Non vos relinquam orphanos (Charles H. Giffen): Difference between revisions
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==Music files== | ==Music files== | ||
{{Legend}} | {{#Legend:}} | ||
; Original key (SSAB) | |||
*{{PostedDate|2017-06-02}} {{CPDLno|44814}} [[Media:Giffen-Non_vos_relinquam_orphanos-SSAB-17.pdf|{{pdf}}]] [[Media:Giffen-Non_vos_relinquam_orphanos-SSAB-17.mp3|{{mp3}}]] [[Media:Giffen-Non_vos_relinquam_orphanos-SSAB-17.mxl|{{XML}}]] | |||
{{Editor|Charles H. Giffen|2017-06-02}} {{ScoreInfo|Letter|4|101}}{{Copy|Creative Commons Attribution Non-Commercial No Derivatives}} | |||
:{{EdNotes|This SSAB score is a revised version (2017) of the original work. Keyboard reduction of the a cappella score included.}} | |||
*{{PostedDate|2011-04-20}} {{CPDLno|23401}} [[Media:Giffen-Non vos relinquam orphanos-SSAB.pdf|{{pdf}}]] [[Media:Giffen-Non vos relinquam orphanos.mp3|{{mp3}}]] | |||
*{{CPDLno|23401}} [[Media:Giffen-Non vos relinquam orphanos-SSAB.pdf|{{pdf}}]] [[Media:Giffen-Non vos relinquam orphanos.mp3|{{mp3}}]] | |||
{{Editor|Charles H. Giffen|2011-04-20}}{{ScoreInfo|Letter|3|88}}{{Copy|Personal}} | {{Editor|Charles H. Giffen|2011-04-20}}{{ScoreInfo|Letter|3|88}}{{Copy|Personal}} | ||
: | :{{EdNotes|Original version. Bilingual (Latin, English) edition. Copyright by the composer for CPDL, this work may be freely copied, distributed, performed, or recorded. Please [[Talk:Charles H. Giffen|inform the composer]] of any performances of this work. Uploaded corrected PDF on 2011-07-06, fixing m. 24 Alto part, second whole note is E-natural, not E-flat.}} | ||
; Transposed edition (SATB) | ; Transposed edition (SATB) | ||
* {{CPDLno|29194}} [[Media:Giffen-Non_vos_relinquam_orphanos-SATB.pdf|{{pdf}}]] [[Media:Giffen-Non_vos_relinquam_orphanos-SATB.mp3|{{mp3}}]] | *{{PostedDate|2017-06-02}} {{CPDLno|44813}} [[Media:Giffen-Non_vos_relinquam_orphanos-SATB-17.pdf|{{pdf}}]] [[Media:Giffen-Non_vos_relinquam_orphanos-SATB-17.mp3|{{mp3}}]] [[Media:Giffen-Non_vos_relinquam_orphanos-SATB-17.mxl|{{XML}}]] | ||
{{Editor|Charles H. Giffen|2017-06-02}}{{ScoreInfo|Letter|4|100}}{{Copy|Creative Commons Attribution Non-Commercial Share Alike}} | |||
:{{EdNotes|This SATB score is a revised version (2017) of the original work. Keyboard reduction of the ''a cappella'' score included.}} | |||
*{{PostedDate|2013-05-19}} {{CPDLno|29194}} [[Media:Giffen-Non_vos_relinquam_orphanos-SATB.pdf|{{pdf}}]] [[Media:Giffen-Non_vos_relinquam_orphanos-SATB.mp3|{{mp3}}]] | |||
{{Editor|Charles H. Giffen|2013-05-19}}{{ScoreInfo|Letter|3|87}}{{Copy|Personal}} | {{Editor|Charles H. Giffen|2013-05-19}}{{ScoreInfo|Letter|3|87}}{{Copy|Personal}} | ||
: | :{{EdNotes|Original version. Bilingual (Latin, English) SATB edition, transposed down three semitones from the original. Copyright by the composer for CPDL, this work may be freely copied, distributed, performed, or recorded. Please [[Talk:Charles H. Giffen|inform the composer]] of any performances of this work.}} | ||
; Transposed edition (ATBB) | ; Transposed edition (ATBB) | ||
*{{CPDLno|23436}} [[Media:Non vos relinquam orphanos-low.pdf|{{pdf}}]] [[Media:Non vos relinquam orphanos-low.mp3|{{mp3}}]] | *{{PostedDate|2017-06-02}} {{CPDLno|44815}} [[Media:Giffen-Non_vos_relinquam_orphanos-ATBB-17.pdf|{{pdf}}]] [[Media:Giffen-Non_vos_relinquam_orphanos-ATBB-17.mp3|{{mp3}}]] [[Media:Giffen-Non_vos_relinquam_orphanos-ATBB-17.mxl|{{XML}}]] | ||
{{Editor|Charles H. Giffen|2017-06-02}}{{ScoreInfo|Letter|4|100}}{{Copy|Creative Commons Attribution Non-Commercial Share Alike}} | |||
:{{EdNotes|This ATBB score is a revised version (2017) of the original work. Keyboard reduction of the a cappella score included.}} | |||
