Magnificat (Orlando di Lasso): Difference between revisions

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| H xiv, 75
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|[[Ancor che col partire (Cipriano de Rore)]] H xiv, 82
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* Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ canticum Magnificat, ad imitationem cantilenarum quarundam, 4–6vv (Munich, 1587c)
|37
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|{{NoCo|Si par souhait je vous}}(own chanson, 1570b), H xiv, 126
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| Il est jour ([[Il est jour (Claudin de Sermisy)|Claudin de Sermisy’s chanson]]),H xiv, 133
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|Quanti in mille anni il ciel ([?Pierre] Nollet’s madrigal) H xiv, 141
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| Dessus le marché d’Arras ({{NoCo|Dessus le marché d’Arras|own chanson}}, 1584a), H xiv, 158
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|1587
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|Susanne un jour ([[Susanne un jour (Didier Lui)|Didier Lupi’s chanson]]), H xiv 174
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|1587
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|83
|89
|Deus in adjutorium meum intende [septimi (?peregrini) toni] ({{NoCo|Deus in adjutorium|own motet}}, 1582e), H xiv, 189
|6
|Peregrini toni
|1587
|-
|43
|29
|72
|Ecco ch’io lasso il core [secundi toni] (?Alessandro Striggio’s madrigal), H xiv, 201
|6
|ii
|1587
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|44
|13
|64
|Omnis enim homo ({{NoCo|Omnis enim homo|own motet}}, 1585b), H xiv, 216
|6
|I
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|45
|81
|87
|Amor ecco colei, H xiv, 231
|6
|vii
|1587
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|46
|85
|76
|Quando lieta sperai  (anon. madrigal, 1548), H xiv, 243
|6
|iv
|1587
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|94
|60
|Aria di un sonetto (Diego Ortiz’s [[Aria di Ruggiero (Diego Ortiz)|Aria di Ruggiero]]), H xiv, 256
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|viii
|viii
|4
|1587
|''Patrocinium musices'' 1576
|-
|48
|36
|36
|Mort et fortune [tertii et octavi toni] ([[Mort et fortune (Nicolas Gombert)|Nicolas Gombert’s chanson]]), H xiv, 263
|5
|iii (viii)
|1587
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|49
|30
|73
|Mais qui pourroit [secundi toni] ({{NoCo|Mais qui pourroit|own chanson}}, 1584a), H xiv, 275
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* Patrocinium musices… Magnificat aliquot, quinta pars, 4–6, 8vv (Munich, 1576c)
:33. Primi toni, 4vv, H xiv, 75
:34. Ancor che col partire [quarti toni] (Cipriano de Rore’s madrigal),  5vv, H xiv, 82
:35. Sexti toni, 8vv, H xiv, 94
:36. Septimi toni, 8vv, H xiv, 112
* Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ canticum Magnificat, ad imitationem cantilenarum quarundam, 4–6vv (Munich, 1587c)
:37. Si par souhait je vous [primi toni] (own chanson, 1570b), 4vv, H xiv, 126
:38. Il est jour [secundi toni] ([[Il est jour (Claudin de Sermisy)|Claudin de Sermisy’s chanson]]), 4vv, H xiv, 133
:39. Quanti in mille anni il ciel [secundi toni] ([?Pierre] Nollet’s madrigal), 6vv, H xiv, 141
:40. Dessus le marché d’Arras [primi toni] ({{NoCo|Dessus le marché d’Arras|own chanson}}, 1584a), 6vv, H xiv, 158
:41. Susanne un jour [primi toni] ([[Susanne un jour (Didier Lui)|Didier Lupi’s chanson]]), 6vv, H xiv 174
:42. Deus in adjutorium meum intende [septimi (?peregrini) toni] ({{NoCo|Deus in adjutorium|own motet}}, 1582e), 6vv, H xiv, 189
:43. Ecco ch’io lasso il core [secundi toni] (?Alessandro Striggio’s madrigal), 6vv, H xiv, 201
:44. Omnis enim homo [primi toni] ({{Omnis enim homo|own motet}}, 1585b), 6vv, H xiv, 216
:45. Amor ecco colei [septimi toni], 6vv, H xiv, 231
:46. Quando lieta sperai [quarti toni] (anon. madrigal, 1548), 6vv, H xiv, 243
:47. Aria di un sonetto [octavi toni] (Diego Ortiz’s [[Aria di Ruggiero (Diego Ortiz)|Aria di Ruggiero]]), 5vv, H xiv, 256
:48. Mort et fortune [tertii et octavi toni] ([[Mort et fortune (Nicolas Gombert)|Nicolas Gombert’s chanson]]), 5vv, H xiv, 263
:49. Mais qui pourroit [secundi toni] ({{NoCo|Mais qui pourroit|own chanson}}, 1584a), 6vv, H xiv, 275


==== Volume 15 (Magnificats, Band 3, nos. 50–70)====
==== Volume 15 (Magnificats, Band 3, nos. 50–70)====

Revision as of 02:46, 15 November 2017

Lassus' Magnificats number nearly 100; the Sämtlicher Werke (NGA) includes 110 attributed works.

