Magnificat (Orlando di Lasso): Difference between revisions
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*Volume 16 (Magnificats, Band 4, nos. 71–92), edited by James Erb: works from the period 1583-1585 in Munich mss. | *Volume 16 (Magnificats, Band 4, nos. 71–92), edited by James Erb: works from the period 1583-1585 in Munich mss. | ||
**{{NoCo|Liber primus cantiones sacrae Magnificat vocant, 5, 6vv|''Liber primus cantiones sacræ Magnificat vocant'', 5, 6vv (Paris, 1602<sup>1</sup>)}} | **{{NoCo|Liber primus cantiones sacrae Magnificat vocant, 5, 6vv|''Liber primus cantiones sacræ Magnificat vocant'', 5, 6vv (Paris, 1602<sup>1</sup>)}} | ||
*Volume 17 (Magnificats, Band 5, nos. 93–110)<!-- | *Volume 17 (Magnificats, Band 5, nos. 93–110), edited by James Erb: Posthoumously transmitted works & dubia<!-- | ||
|93. {{NoCo|Magnificat Vola vola pensier|Vola vola pensier}} (Aeria a la italiana) [octavi toni], 5vv, H xvii, 3 | |93. {{NoCo|Magnificat Vola vola pensier|Vola vola pensier}} (Aeria a la italiana) [octavi toni], 5vv, H xvii, 3 | ||
|94. Quinti toni, 6vv, H xvii, 14 | |94. Quinti toni, 6vv, H xvii, 14 | ||
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|- | |- | ||
|93||93||59 | |93||93||59 | ||
|{{NoCo|Magnificat Vola vola pensier|Vola vola pensier}} (Aeria a la italiana) | |{{NoCo|Magnificat Vola vola pensier|Vola vola pensier}} (Aeria a la italiana), 5vv, H xvii, 3 ||viii ||5 | ||
|- | |- | ||
|94||52||77 | |94||52||77 | ||
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|103–110. 8 Magnificat settings, doubtful, H xvii, 182 | |103–110. 8 Magnificat settings, doubtful, H xvii, 182 | ||
==External links== | ==External links== | ||
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[[Category:Disambiguation of works]] | [[Category:Disambiguation of works]] | ||
[[Category:Music catalogues]] | [[Category:Music catalogues]] |
Revision as of 05:26, 29 November 2017
Lassus' Magnificats number about 100 and indeed were printed posthumously as Iubilus beatæ virginis, hoc est centum Magnificat (Munich 1619). The sortable list below is ordered after the NGA, with Boetticher's earlier catalogue numbers.
NGA
The Sämtlicher Werke Neue Reihe (NGA) includes 110 attributed works according to the following plan:
- Volume 13 (Magnificats, Band 1, nos. 1–24), edited by Wolfgang Boetticher: 3 Magnificat cycles in the 8 modes
- Magnificat octo tonorum, 4–6vv (Nuremberg, 1567) (1–8. 6vv, ; 9–16. 5vv, ; 17–24. 4vv, )
- Volume 14 (Magnificats, Band 2, nos. 25–49), edited by James Erb: Works printed in Paris 1587 as well as Munich 1576 & 1587
- Volume 15 (Magnificats, Band 3, nos. 50–70), edited by James Erb: works from the period 1576-1583 in Munich mss.
- Iubilus beatæ virginis, hoc est centum Magnificat, 4–8vv, 10vv (Munich, 1619a) nos. 50-65
- Liber primus cantiones sacræ Magnificat vocant, 5, 6vv (Paris, 16021)
- Volume 16 (Magnificats, Band 4, nos. 71–92), edited by James Erb: works from the period 1583-1585 in Munich mss.
- Volume 17 (Magnificats, Band 5, nos. 93–110), edited by James Erb: Posthoumously transmitted works & dubia
Sortable table
NGA | Bot | 1619 | model | mode | vv | publ. |
---|---|---|---|---|---|---|
1 | 10 | 61 | Primi toni | i | 6 | Nürnberg 1567 |
2 | 22 | 65 | Secundi toni | ii | 6 | Nürnberg 1567 |
3 | 37 | 74 | Tertii toni | iii | 6 | Nürnberg 1567 |
4 | 45 | 75 | Quarti toni | iv | 6 | Nürnberg 1567 |
5 | 53 | 78 | Quinti toni | v | 6 | Nürnberg 1567 |
5 | 63 | 80 | Sexti toni | vi | 6 | Nürnberg 1567 |
7 | 78 | 84 | Septimi toni | vii | 6 | Nürnberg 1567 |
8 | 95 | 90 | Octavi toni | viii | 6 | Nürnberg 1567 |
9 | 6 | 26 | Primi toni | i | 5 | Nürnberg 1567 |
10 | 18 | 30 | Secundi toni | ii | 5 | Nürnberg 1567 |
11 | 34 | 34 | Tertii toni | iii | 5 | Nürnberg 1567 |
12 | 40 | 37 | Quarti toni | iv | 5 | Nürnberg 1567 |
13 | 50 | 42 | Quinti toni | v | 5 | Nürnberg 1567 |
14 | 58 | 44 | Sexti toni | vi | 5 | Nürnberg 1567 |
15 | 72 | 49 | Septimi toni | vii | 5 | Nürnberg 1567 |
16 | 89 | 55 | Octavi toni | viii | 5(6) | Nürnberg 1567 |
17 | 2 | 2 | Primi toni | i | 4 | Nürnberg 1567 |
18 | 32 | 10 | Secundi toni | ii | 4 | Nürnberg 1567 |
19 | 32 | 10 | Tertii toni | iii | 4 | Nürnberg 1567 |
20 | 39 | 13 | Quarti toni | iv | 4 | Nürnberg 1567 |
21 | 49 | 15 | Quintii toni | v | 4 | Nürnberg 1567 |
22 | 56 | 17 | Sexti toni | vi | 4 | Nürnberg 1567 |
23 | 69 | 20 | Septimi toni | vii | 4 | Nürnberg 1567 |
24 | 88 | 24 | Octavi toni | viii | 4 | Nürnberg 1567 |
25 | 1 | 1 | Primi toni | i | 4 | Patrocinium musices 1576 |
26 | 14 | 5 | Secundi toni | ii | 4 | Patrocinium musices 1576 |
27 | 31 | 9 | Tertii toni | iii | 4 | Patrocinium musices 1576 |
28 | 38 | 12 | Quarti toni | iv | 4 | Patrocinium musices 1576 |
29 | 48 | 14 | Quinti toni | v | 4 | Patrocinium musices 1576 |
30 | 55 | 16 | Sexti toni | vi | 4(5) | Patrocinium musices 1576 |
31 | 68 | 19 | Septimi toni | vii | 4 | Patrocinium musices 1576 |
32 | 87 | 23 | Octavi toni | viii | 4 | Patrocinium musices 1576 |
33 | 3 | 3 | Primi toni H xiv, 75 | i | 4 | |
34 | 44 | 41 | Ancor che col partire (after Rore's madrigal) H xiv, 82 | iv | 5 | |
35 | 67 | 95 | Sexti toni, H xiv, 94 | vi | 8 | |
36 | 85 | 96 | Septimi toni H xiv, 112 | vii | 8 | |
37 | 4 | 4 | Si par souhait (own chanson, 1570b), H xiv, 126 | i | 4 | |
38 | 17 | 8 | Il est jour (Claudin de Sermisy’s chanson),H xiv, 133 | ii | 4 | |
39 | 28 | 71 | Quanti in mille anni il ciel ([?Pierre] Nollet’s madrigal) H xiv, 141 | ii | 6 | |
40 | 11 | 62 | Dessus le marché d’Arras (own chanson, 1584a), H xiv, 158 | i | 6 | 1587 |
41 | 12 | 63 | Susanne un jour (Didier Lupi’s chanson), H xiv 174 | i | 6 | 1587 |
42 | 83 | 89 | Deus in adjutorium [septimi (?) toni] (own motet, 1582e), H xiv, 189 | Peregrini toni | 6 | 1587 |
43 | 29 | 72 | Ecco ch’io lasso il core (?Striggio’s madrigal), H xiv, 201 | ii | 6 | 1587 |
44 | 13 | 64 | Omnis enim homo (own motet, 1585b), H xiv, 216 | i | 6 | |
45 | 81 | 87 | Amor ecco colei H xiv, 231 | vii | 6 | 1587 |
46 | 85 | 76 | Quando lieta sperai (anon. madrigal, 1548), H xiv, 243 | iv | 6 | 1587 |
47 | 94 | 60 | Aria di un sonetto (Ortiz’s Aria di Ruggiero), H xiv, 256 | viii | 5 | 1587 |
48 | 36 | 36 | Mort et fortune (Nicolas Gombert’s chanson), H xiv, 263 | iii (viii) | 5 | 1587 |
49 | 30 | 73 | Mais qui pourroit (own chanson, 1584a), H xiv, 275 | ii | 6 | 1587 |
50 | 16 | 7 | O s’io potessi (Berchem’s madrigal), 4vv, H xv, 3 | ii | 4 | |
51 | 19 | 31 | Secundi toni, 5vv, H xv, 10 | ii | 5 | |
52 | 42 | 39 | Quarti toni (i), 5vv, H xv, 16 | iv | 5 | |
53 | 59 | 45 | Sexti toni (i), 5vv, H xv, 24 | vi | 5 | |
54 | 61 | 47 | Sexti toni (ii), 5vv, H xv, 30 | vi | 5 | |
55 | 74 | 51 | Septimi toni (i), 5vv, H xv, 35 | vii | 5 | |
56 | 90 | 56 | Octavi toni (i), 5vv, H xv, 40 | viii | 5 | |
57 | 21 | 33 | Las je n’iray plus (own chanson, 1576a), H xv, 46 | ii | 5 | |
58 | 26 | 69 | Ultimi miei sospiri Verdelot’s madrigal), H xv, 58 | ii | 6 | |
59 | 65 | 82 | Tant vous allez doux (Ebran’s chanson), H xv, 74 | vi | 6 | |
60 | 77 | 54 | Hélas j’ai sans merci (own chanson, 1584a), H xv, 95 | vii | 5 | |
61 | 82 | 88 | S’io esca vivo (own madrigal, 1579), H xv, 108 | vii | 6 | |
62 | 96 | 91 | Octavi toni, 6vv, H xv, 126 | vii | 6 | |
63 | 47 | 94 | Quarti toni, 8vv, H xv, 138 | iv | 8 | |
64 | 86 | 97 | Septimi toni, 8vv, H xv, 152 | vii | 8 | |
65 | 99 | 99 | Octavi toni (i), 8vv, H xv, 166 | viii | 8 | |
66 | 54 | 79 | Omnis homo primum bonum vinum ponit (de Wert’s motet), H xv, 181 | vi | 6 | |
67 | 101 | - | [Sexti toni], MS ca.1582, H xv, 201 | vi | 5 | |
68 | 64 | 81 | Dies est lætitia H xv, 212 | vi | 6 | |
69 | 97 | 92 | Benedicta es, cælorum regina (Josquin’s motet, 1520), H xv, 228 | vii | 6 | |
70 | 25 | 68 | Præter rerum seriem (Josquin’s motet), H xv, 248 | ii | 6 | |
71 | 7 | 27 | Primi toni, H xvi, 3 | i | 5 | |
72 | 20 | 32 | Secundi toni | ii | 5 | |
73 | 35 | 35 | Tertii toni, H xvi, 25 | iii | 5 | |
74 | 41 | 38 | Quarti toni, | iv | 5 | |
75 | 51 | 43 | Quinti toni, H xvi, 46 | v | 5 | |
76 | 60 | 46 | Sexti toni, 5vv, H xvi, 57 | vi | 5 | |
77 | 73 | 50 | Septimi toni, 5vv, H xvi, 68 | vii | 5 | |
78 | 91 | 57 | Octavi toni, 5vv, H xvi, 80 | viii | 5 | |
79 | 5 | 25 | Primi toni, 5vv, H xvi, 92 | i | 5 | |
80 | 9 | 29 | Vergine bella (Rore’s madrigal), H xvi, 108 | i | 5 | |
81 | 62 | 48 | Dalle belle contrade (Cipriano de Rore’s madrigal), H xvi, 120 | vi | 5 | |
82 | 79 | 85 | Recordare Jesu pie (own motet, 1594), 6vv, H xvi, 134 | vii | 6 | |
83 | 71 | 22 | Margot labouréz les vignes (own chanson, 1564a), H xvi, 154 | vii | 4 | |
84 | 92 | 58 | Alma real se come fide stella (Rore’s madrigal), H xvi, 163 | viii | 5 | |
85 | 27 | 70 | O che vezzosa aurora (Vecchi’s madrigal), H xvi, 175 | ii | 6 | |
86 | 80 | 86 | D’ogni gratia e d’amor (Striggio’s madrigal), H xvi, 188 | vii | 6 | |
87 | 84 | 93 | Perpulchrum H xvi, 204 | vii | 7 | |
88 | 33 | 11 | S’io credessi per morte (A. de Reulx’s madrigal), H xvi, 221 | iii | 4 | |
89 | 57 | 18 | Beau le cristal (own chanson, 1576d), H xvi, 230 | vi | 4 | |
90 | 70 | 21 | Pange lingua gloriosi H xvi, 241 | vii | 4/6 | |
91 | 8 | 28 | Primi toni, 5vv, H xvi, 259 | i | 5 | |
92 | 75 | 52 | Vous perdez temps (Sermisy’s chanson), H xvi, 267 | vii | 5 | |
93 | 93 | 59 | Vola vola pensier (Aeria a la italiana), 5vv, H xvii, 3 | viii | 5 | |
94 | 52 | 77 | Quinti toni, 6vv, H xvii, 14 | v | 6 | |
95 | 98 | 98 | Octavi toni (i), 8vv, H xvii, 31 | viii | 8 | |
96 | 43 | 40 | Octavi toni (ii), 8vv, H xvii, 48 | vii | 8 | |
97 | 76 | 53 | Erano capei d’oro [septimi toni] (Nanino’s madrigal), 5vv, H xvii, 64 | vii | 5 | |
98 | 23 | 66 | Secundi toni, 6vv, H xvii, 76 | ii | 6 | |
99 | 66 | 83 | Si vous estes m’amie [sexti toni] (own chanson, 1584a), 6vv, H xvii, 94 | vi | 6 | |
100 | 24 | 67 | Memor esto [secundi toni] (own motet, 1585a), 6vv, H xvii, 107 | ii | 6 | |
101 | 100 | 100 | Aurora lucis rutilat [octavi toni] (NoCo|Aurora lucis rutilat|own motet}}, 1604), 10vv, H xvii, 124 | viii | 10 | |
102 | - | - | Septimi toni, 10vv, MS, H xvii, 150 | vii | 10 |
|103–110. 8 Magnificat settings, doubtful, H xvii, 182
External links
- Sämtliche Werke, neue Reihe at the Petrucci Music Library (IMSLP)