In convertendo (Orlando di Lasso): Difference between revisions

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(→‎General Information: Link to publication page, with sequential number)
(→‎General Information: Link to publication page, with sequential number)
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{{Pub|1|1565|in ''{{NoCo|Modulorum 4-10 vocibus secundum volumen}}''|no=24}}
{{Pub|1|1565|in ''{{NoCo|Modulorum 4-10 vocibus secundum volumen}}''|no=24}}
{{Pub|2|1568|in ''{{NoCo|Selectissimae cantiones}}''|no=1.43}}
{{Pub|2|1568|in ''{{NoCo|Selectissimae cantiones}}''|no=1.43}}
{{Pub|3|1618|in ''[[Florilegium Portense Vol. 1]]''|no=40}}
'''Description:''' The setting of Psalm 125 in two parts. The work is composed for double choir, a higher (in high chiavette) and a lower (in chiavi naturali) choir.
'''Description:''' The setting of Psalm 125 in two parts. The work is composed for double choir, a higher (in high chiavette) and a lower (in chiavi naturali) choir.



Revision as of 11:54, 29 May 2019

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  • (Posted 2017-02-26)  CPDL #43295:       
Editor: Pothárn Imre (submitted 2017-02-26).   Score information: A4, 9 pages, 144 kB   Copyright: CPDL
Edition notes: Transcribed from Selectissimae cantiones, 1579. Original pitch and note-values.

General Information

Title: In convertendo (2nda pars Convertere Domine)
Composer: Orlando di Lasso
Lyricist:

Number of voices: 8vv   Voicing: SATB.SATB

Genre: SacredMotet

Language: Latin
Instruments: A cappella

First published: 1565 in Modulorum 4-10 vocibus secundum volumen, no. 24
    2nd published: 1568 in Selectissimae cantiones, no. 1.43
    3rd published: 1618 in Florilegium Portense Vol. 1, no. 40
Description: The setting of Psalm 125 in two parts. The work is composed for double choir, a higher (in high chiavette) and a lower (in chiavi naturali) choir.

External websites:

Original text and translations

Original text and translations may be found at Psalm 126.