Talk:Hodie Christus natus est, SWV 315 (Heinrich Schütz): Difference between revisions
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Bar 26: Continuo - notes an octave up, compared with Spitta.<br> | Bar 26: Continuo - notes an octave up, compared with Spitta.<br> | ||
Bar 47: Soprano - underlay displaced left.<br> | Bar 47: Soprano - underlay displaced left.<br> | ||
Bar 61: Tenor - ''lel-'' for ''le-''.<br> | |||
Bar 77: Continuo - both notes should be G, not B{{flat}}, according to Spitta.<br> | |||
Bar 97: Soprano - ''lu-'' displaced right and extraneous ''l;''.<br> | Bar 97: Soprano - ''lu-'' displaced right and extraneous ''l;''.<br> | ||
[[User:Jamesgibb|Jamesgibb]] ([[User talk:Jamesgibb|talk]]) 11:13, 8 June 2018 (UTC) | [[User:Jamesgibb|Jamesgibb]] ([[User talk:Jamesgibb|talk]]) 11:13, 8 June 2018 (UTC) | ||
Latest revision as of 12:51, 8 June 2018
- 3638
Bar 26: Continuo - notes an octave up, compared with Spitta.
Bar 47: Soprano - underlay displaced left.
Bar 61: Tenor - lel- for le-.
Bar 77: Continuo - both notes should be G, not B♭, according to Spitta.
Bar 97: Soprano - lu- displaced right and extraneous l;.
Jamesgibb (talk) 11:13, 8 June 2018 (UTC)