Magnificat (Orlando di Lasso): Difference between revisions

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|103–110. 8 Magnificat settings, doubtful, H xvii, 182
|103–110. 8 Magnificat settings, doubtful, H xvii, 182
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===Sortable table===
==Sortable table==
{| class="wikitable sortable"
{| class="wikitable sortable"
|-
|-
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|-
|-
|43||29||72
|43||29||72
|{{NoCo|Magnificat Ecco ch’io lasso il core|Ecco ch’io lasso il core}} [secundi toni] (?Alessandro Striggio’s madrigal), H xiv, 201 ||ii ||6
|{{NoCo|Magnificat Ecco ch’io lasso il core|Ecco ch’io lasso il core}} (?Alessandro Striggio’s madrigal), H xiv, 201 ||ii ||6
|1587
|1587
|-
|-
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|-
|-
|48||36||36
|48||36||36
|{{NoCo|Magnificat Mort et fortune|Mort et fortune}} [tertii et octavi toni] ([[Mort et fortune (Nicolas Gombert)|Nicolas Gombert’s chanson]]), H xiv, 263 ||iii (viii) ||5
|{{NoCo|Magnificat Mort et fortune|Mort et fortune}} ([[Mort et fortune (Nicolas Gombert)|Nicolas Gombert’s chanson]]), H xiv, 263 ||iii (viii) ||5
|1587
|1587
|-
|-
|49||30||73
|49||30||73
|{{NoCo|Magnificat Mais qui pourroit|Mais qui pourroit}} [secundi toni] ({{NoCo|Mais qui pourroit|own chanson}}, 1584a), H xiv, 275 ||ii ||6
|{{NoCo|Magnificat Mais qui pourroit|Mais qui pourroit}} ({{NoCo|Mais qui pourroit|own chanson}}, 1584a), H xiv, 275 ||ii ||6
|1587
|1587
|-
|-
|50||16||7
|50||16||7
|{{NoCo|Magnificat O s’io potessi|O s’io potessi}} [secundi toni] ([[O s’io potessi (Jacquet de Berchem)|Berchem’s madrigal]]), 4vv, H xv, 3 ||ii ||4
|{{NoCo|Magnificat O s’io potessi|O s’io potessi}} ([[O s’io potessi (Jacquet de Berchem)|Berchem’s madrigal]]), 4vv, H xv, 3 ||ii ||4
|-
|-
|51||19||31  
|51||19||31  
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|-
|-
|57||21||33
|57||21||33
|{{NoCo|Magnificat Las je n’iray plus|Las je n’iray plus}} [secundi toni] ({{NoCo|Las je n’iray plus|own chanson}}, 1576a), H xv, 46 ||ii ||5
|{{NoCo|Magnificat Las je n’iray plus|Las je n’iray plus}} ({{NoCo|Las je n’iray plus|own chanson}}, 1576a), H xv, 46 ||ii ||5
|-
|-
|58||26||69
|58||26||69
|{{NoCo|Magnificat Ultimi miei sospiri|Ultimi miei sospiri}} [secundi toni] [[Ultimi miei sospiri (Philippe Verdelot)|Verdelot’s madrigal]]), H xv, 58 ||ii ||6
|{{NoCo|Magnificat Ultimi miei sospiri|Ultimi miei sospiri}} [[Ultimi miei sospiri (Philippe Verdelot)|Verdelot’s madrigal]]), H xv, 58 ||ii ||6
|-
|-
|59||65||82
|59||65||82
|{{NoCo|Magnificat Tant vous allez doux|Tant vous allez doux}} [sexti toni] [[Tant vous allez doux ()|(Ebran’s chanson)]],  H xv, 74 ||vi ||6
