O come, let us lift up our voice (Thomas Clark): Difference between revisions

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*{{PostedDate|2017-01-06}} {{CPDLno|42549}} [[Media:ClarT-OComeLetUsLiftUp.pdf|{{pdf}}]] [[Media:ClarT-OComeLetUsLiftUp.mid|{{mid}}]] [[Media:ClarT-OComeLetUsLiftUp.mxl|{{XML}}]] [[Media:ClarT-OComeLetUsLiftUp.sib|{{sib}}]] (Sibelius 7)
*{{PostedDate|2017-01-06}} {{CPDLno|42549}} [[Media:ClarT-OComeLetUsLiftUp.pdf|{{pdf}}]] [[Media:ClarT-OComeLetUsLiftUp.mid|{{mid}}]] [[Media:ClarT-OComeLetUsLiftUp.mxl|{{XML}}]] [[Media:ClarT-OComeLetUsLiftUp.sib|{{sib}}]] (Sibelius 7)
{{Editor|Edmund Gooch|2017-01-06}}{{ScoreInfo|A4|2|60}}{{Copy|Public Domain}}
{{Editor|Edmund Gooch|2017-01-06}}{{ScoreInfo|A4|2|60}}{{Copy|Public Domain}}
:'''Edition notes:''' The original order of parts is 2nd - 1st - [Instrumental bass] in the opening symphony, and Tenor - [Alto] - Treble - [Bass] - [Instrumental bass] in the remainder of the piece. The alto and tenor voice parts are given in the treble clef an octave above sounding pitch in the source. The treble-range instumental parts of the symphonies in bars 16-17 and 32-36 are given on the voice parts in the source, with the second treble-range instrumental part printed on the tenor stave at the same pitch as given on the alto stave in this edition (i.e. this has not been transposed by an octave in transcription). The first verse of text is underlaid in the source, with the further three verses given here printed after the music. The first time bar has been added editorially, to accommodate the repeat which is indicated in the source by the use of 'segno' marks.
:{{EdNotes|The original order of parts is 2nd - 1st - [Instrumental bass] in the opening symphony, and Tenor - [Alto] - Treble - [Bass] - [Instrumental bass] in the remainder of the piece. The alto and tenor voice parts are given in the treble clef an octave above sounding pitch in the source. The treble-range instumental parts of the symphonies in bars 16-17 and 32-36 are given on the voice parts in the source, with the second treble-range instrumental part printed on the tenor stave at the same pitch as given on the alto stave in this edition (i.e. this has not been transposed by an octave in transcription). The first verse of text is underlaid in the source, with the further three verses given here printed after the music. The first time bar has been added editorially, to accommodate the repeat which is indicated in the source by the use of 'segno' marks.}}
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==General Information==
==General Information==
{{Title|''O come, let us lift up our voice''}}
{{Title|''O come, let us lift up our voice''}}

Revision as of 01:19, 30 April 2021

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  • (Posted 2017-01-06)  CPDL #42549:        (Sibelius 7)
Editor: Edmund Gooch (submitted 2017-01-06).   Score information: A4, 2 pages, 60 kB   Copyright: Public Domain
Edition notes: The original order of parts is 2nd - 1st - [Instrumental bass] in the opening symphony, and Tenor - [Alto] - Treble - [Bass] - [Instrumental bass] in the remainder of the piece. The alto and tenor voice parts are given in the treble clef an octave above sounding pitch in the source. The treble-range instumental parts of the symphonies in bars 16-17 and 32-36 are given on the voice parts in the source, with the second treble-range instrumental part printed on the tenor stave at the same pitch as given on the alto stave in this edition (i.e. this has not been transposed by an octave in transcription). The first verse of text is underlaid in the source, with the further three verses given here printed after the music. The first time bar has been added editorially, to accommodate the repeat which is indicated in the source by the use of 'segno' marks.

General Information

Title: O come, let us lift up our voice
Composer: Thomas Clark
Lyricist: John Hopkins

Number of voices: 4vv   Voicing: SATB

Genre: SacredHymn   Meter: 86. 86 (C.M.)

Language: English
Instruments: Basso continuo

First published: 1830 in A Ninth Set of Psalm Tunes, p. 15
Description: Setting of four verses selected from Ps. 95 in the metrical Old Version.

External websites:

Original text and translations

Original text and translations may be found at Psalm 95.