*{{PostedDate|2011-04-25}} {{CPDLno|23436}} [[Media:Non vos relinquam orphanos-low.pdf|{{pdf}}]] [[Media:Non vos relinquam orphanos-low.mp3|{{mp3}}]] | |||
{{Editor|Charles H. Giffen|2011-04-25}}{{ScoreInfo|Letter|3|86}}{{Copy|Personal}} | {{Editor|Charles H. Giffen|2011-04-25}}{{ScoreInfo|Letter|3|86}}{{Copy|Personal}} | ||
: | :{{EdNotes|Original version. Tranposed down a diminished fifth for {{cat|ATBB|ATBarB}} voices. Copyright by the composer for CPDL, this work may be freely copied, distributed, performed, or recorded. Please [[Talk:Charles H. Giffen|inform the composer]] of any performances of this work.}} | ||
==General Information== | ==General Information== | ||
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{{Composer|Charles H. Giffen}} | {{Composer|Charles H. Giffen}} | ||
{{Voicing|4|SSAB, SATB, ATBB}} | {{Voicing|4|SSAB, SATB, ATBB}} | ||
{{Genre|Sacred|Motets}} | {{Genre|Sacred|Motets}} | ||
{{Language|2|Latin|English}} | {{Language|2|Latin|English}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{ | {{Pub|1|2011}} | ||
{{Descr|This work is composed in the octatonic scale mode in which B, D, F, and G-sharp are removed from the chromatic scale, and hence the scale consists of alternating whole and half steps. Although essentially tonal, the octatonic mode will seem somewhat unusual to many. Note that, musically, measures 1-8 appear in strict inversion as measures 9-16 – the first five measures set verse 1 in the top two voices, followed by a four-part "Alleluia, alleluia"; and in the inversion, the first five measures set verse 2 in the bottom two voices. After the inverted four-part "Alleluia, alleluia", verse 3 is set to the music of measures 1-5, transposed down an octave, and of measures 9-13, transposed up an octave, combined to form a strict double canon by inversion delayed by two measures, beginning at measure 17: | |||
; Measures 17–21 "''Et gaudebit cor vestrum''" (double canon by inversion) | ; Measures 17–21 "''Et gaudebit cor vestrum''" (double canon by inversion) | ||
<lilypond> | <lilypond> | ||
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<< | << | ||
{ \clef treble \time 4/2 s1 s1 | s1 s1 | s1 s1 | g'4( fis g a bes c) des( c) | des2 es1 fes4( ges) } | { \clef treble \time 4/2 s1 s1 | s1 s1 | s1 s1 | g'4( fis g a bes c) des( c) | des2 es1 fes4( ges) } | ||
\set Staff.midiInstrument = #"string ensemble 2" | |||
\\ | \\ | ||
{ s1 s1 | s1 s1 | g,4( fis e fis e dis) e( fis) | e1 fis2 e4( g) | fis2 g2. r4 a2 } | { s1 s1 | s1 s1 | g,4( fis e fis e dis) e( fis) | e1 fis2 e4( g) | fis2 g2. r4 a2 } | ||
Line 40: | Line 51: | ||
\new Staff << | \new Staff << | ||
{ \clef bass \time 4/2 a,4( bes c bes c des) c( bes) | c1 bes2 c4( a) | bes2 a2. r4 g2 | a g2. r4 a4( c) | bes1 a2. r4 } | { \clef bass \time 4/2 a,4( bes c bes c des) c( bes) | c1 bes2 c4( a) | bes2 a2. r4 g2 | a g2. r4 a4( c) | bes1 a2. r4 } | ||
\set Staff.midiInstrument = #"string ensemble 2" | |||
\\ | \\ | ||
{ s1 s1 | a4( bes a g fis e) dis( e) | dis2 cis1 bis4( ais) | bis2 cis2. r4 e2 | dis1 e2. r4 } | { s1 s1 | a4( bes a g fis e) dis( e) | dis2 cis1 bis4( ais) | bis2 cis2. r4 e2 | dis1 e2. r4 } | ||
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[[Category:LilyPond excerpts]] | [[Category:LilyPond excerpts]] | ||
The style of this motet is intended to evoke both chant and early polyphony, albeit in modern terms. It is appropriate for {{cat|Easter 6}}, {{cat|Ascension}}, {{cat|Easter 7}} or {{cat|Pentecost}}. – Charles H. Giffen | The style of this motet is intended to evoke both chant and early polyphony, albeit in modern terms. It is appropriate for {{cat|Easter 6}}, {{cat|Ascension}}, {{cat|Easter 7}} or {{cat|Pentecost}}. – Charles H. Giffen}} | ||
{{#ExtWeb:}} | |||
==Original text and translations== | ==Original text and translations== | ||
{{LinkText|Non vos relinquam orphanos}} | {{LinkText|Non vos relinquam orphanos}} |
Revision as of 20:12, 27 July 2021
Music files
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- Original key (SSAB)
- Editor: Charles H. Giffen (submitted 2017-06-02). Score information: Letter, 4 pages, 101 kB Copyright: CC BY NC ND
- Edition notes: This SSAB score is a revised version (2017) of the original work. Keyboard reduction of the a cappella score included.
- Editor: Charles H. Giffen (submitted 2011-04-20). Score information: Letter, 3 pages, 88 kB Copyright: Personal
- Edition notes: Original version. Bilingual (Latin, English) edition. Copyright by the composer for CPDL, this work may be freely copied, distributed, performed, or recorded. Please inform the composer of any performances of this work. Uploaded corrected PDF on 2011-07-06, fixing m. 24 Alto part, second whole note is E-natural, not E-flat.
- Transposed edition (SATB)
- Editor: Charles H. Giffen (submitted 2017-06-02). Score information: Letter, 4 pages, 100 kB Copyright: CC BY NC SA
- Edition notes: This SATB score is a revised version (2017) of the original work. Keyboard reduction of the a cappella score included.
- Editor: Charles H. Giffen (submitted 2013-05-19). Score information: Letter, 3 pages, 87 kB Copyright: Personal
- Edition notes: Original version. Bilingual (Latin, English) SATB edition, transposed down three semitones from the original. Copyright by the composer for CPDL, this work may be freely copied, distributed, performed, or recorded. Please inform the composer of any performances of this work.
- Transposed edition (ATBB)
- Editor: Charles H. Giffen (submitted 2017-06-02). Score information: Letter, 4 pages, 100 kB Copyright: CC BY NC SA
- Edition notes: This ATBB score is a revised version (2017) of the original work. Keyboard reduction of the a cappella score included.
- Editor: Charles H. Giffen (submitted 2011-04-25). Score information: Letter, 3 pages, 86 kB Copyright: Personal
- Edition notes: Original version. Tranposed down a diminished fifth for ATBarB voices. Copyright by the composer for CPDL, this work may be freely copied, distributed, performed, or recorded. Please inform the composer of any performances of this work.
General Information
Title: Non vos relinquam Orphanos (I will not leave you Comfortless)
Composer: Charles H. Giffen
Number of voices: 4vv Voicings: SSAB, SATB or ATBB
Genre: Sacred, Motet
Languages: Latin, English
Instruments: A cappella
First published: 2011
Description: This work is composed in the octatonic scale mode in which B, D, F, and G-sharp are removed from the chromatic scale, and hence the scale consists of alternating whole and half steps. Although essentially tonal, the octatonic mode will seem somewhat unusual to many. Note that, musically, measures 1-8 appear in strict inversion as measures 9-16 – the first five measures set verse 1 in the top two voices, followed by a four-part "Alleluia, alleluia"; and in the inversion, the first five measures set verse 2 in the bottom two voices. After the inverted four-part "Alleluia, alleluia", verse 3 is set to the music of measures 1-5, transposed down an octave, and of measures 9-13, transposed up an octave, combined to form a strict double canon by inversion delayed by two measures, beginning at measure 17:
- Measures 17–21 "Et gaudebit cor vestrum" (double canon by inversion)
The style of this motet is intended to evoke both chant and early polyphony, albeit in modern terms. It is appropriate for Easter 6, Ascension, Easter 7 or Pentecost. – Charles H. Giffen
External websites:
Original text and translations
Original text and translations may be found at Non vos relinquam orphanos.