Messa I a Quattro Voci (Michelangelo Grancini): Difference between revisions

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*{{PostedDate|2017-05-16}} {{CPDLno|44556}} [[Media:Grancini,_Messa_I_a_Quattro_Voci_(Up_a_tone)-_Score.pdf|{{pdf}}]]
*{{PostedDate|2017-05-16}} {{CPDLno|44556}} [[Media:Grancini,_Messa_I_a_Quattro_Voci_(Up_a_tone)-_Score.pdf|{{pdf}}]]
{{Editor|William Evans|2017-05-16}}{{ScoreInfo|A4|46|2495}}{{Copy|CPDL}}
{{Editor|William Evans|2017-05-16}}{{ScoreInfo|A4|46|2495}}{{Copy|CPDL}}
:{{EdNotes|One tone higher than original key. Performance edition by William Evans, 2017. My grateful thanks to the staff of the Museo Internazionale e Biblioteca della Musica di Bologna for their kind assistance in accessing their collection. Note values halved, tempo markings and musica ficta are editorial. A basso continuo part has been realised from the vocal parts. Apppropriate chant has been added, and an Agnus Dei arranged from the Kyrie for use in the Tridentine rite. Engraved in Maestro font (Finale), incipit in Marenzio font by Ross Duffin (Micrologus Music Press); available from http://musicserver.case.edu/~rwd/Fonts/Fonts.html. Original key, D Dorian: Low vocal range for altos and tenors, suitable if male altos are available. Up a tone, E Dorian: More suitable range for altos and tenors.}}
:{{EdNotes|One tone higher than original key. Performance edition by William Evans, 2017. My grateful thanks to the staff of the Museo Internazionale e Biblioteca della Musica di Bologna for their kind assistance in accessing their collection. Note values halved, tempo markings and ''musica ficta'' are editorial. A basso continuo part has been realised from the vocal parts. Apppropriate chant has been added, and an Agnus Dei arranged from the Kyrie for use in the Tridentine rite. Engraved in Maestro font (Finale), incipit in Marenzio font by Ross Duffin (Micrologus Music Press); available from http://musicserver.case.edu/~rwd/Fonts/Fonts.html. Original key, D Dorian: Low vocal range for altos and tenors, suitable if male altos are available. Up a tone, E Dorian: More suitable range for altos and tenors.}}


==General Information==
==General Information==
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{{Lyricist|}}
{{Lyricist|}}


{{Voicing|4|SATB}}<br>
{{Voicing|4|SATB}}
{{Genre|Sacred|Masses}}
{{Genre|Sacred|Masses}}
{{Language|Latin}}
{{Language|Latin}}
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{{Descr|Grancini wrote this collection of masses according to the Milanese Ambrosian rite: Gloria, single Kyrie, Credo, Sanctus and Benedictus, no Agnus Dei. RISM ID no.: 00000990022490}}
{{Descr|Grancini wrote this collection of masses according to the Milanese Ambrosian rite: Gloria, single Kyrie, Credo, Sanctus and Benedictus, no Agnus Dei. RISM ID no.: 00000990022490}}
{{#ExtWeb:}}
{{#ExtWeb:}}
==Original text and translations==
==Original text and translations==
{{MassText}}
{{MassText}}

Latest revision as of 15:16, 4 November 2022

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  • (Posted 2017-05-16)  CPDL #44557:     
Editor: William Evans (submitted 2017-05-16).   Score information: A4, 46 pages, 2.43 MB   Copyright: CPDL
Edition notes: Original key of D Dorian
  • (Posted 2017-05-16)  CPDL #44556:   
Editor: William Evans (submitted 2017-05-16).   Score information: A4, 46 pages, 2.44 MB   Copyright: CPDL
Edition notes: One tone higher than original key. Performance edition by William Evans, 2017. My grateful thanks to the staff of the Museo Internazionale e Biblioteca della Musica di Bologna for their kind assistance in accessing their collection. Note values halved, tempo markings and musica ficta are editorial. A basso continuo part has been realised from the vocal parts. Apppropriate chant has been added, and an Agnus Dei arranged from the Kyrie for use in the Tridentine rite. Engraved in Maestro font (Finale), incipit in Marenzio font by Ross Duffin (Micrologus Music Press); available from http://musicserver.case.edu/~rwd/Fonts/Fonts.html. Original key, D Dorian: Low vocal range for altos and tenors, suitable if male altos are available. Up a tone, E Dorian: More suitable range for altos and tenors.

General Information

Title: Messa I a Quattro Voci
Composer: Michelangelo Grancini
Lyricist:

Number of voices: 4vv   Voicing: SATB
Genre: SacredMass

Language: Latin
Instruments: Basso continuo

First published: 1664 Transcribed from Sacri Concerti espressi in otto messe à quattro voci, et un’altra de morti à cinque secondo il rito ambrosiano di Michel’Angelo Grancino maestro di capella della chiesa metropolitana di Milano. Opera Decima Settima. Data in luce per ordine de gl’Illustrissimi, & Rev. mi Signori Prefetti dell’Augustissima Fabrica di detta chiesa e consegrati all’Illustrissimo, e Reverendissimo Signore Monsignore, Alfonso Litta Arcivescovo di Milano. Dal Campo Santo di Milano, il 15. Decembre 1664. Per Gio. Francesco, & fratelli Camagni Stampatori
Description: Grancini wrote this collection of masses according to the Milanese Ambrosian rite: Gloria, single Kyrie, Credo, Sanctus and Benedictus, no Agnus Dei. RISM ID no.: 00000990022490

External websites:

Original text and translations

For information, refer to the Mass page. For texts and translations, see the individual pages:

KyrieGloriaCredoSanctus & BenedictusAgnus Dei