Talk:Sixth Service "in Verse for Two Counter-tenors" (Thomas Weelkes): Difference between revisions

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Both editions here seem to be identical copies of a modern published reconstruction (in copyright). (The Organ part and upper voices do not survive, and have been reconstructed for editions such as that by Michael Walsh: OUP, 1990.)
Both editions here seem to be identical copies of a modern published reconstruction (in copyright). (The Organ part and upper voices do not survive, and have been reconstructed for editions such as that by Michael Walsh: OUP, 1990.)


It would be useful for the source material to be identified.
It would be useful to identify the source material from which these CPDL editions were created.

Revision as of 19:10, 4 January 2020

Score #2881
Magnificat
Bar 48: Tenor E on strength should be D.
Bar 52: Soprano F G on ma-gi- should probably be E F, to match the Tenor two beats later. Accompaniment is wrong as well, in that case.
Bar 100: Soprano C on A- should be B
Jamesgibb 05:53, 12 June 2011 (CDT)

Provenance?

Both editions here seem to be identical copies of a modern published reconstruction (in copyright). (The Organ part and upper voices do not survive, and have been reconstructed for editions such as that by Michael Walsh: OUP, 1990.)

It would be useful to identify the source material from which these CPDL editions were created.