 6 | ||
|- | |- | ||
|align="right"|29. || {{NoComp|When Oriana walk'd|Thomas Bateson}} || 6 | |align="right"|29. || {{NoComp|When Oriana walk'd|Thomas Bateson}} || 6 | ||
|} | |} | ||
==Works at CPDL== | |||
{{MultiPubList|yr,seq,gen,subg,vo,voices|1598}} | |||
{{DEFAULTSORT:{{WorkSorter}}}} | |||
[[Category:Music publications]] | [[Category:Music publications]] | ||
[[Category:Music facsimiles]] | [[Category:Music facsimiles]] |
Revision as of 06:48, 17 June 2019
General information
Publication date and place: 1598 by Thomas Este in Venice.
Composer: Thomas Bateson
Facsimile: Reprint: London: Musical Antiquarian Society Publications, n.d. (ca.1840). Plate No. 2 [IMSLP]
List of works
# | Title | Voices |
---|---|---|
1. | Beauty is a lovely sweet | 3 |
2. | Love would discharge the duty | 3 |
3. | The nightingale | 3 |
4. | Ah me! my mistress scorns my love | 3 |
5. | Come follow me, fair nymphs | 3 |
6. | Your shining eyes | 3 |
7. | Whither so fast | 4 |
8. | Dame Venus hence to Paphos go | 4 |
9. | Down from above | 4 |
10. | Adieu! sweet love, adieu | 4 |
11. | If Love be blind | 4 |
12. | Phyllis, farewell a 4 | 4 |
13. | Those sweet, delightful lilies | 5 |
14. | And must I needs depart then? | 5 |
15. | Sweet Gemma (first part) | 5 |
16. | Yet stay alway (second part) | 5 |
17. | Strange were the life | 5 |
18. | Alas, alas! where is my love | 5 |
19. | O fly not love | 5 |
20. | Who prostrate lies | 5 |
21. | Sister awake! | 5 |
22. | Hark, hear you not? (Oriana's Epitaph) | 5 |
23. | Dear, if you wish | 6 |
24. | Fair Hebe, when dame Flora meets | 6 |
25. | Phyllis, farewell a 6 | 6 |
26. | Thirsis, on his fair Phyllis' breast reposing | 6 |
27. | Merrily my love and I | 6 |
28. | Music, some think, no music is | 6 |
29. | When Oriana walk'd | 6 |
Works at CPDL
- No works at CPDL