Magnificat (Orlando di Lasso)

Lassus' Magnificats number about 100 and indeed were printed posthumously as Iubilus beatæ virginis, hoc est centum Magnificat (Munich 1619). The sortable list below is ordered after the NGA, with Boetticher's earlier catalogue numbers.

NGA

The Sämtlicher Werke Neue Reihe (NGA) includes 110 attributed works according to the following plan:

• Volume 13 (Magnificats, Band 1, nos. 1–24), edited by Wolfgang Boetticher: 3 Magnificat cycles in the 8 modes
  • Magnificat octo tonorum, 4–6vv (Nuremberg, 1567) (1–8. 6vv, ; 9–16. 5vv, ; 17–24. 4vv, )
• Volume 14 (Magnificats, Band 2, nos. 25–49), edited by James Erb: Works printed in Paris 1587 as well as Munich 1576 & 1587
  • Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ canticum Magnificat, ad imitationem cantilenarum quarundam, 4–6vv (Munich, 1587c)
• Volume 15 (Magnificats, Band 3, nos. 50–70), edited by James Erb: works from the period 1576-1583 in Munich mss.
  • Iubilus beatæ virginis, hoc est centum Magnificat, 4–8vv, 10vv (Munich, 1619a) nos. 50-65
  • Liber primus cantiones sacræ Magnificat vocant, 5, 6vv (Paris, 1602¹)
• Volume 16 (Magnificats, Band 4, nos. 71–92), edited by James Erb: works from the period 1583-1585 in Munich mss.
  • Liber primus cantiones sacræ Magnificat vocant, 5, 6vv (Paris, 1602¹)
• Volume 17 (Magnificats, Band 5, nos. 93–110)

Sortable table

NGA	Bot	1619	model	mode	vv	publ.
1	10	61	Primi toni	i	6	Nürnberg 1567
2	22	65	Secundi toni	ii	6	Nürnberg 1567
3	37	74	Tertii toni	iii	6	Nürnberg 1567
4	45	75	Quarti toni	iv	6	Nürnberg 1567
5	53	78	Quinti toni	v	6	Nürnberg 1567
5	63	80	Sexti toni	vi	6	Nürnberg 1567
7	78	84	Septimi toni	vii	6	Nürnberg 1567
8	95	90	Octavi toni	viii	6	Nürnberg 1567
9	6	26	Primi toni	i	5	Nürnberg 1567
10	18	30	Secundi toni	ii	5	Nürnberg 1567
11	34	34	Tertii toni	iii	5	Nürnberg 1567
12	40	37	Quarti toni	iv	5	Nürnberg 1567
13	50	42	Quinti toni	v	5	Nürnberg 1567
14	58	44	Sexti toni	vi	5	Nürnberg 1567
15	72	49	Septimi toni	vii	5	Nürnberg 1567
16	89	55	Octavi toni	viii	5(6)	Nürnberg 1567
17	2	2	Primi toni	i	4	Nürnberg 1567
18	32	10	Secundi toni	ii	4	Nürnberg 1567
19	32	10	Tertii toni	iii	4	Nürnberg 1567
20	39	13	Quarti toni	iv	4	Nürnberg 1567
21	49	15	Quintii toni	v	4	Nürnberg 1567
22	56	17	Sexti toni	vi	4	Nürnberg 1567
23	69	20	Septimi toni	vii	4	Nürnberg 1567
24	88	24	Octavi toni	viii	4	Nürnberg 1567
25	1	1	Primi toni	i	4	Patrocinium musices 1576
26	14	5	Secundi toni	ii	4	Patrocinium musices 1576
27	31	9	Tertii toni	iii	4	Patrocinium musices 1576
28	38	12	Quarti toni	iv	4	Patrocinium musices 1576
29	48	14	Quinti toni	v	4	Patrocinium musices 1576
30	55	16	Sexti toni	vi	4(5)	Patrocinium musices 1576
31	68	19	Septimi toni	vii	4	Patrocinium musices 1576
32	87	23	Octavi toni	viii	4	Patrocinium musices 1576
33	3	3	Primi toni H xiv, 75	i	4
34	44	41	Ancor che col partire (after Rore's madrigal) H xiv, 82	iv	5
35	67	95	Sexti toni, H xiv, 94	vi	8
36	85	96	Septimi toni H xiv, 112	vii	8
37	4	4	Si par souhait (own chanson, 1570b), H xiv, 126	i	4
38	17	8	Il est jour (Claudin de Sermisy’s chanson),H xiv, 133	ii	4
39	28	71	Quanti in mille anni il ciel ([?Pierre] Nollet’s madrigal) H xiv, 141	ii	6
40	11	62	Dessus le marché d’Arras (own chanson, 1584a), H xiv, 158	i	6	1587
41	12	63	Susanne un jour (Didier Lupi’s chanson), H xiv 174	i	6	1587
42	83	89	Deus in adjutorium [septimi (?) toni] (own motet, 1582e), H xiv, 189	Peregrini toni	6	1587
43	29	72	Ecco ch’io lasso il core [secundi toni] (?Alessandro Striggio’s madrigal), H xiv, 201	ii	6	1587
44	13	64	Omnis enim homo (own motet, 1585b), H xiv, 216	i	6
45	81	87	Amor ecco colei H xiv, 231	vii	6	1587
46	85	76	Quando lieta sperai (anon. madrigal, 1548), H xiv, 243	iv	6	1587
47	94	60	Aria di un sonetto (Ortiz’s Aria di Ruggiero), H xiv, 256	viii	5	1587
48	36	36	Mort et fortune [tertii et octavi toni] (Nicolas Gombert’s chanson), H xiv, 263	iii (viii)	5	1587
49	30	73	Mais qui pourroit [secundi toni] (own chanson, 1584a), H xiv, 275	ii	6	1587
50	16	7	O s’io potessi [secundi toni] (Berchem’s madrigal), 4vv, H xv, 3	ii	4
51	19	31	Secundi toni, 5vv, H xv, 10	ii	5
52	42	39	Quarti toni (i), 5vv, H xv, 16	iv	5
53	59	45	Sexti toni (i), 5vv, H xv, 24	vi	5
54	61	47	Sexti toni (ii), 5vv, H xv, 30	vi	5
55	74	51	Septimi toni (i), 5vv, H xv, 35	vii	5
56	90	56	Octavi toni (i), 5vv, H xv, 40	viii	5
57	21	33	Las je n’iray plus [secundi toni] (own chanson, 1576a), H xv, 46	ii	5
58	26	69	Ultimi miei sospiri [secundi toni] Verdelot’s madrigal), H xv, 58	ii	6
59	65	82	Tant vous allez doux [sexti toni] (Ebran’s chanson), H xv, 74	vi	6
60	77	54	Hélas j’ai sans merci [septimi toni] (own chanson, 1584a), H xv, 95	vii	5
61	82	88	S’io esca vivo [septimi toni] (own madrigal, 1579), H xv, 108	vii	6
62	96	91	Octavi toni, 6vv, H xv, 126	vii	6
63	47	94	Quarti toni, 8vv, H xv, 138	iv	8
64	86	97	Septimi toni, 8vv, H xv, 152	vii	8
65	99	99	Octavi toni (i), 8vv, H xv, 166	viii	8
66	54	79	Omnis homo primum bonum vinum ponit (Giaches de Wert|de Wert’s motet), H xv, 181	vi	6
67	101	-	[Sexti toni], MS ca.1582, H xv, 201	vi	5
68	64	81	Dies est lætitia [sexti toni], H xv, 212	vi	6
69	97	92	Benedicta es, cælorum regina [octavi toni] Josquin’s motet, 1520), H xv, 228	vii	6
70	25	68	Præter rerum seriem [secundi toni] (Josquin’s motet), H xv, 248	ii	6
71	7	27	Primi toni, H xvi, 3	i	5
72	20	32	Secundi toni	ii	5
73	35	35	Tertii toni, H xvi, 25	iii	5
74	41	38	Quarti toni,	iv	5
75	51	43	Quinti toni, H xvi, 46	v	5
76	60	46	Sexti toni, 5vv, H xvi, 57	vi	5
77	73	50	Septimi toni, 5vv, H xvi, 68	vii	5
78	91	57	Octavi toni, 5vv, H xvi, 80	viii	5
79	5	25	Primi toni, 5vv, H xvi, 92	i	5
80	9	29	Vergine bella [primi toni] Rore’s madrigal), H xvi, 108	i	5
81	62	48	Dalle belle contrade [sexti toni] (Cipriano de Rore’s madrigal), H xvi, 120	vi	5
82	79	85	Recordare Jesu pie [septimi toni] (own motet, 1594), 6vv, H xvi, 134	vii	6
83	71	22	Margot labouréz les vignes [septimi toni] (own chanson, 1564a), H xvi, 154	vii	4
84	92	58	Alma real se come fide stella [octavi toni] Rore’s madrigal), H xvi, 163	viii	5
85	27	70	O che vezzosa aurora [secundi toni] O che vezzosa aurora (Orazio Vecchi)Vecchi’s madrigal), H xvi, 175	ii	6
86	80	86	D’ogni gratia e d’amor [septimi toni] (Striggio’s madrigal), H xvi, 188	vii	6
87	84	93	Perpulchrum septimi toni, 7vv, H xvi, 204	vii	7
88	33	11	S’io credessi per morte [tertii toni] (A. de Reulx’s madrigal), H xvi, 221	iii	4
89	57	18	Beau le cristal [sexti toni] (own chanson, 1576d), H xvi, 230	vi	4
90	70	21	Pange lingua gloriosi [septimi toni], H xvi, 241	vii	4/6
91	8	28	Primi toni, 5vv, H xvi, 259	i	5
92	75	52	Vous perdez temps [septimi toni] Sermisy’s chanson), H xvi, 267	vii	5

Volume 17 (Magnificats, Band 5, nos. 93–110)

|93. |Vola vola pensier (Aeria a la italiana) [octavi toni], 5vv, H xvii, 3 |94. |Quinti toni, 6vv, H xvii, 14 ||v ||6 |95. |Octavi toni (i), 8vv, H xvii, 31 ||viii ||8 |96. Octavi toni (ii), 8vv, H xvii, 48 ||vii ||8 |97. Erano capei d’oro [septimi toni] (Nanino’s madrigal), 5vv, H xvii, 64 ||vii ||5 |98. Secundi toni, 6vv, H xvii, 76 ||ii ||6 |99. Si vous estes m’amie [sexti toni] (own chanson, 1584a), 6vv, H xvii, 94 ||vi ||6 |100. Memor esto [secundi toni] (own motet, 1585a), 6vv, H xvii, 107 ||ii ||6 |101. Aurora lucis rutilat [octavi toni] (NoCo|Aurora lucis rutilat|own motet}}, 1604), 10vv, H xvii, 124 ||viii ||10 |102. Septimi toni, 10vv, MS, H xvii, 150 ||vii ||10 |103–110. 8 Magnificat settings, doubtful, H xvii, 182

External links

• Sämtliche Werke, neue Reihe at the Petrucci Music Library (IMSLP)