Magnificat (Orlando di Lasso): Difference between revisions

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Revision as of 23:28, 24 November 2017

Lassus' Magnificats number nearly 100; the Sämtlicher Werke (NGA) includes 110 attributed works. Sämtliche Werke, neue Reihe at the Petrucci Music Library (IMSLP)


Volume 13 (Magnificats, Band 1, nos. 1–24)

Editor: Wolfgang Boetticher:

  • Magnificat octo tonorum, 4–6vv (Nuremberg, 1567)
1–8. Magnificat cycle [octo tonorum], 6vv, Primi toni, H xiii, 3, Secundi toni, H xiii, 15, Tertii toni, H xiii, 34, Quarti toni, H xiii, 50, Quinti toni, H xiii, 68, Sexti toni, H xiii, 88, Septimi toni, H xiii, 106, Octavi toni, H xiii, 122
9–16. Magnificat cycle [octo tonorum] (i), 5vv, Primi toni, H xiii, 143, Secundi toni, H xiii, 155, Tertii toni, H xiii, 166, Quarti toni, H xiii, 181, Quinti toni, H xiii, 193, Sexti toni, H xiii, 200, Septimi toni, H xiii, 213, Octavi toni, H xiii, 227
17–24. Magnificat cycle [octo tonorum] (i), 4vv, Primi toni, H xiii, 245, Secundi toni, H xiii, 251, Tertii toni, H xiii, 256, Quarti toni, H xiii, 261, Quinti toni, H xiii, 267, Sexti toni, H xiii, 272, Septimi toni, H xiii, 278, Octavi toni, H xiii, 283

Volume 14 (Magnificats, Band 2, nos. 25–49)

Editor: Wolfgang Boetticher

  • Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ canticum Magnificat, ad imitationem cantilenarum quarundam, 4–6vv (Munich, 1587c)

Sortable table

NGA Bot 1619 model mode vv publ.
1 10 61 Primi toni i 6 Nürnberg 1567
2 22 65 Secundi toni ii 6 Nürnberg 1567
3 37 74 Tertii toni iii 6 Nürnberg 1567
4 45 75 Quarti toni iv 6 Nürnberg 1567
5 53 78 Quinti toni v 6 Nürnberg 1567
5 63 80 Sexti toni vi 6 Nürnberg 1567
7 78 84 Septimi toni vii 6 Nürnberg 1567
8 95 90 Octavi toni viii 6 Nürnberg 1567
9 6 26 Primi toni i 5 Nürnberg 1567
10 18 30 Secundi toni ii 5 Nürnberg 1567
11 34 34 Tertii toni iii 5 Nürnberg 1567
12 40 37 Quarti toni iv 5 Nürnberg 1567
13 50 42 Quinti toni v 5 Nürnberg 1567
14 58 44 Sexti toni vi 5 Nürnberg 1567
15 72 49 Septimi toni vii 5 Nürnberg 1567
16 89 55 Octavi toni viii 5(6) Nürnberg 1567
17 2 2 Primi toni i 4 Nürnberg 1567
18 32 10 Secundi toni ii 4 Nürnberg 1567
19 32 10 Tertii toni iii 4 Nürnberg 1567
20 39 13 Quarti toni iv 4 Nürnberg 1567
21 49 15 Quintii toni v 4 Nürnberg 1567
22 56 17 Sexti toni vi 4 Nürnberg 1567
23 69 20 Septimi toni vii 4 Nürnberg 1567
24 88 24 Octavi toni viii 4 Nürnberg 1567
25 1 1 Primi toni i 4 Patrocinium musices 1576
26 14 5 Secundi toni ii 4 Patrocinium musices 1576
27 31 9 Tertii toni iii 4 Patrocinium musices 1576
28 38 12 Quarti toni iv 4 Patrocinium musices 1576
29 48 14 Quinti toni v 4 Patrocinium musices 1576
30 55 16 Sexti toni vi 4(5) Patrocinium musices 1576
31 68 19 Septimi toni vii 4 Patrocinium musices 1576
32 87 23 Octavi toni viii 4 Patrocinium musices 1576
33 3 3 Primi toni H xiv, 75 i 4
34 44 41 Ancor che col partire (after Rore's madrigal) H xiv, 82 iv 5
35 67 95 Magnificat sexti toni a 8 |Sexti toni]], H xiv, 94 vi 8
36 85 96 Septimi toni H xiv, 112 vii 8
37 4 4 Magnificat Si par souhait (own chanson, 1570b), H xiv, 126 i 4
38 17 8 Il est jour (Claudin de Sermisy’s chanson),H xiv, 133 ii 4
39 28 71 Quanti in mille anni il ciel ([?Pierre] Nollet’s madrigal) H xiv, 141 ii 6
40 11 62 Dessus le marché d’Arras (own chanson, 1584a), H xiv, 158 I 6 1587
41 12 63 Susanne un jour (Didier Lupi’s chanson), H xiv 174 I 6 1587
42 83 89 Deus in adjutorium meum intende [septimi (?peregrini) toni] (own motet, 1582e), H xiv, 189 Peregrini toni 6 1587
43 29 72 Ecco ch’io lasso il core [secundi toni] (?Alessandro Striggio’s madrigal), H xiv, 201 ii 6 1587
44 13 64 Omnis enim homo (own motet, 1585b), H xiv, 216 I 6
45 81 87 Amor ecco colei H xiv, 231 vii 6 1587
46 85 76 Quando lieta sperai (anon. madrigal, 1548), H xiv, 243 iv 6 1587
47 94 60 Magnificat Aria di un sonetto (Diego Ortiz’s Aria di Ruggiero), H xiv, 256 viii 5 1587
48 36 36 Mort et fortune [tertii et octavi toni] (Nicolas Gombert’s chanson), H xiv, 263 iii (viii) 5 1587
49 30 73 Mais qui pourroit [secundi toni] (own chanson, 1584a), H xiv, 275 ii 6 1587

Volume 15 (Magnificats, Band 3, nos. 50–70)

  • Iubilus beatæ virginis, hoc est centum Magnificat, 4–8vv, 10vv (Munich, 1619a)
50. O s’io potessi [secundi toni] (Berchem’s madrigal), 4vv, H xv, 3
51. Secundi toni, 5vv, H xv, 10
52. Quarti toni (i), 5vv, H xv, 16
53. Sexti toni (i), 5vv, H xv, 24
54. Sexti toni (ii), 5vv, H xv, 30
55. Septimi toni (i), 5vv, H xv, 35
56. Octavi toni (i), 5vv, H xv, 40
57. Las je n’iray plus [secundi toni] (own chanson, 1576a), 5vv, H xv, 46
58. Ultimi miei sospiri [secundi toni] (Philippe Verdelot’s madrigal), 6vv, H xv, 58
59. Tant vous allez doux [sexti toni] (Ebran’s chanson), 6vv, H xv, 74
60. Hélas j’ai sans merci [septimi toni] (own chanson, 1584a), 5vv, H xv, 95
61. S’io esca vivo [septimi toni] (own madrigal, 1579), 6vv, H xv, 108
62. Octavi toni, 6vv, H xv, 126
63. Quarti toni, 8vv, H xv, 138
64. Septimi toni, 8vv, H xv, 152
65. Octavi toni (i), 8vv, H xv, 166
  • Liber primus cantiones sacræ Magnificat vocant, 5, 6vv (Paris, 16021)
66. Omnis homo primum bonum vinum ponit [?sexti toni] (Giaches de Wert’s motet), 6vv, H xv, 181
67. [Sexti toni], 5vv, MS ca.1582, H xv, 201
68. Dies est lætitia [sexti toni], 6vv, H xv, 212
69. Benedicta es, cælorum regina [octavi toni] (Josquin Desprez’ motet, 1520), 6vv, H xv, 228
70. Præter rerum seriem [secundi toni] (Josquin’s motet), 6vv, H xv, 248

Volume 16 (Magnificats, Band 4, nos. 71–92)

71. Primi toni, 5vv, H xvi, 3
72. Secundi toni, 5vv
73. Tertii toni, 5vv, H xvi, 25
74. Quarti toni, 5vv
75. Quinti toni, 5vv, H xvi, 46
76. Sexti toni, 5vv, H xvi, 57
77. Septimi toni, 5vv, H xvi, 68
78. Octavi toni, 5vv, H xvi, 80
79. Primi toni, 5vv, H xvi, 92
80. Vergine bella [primi toni] (Cipriano de Rore’s madrigal), 5vv, H xvi, 108
81. Dalle belle contrade [sexti toni] (Cipriano de Rore’s madrigal), 5vv, H xvi, 120
82. Recordare Jesu pie [septimi toni] (own motet, 1594), 6vv, H xvi, 134
83. Margot labouréz les vignes [septimi toni] (own chanson, 1564a), 4vv, H xvi, 154
84. Alma real se come fide stella [octavi toni] (Cipriano de Rore’s madrigal), 5vv, H xvi, 163
85. O che vezzosa aurora [secundi toni] (Orazio Vecchi’s madrigal), 6vv, H xvi, 175
86. D’ogni gratia e d’amor [septimi toni] (Alessandro Striggio’s madrigal), 6vv, H xvi, 188
87. Perpulchrum septimi toni, 7vv, H xvi, 204
88. S’io credessi per morte [tertii toni] (A. de Reulx’s madrigal), 4vv, H xvi, 221
89. Beau le cristal [sexti toni] (own chanson, 1576d), 4vv, H xvi, 230
90. Pange lingua gloriosi [septimi toni], 4vv, H xvi, 241
91. Primi toni, 5vv, H xvi, 259
92. Vous perdez temps [septimi toni] (Claudin de Sermisy’s chanson), 5vv, H xvi, 267

Volume 17 (Magnificats, Band 5, nos. 93–110)

93. Vola vola pensier (Aeria a la italiana) [octavi toni], 5vv, H xvii, 3
94. Quinti toni, 6vv, H xvii, 14
95. Octavi toni (i), 8vv, H xvii, 31
96. Octavi toni (ii), 8vv, H xvii, 48
97. Erano capei d’oro [septimi toni] (Giovanni Maria Nanino’s madrigal), 5vv, H xvii, 64
98. Secundi toni, 6vv, H xvii, 76
99. Si vous estes m’amie [sexti toni] (own chanson, 1584a), 6vv, H xvii, 94
100. Memor esto [secundi toni] (own motet, 1585a), 6vv, H xvii, 107
101. Aurora lucis rutilat [octavi toni] (own motet, 1604), 10vv, H xvii, 124
102. Septimi toni, 10vv, MS, H xvii, 150
103–110. 8 Magnificat settings, doubtful, H xvii, 182
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