Salve, Regina (Jean Roger-Ducasse): Difference between revisions

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{{Language|Latin}}
{{Language|Latin}}
{{Instruments|Organ}}
{{Instruments|Organ}}
{{Published|1911|Paris: Durand & C<sup>ie</sup>, Plate D & F. 8050.}}  
{{Pub|1|1911|Paris: Durand & C<sup>ie</sup>, Plate D & F. 8050.}}  


'''Description:''' Roger-Ducasse's setting of the Marian antiphon "Salve Regina" is for one or more high voices (soprano or tenor) with organ or piano accompaniment.
'''Description:''' Roger-Ducasse's setting of the Marian antiphon "Salve Regina" is for one or more high voices (soprano or tenor) with organ or piano accompaniment.

Revision as of 13:54, 15 October 2019

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  • CPDL #28702:     
Editor: Ross Jallo (submitted 2013-04-01).   Score information: Letter, 4 pages, 102 kB   Copyright: CPDL
Edition notes: Transposed down a half-step, from F# Major to F Major.

General Information

Title: Salve, Regina
Composer: Jean Roger-Ducasse

Number of voices: 1v   Voicing: unison

Genre: Sacred, Votive antiphon

Language: Latin
Instruments: Organ

First published: 1911 Paris: Durand & Cie, Plate D & F. 8050

Description: Roger-Ducasse's setting of the Marian antiphon "Salve Regina" is for one or more high voices (soprano or tenor) with organ or piano accompaniment.

Original text and translations

Original text and translations may be found at Salve Regina.

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