Magnificat Octavi Toni 'Anima mea' (Cristóbal de Morales): Difference between revisions
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m (Text replacement - "\*\{\{CPDLno\|([0123456789]*)\}\} (.*) \{\{Editor\|(.*)\|(.*)\}\}" to "*{{PostedDate|$4}} {{CPDLno|$1}} $2 {{Editor|$3|$4}}") |
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*{{PostedDate|2007-10-04}} {{CPDLno|15130}} [[Media:Morales_Magnificat_Octavi_Toni.pdf|{{pdf}}]] [[Media:Morales_Magnificat_Octavi_Toni.MID|{{mid}}]] [[Media:MagnificatOctaviToniMorales.mxl|{{XML}}]] [[Media:MagnificatOctaviToniMorales.MUS|{{mus}}]] (Finale 2004) | *{{PostedDate|2007-10-04}} {{CPDLno|15130}} [[Media:Morales_Magnificat_Octavi_Toni.pdf|{{pdf}}]] [[Media:Morales_Magnificat_Octavi_Toni.MID|{{mid}}]] [[Media:MagnificatOctaviToniMorales.mxl|{{XML}}]] [[Media:MagnificatOctaviToniMorales.MUS|{{mus}}]] (Finale 2004) | ||
{{Editor|Maria Jesus Luelmo|2007-10-04}}{{ScoreInfo|A4|8|330}}{{Copy|CPDL}} | {{Editor|Maria Jesus Luelmo|2007-10-04}}{{ScoreInfo|A4|8|330}}{{Copy|CPDL}} | ||
:'''Edition notes:''' This version includes the gregorian phrases. For SATB. | :'''Edition notes:''' This version includes the gregorian phrases. For SATB. | ||
*{{PostedDate|2006-07-15}} {{CPDLno|12020}} [[Media:Morales-Mag8-1.pdf|{{pdf}}]] [[Media:Morales-Mag8-1.mxl|{{XML}}]] [[Media:Morales-Mag8-1.cap|{{Cap}}]] (Capella 5) | *{{PostedDate|2006-07-15}} {{CPDLno|12020}} [[Media:Morales-Mag8-1.pdf|{{pdf}}]] [[Media:Morales-Mag8-1.mxl|{{XML}}]] [[Media:Morales-Mag8-1.cap|{{Cap}}]] (Capella 5) | ||
{{Editor|Michael Wendel|2006-07-15}}{{ScoreInfo|A4|7|155}}{{Copy|CPDL}} | {{Editor|Michael Wendel|2006-07-15}}{{ScoreInfo|A4|7|155}}{{Copy|CPDL}} | ||
:'''Edition notes:''' For SATT. | :'''Edition notes:''' For SATT. | ||
==General Information== | ==General Information== | ||
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'''Description:''' Setting of odd verses of the [[Magnificat]]. See composer page for links to other Magnificat settings. During the Renaissance, Magnificats were often sung in alternatim, that is with alternating verses of plainsong and polyphony. For this reason, the 'eight' Magnificats of Morales, were published as 16 Magnificats with the understanding that plainsong chant would be used. | '''Description:''' Setting of odd verses of the [[Magnificat]]. See composer page for links to other Magnificat settings. During the Renaissance, Magnificats were often sung in alternatim, that is with alternating verses of plainsong and polyphony. For this reason, the 'eight' Magnificats of Morales, were published as 16 Magnificats with the understanding that plainsong chant would be used. | ||
'''External websites:''' | '''External websites:''' | ||
*http://www.corogaudeamus.com | *http://www.corogaudeamus.com | ||
Revision as of 12:33, 20 November 2020
Music files
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- Editor: Maria Jesus Luelmo (submitted 2007-10-04). Score information: A4, 8 pages, 330 kB Copyright: CPDL
- Edition notes: This version includes the gregorian phrases. For SATB.
- Editor: Michael Wendel (submitted 2006-07-15). Score information: A4, 7 pages, 155 kB Copyright: CPDL
- Edition notes: For SATT.
General Information
Title: Magnificat Octavi Toni 'Anima mea'
Composer: Cristóbal de Morales
Number of voices: 4vv Voicings: SATT or SATB
Genre: Sacred, Evening Canticles
Language: Latin
Instruments: A cappella
First published: 1545
Description: Setting of odd verses of the Magnificat. See composer page for links to other Magnificat settings. During the Renaissance, Magnificats were often sung in alternatim, that is with alternating verses of plainsong and polyphony. For this reason, the 'eight' Magnificats of Morales, were published as 16 Magnificats with the understanding that plainsong chant would be used.
External websites:
Original text and translations
Original text and translations may be found at Magnificat.