Pierre de Manchicourt: Difference between revisions

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*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four masses, one 6vv motet, seven 5vv motets and three 4vv motets </small>
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four masses, one 6vv motet, seven 5vv motets and three 4vv motets </small>
Manchicourt's works also appear in numerous printed collections from 1532 to 1580, including the following that are catalogued at CPDL:
Manchicourt's works also appear in numerous printed collections from 1532 to 1580, including the following that are catalogued at CPDL:
;Masses:
;Masses
:*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two mass settings, one of which opens the first of the seven volumes of this collection </small>
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two mass settings, one of which opens the first of the seven volumes of this collection </small>
;Motets:
;Motets
:*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small>
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small>
:*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small>
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small>
:*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small>
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small>
:*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small>
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small>
:*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small>
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small>
:*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small>
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small>
:*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small>
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small>
:*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small>
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small>
:*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small>
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small>
:*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small>
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small>
:*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains two 4vv motets </small>
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains two 4vv motets </small>
:*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small>
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small>
:*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small>
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small>
:*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small>
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small>
:*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small>
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small>
:*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small>
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small>
:*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small>
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small>
:*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small>
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small>
:*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small>
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small>
:*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small>
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small>
:*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small>
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small>
:*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small>
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small>
:*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small>
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small>
:*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small>
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small>
:*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet </small>
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet </small>
:*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small>
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small>
:*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small>
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small>
:*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small>
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small>
;''Chansons:''
;''Chansons''
:*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small>
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small>
:*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small>
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small>
:*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small>
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small>
:*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small>
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small>
:*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small>
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small>
:*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small>
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small>
:*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small>
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small>
:*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small>
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small>
:*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small>
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small>
:*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small>
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small>
:*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small>
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small>


==External links==
==External links==

Revision as of 11:53, 1 November 2021

Aliases: Mancicourt, Manchicurti

Life

Born: c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)

Died: 5 October 1564, Madrid

Biography

Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, Johannes Ockeghem. For at least nine years, from 1545 to 1554, he held the post of maître de chapelle at Nôtre-Dame Cathedral in Tournai; Nicolas Gombert, whose compositional influence is clearly evident in Manchicourt’s later works, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, Nicolas Payen, in 1559, Manchicourt was appointed maestro de capilla flamenca (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by Jean de Bonmarché, continuing an unbroken line of Flemish incumbents stretching back to Marbrianus de Orto in 1512.

The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour he bestowed on no other, and emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries Gombert, Jacobus Clemens and Thomas Crecquillon — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.


Click here to search for this composer on CPDL

View the Wikipedia article on Pierre de Manchicourt.

List of choral works

Sacred works

Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a Magnificat, 71 motets and two chansons spirituelles. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza (E–Zvp Armario C-3, MS 14) whose contents are not documented.

Masses, mass section, Magnificat

Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the Missa de Requiem). As was common practice, the final Agnus Dei of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.

  • Missa Ceste une dure departie 4vv — on Sermisy’s chanson
  • Missa Congratulamini 4(6)vv — on an unidentified model
  • Missa Cuidez vous que Dieu 5(6)vv — on Richafort’s chanson
  • Missa De retourner 4vv — on an anon. chanson [in Attaingnant, RISM 1528/6]
  • Missa Deus in adjutorium 4(5)vv — on Sermisy’s motet
  • Missa de Domina Virgine Maria 5(6)vv — on Mass IV, IX as in Liber Usualis
  • Missa Ego flos campi 4vv — on Le Heurteur’s motet? (see Note (1))
  • Missa Gris et tannet 4(5)vv — on Sermisy’s chanson
  • Missa Nisi Dominus 4(5)vv — on L’Héritier’s motet
  • Missa de Requiem 5vv — using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a cantus firmus, similar to Richafort's Requiem
  • Domine Deus 2vv — mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers
  • Magnificat secundi toni 4(5)vv — alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]

Notes:
(1) Despite Grove’s attribution, there appears to be no such motet by Guillaume Le Heurteur among his known works, nor any other surviving setting of Ego flos campi that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs.
(2) Although Grove states that Nicolas Gombert’s five-voice chanson of the same name is the model, the motifs in the mass more closely resemble Benedictus Appenzeller's four-voice setting: most notably, the opening phrase of the Kyrie — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s chanson. Thomas Crecquillon wrote a five-voice mass setting on the same Appenzeller chanson.

Latin sacred motets

The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), one with doubtful attribution to another composer (^), five with unresolved conflicting attribution (?), and two contrafacta of other Manchicourt motets (°).

Chansons spirituelles

These two chansons are a French paraphrase of Psalm 130, and appear in one printed source as two partes of a single work:

Summary of sacred works available at CPDL (listed automatically)

Secular works

Manchicourt's surviving secular output includes three dedicatory motets, and fifty French chansons that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).

Latin dedicatory motets

  • Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – in praise of Charles V
  • Nil pace est melius 5vv (2.p. Vive igitur felix) – in celebration of a treaty restoring possessions to Duke Moritz of Saxony
  • O decus, o patrie lux 5vv (2.p. Salve, pontificum) — in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets

Chansons

Summary of secular works available at CPDL (listed automatically)

 

Publications

Three of the pre-eminent publishers of the mid-16th century each devoted one of their volumes solely to Manchicourt’s works:

Two manuscripts that contain only Manchicourt’s works are held in the library of the Benedictine monastery in Montserrat, Catalunya:

  • Montserrat, Biblioteca del Monestir, MS 768 ‘Douze messe musicales composees par M.P. de Manchicourt’ (Brussels, c.1545–55) — from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen masses
  • Montserrat, Biblioteca del Monestir, MS 772 ‘Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt’ (Madrid, c.1560) — possibly copied by the composer himself during his tenure in the Court of Philip II; contains four masses, one 6vv motet, seven 5vv motets and three 4vv motets

Manchicourt's works also appear in numerous printed collections from 1532 to 1580, including the following that are catalogued at CPDL:

Masses
  • Viginti missarum musicalium (Attaingnant, 1532) — contains two mass settings, one of which opens the first of the seven volumes of this collection
Motets
Chansons

External links

Works by Pierre de Manchicourt in the Petrucci Music Library (IMSLP)