Sancta et immaculata a 5 (Andrea Gabrieli): Difference between revisions

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==Music files==
==Music files==
{{Legend}}
*{{PostedDate|2019-12-07}} {{CPDLno|56203}} [[Media:22-gabrieli--sancta_et_immaculata_virginitas----0-score.pdf|{{pdf}}]] [[Media:22-gabrieli--sancta_et_immaculata_virginitas----0-score.midi|{{mid}}]] [[Media:22-gabrieli-motet-a5-sancta_et_immaculata_virginitas-source.zip|{{Ly}}]]
*{{PostedDate|2015-06-11}} {{CPDLno|35709}} [{{filepath:Gabrieli_A_-_Sancta_et_Immaculata_-_2015-06-03_-_High_Pitch_SSATB.pdf}} {{pdf}}] [{{filepath:Gabrieli_A_-_Sancta_et_Immaculata_-_2015-06-03_-_High_Pitch_SSATB.mid}} {{mid}}] [{{filepath:Gabrieli_A_-_Sancta_et_Immaculata_-_2015-06-03_-_Lilypond_Source_Code.zip}} LilyPond]
{{Editor|Allen Garvin|2019-12-07}}{{ScoreInfo|Letter|4|86}}{{Copy|Creative Commons Attribution Non-Commercial}}
:'''Edition notes:'''
{{#Legend:}}
*{{PostedDate|2018-02-24}} {{CPDLno|48908}} [[Media:Sancta_et_immaculata_a_5_Gabrieli_A.pdf|{{pdf}}]] [[Media:Sancta_et_immaculata_a_5_Gabrieli_A.mid|{{mid}}]] [[Media:Sancta_et_immaculata_a_5_Gabrieli_A.mxl|{{XML}}]] [[Media:Sancta_et_immaculata_a_5_Gabrieli_A.capx|{{Capx}}]]
{{Editor|James Gibb|2018-02-24}}{{ScoreInfo|A4|4|69}}{{Copy|CPDL}}
:'''Edition notes:''' Reformatting of #35709, with minor corrections to the underlay. Note values halved.
 
*{{PostedDate|2015-06-11}} {{CPDLno|35710}} [[Media:Gabrieli_A_-_Sancta_et_Immaculata_-_2015-06-03_-_Low_Pitch_AATTB.pdf|{{pdf}}]] [[Media:Gabrieli_A_-_Sancta_et_Immaculata_-_2015-06-03_-_Low_Pitch_AATTB.mid|{{mid}}]] [[Media:Gabrieli_A_-_Sancta_et_Immaculata_-_2015-06-03_-_Low_Pitch_AATTB.mxl|{{XML}}]] [[Media:Gabrieli_A_-_Sancta_et_Immaculata_-_2015-06-03_-_Lilypond_Source_Code.zip|{{Zip}}]](LilyPond)
{{Editor|Alistair Kirk|2015-06-11}}{{ScoreInfo|A4|4|105}}{{Copy|CPDL}}
{{Editor|Alistair Kirk|2015-06-11}}{{ScoreInfo|A4|4|105}}{{Copy|CPDL}}
:'''Edition notes:'''Original source is in high clefs, so performance pitch was probably lower. With this score I've chosen to go down a tone for {{vcat|SSATB}}. However, the Lilypond source code is specially designed to be easy to transpose, change clefs, change music font size, change paper size etc, so users are encouraged to experiment. Corrections and constructive criticism welcomed.
:'''Edition notes:''' Down a fourth for lower voices (as suggested by Gabrieli's use of high clefs). Various voice combinations might work: {{vcat|SSTTB}}, {{vcat|AATTB}}, {{vcat|SSTBB|SSTBarB}}, {{vcat|AATBB|AATBarB}}. However, the Lilypond source code is specially designed to be easy to transpose, change clefs, change music font size, change paper size etc, so users are encouraged to experiment. Corrections and constructive criticism welcomed.
 
*{{PostedDate|2015-06-11}} {{CPDLno|35709}} [[Media:Gabrieli_A_-_Sancta_et_Immaculata_-_2015-06-03_-_High_Pitch_SSATB.pdf|{{pdf}}]] [[Media:Gabrieli_A_-_Sancta_et_Immaculata_-_2015-06-03_-_High_Pitch_SSATB.mid|{{mid}}]] [[Media:Gabrieli_A_-_Sancta_et_Immaculata_-_2015-06-03_-_High_Pitch_SSATB.mxl|{{XML}}]] [[Media:Gabrieli_A_-_Sancta_et_Immaculata_-_2015-06-03_-_Lilypond_Source_Code.zip|{{Zip}}]](LilyPond)
{{Editor|Alistair Kirk|2015-06-11}}{{ScoreInfo|A4|4|105}}{{Copy|CPDL}}
:'''Edition notes:'''Original source is in high clefs, so performance pitch was probably lower. With this score I've chosen to go down a tone for {{vcat|SSATB}}. However, the Lilypond source code is specially designed to be easy to transpose, change clefs, change music font size, change paper size etc, so users are encouraged to experiment. Corrections and constructive criticism welcomed.


