Missa Adieu les amours (Francesco de Layolle): Difference between revisions

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{{Pub|1|1532}}
{{Pub|1|1532}}


'''Description:''' Source: Liber decem missarum ..., Moderne, 1532. The cantus firmus, appearing throughout the tenor and occasionally in other voices, comprises the first five notes of the song melody in various note values. The third Agnus Dei is set for five voices: as the Altus part is here directed to be sung in canon at the fifth, an additional tenor line emerges.
'''Description:''' Source: Liber decem missarum ..., Moderne, 1532. The cantus firmus, appearing throughout the tenor and occasionally in other voices, comprises the first five notes of the song melody in various note values. The third Agnus Dei is set for five voices: as the Altus part is here directed to be sung in canon at the fourth, an additional tenor line emerges.


'''External websites:'''  
'''External websites:'''


==Original text and translations==
==Original text and translations==

Revision as of 16:10, 22 February 2021

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  • (Posted 2021-02-22)  CPDL #63115:   
Editor: Mick_Swithinbank (submitted 2021-02-22).   Score information: A4, 30 pages, 256 kB   Copyright: CPDL
Edition notes:

General Information

Title: Missa Adieu les amours
Composer: Francesco de Layolle
Lyricist:

Number of voices: 4vv   Voicing: SATB

Genre: SacredMass

Language: Latin
Instruments: A cappella

First published: 1532

Description: Source: Liber decem missarum ..., Moderne, 1532. The cantus firmus, appearing throughout the tenor and occasionally in other voices, comprises the first five notes of the song melody in various note values. The third Agnus Dei is set for five voices: as the Altus part is here directed to be sung in canon at the fourth, an additional tenor line emerges.

External websites:

Original text and translations

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