John Hetland: Difference between revisions
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==Life== | |||
'''Born:''' 1941 | '''Born:''' 1941 | ||
'''Biography''' | |||
John Hetland is the founder and director of the Renaissance Street Singers. He graduated from St. John's college in Annapolis, Maryland, in 1965, and has since lived in Manhattan, New York. He has written sacred works for ''a cappella'' choir and rounds for anyone. | John Hetland is the founder and director of the Renaissance Street Singers. He graduated from St. John's college in Annapolis, Maryland, in 1965, and has since lived in Manhattan, New York. He has written sacred works for ''a cappella'' choir and rounds for anyone. | ||
== | ==List of choral works== | ||
===Sacred Music=== | ===Sacred Music=== | ||
{{#SortWorks:Sacred music}} | {{#SortWorks:Sacred music&&!Canons|cols=2}} | ||
===Rounds=== | ===Rounds=== | ||
{{#SortWorks: | Note: The term "equal voices" should here be understood to mean both high (mostly women and children) and low (mostly men) voices. Include both in singing these rounds, but only high or only low on any part. Fermatas indicate a chord for ending, so ignore them until the end. Plan to end with low voices on the root of the chord. | ||
{{CheckMissing}} | {{#SortWorks:Canons|cols=2}} | ||
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{{DEFAULTSORT:{{NameSorter}}}} | {{DEFAULTSORT:{{NameSorter}}}} | ||
[[Category:1941 births]] | [[Category:1941 births]] | ||
[[Category:Composers]] | [[Category:Composers]] | ||
[[Category:Modern composers]] | [[Category:Modern composers]] | ||
[[Category:U.S. American composers]] | [[Category:U.S. American composers]] | ||
Latest revision as of 01:41, 23 October 2022
Life
Born: 1941
Biography John Hetland is the founder and director of the Renaissance Street Singers. He graduated from St. John's college in Annapolis, Maryland, in 1965, and has since lived in Manhattan, New York. He has written sacred works for a cappella choir and rounds for anyone.
List of choral works
Sacred Music
Rounds
Note: The term "equal voices" should here be understood to mean both high (mostly women and children) and low (mostly men) voices. Include both in singing these rounds, but only high or only low on any part. Fermatas indicate a chord for ending, so ignore them until the end. Plan to end with low voices on the root of the chord.