==General Information==
==General Information==
'''Title:''' ''Sancta et Immaculata a 5''<br>
'''Title:''' ''Sancta et Immaculata a 5'' (see also [[Sancta et immaculata a 4 (Andrea Gabrieli)|4vv setting)]]<br>
{{Composer|Andrea Gabrieli}}
{{Composer|Andrea Gabrieli}}
{{Lyricist|}}
{{Lyricist|}}


{{Voicing|5|SSATB}}<br>
{{Voicing|5|SSATB}}<br>
{{Genre|Sacred|Motets|Responsories}} vi at {{Cat|Midnight Mass|Matins of Christmas}}
{{Genre|Sacred|Marian|Motets|Responsories}} vi at {{Cat|Midnight Mass|Matins of Christmas}}
{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
'''Published:''' 1565
{{Pub|1|1565|in ''{{NoCo|Sacrae cantiones quinque vocum, liber primus}}''|no=13}}


'''Description:'''  
'''Description:'''
A short, but melismatic and lyrical Marian motet suitable for all liturgical contexts associated with the Virgin Mary.
A short, but melismatic and lyrical Marian motet suitable for all liturgical contexts associated with the Virgin Mary.
As suggested on the 1565 title page, instrumental support or substitution is optional but worth considering. The source is in high clefs, so downward transposition for performance was likely.


Source: Andreae Gabrielis Sacrae Cantiones [...], Liber Primus , published Antonio Gardano, Venice 1565. This is Gabrieli's first published collection of his compositions and shows his early style. 1565 is an interesting date as Gabrieli's star was just rising in Venice - he had travelled to Munich in 1562, befriending Orlandus Lassus, and then he became organist at San Marco in 1566. Quite possibly this collection, dedicated to Prince Albert, Duke of Bavaria and probably at least partially composed while in Munich, helped Gabrieli to gain the post.
'''External websites:'''
 
As suggested on the 1565 title page, instrumental support or substitution is optional but worth considering. The source is in high clefs, so downward transposition for performance was likely.
 
'''External websites:'''  


==Original text and translations==
==Original text and translations==
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[[Category:Renaissance music]]
[[Category:Renaissance music]]
[[Category:Christmas]]
[[Category:Christmas]]
[[Category:Christmas day]]
[[Category:Marian feasts]]
[[Category:Christmas vigil]]
[[Category:Marian]]
[[Category:Our Lady]]

Revision as of 21:03, 6 January 2021

Music files

  • (Posted 2019-12-07)  CPDL #56203:       
Editor: Allen Garvin (submitted 2019-12-07).   Score information: Letter, 4 pages, 86 kB   Copyright: CC BY NC
Edition notes:
L E G E N D Disclaimer How to download
ICON SOURCE
Icon_pdf.gif Pdf
Icon_snd.gif Midi
MusicXML.png MusicXML
Logo_capella-software_kurz_2011_16x16.png Capella
Icon_zip.gif Zip file
File details.gif File details
Question.gif Help
  • (Posted 2018-02-24)  CPDL #48908:         
Editor: James Gibb (submitted 2018-02-24).   Score information: A4, 4 pages, 69 kB   Copyright: CPDL
Edition notes: Reformatting of #35709, with minor corrections to the underlay. Note values halved.
  • (Posted 2015-06-11)  CPDL #35710:        (LilyPond)
Editor: Alistair Kirk (submitted 2015-06-11).   Score information: A4, 4 pages, 105 kB   Copyright: CPDL
Edition notes: Down a fourth for lower voices (as suggested by Gabrieli's use of high clefs). Various voice combinations might work: SSTTB, AATTB, SSTBarB, AATBarB. However, the Lilypond source code is specially designed to be easy to transpose, change clefs, change music font size, change paper size etc, so users are encouraged to experiment. Corrections and constructive criticism welcomed.
  • (Posted 2015-06-11)  CPDL #35709:        (LilyPond)
Editor: Alistair Kirk (submitted 2015-06-11).   Score information: A4, 4 pages, 105 kB   Copyright: CPDL
Edition notes:Original source is in high clefs, so performance pitch was probably lower. With this score I've chosen to go down a tone for SSATB. However, the Lilypond source code is specially designed to be easy to transpose, change clefs, change music font size, change paper size etc, so users are encouraged to experiment. Corrections and constructive criticism welcomed.

General Information

Title: Sancta et Immaculata a 5 (see also 4vv setting)
Composer: Andrea Gabrieli
Lyricist:

Number of voices: 5vv   Voicing: SSATB

Genre: SacredMariaMotetResponsory vi at Matins of Christmas

Language: Latin
Instruments: A cappella

First published: 1565 in Sacrae cantiones quinque vocum, liber primus, no. 13

Description: A short, but melismatic and lyrical Marian motet suitable for all liturgical contexts associated with the Virgin Mary. As suggested on the 1565 title page, instrumental support or substitution is optional but worth considering. The source is in high clefs, so downward transposition for performance was likely.

External websites:

Original text and translations

Original text and translations may be found at Sancta et immaculata virginitas.