In convertendo (Orlando di Lasso): Difference between revisions
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{{Pub|1|1565|in ''{{NoCo|Modulorum 4-10 vocibus secundum volumen}}''|no=24}} | {{Pub|1|1565|in ''{{NoCo|Modulorum 4-10 vocibus secundum volumen}}''|no=24}} | ||
{{Pub|2|1568|in ''{{NoCo|Selectissimae cantiones}}''|no=1.43}} | {{Pub|2|1568|in ''{{NoCo|Selectissimae cantiones}}''|no=1.43}} | ||
{{Pub|3|1618|in ''[[Florilegium Portense Vol. 1]]''|no=40}} | |||
'''Description:''' The setting of Psalm 125 in two parts. The work is composed for double choir, a higher (in high chiavette) and a lower (in chiavi naturali) choir. | '''Description:''' The setting of Psalm 125 in two parts. The work is composed for double choir, a higher (in high chiavette) and a lower (in chiavi naturali) choir. | ||
Revision as of 11:54, 29 May 2019
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- Editor: Pothárn Imre (submitted 2017-02-26). Score information: A4, 9 pages, 144 kB Copyright: CPDL
- Edition notes: Transcribed from Selectissimae cantiones, 1579. Original pitch and note-values.
General Information
Title: In convertendo (2nda pars Convertere Domine)
Composer: Orlando di Lasso
Lyricist:
Number of voices: 8vv Voicing: SATB.SATB
Genre: Sacred, Motet
Language: Latin
Instruments: A cappella
First published: 1565 in Modulorum 4-10 vocibus secundum volumen, no. 24
2nd published: 1568 in Selectissimae cantiones, no. 1.43
3rd published: 1618 in Florilegium Portense Vol. 1, no. 40
Description: The setting of Psalm 125 in two parts. The work is composed for double choir, a higher (in high chiavette) and a lower (in chiavi naturali) choir.
External websites:
Original text and translations
Original text and translations may be found at Psalm 126.