Talk:Inviolata, integra et casta (Josquin des Prez): Difference between revisions

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* In bar 51, Cantus, the semibreve should be E rather than F
* In bar 51, Cantus, the semibreve should be E rather than F
* In bar 60, Cantus, the E should be D
[[User:Imruska|Imruska]] ([[User talk:Imruska|talk]]) 2020-03-30
[[User:Imruska|Imruska]] ([[User talk:Imruska|talk]]) 2020-03-30


;29733
;29733
* In bar 51, Cantus, the semibreve should be E rather than F.
* In bar 60, Cantus, the E should be D.
[[User:Imruska|Imruska]] ([[User talk:Imruska|talk]]) 2020-03-30
[[User:Imruska|Imruska]] ([[User talk:Imruska|talk]]) 2020-03-31
:Thanks for spotting this. Correction made, together with correction of a few typos in the underlay. Revised files uploaded.<br>
[[User:Jamesgibb|Jamesgibb]] ([[User talk:Jamesgibb|talk]]) 09:03, 31 March 2020 (UTC)

Revision as of 11:56, 31 March 2020

7927

Possible score errors:

  • In the title, the second word should be 'integra', not 'intagra'.
  • In bar 9, Cantus, the descending scale should be maintained, so the G should be an E: this is a melodic line that is repeated a number of times.
  • In bar 40, Tenor 1, an editorial B natural is desirable, to avoid the tritone.
  • In bar 102, Tenor 1, the second note should be G rather than F (other sources confirm this).
  • In bar 136, Tenor 1's first note again requires an editorial natural, I think.

Mick Swithinbank

The underlay in several parts looks odd in several of the parts, missing in some places and some odd word placings.
Jamesgibb (talk) 09:06, 29 July 2013 (UTC)

  • In bar 51, Cantus, the semibreve should be E rather than F
  • In bar 60, Cantus, the E should be D

Imruska (talk) 2020-03-30

29733
  • In bar 60, Cantus, the E should be D.

Imruska (talk) 2020-03-31