Talk:Crux fidelis (John IV of Portugal): Difference between revisions
Jump to navigation
Jump to search
(more errors & comment added) |
mNo edit summary |
||
| Line 1: | Line 1: | ||
==CPDL #2254== | |||
Bar 4-5 Tied G sharp in Alto on "-ter" should be G natural<br> | Bar 4-5 Tied G sharp in Alto on "-ter" should be G natural<br> | ||
Bar 26 Soprano 3rd note. de Marco edition has G natural, instead of B, though it does not affect the harmony at all.<br> | Bar 26 Soprano 3rd note. de Marco edition has G natural, instead of B, though it does not affect the harmony at all.<br> | ||
[[User:Jamesgibb|Jamesgibb]] 05:31, 12 March 2011 (CST) | [[User:Jamesgibb|Jamesgibb]] 05:31, 12 March 2011 (CST) | ||
==All editions== | |||
All three version lack the Amen. | All three version lack the Amen. | ||
In the Marco edition: bars 1-2 Tenor tie missing; bar 5 Tenor 'om-' should be one note earlier; bars 7-8 Alto tie missing; bar 14 Alto 2nd note should be D natural; bar 16 Tenor the quaver should be a D; bar 17 Alto & Tenor 'mi-' shouldn't come until the 2nd beat; bar 21-2 Tenor the E should be tied across the barline with 'cla-' on the F#. | ;<big>CPDL #2254</big>: In the Marco edition: bars 1-2 Tenor tie missing; bar 5 Tenor 'om-' should be one note earlier; bars 7-8 Alto tie missing; bar 14 Alto 2nd note should be D natural; bar 16 Tenor the quaver should be a D; bar 17 Alto & Tenor 'mi-' shouldn't come until the 2nd beat; bar 21-2 Tenor the E should be tied across the barline with 'cla-' on the F#. | ||
In the Gibb edition: bar 8 Sop. 2nd note should be F. The editor missed the semibreve in bar 3, writing a minim instead and missing the crotchet rest and the barring is therefore a travesty thereafter. The final nota cambiata suspension in the tenor is missing. | ;<big>CPDL #23255</big>: In the Gibb edition: bar 8 Sop. 2nd note should be F. The editor missed the semibreve in bar 3, writing a minim instead and missing the crotchet rest and the barring is therefore a travesty thereafter. The final nota cambiata suspension in the tenor is missing. | ||
The original key is G. For a decent edition, see Rutter's published by OUP in 'Ash Wednesday to Easter for Choirs'. Get it right chaps! | The original key is G. For a decent edition, see Rutter's published by OUP in 'Ash Wednesday to Easter for Choirs'. Get it right chaps! | ||
[[User:RMD|RMD]] 08:44, 19 March 2011 (CDT) | [[User:RMD|RMD]] 08:44, 19 March 2011 (CDT) | ||
Revision as of 02:05, 20 March 2011
CPDL #2254
Bar 4-5 Tied G sharp in Alto on "-ter" should be G natural
Bar 26 Soprano 3rd note. de Marco edition has G natural, instead of B, though it does not affect the harmony at all.
Jamesgibb 05:31, 12 March 2011 (CST)
All editions
All three version lack the Amen.
- CPDL #2254
- In the Marco edition: bars 1-2 Tenor tie missing; bar 5 Tenor 'om-' should be one note earlier; bars 7-8 Alto tie missing; bar 14 Alto 2nd note should be D natural; bar 16 Tenor the quaver should be a D; bar 17 Alto & Tenor 'mi-' shouldn't come until the 2nd beat; bar 21-2 Tenor the E should be tied across the barline with 'cla-' on the F#.
- CPDL #23255
- In the Gibb edition: bar 8 Sop. 2nd note should be F. The editor missed the semibreve in bar 3, writing a minim instead and missing the crotchet rest and the barring is therefore a travesty thereafter. The final nota cambiata suspension in the tenor is missing.
The original key is G. For a decent edition, see Rutter's published by OUP in 'Ash Wednesday to Easter for Choirs'. Get it right chaps! RMD 08:44, 19 March 2011 (CDT)