Salve, Regina (Jean Roger-Ducasse): Difference between revisions
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{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|Organ}} | {{Instruments|Organ}} | ||
{{Published|Paris: Durand & | {{Published|1911|Paris: Durand & C<sup>ie</sup>, Plate D & F. 8050.}} | ||
'''Description:''' Roger-Ducasse's setting of the Marian antiphon "Salve Regina" is for one or more high voices (soprano or tenor) with organ or piano accompaniment. | '''Description:''' Roger-Ducasse's setting of the Marian antiphon "Salve Regina" is for one or more high voices (soprano or tenor) with organ or piano accompaniment. | ||
Revision as of 10:54, 14 December 2018
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- CPDL #28702:
- Editor: Ross Jallo (submitted 2013-04-01). Score information: Letter, 4 pages, 102 kB Copyright: Public Domain
- Edition notes: Transposed down a half-step, from F# Major to F Major.
General Information
Title: Salve, Regina
Composer: Jean Roger-Ducasse
Number of voices: 1v Voicing: unison
Genre: Sacred, Votive antiphon
Language: Latin
Instruments: Organ
{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.
Description: Roger-Ducasse's setting of the Marian antiphon "Salve Regina" is for one or more high voices (soprano or tenor) with organ or piano accompaniment.
Original text and translations
Original text and translations may be found at Salve Regina.