|{{NoCo|Magnificat Tant vous allez doux|Tant vous allez doux}} [[Tant vous allez doux ()|(Ebran’s chanson)]],  H xv, 74 ||vi ||6
|-
|-
|60||77||54
|60||77||54
|{{NoCo|Magnificat Hélas j’ai sans merci|Hélas j’ai sans merci}} [septimi toni] ({{NoCo|Hélas j’ai sans merci|own chanson}}, 1584a),  H xv, 95 ||vii ||5
|{{NoCo|Magnificat Hélas j’ai sans merci|Hélas j’ai sans merci}} ({{NoCo|Hélas j’ai sans merci|own chanson}}, 1584a),  H xv, 95 ||vii ||5
|-
|-
|61||82||88
|61||82||88
|{{NoCo|Magnificat S’io esca vivo|S’io esca vivo}} [septimi toni] ({{NoCo|S’io esca vivo|own madrigal}}, 1579),  H xv, 108 ||vii ||6
|{{NoCo|Magnificat S’io esca vivo|S’io esca vivo}} ({{NoCo|S’io esca vivo|own madrigal}}, 1579),  H xv, 108 ||vii ||6
|-
|-
|62||96||91
|62||96||91
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|-
|-
|66||54||79
|66||54||79
|{{NoCo|Magnificat Omnis homo primum bonum vinum ponit|Omnis homo primum bonum vinum ponit}} [[Omnis homo primum bonum vinum ponit|(Giaches de Wert|de Wert’s motet]]), H xv, 181 ||vi ||6
|{{NoCo|Magnificat Omnis homo primum bonum vinum ponit|Omnis homo primum bonum vinum ponit}} [[Omnis homo primum bonum vinum ponit|(Giaches de Wert)|de Wert’s motet]]), H xv, 181 ||vi ||6
|-
|-
|67||101||-
|67||101||-
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|-
|-
|70||25||68
|70||25||68
|{{NoCo|Magnificat Praeter rerum seriem|Præter rerum seriem}} [secundi toni] ([[Praeter rerum seriem (Josquin des Pres)|Josquin’s motet]]), H xv, 248 ||ii ||6
|{{NoCo|Magnificat Praeter rerum seriem|Præter rerum seriem}} [secundi toni] ([[Praeter rerum seriem (Josquin des Prez)|Josquin’s motet]]), H xv, 248 ||ii ||6
|-
|-
|71||7||27
|71||7||27
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|-
|-
|80||9||29
|80||9||29
|{{NoCo|Magnificat Vergine bella|Vergine bella}} [primi toni] [[Vergine bella (Cipriano de Rore)|Rore’s madrigal]]), H xvi, 108 ||i ||5
|{{NoCo|Magnificat Vergine bella|Vergine bella}} [[Vergine bella (Cipriano de Rore)|Rore’s madrigal]]), H xvi, 108 ||i ||5
|-
|-
|81||62||48
|81||62||48
|{{NoCo|Magnificat Da le belle contrade|Dalle belle contrade}} [sexti toni] ([[Da le belle contrade d'oriente (Cipriano de Rore)|Cipriano de Rore’s madrigal]]), H xvi, 120 ||vi ||5
|{{NoCo|Magnificat Da le belle contrade|Dalle belle contrade}} ([[Da le belle contrade d'oriente (Cipriano de Rore)|Cipriano de Rore’s madrigal]]), H xvi, 120 ||vi ||5
|-
|-
|82||79||85
|82||79||85
|{{NoCo|Magnificat Recordare Jesu pie|Recordare Jesu pie}} [septimi toni] ({{NoCo|Recordare Jesu pie|own motet}}, 1594), 6vv, H xvi, 134 ||vii ||6
|{{NoCo|Magnificat Recordare Jesu pie|Recordare Jesu pie}} ({{NoCo|Recordare Jesu pie|own motet}}, 1594), 6vv, H xvi, 134 ||vii ||6
|-
|-
|83||71||22
|83||71||22
