Missa Adieu les amours (Francesco de Layolle): Difference between revisions
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{{Pub|1|1532}} | {{Pub|1|1532}} | ||
'''Description:''' Source: Liber decem missarum ..., Moderne, 1532. The cantus firmus, appearing throughout the tenor and occasionally in other voices, comprises the first five notes of the song melody in various note values. The third Agnus Dei is set for five voices: as the Altus part is here directed to be sung in canon at the | '''Description:''' Source: Liber decem missarum ..., Moderne, 1532. The cantus firmus, appearing throughout the tenor and occasionally in other voices, comprises the first five notes of the song melody in various note values. The third Agnus Dei is set for five voices: as the Altus part is here directed to be sung in canon at the fourth, an additional tenor line emerges. | ||
'''External websites:''' | '''External websites:''' | ||
==Original text and translations== | ==Original text and translations== |
Revision as of 16:10, 22 February 2021
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- Editor: Mick_Swithinbank (submitted 2021-02-22). Score information: A4, 30 pages, 256 kB Copyright: CPDL
- Edition notes:
General Information
Title: Missa Adieu les amours
Composer: Francesco de Layolle
Lyricist:
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Mass
Language: Latin
Instruments: A cappella
First published: 1532
Description: Source: Liber decem missarum ..., Moderne, 1532. The cantus firmus, appearing throughout the tenor and occasionally in other voices, comprises the first five notes of the song melody in various note values. The third Agnus Dei is set for five voices: as the Altus part is here directed to be sung in canon at the fourth, an additional tenor line emerges.
External websites: