Regem cui omnia vivunt (Cristóbal de Morales): Difference between revisions
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==Music files== | ==Music files== | ||
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*{{PostedDate|2019-07-06}} {{CPDLno|54696}} [[Media:Regem cui omnia vivunt (Morales).pdf|{{pdf}}]] | *{{PostedDate|2019-07-06}} {{CPDLno|54696}} [[Media:Regem cui omnia vivunt (Morales).pdf|{{pdf}}]] [[Media:Regem cui omnia vivunt (Morales).mxl|{{XML}}]] | ||
{{Editor|Richard Mix|2019-07-06}}{{ScoreInfo|Letter|6|66}}{{Copy|CPDL}} | {{Editor|Richard Mix|2019-07-06}}{{ScoreInfo|Letter|6|66}}{{Copy|CPDL}} | ||
:{{EdNotes|on 2 staves; original pitch & note values; after Pedrell}} | :{{EdNotes|on 2 staves; original pitch & note values; after Pedrell.}} | ||
==General Information== | ==General Information== |
Latest revision as of 20:21, 7 January 2022
Music files
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- Editor: Richard Mix (submitted 2019-07-06). Score information: Letter, 6 pages, 66 kB Copyright: CPDL
- Edition notes: on 2 staves; original pitch & note values; after Pedrell.
General Information
Title: Regem quia omnia vivunt
Composer: Cristóbal de Morales
Lyricist: Psalm 95
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Burial service
Language: Latin
Instruments: A cappella
First published: 1894
Description: Invitatory from Officium defunctorum, consisting of Ps. XCIIII (95) and two different versions of the antiphon. There is extensive discussion and some facsimiles in Grayson Wagstaff: Morales's Officium, Chant Traditions, and Performing 16th-Century Music, Early Music Vol. 32, No. 2 (May, 2004), pp. 225-243
External websites:
Original text and translations
Original text and translations may be found at Regem cui omnia vivunt (Melchor Robledo).