Talk:Sixth Service "in Verse for Two Counter-tenors" (Thomas Weelkes): Difference between revisions

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== Provenance? ==
== Provenance? ==


Both editions here seem to be identical copies of a modern published reconstruction (in copyright). (The Organ part and upper voices do not survive, and have been reconstructed for editions such as that by Michael Walsh: OUP, 1990.)
Both editions here seem to be identical copies of a modern published reconstruction (in copyright). (The Organ part and upper voices do not survive, and have been reconstructed by Michael Walsh: OUP, 1990, and others.)


It would be useful to identify the source material from which these CPDL editions were created.
It would be useful to identify the source material from which these CPDL editions were created.

Revision as of 21:50, 4 January 2020

Score #2881
Magnificat
Bar 48: Tenor E on strength should be D.
Bar 52: Soprano F G on ma-gi- should probably be E F, to match the Tenor two beats later. Accompaniment is wrong as well, in that case.
Bar 100: Soprano C on A- should be B
Jamesgibb 05:53, 12 June 2011 (CDT)

Provenance?

Both editions here seem to be identical copies of a modern published reconstruction (in copyright). (The Organ part and upper voices do not survive, and have been reconstructed by Michael Walsh: OUP, 1990, and others.)

It would be useful to identify the source material from which these CPDL editions were created.