Since Robin Hood (Thomas Weelkes): Difference between revisions

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{{Language|English}}
{{Language|English}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
'''Published:''' {{NoComp|Ayres or Phantasticke Sprits for Three Voices|Thomas Weelkes}}'' (London, 1608)
{{Published|}} {{NoComp|Ayres or Phantasticke Sprits for Three Voices|Thomas Weelkes}}'' (London, 1608)


'''Description:'''  
'''Description:'''  

Revision as of 20:22, 2 September 2016

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  • CPDL #10201:  Network.png
Editor: Vince M. Brennan (submitted 2005-11-19).   Score information: Letter, 2 pages, 33 kB   Copyright: Personal
Edition notes: Copyright (c) 2004 by V. M. Brennan
  • CPDL #09288:    Icon_snd.gif Nwc.png (NoteWorthy Composer)
Editor: Brian Russell (submitted 2005-08-30).   Score information: A4, 2 pages, 22 kB   Copyright: Personal
Edition notes: NoteWorthy Composer file may be viewed and printed with NoteWorthy Composer Viewer.
Editor: Stuart McIntosh (submitted 2001-04-22).   Score information: A4, 2 pages, 66 kB   Copyright: Personal
Edition notes:

General Information

Title: Since Robin Hood
Composer: Thomas Weelkes

Number of voices: 3vv   Voicing: SAB
or SAT
Genre: SecularMadrigal

Language: English
Instruments: A cappella

{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications. Ayres or Phantasticke Sprits for Three Voices (London, 1608)

Description:

External websites:

Original text and translations

English.png English text

Since Robin Hood, Maid Marian,
And Little John are gone-a,
The hobby horse was quite forgot
When Kemp did dance alone-a.

He did labour After the tabor.
For to dance then into France.
He took pains to skip it
In hope of gains. He did trip it
On the toe, diddle diddle diddle doe.