Magnificat (Orlando di Lasso) at the Petrucci Music Library (IMSLP)

NGA Bot 1619 model mode vv publ.
1 61 i 6 Nürnberg 1567
2 65 ii 6 Nürnberg 1567
3 74 iii 6 Nürnberg 1567
4 iv 6 Nürnberg 1567
5 v 6 Nürnberg 1567
5 v 6 Nürnberg 1567
6 vi 6 Nürnberg 1567
7 vii 6 Nürnberg 1567
8 viii 6 Nürnberg 1567
9 i 5 Nürnberg 1567
10 ii 5 Nürnberg 1567
11 iii 5 Nürnberg 1567
12 iv 5 Nürnberg 1567
13 v 5 Nürnberg 1567
14 vi 5 Nürnberg 1567
15 vii 5 Nürnberg 1567
16 viii 5 Nürnberg 1567
17 i 4 Nürnberg 1567
18 ii 4 Nürnberg 1567
19 iii 4 Nürnberg 1567
20 iv 4 Nürnberg 1567
21 v 4 Nürnberg 1567
22 vi 4 Nürnberg 1567
23 vii 4 Nürnberg 1567
24 viii 4 Nürnberg 1567

Volume 13 (Magnificats, Band 1, nos. 1–24)

Editor: Wolfgang Boetticher:

  • Magnificat octo tonorum, 4–6vv (Nuremberg, 1567)
1–8. Magnificat cycle [octo tonorum], 6vv, Primi toni, H xiii, 3, Secundi toni, H xiii, 15, Tertii toni, H xiii, 34, Quarti toni, H xiii, 50, Quinti toni, H xiii, 68, Sexti toni, H xiii, 88, Septimi toni, H xiii, 106, Octavi toni, H xiii, 122
9–16. Magnificat cycle [octo tonorum] (i), 5vv, Primi toni, H xiii, 143, Secundi toni, H xiii, 155, Tertii toni, H xiii, 166, Quarti toni, H xiii, 181, Quinti toni, H xiii, 193, Sexti toni, H xiii, 200, Septimi toni, H xiii, 213, Octavi toni, H xiii, 227
17–24. Magnificat cycle [octo tonorum] (i), 4vv, Primi toni, H xiii, 245, Secundi toni, H xiii, 251, Tertii toni, H xiii, 256, Quarti toni, H xiii, 261, Quinti toni, H xiii, 267, Sexti toni, H xiii, 272, Septimi toni, H xiii, 278, Octavi toni, H xiii, 283

Volume 14 (Magnificats, Band 2, nos. 25–49)

Editor: Wolfgang Boetticher

  • Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ canticum Magnificat, ad imitationem cantilenarum quarundam, 4–6vv (Munich, 1587c)
  • Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ canticum Magnificat, ad imitationem cantilenarum quarundam, 4–6vv (Munich, 1587c)
NGA Bot 1619 model mode vv publ.
25 1 1 i 4 Patrocinium musices 1576
26 14 5 ii 4 Patrocinium musices 1576
27 31 9 iii 4 Patrocinium musices 1576
28 38 12 iv 4 Patrocinium musices 1576
29 48 14 v 4 Patrocinium musices 1576
30 55 16 vi 4 Patrocinium musices 1576
31 68 19 vii 4 Patrocinium musices 1576
32 87 23 viii 4 Patrocinium musices 1576
33 3 3 H xiv, 75 i 4
34 44 41 Ancor che col partire (Cipriano de Rore) H xiv, 82 5 iv
35 67 95 Sexti toni, H xiv, 94 8 vi
36 85 96 Septimi toni H xiv, 112 8 vii
37 4 4 Si par souhait je vous(own chanson, 1570b), H xiv, 126 4 i
38 17 8 Il est jour (Claudin de Sermisy’s chanson),H xiv, 133 4 ii
39 28 71 Quanti in mille anni il ciel ([?Pierre] Nollet’s madrigal) H xiv, 141 6 ii
40 11 62 Dessus le marché d’Arras (own chanson, 1584a), H xiv, 158 6 i 1587
41 12 63 Susanne un jour (Didier Lupi’s chanson), H xiv 174 6 I 1587
42 83 89 Deus in adjutorium meum intende [septimi (?peregrini) toni] (own motet, 1582e), H xiv, 189 6 Peregrini toni 1587
43 29 72 Ecco ch’io lasso il core [secundi toni] (?Alessandro Striggio’s madrigal), H xiv, 201 6 ii 1587
44 13 64 Omnis enim homo (own motet, 1585b), H xiv, 216 6 I
45 81 87 Amor ecco colei, H xiv, 231 6 vii 1587
46 85 76 Quando lieta sperai (anon. madrigal, 1548), H xiv, 243 6 iv 1587
47 94 60 Aria di un sonetto (Diego Ortiz’s Aria di Ruggiero), H xiv, 256 5 viii 1587
48 36 36 Mort et fortune [tertii et octavi toni] (Nicolas Gombert’s chanson), H xiv, 263 5 iii (viii) 1587
49 30 73 Mais qui pourroit [secundi toni] (own chanson, 1584a), H xiv, 275 6 ii 1587

Volume 15 (Magnificats, Band 3, nos. 50–70)

  • Iubilus beatæ virginis, hoc est centum Magnificat, 4–8vv, 10vv (Munich, 1619a)
50. O s’io potessi [secundi toni] (Berchem’s madrigal), 4vv, H xv, 3
51. Secundi toni, 5vv, H xv, 10
52. Quarti toni (i), 5vv, H xv, 16
53. Sexti toni (i), 5vv, H xv, 24
54. Sexti toni (ii), 5vv, H xv, 30
55. Septimi toni (i), 5vv, H xv, 35
56. Octavi toni (i), 5vv, H xv, 40
57. Las je n’iray plus [secundi toni] (own chanson, 1576a), 5vv, H xv, 46
58. Ultimi miei sospiri [secundi toni] (Philippe Verdelot’s madrigal), 6vv, H xv, 58
59. Tant vous allez doux [sexti toni] (Ebran’s chanson), 6vv, H xv, 74
60. Hélas j’ai sans merci [septimi toni] (own chanson, 1584a), 5vv, H xv, 95
61. S’io esca vivo [septimi toni] (own madrigal, 1579), 6vv, H xv, 108
62. Octavi toni, 6vv, H xv, 126
63. Quarti toni, 8vv, H xv, 138
64. Septimi toni, 8vv, H xv, 152
65. Octavi toni (i), 8vv, H xv, 166
  • Liber primus cantiones sacræ Magnificat vocant, 5, 6vv (Paris, 16021)
66. Omnis homo primum bonum vinum ponit [?sexti toni] (Giaches de Wert’s motet), 6vv, H xv, 181
67. [Sexti toni], 5vv, MS ca.1582, H xv, 201
68. Dies est lætitia [sexti toni], 6vv, H xv, 212
69. Benedicta es, cælorum regina [octavi toni] (Josquin Desprez’ motet, 1520), 6vv, H xv, 228
70. Præter rerum seriem [secundi toni] (Josquin’s motet), 6vv, H xv, 248

Volume 16 (Magnificats, Band 4, nos. 71–92)

71. Primi toni, 5vv, H xvi, 3
72. Secundi toni, 5vv
73. Tertii toni, 5vv, H xvi, 25
74. Quarti toni, 5vv
75. Quinti toni, 5vv, H xvi, 46
76. Sexti toni, 5vv, H xvi, 57
77. Septimi toni, 5vv, H xvi, 68
78. Octavi toni, 5vv, H xvi, 80
79. Primi toni, 5vv, H xvi, 92
80. Vergine bella [primi toni] (Cipriano de Rore’s madrigal), 5vv, H xvi, 108
81. Dalle belle contrade [sexti toni] (Cipriano de Rore’s madrigal), 5vv, H xvi, 120
82. Recordare Jesu pie [septimi toni] (own motet, 1594), 6vv, H xvi, 134
83. Margot labouréz les vignes [septimi toni] (own chanson, 1564a), 4vv, H xvi, 154
84. Alma real se come fide stella [octavi toni] (Cipriano de Rore’s madrigal), 5vv, H xvi, 163
85. O che vezzosa aurora [secundi toni] (Orazio Vecchi’s madrigal), 6vv, H xvi, 175
86. D’ogni gratia e d’amor [septimi toni] (Alessandro Striggio’s madrigal), 6vv, H xvi, 188
87. Perpulchrum septimi toni, 7vv, H xvi, 204
88. S’io credessi per morte [tertii toni] (A. de Reulx’s madrigal), 4vv, H xvi, 221
89. Beau le cristal [sexti toni] (own chanson, 1576d), 4vv, H xvi, 230
90. Pange lingua gloriosi [septimi toni], 4vv, H xvi, 241
91. Primi toni, 5vv, H xvi, 259
92. Vous perdez temps [septimi toni] (Claudin de Sermisy’s chanson), 5vv, H xvi, 267

Volume 17 (Magnificats, Band 5, nos. 93–110)

93. Vola vola pensier (Aeria a la italiana) [octavi toni], 5vv, H xvii, 3
94. Quinti toni, 6vv, H xvii, 14
95. Octavi toni (i), 8vv, H xvii, 31
96. Octavi toni (ii), 8vv, H xvii, 48
97. Erano capei d’oro [septimi toni] (Giovanni Maria Nanino’s madrigal), 5vv, H xvii, 64
98. Secundi toni, 6vv, H xvii, 76
99. Si vous estes m’amie [sexti toni] (own chanson, 1584a), 6vv, H xvii, 94
100. Memor esto [secundi toni] (own motet, 1585a), 6vv, H xvii, 107
101. Aurora lucis rutilat [octavi toni] (own motet, 1604), 10vv, H xvii, 124
102. Septimi toni, 10vv, MS, H xvii, 150
103–110. 8 Magnificat settings, doubtful, H xvii, 182