|{{NoCo|Magnificat Margot labourez les vignes|Margot labouréz les vignes}} [septimi toni] ({{NoCo|Margot labourez les vignes|own chanson}}, 1564a), H xvi, 154 ||vii ||4
|{{NoCo|Magnificat Margot labourez les vignes|Margot labouréz les vignes}} ({{NoCo|Margot labourez les vignes|own chanson}}, 1564a), H xvi, 154 ||vii ||4
|-
|-
|84||92||58
|84||92||58
|{{NoCo|Magnificat Alma real|Alma real se come fide stella}} [octavi toni] [[Alma real se come fide stella (Cipriano de Rore)|Rore’s madrigal]]), H xvi, 163 ||viii ||5
|{{NoCo|Magnificat Alma real|Alma real se come fide stella}} [[Alma real se come fide stella (Cipriano de Rore)|Rore’s madrigal]]), H xvi, 163 ||viii ||5
|-
|-
|85||27||70
|85||27||70
|{{NoCo|Magnificat O che vezzosa aurora|O che vezzosa aurora}} [secundi toni] [[O che vezzosa aurora (Orazio Vecchi)Vecchi’s madrigal]]), H xvi, 175 ||ii ||6
|{{NoCo|Magnificat O che vezzosa aurora|O che vezzosa aurora}} [[O che vezzosa aurora (Orazio Vecchi)Vecchi’s madrigal]]), H xvi, 175 ||ii ||6
|-
|-
|86||80||86
|86||80||86
|{{NoCo|Magnificat D’ogni gratia e d’amor|D’ogni gratia e d’amor}} [septimi toni] [[D’ogni gratia e d’amor (Alessandro Striggio)|(Striggio’s madrigal)]], H xvi, 188 ||vii ||6
|{{NoCo|Magnificat D’ogni gratia e d’amor|D’ogni gratia e d’amor}} [[D’ogni gratia e d’amor (Alessandro Striggio)|(Striggio’s madrigal)]], H xvi, 188 ||vii ||6
|-
|-
|87||84||93
|87||84||93
|{{NoCo|Magnificat Perpulchrum|Perpulchrum}} septimi toni, 7vv, H xvi, 204 ||vii ||7
|{{NoCo|Magnificat Perpulchrum|Perpulchrum}} H xvi, 204 ||vii ||7
|-
|-
|88||33||11
|88||33||11
|{{NoCo|Magnificat S’io credessi per morte|S’io credessi per morte}} [tertii toni] (A. de Reulx’s madrigal), H xvi, 221 ||iii ||4
|{{NoCo|Magnificat S’io credessi per morte|S’io credessi per morte}} ([[S’io credessi per morte (Anselmo de Reulx)|A. de Reulx’s madrigal]]), H xvi, 221 ||iii ||4
|-
|-
|89||57||18
|89||57||18
|{{NoCo|Magnificat Beau le cristal|Beau le cristal}} [sexti toni] ({{NoCo|Beau le cristal|own chanson}}, 1576d), H xvi, 230 ||vi ||4
|{{NoCo|Magnificat Beau le cristal|Beau le cristal}} ({{NoCo|Beau le cristal|own chanson}}, 1576d), H xvi, 230 ||vi ||4
|-
|-
|90||70||21
|90||70||21
|{{NoCo|Magnificat Pange lingua gloriosi|Pange lingua gloriosi}} [septimi toni], H xvi, 241 ||vii ||4/6
|{{NoCo|Magnificat Pange lingua gloriosi|Pange lingua gloriosi}} H xvi, 241 ||vii ||4/6
|-
|-
|91||8||28
|91||8||28
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|-
|-
|92||75||52
|92||75||52
|{{NoCo|Magnificat Vous perdez temps|Vous perdez temps}} [septimi toni] [[Vous perdez temps (Claudin de Sermisy)|Sermisy’s chanson]]), H xvi, 267 ||vii ||5
|{{NoCo|Magnificat Vous perdez temps|Vous perdez temps}} [[Vous perdez temps (Claudin de Sermisy)|Sermisy’s chanson]]), H xvi, 267 ||vii ||5
|-
|-
|}
|}

Revision as of 03:47, 26 November 2017

Lassus' Magnificats number about 100 and indeed were printed posthumously as Iubilus beatæ virginis, hoc est centum Magnificat (Munich 1619). The sortable list below is ordered after the NGA, with Boetticher's earlier catalogue numbers.

NGA

The Sämtlicher Werke Neue Reihe (NGA) includes 110 attributed works according to the following plan:

Sortable table

NGA Bot 1619 model mode vv publ.
1 10 61 Primi toni i 6 Nürnberg 1567
2 22 65 Secundi toni ii 6 Nürnberg 1567
3 37 74 Tertii toni iii 6 Nürnberg 1567
4 45 75 Quarti toni iv 6 Nürnberg 1567
5 53 78 Quinti toni v 6 Nürnberg 1567
5 63 80 Sexti toni vi 6 Nürnberg 1567
7 78 84 Septimi toni vii 6 Nürnberg 1567
8 95 90 Octavi toni viii 6 Nürnberg 1567
9 6 26 Primi toni i 5 Nürnberg 1567
10 18 30 Secundi toni ii 5 Nürnberg 1567
11 34 34 Tertii toni iii 5 Nürnberg 1567
12 40 37 Quarti toni iv 5 Nürnberg 1567
13 50 42 Quinti toni v 5 Nürnberg 1567
14 58 44 Sexti toni vi 5 Nürnberg 1567
15 72 49 Septimi toni vii 5 Nürnberg 1567
16 89 55 Octavi toni viii 5(6) Nürnberg 1567
17 2 2 Primi toni i 4 Nürnberg 1567
18 32 10 Secundi toni ii 4 Nürnberg 1567
19 32 10 Tertii toni iii 4 Nürnberg 1567
20 39 13 Quarti toni iv 4 Nürnberg 1567
21 49 15 Quintii toni v 4 Nürnberg 1567
22 56 17 Sexti toni vi 4 Nürnberg 1567
23 69 20 Septimi toni vii 4 Nürnberg 1567
24 88 24 Octavi toni viii 4 Nürnberg 1567
25 1 1 Primi toni i 4 Patrocinium musices 1576
26 14 5 Secundi toni ii 4 Patrocinium musices 1576
27 31 9 Tertii toni iii 4 Patrocinium musices 1576
28 38 12 Quarti toni iv 4 Patrocinium musices 1576
29 48 14 Quinti toni v 4 Patrocinium musices 1576
30 55 16 Sexti toni vi 4(5) Patrocinium musices 1576
31 68 19 Septimi toni vii 4 Patrocinium musices 1576
32 87 23 Octavi toni viii 4 Patrocinium musices 1576
33 3 3 Primi toni H xiv, 75 i 4
34 44 41 Ancor che col partire (after Rore's madrigal) H xiv, 82 iv 5
35 67 95 Sexti toni, H xiv, 94 vi 8
36 85 96 Septimi toni H xiv, 112 vii 8
37 4 4 Si par souhait (own chanson, 1570b), H xiv, 126 i 4
38 17 8 Il est jour (Claudin de Sermisy’s chanson),H xiv, 133 ii 4
39 28 71 Quanti in mille anni il ciel ([?Pierre] Nollet’s madrigal) H xiv, 141 ii 6
40 11 62 Dessus le marché d’Arras (own chanson, 1584a), H xiv, 158 i 6 1587
41 12 63 Susanne un jour (Didier Lupi’s chanson), H xiv 174 i 6 1587
42 83 89 Deus in adjutorium [septimi (?) toni] (own motet, 1582e), H xiv, 189 Peregrini toni 6 1587
43 29 72 Ecco ch’io lasso il core (?Alessandro Striggio’s madrigal), H xiv, 201 ii 6 1587
44 13 64 Omnis enim homo (own motet, 1585b), H xiv, 216 i 6
45 81 87 Amor ecco colei H xiv, 231 vii 6 1587
46 85 76 Quando lieta sperai (anon. madrigal, 1548), H xiv, 243 iv 6 1587
47 94 60 Aria di un sonetto (Ortiz’s Aria di Ruggiero), H xiv, 256 viii 5 1587
48 36 36 Mort et fortune (Nicolas Gombert’s chanson), H xiv, 263 iii (viii) 5 1587
49 30 73 Mais qui pourroit (own chanson, 1584a), H xiv, 275 ii 6 1587
50 16 7 O s’io potessi (Berchem’s madrigal), 4vv, H xv, 3 ii 4
51 19 31 Secundi toni, 5vv, H xv, 10 ii 5
52 42 39 Quarti toni (i), 5vv, H xv, 16 iv 5
53 59 45 Sexti toni (i), 5vv, H xv, 24 vi 5
54 61 47 Sexti toni (ii), 5vv, H xv, 30 vi 5
55 74 51 Septimi toni (i), 5vv, H xv, 35 vii 5
56 90 56 Octavi toni (i), 5vv, H xv, 40 viii 5
57 21 33 Las je n’iray plus (own chanson, 1576a), H xv, 46 ii 5
58 26 69 Ultimi miei sospiri Verdelot’s madrigal), H xv, 58 ii 6
59 65 82 Tant vous allez doux (Ebran’s chanson), H xv, 74 vi 6
60 77 54 Hélas j’ai sans merci (own chanson, 1584a), H xv, 95 vii 5
61 82 88 S’io esca vivo (own madrigal, 1579), H xv, 108 vii 6
62 96 91 Octavi toni, 6vv, H xv, 126 vii 6
63 47 94 Quarti toni, 8vv, H xv, 138 iv 8
64 86 97 Septimi toni, 8vv, H xv, 152 vii 8
65 99 99 Octavi toni (i), 8vv, H xv, 166 viii 8
66 54 79 Omnis homo primum bonum vinum ponit (Giaches de Wert)|de Wert’s motet), H xv, 181 vi 6
67 101 - [Sexti toni], MS ca.1582, H xv, 201 vi 5
68 64 81 Dies est lætitia [sexti toni], H xv, 212 vi 6
69 97 92 Benedicta es, cælorum regina [octavi toni] Josquin’s motet, 1520), H xv, 228 vii 6
70 25 68 Præter rerum seriem [secundi toni] (Josquin’s motet), H xv, 248 ii 6
71 7 27 Primi toni, H xvi, 3 i 5
72 20 32 Secundi toni ii 5
73 35 35 Tertii toni, H xvi, 25 iii 5
74 41 38 Quarti toni, iv 5
75 51 43 Quinti toni, H xvi, 46 v 5
76 60 46 Sexti toni, 5vv, H xvi, 57 vi 5
77 73 50 Septimi toni, 5vv, H xvi, 68 vii 5
78 91 57 Octavi toni, 5vv, H xvi, 80 viii 5
79 5 25 Primi toni, 5vv, H xvi, 92 i 5
80 9 29 Vergine bella Rore’s madrigal), H xvi, 108 i 5
81 62 48 Dalle belle contrade (Cipriano de Rore’s madrigal), H xvi, 120 vi 5
82 79 85 Recordare Jesu pie (own motet, 1594), 6vv, H xvi, 134 vii 6
83 71 22 Margot labouréz les vignes (own chanson, 1564a), H xvi, 154 vii 4
84 92 58 Alma real se come fide stella Rore’s madrigal), H xvi, 163 viii 5
85 27 70 O che vezzosa aurora O che vezzosa aurora (Orazio Vecchi)Vecchi’s madrigal), H xvi, 175 ii 6
86 80 86 D’ogni gratia e d’amor (Striggio’s madrigal), H xvi, 188 vii 6
87 84 93 Perpulchrum H xvi, 204 vii 7
88 33 11 S’io credessi per morte (A. de Reulx’s madrigal), H xvi, 221 iii 4
89 57 18 Beau le cristal (own chanson, 1576d), H xvi, 230 vi 4
90 70 21 Pange lingua gloriosi H xvi, 241 vii 4/6
91 8 28 Primi toni, 5vv, H xvi, 259 i 5
92 75 52 Vous perdez temps Sermisy’s chanson), H xvi, 267 vii 5

Volume 17 (Magnificats, Band 5, nos. 93–110)

|93. |Vola vola pensier (Aeria a la italiana) [octavi toni], 5vv, H xvii, 3 |94. |Quinti toni, 6vv, H xvii, 14 ||v ||6 |95. |Octavi toni (i), 8vv, H xvii, 31 ||viii ||8 |96. Octavi toni (ii), 8vv, H xvii, 48 ||vii ||8 |97. Erano capei d’oro [septimi toni] (Nanino’s madrigal), 5vv, H xvii, 64 ||vii ||5 |98. Secundi toni, 6vv, H xvii, 76 ||ii ||6 |99. Si vous estes m’amie [sexti toni] (own chanson, 1584a), 6vv, H xvii, 94 ||vi ||6 |100. Memor esto [secundi toni] (own motet, 1585a), 6vv, H xvii, 107 ||ii ||6 |101. Aurora lucis rutilat [octavi toni] (NoCo|Aurora lucis rutilat|own motet}}, 1604), 10vv, H xvii, 124 ||viii ||10 |102. Septimi toni, 10vv, MS, H xvii, 150 ||vii ||10 |103–110. 8 Magnificat settings, doubtful, H xvii, 182

External links

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