In Dominicis per Annum ad Vesperas (Tomás Luis de Victoria): Difference between revisions

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==Music files==
==Music files==
{{#Legend:}}
{{#Legend:}}
*{{PostedDate|2021-02-21}} {{CPDLno|63083}} [[Media:In-Dominicis-per-Annum.pdf|{{pdf}}]]  
* {{PostedDate|2021-02-21}} {{CPDLno|63083}} [[Media:In-Dominicis-per-Annum.pdf|{{pdf}}]]
{{Editor|Andreas Stenberg|2021-02-21}}{{ScoreInfo|A4|49|810}}{{Copy|CPDL}}
{{Editor|Andreas Stenberg|2021-02-21}} {{ScoreInfo|A4|49|810}}{{Copy|CPDL}}
:'''Edition notes:''' This is an edition where the musical material from BSB 2 Mus.pr 23 with its adendum BSB Mus.pr. 23 beib.1 is combined with text material from the Breviarium Tridentinum 1571. The musical material is presented in semi-diplomatorical form with modern clefs and ficta added but without transposition or reduction of the original note values.  
:{{EdNotes|This is an edition where the musical material from BSB 2 Mus.pr 23 with its adendum BSB Mus.pr. 23 beib.1 is combined with text material from the Breviarium Tridentinum 1571. The musical material is presented in semi-diplomatorical form with modern clefs and ficta added but without transposition or reduction of the original note values.}}


==General Information==
==General Information==
'''Title:''' ''In Domniis per Annum ad Vesperas''<br>
{{Title|''In Domniis per Annum ad Vesperas''}}
{{Composer|Tomás Luis de Victoria}}
{{Composer|Tomás Luis de Victoria}}
{{Lyricist|}}
{{Lyricist|}}


{{Voicing|4|SATB}}<br>
{{Voicing|4|SATB}}
{{Genre|Sacred|Vespers}}
{{Genre|Sacred|Vespers}}
{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Pub|1|midd 17-th century}}
{{Pub|0|ca. 1670|in Bayerische Staatsbibilothek 1 Mus.pr.23|ms=ms}}
 
{{Descr|The sections in the Munich Choirbook (Bayerische Staatsbibliotek Manuscript 2 Mus.pr. 23) pertaining to the common sundays of the year: Intitial responorium, Deus in adiutorium, The Vesperpsalms with their Antiphones, The hymn used for most common Sundays, The Suffragia used at St. Michael in München. Though part of the material is in chant the Polyphonical sections are, according to E.C. Cramer by Victoria.
'''Description:''' The sections in The Bayerische Staatsbibliotek tomos 2 Mus.pr. 23 pertaining to the common sundays of the year: Intitial responorium, Deus in adiutorium, The Vesperpsalms with their Antiphones, The hymn used for most common Sundays, The Suffragia used at St. Michael in München. Though part of the material is in chant the Polyphonical sections are, according to E.C. Cramer by Victoria.  
 
*Ad invitatorium {{NoCo|Deus in adjutorium.../ Domine ad adiuvandum...}}
*Ad invitatorium {{NoCo|Deus in adjutorium.../ Domine ad adiuvandum...}}
*Dixit Dominus (1. Vesper psalm with Antiphon) {{NoCo|Dixit dominus Domino meo - Tone VII falsibordoni with Antiphon}}
*Dixit Dominus (1. Vesper psalm with Antiphon) {{NoCo|Dixit Dominus Domino meo - Tone VII falsibordoni with Antiphon}}
*Confiteor tibi Domine (2. Vesper psalm with Antiphon "Fidelia") {{NoCo|Confiteor tibi Domine - IV tone falsibordoni}}
*Confiteor tibi Domine (2. Vesper psalm with Antiphon "Fidelia") {{NoCo|Confiteor tibi Domine - IV tone falsibordoni}}
*Beatus vir (3. Vesper psalm with Antiphon "In mandatis...") {{NoCo|Beatus Vir (Ps. 111) - IV tone falsibordoni}}
*Beatus vir (3. Vesper psalm with Antiphon "In mandatis...") {{NoCo|Beatus Vir (Ps. 111) - IV tone falsibordoni}}
*Laudate pueri Dominum (4. Vesper psalm with Antiphone "Sit nomen Domini..") {{NoCo|Laudate pueri Dominum - VII tone falsibordoni}}
*Laudate pueri Dominum (4. Vesper psalm with Antiphone "Sit nomen Domini..") {{NoCo|Laudate pueri Dominum - VII tone falsibordoni}}
*In exitu (5. Vesper psalm with Antiphone "Nos qui vivimus...") {{NoCo|In Exitu - Mixtus tonus falsibordoni}}
*In exitu (5. Vesper psalm with Antiphone "Nos qui vivimus...") {{NoCo|In exitu - Mixtus tonus falsibordoni}}
*Hymn: Lucis Creator optime {{NoCo|Lucis Creator optime}}
*Hymn: Lucis Creator optime {{NoCo|Lucis Creator optime}}
 
*Suffragia {{Cat|Gregorian chant compositions|Commemorationes communes - Suffragia}}}}
'''External websites:'''
{{#ExtWeb:
 
*[https://opacplus.bsb-muenchen.de/title/BV040100485 Manuscript at BSB]}}
==Original text and translations==
==Original text and translations==
{{LinkText|Vespers}}
{{LinkText|Vespers}}
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[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Renaissance music]]
[[Category:Renaissance music]]
[[Category:Music publications]]

Revision as of 19:51, 20 July 2021

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  • (Posted 2021-02-21)  CPDL #63083:   
Editor: Andreas Stenberg (submitted 2021-02-21).   Score information: A4, 49 pages, 810 kB   Copyright: CPDL
Edition notes: This is an edition where the musical material from BSB 2 Mus.pr 23 with its adendum BSB Mus.pr. 23 beib.1 is combined with text material from the Breviarium Tridentinum 1571. The musical material is presented in semi-diplomatorical form with modern clefs and ficta added but without transposition or reduction of the original note values.

General Information

Title: In Domniis per Annum ad Vesperas
Composer: Tomás Luis de Victoria
Lyricist:

Number of voices: 4vv   Voicing: SATB
Genre: SacredVespers

Language: Latin
Instruments: A cappella

    Manuscript ca. 1670 in Bayerische Staatsbibilothek 1 Mus.pr.23
Description: The sections in the Munich Choirbook (Bayerische Staatsbibliotek Manuscript 2 Mus.pr. 23) pertaining to the common sundays of the year: Intitial responorium, Deus in adiutorium, The Vesperpsalms with their Antiphones, The hymn used for most common Sundays, The Suffragia used at St. Michael in München. Though part of the material is in chant the Polyphonical sections are, according to E.C. Cramer by Victoria.

External websites:

Original text and translations

Original text and translations may be found at Vespers.