Magnificat secundi toni (even verses) (Duarte Lobo): Difference between revisions

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==Music files==
==Music files==
{{#Legend:}}
{{#Legend:}}
*{{PostedDate|2021-01-19}} {{CPDLno|62439}} [[Media:Duarte-Lobo-Magnificat-Secundi-toniB-titled.pdf|{{pdf}}]] [[Media:Duarte-Lobo-Magnificat-Secundi-toniB-titled.mid|{{mid}}]] [[Media:Duarte-Lobo-Magnificat-Secundi-toniB.ly|{{Ly}}]]
*{{PostedDate|2021-01-19}} {{CPDLno|62439}} [[Media:Duarte-Lobo-Magnificat-Secundi-toniB-titled.pdf|{{pdf}}]] [[Media:Duarte-Lobo-Magnificat-Secundi-toniB-titled.mid|{{mid}}]] [[Media:Duarte-Lobo-Magnificat-Secundi-toniB-titled.mxl|{{XML}}]] [[Media:Duarte-Lobo-Magnificat-Secundi-toniB.ly|{{Ly}}]]
{{Editor|Andreas Stenberg|2021-01-19}}{{ScoreInfo|A4|15|247}}{{Copy|CPDL}}
{{Editor|Andreas Stenberg|2021-01-19}}{{ScoreInfo|A4|15|247}}{{Copy|CPDL}}
:'''Edition notes:''' Semidiplomatorical edition: Modern clefs, ficta added sparingly but orig. key and note-values. The odd verses added editoricaly from Liber Usualis 1961.
:{{EdNotes|A semi-diplomatical edition: Modern clefs, ficta added sparingly but orig. key and note-values. The odd verses added editoricaly from ''Liber Usualis'' 1961.}}


*{{PostedDate|2015-05-23}} {{CPDLno|35514}} [[Media:Lobo-mag.pdf|{{pdf}}]] [[Media:Lobo-mag.MID|{{mid}}]]
*{{PostedDate|2015-05-23}} {{CPDLno|35514}} [[Media:Lobo-mag.pdf|{{pdf}}]] [[Media:Lobo-mag.MID|{{mid}}]]  Chant-[[Media:Lobo-mag-c.mxl|{{XML}}]] Polyphony-1-[[Media:Lobo-mag-1.mxl|{{XML}}]] 2-[[Media:Lobo-mag-2.mxl|{{XML}}]] 3-[[Media:Lobo-mag-3.mxl|{{XML}}]] 4-[[Media:Lobo-mag-4.mxl|{{XML}}]]
{{Editor|John Hetland|2015-05-23}}{{ScoreInfo|Letter|10|627}}{{Copy|CPDL}}
{{Editor|John Hetland|2015-05-23}}{{ScoreInfo|Letter|10|627}}{{Copy|CPDL}}
:'''Edition notes:''' Source: Works, ed. Manuel Joaquim, Instituto Para a Alta Cultura, Lisbon, 1945. We have halved the time values of the Joaquim edition and transposed up a tone. Translation, text underlay and ''musica ficta'' by John Hetland and The Renaissance Street Singers. 12/20/95
:{{EdNotes|Source: Works, ed. Manuel Joaquim, Instituto Para a Alta Cultura, Lisbon, 1945. We have halved the time values of the Joaquim edition and transposed up a tone. Translation, text underlay and ''musica ficta'' by John Hetland and The Renaissance Street Singers. 12/20/95}}


==General Information==
==General Information==
{{Title|''Magnificat secundi toni''}}
{{Title|''Magnificat secundi toni''}}{{DEFAULTSORT:Magnificat 2.5 (Duarte Lobo)}}
{{Composer|Duarte Lobo}}
{{Composer|Duarte Lobo}}
'''Text source:''' Luke 1:46-55
'''Text source:''' Luke 1:46-55


{{Voicing|6|SSAATB}}<br>
{{Voicing|6|SSAATB}}
{{Genre|Sacred|Evening Canticles}}
{{Genre|Sacred|Evening Canticles}}
{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Pub|1|1605|in ''{{NoCo|Cantica Beatae Mariae Virginis}}''|no=4|pg=16}}
{{Pub|1|1605|in ''{{NoCo|Cantica Beatae Mariae Virginis}}''|no=4|pg=16}}
 
{{Descr|Mary's response to Elizabeth's "Blessed is the fruit of your womb," Luke 1:46-55. The Setting is mainly for SATB. The "Fecit potentiam..." part is ATB trio and the final "Sicut erat in principio..." is a SSAATB six voice setting where the Altus is in strict canon with the superius following three semibreves later in subdiatessaro (that is a perfect fourth lower).}}
'''Description:''' Mary's response to Elizabeth's "Blessed is the fruit of your womb," Luke 1:46-55.
{{#ExtWeb:}}
 
The Setting is mainly for SATB. The "Fecit potentiam..." part is ATB trio and the final "Sicut erat in principio..." is a SSAATB six voice setting where the Altus is in strict canon with the superius following three semibreves later in subdiatessaro (that is a perfect fourth lower).  
 
'''External websites:'''


==Original text and translations==
==Original text and translations==
{{LinkText|Magnificat}}
{{LinkText|Magnificat|list=no}}
 


[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Renaissance music]]
[[Category:Renaissance music]]

Latest revision as of 15:07, 16 April 2024

Music files

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  • (Posted 2021-01-19)  CPDL #62439:         
Editor: Andreas Stenberg (submitted 2021-01-19).   Score information: A4, 15 pages, 247 kB   Copyright: CPDL
Edition notes: A semi-diplomatical edition: Modern clefs, ficta added sparingly but orig. key and note-values. The odd verses added editoricaly from Liber Usualis 1961.
  • (Posted 2015-05-23)  CPDL #35514:      Chant-  Polyphony-1-  2-  3-  4- 
Editor: John Hetland (submitted 2015-05-23).   Score information: Letter, 10 pages, 627 kB   Copyright: CPDL
Edition notes: Source: Works, ed. Manuel Joaquim, Instituto Para a Alta Cultura, Lisbon, 1945. We have halved the time values of the Joaquim edition and transposed up a tone. Translation, text underlay and musica ficta by John Hetland and The Renaissance Street Singers. 12/20/95

General Information

Title: Magnificat secundi toni
Composer: Duarte Lobo
Text source: Luke 1:46-55

Number of voices: 6vv   Voicing: SSAATB
Genre: SacredEvening Canticles

Language: Latin
Instruments: A cappella

First published: 1605 in Cantica Beatae Mariae Virginis, no. 4, p. 16
Description: Mary's response to Elizabeth's "Blessed is the fruit of your womb," Luke 1:46-55. The Setting is mainly for SATB. The "Fecit potentiam..." part is ATB trio and the final "Sicut erat in principio..." is a SSAATB six voice setting where the Altus is in strict canon with the superius following three semibreves later in subdiatessaro (that is a perfect fourth lower).

External websites:

Original text and translations

Original text and translations may be found at Magnificat.